Alysia Reiner is an award-winning actress best known as the villainous warden Natalie "Fig" Figueroa on Netflix’s ORANGE IS THE NEW BLACK for all 7 seasons, and won a SAG Award as part of the cast. She also stars as Sunny on the critically acclaimed, Peabody Award-winning BETTER THINGS on FX and Hulu and Kiki Rains on HBO’s THE DEUCE. She both starred in and produced the Sundance Film Festival hit EQUITY and Tribeca Film Festival favorite EGG. A few other recent adventures include getting naked in an Emmy Award winning episode of Comedy Central’s BROAD CITY and going head to head against Viola Davis’ Annalise on the ABC/Shonda Rhimes series HOW TO GET AWAY WITH MURDER. Alysia has been invited to speak at The White House, The United Nations, Google, Cannes Lion, Women's Media Summit, Collision, and countless film festivals and other events about breaking barriers for women in all fields, specifically the entertainment industry. Alysia has led a long, successful career as an in-demand actress largely by working on her craft, her mindset, and other strategies for success, and she's excited to share her lessons learned with the Stage 32 community. Full Bio »
It takes a lot to find success as an actor. It is, after all, one of the emotionally hardest jobs out there and involves facing constant rejection, putting yourself out there, being vulnerable for strangers. And with overwhelming competition, roles can be scarce, which makes it even harder to sustain a career. Yet being an actor can also be one of the most exciting and rewarding experiences, especially for those with the passion. Experienced actors know that finding success involves looking past the obstacles and built-in challenges and instead looking inward. Even with difficulties standing in your way, there are always ways to improve yourself and your craft to not only find more work, but to enjoy it more as well.
It’s easy for actors to get so wrapped up in the industry and the system, in who they know and the projects they’re being turned down for that they forget to instead work on themselves and their craft. Yet it’s never too late to start. Investing this type of energy in self-improvement over more negative or cynical practices will unquestionably help you and your career. There are a number of techniques and strategies you can apply to your own life and your own craft to improve as an actor and lead to opportunities you wouldn’t have otherwise found. Practices like line memorization, calming your nerves, and moving forward with the right mindset can truly make all the difference. There’s no time like the present to explore these techniques.
Alysia Reiner is an award-winning actress best known as the villainous warden Natalie "Fig" Figueroa on Netflix’s ORANGE IS THE NEW BLACK for all 7 seasons, and won a SAG Award as part of the cast. She also stars as Sunny on the critically acclaimed, Peabody Award-winning BETTER THINGS on FX and Hulu and Kiki Rains on HBO’s THE DEUCE. She both starred in and produced the Sundance Film Festival hit EQUITY and Tribeca Film Festival favorite EGG. A few other recent adventures include getting naked in an Emmy Award winning episode of Comedy Central’s BROAD CITY and going head to head against Viola Davis’ Annalise on the ABC/Shonda Rhimes series HOW TO GET AWAY WITH MURDER. Alysia has been invited to speak at The White House, The United Nations, Google, Cannes Lion, Women's Media Summit, Collision, and countless film festivals and other events about breaking barriers for women in all fields, specifically the entertainment industry. Alysia has led a long, successful career as an in-demand actress largely by working on her craft, her mindset, and other strategies for success, and she's excited to share her lessons learned with the Stage 32 community.
Alysia will share her secrets tips and tools that she has learned from booking her first commercial to being on 7 seasons of award-winning must watch television. She will cover everything from acting techniques (learning lines, calming nerves, follow up) to mindset tips to business tools.
Plus, Alysia will run an exclusive monologue workshop, something she usually only offers in private coaching environments. She will choose volunteers to workshop a monologue from the Emmy-winning show BARRY! Once you sign up you will be sent the monologue we'll be workshopping in class so you can practice.
Let Alysia help you reset as an actor and leave eager and ready to get to the next level in your career!
***Everyone who signs up for the webinar will receive a copy of a monologue from the Emmy-winning show BARRY to practice with!
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the recording, which you can view as many times as you'd like for a whole year!
As an independent filmmaker or producer, you likely start working on a new endeavor for creative reasons—the chance to tell an amazing story, build worlds, create something of cultural value. Yet this is, of course, not the only element of filmmaking. Like it or not, your independent film is not just a creative endeavor; it’s also a business. You’re sourcing financing and bringing in investors, building a team, and creating a property that will (hopefully) ultimately make money not only in the present, but for years to come. In short, you’re not just a making a piece of art; you’re also running a business. To operate successfully in the world of independent film and continue to make films that you’re proud of, you need to be able to think like an entrepreneur and understand the dynamics and the relation between financing, distribution and recoupment of film investments. Further, you need to open up your creative mindset to the myriad opportunities available all over the world including hot markets found throughout Latin America. The business side of films is often especially difficult for filmmakers and creative producers, but the more you understand, the better your chances of finding a production partner or investor to take your vision forward. Latin American film production is booming right now, diverse with a variety of production hubs all over the region. Big budget international films shoot alongside local films with relatively low budgets, all created for both local and international audiences. Working in the Latin American market, especially with films in the sub-$1MM range can offer you opportunities you haven't thought of before and give you a path to profitability. But to take advantage of this surging market, you need to understand the variety of production and financing options available and how to tap into them. Whether it's hard money, soft money or other methods toward financing and securing the necessary pieces to greenlight your project, getting a handle on the in's and out's of how to proceed will put you in a powerful and advantageous position. Understanding and executing this business model will open new doors to other productions around the world and serve to create a portfolio of proof that will serve as a calling card moving forward. David Zannoni is an international business specialist for Fintage House, the world's most respected company for revenue and rights protection for industry professionals and companies. David negotiates agreements for films and television series and is involved in business development and relationship management specifically in the US, Latin America and $ope. As an international film business specialist David is continuously present to make deals and speak at international film markets, festivals and conferences, including: the Cannes Film Festival, the European Film Market (EFM) in Berlin, the American Film Market (AFM), Ventana Sur, the Bogota Audiovisual Market (BAM), and the Toronto International Film Festival (TIFF), and travels regularly to the United States, the Netherlands, Europe, and all over Latin America. David is intimately familiar with how independent films are financed and made profitable all over the world and will share what he knows exclusively about the Latin American market with the Stage 32 community. David will focus on the Latin American market and walk you through what you need to know to finance your independent film, $1MM or less, and leave profitable. He will begin by explaining what a $1MM or under budget looks like in the Latin American region and whether it’s considered a small film. He’ll delve into how film financing works specifically in Latin America, including a breakdown of soft money sources versus hard money sources, local vs international productions, forming a co-production as a financing tool, tax and location incentives, taking advantage of government support, and working with film commissions. He will highlight how Latin American film financing is different compared to other regions and how both Spanish speaking and English speaking content works within the region and will go over the notable platforms and TV channels available as well as how they differ. David will outline the production capacities in the region, including for in-house production, co-productions, production servicing, and work-for hire. He will then teach you what specifically Latin America can offer foreign productions, including incentives, co-productions, talent, and shooting locations. He will also discuss how Latin America has its eye on the US, Spain, and the rest of Europe. David will explain how to approach your film as an asset, how to see yourself as an entrepreneur, and how to see filmmaking as a business. David will then go over the continental circle of financing, distribution, and investment recoupment and will explain how revenue and right management works as well as managing your recoupment. He will spend time delving into Latin American film contracts, including distribution agreements, CAM agreements, and sales agency agreements. David will ultimately illustrate whether Latin American films can be profitable and how, and analyze with you when a Latin American film can be considered successful, whether it breaks even or finds profitability. Plus, David will show a case study of a real $1MM Latin American film to illustrate how a film of this leve l can be profitable and exactly how the money flows through from beginning to end. He’ll show financing documents and spreadsheets to illustrate the financing structure and demonstrate how money flows in and out. Through this detailed and practical demonstration, you will leave with strategies and a deep understanding of how to approach your own $1MM film as an entrepreneur and build a finance structure that will leave you and your investors profitable. This Stage 32 Webinar is Part 2 in David’s "Think Like an Entrepreneur" series. Click here to check out David’s webinar on being profitable in US marketplace with a sub-$1MM film and click here to check out his webinar on being profitable in the European marketplace Praise for David's Previous Stage 32 Webinars "David is incredible and lovely and clearly knows his stuff." - Cynthia P. "Eye-opening information. A no-brainer approach that wouldn't be so obvious to the uninitiated." - Gary O. "By far, the best class I've seen on the subject." Kirk K. "David is a fantastic teacher. And what a voice! I could listen to him all day. More importantly, I learned so very much!" - Isabella T.
Exclusive opportunity only available on Stage 32! Stage 32 Masters of Craft Series Presents: Paul Watling, Head of Story for Oscar-Winning SPIDER-MAN: INTO THE SPIDER-VERSE and Conrad Vernon, Director of Oscar-Nominated SHREK 2. Animation is one of the most in-demand genres of film and television with a wide audience appeal. Whether it's billion dollar box office hits like THE LION KING, ZOOTOPIA, MINIONS or FROZEN or Emmy-winning television like THE SIMPSONS, BOB'S BURGERS or RICK AND MORTY, there is always a need for fun, fantastic and unique storytelling through animation. Animation as a medium is much different than its live action counterpart and requires a unique series of skills. One of the most important among them is pitching. A good pitch stands between you and your greenlight. Pitching animation is unlike any other storytelling. First, you are in charge of not only nailing a perfect pitch complete with character and story arcs, but you are also in charge of helping your audience visualize something that doesn't exist yet. Being able to do both and succeed can be challenging. You have to know how to map out your story, how to lay out your storyboards and how to verbally hone in on a perfect pitch. Missing a key element can mean you will get a pass. To make sure you put your best foot forward, Stage 32 is thrilled to bring you an exclusive Masters of Craft webinar with Paul Watling, Head of Story for Oscar-Winning SPIDER-MAN: INTO THE SPIDER-VERSE and Conrad Vernon, Director of Oscar-Nominated SHREK 2. Paul Watling has orbited the animation industry for the past two decades, honing his skills as a director, story artist and designer, joining Nickelodeon. He was head of story on Sony Pictures Animation’s Academy award winning feature, SPIDER-MAN INTO THE SPIDER VERSE and contributed to numerous television and feature productions most recently, as a director on Craig McCracken's Netflix series KID COSMIC. He served as a story artist on several other Sony Pictures Animation films, including SMURFS: THE LOST VILLAGE and HOTEL TRANSYLVANIA 2, along with a multitude of feature development projects. Paul relocated to Los Angeles from Toronto, Ontario where he worked as a storyboard artist, designer and director on a variety of television productions, such as GROJBAND, SIDEKICK, TOTAL DRAMA ISLAND, YIN YANG YO, ATOMIC BETTY and ED, EDD N EDDY. Conrad Vernon is an American director, writer, storyboard artist and voice over artist best known for his work on the DreamWorks Oscar-Nominated animated film series SHREK as well as other films such as MONSTERS VS. ALIENS, MADAGASCAR 3: EUROPE'S MOST WANTED AND PENGUINS OF MADAGASCAR. He also co-directed the adult animated film SAUSAGE PARTY and the newest release of the animated movie THE ADDAMS FAMILY. Conrad is now tapped to direct an animated movie version of THE JETSONS for Warner Bros. In this exclusive Stage 32 Masters of Craft Webinar Paul and Conrad will go over what a story pitch is for animation and how it can affect your story board. They will teach you how to prepare for a story pitch and how to plan a pitch story board. They will share from their decades of experience things that work well and things that do NOT work well in a pitch. And, exclusively to Stage 32, you will see video of the actual in-room pitch Conrad did for SHREK 2 - complete with the live pitch, the story boards and the final product! Paul will even do a live pitch to the class. You will get to see how the top pros pitch! Join us for an exclusive behind-the-scenes look at how two of the top people in animation today pitch - you'll walk away with creative ideas on how to apply it to your future pitches! "Conrad teaching is like a master class in animation." - Miguel V. "Wit, wisdom and no bull-sh*t. Conrad was clear in what it takes to work in animation. Bring him back please!" - Tiffany F. "Conrad is a terrific instructor who I learned a tremendous amount from. I especially like how thorough he is in explaining technical details." - Paul I.
Often entertainment immigration seminars focus on actors, but what about everyone else who works on a film or TV project? Directors, producers, screenwriters, crew members, editors, sound designers, costumers, creative advertising directors, production specialists and all other creatives and professionals need the pertinent information as it applies to Visas and Green Card information. Understanding all Visa possibilities, which one is right for you, the eligibility requirements, and how to assure your applications and petitions have all the pertinent information needed to push through the system will have you in the best position to be approved quickly so you can begin working in the U.S. There is a threshold that the U.S. Immigration Office has set before they will approve a Visa application. It's called "Extraordinary" and your information must meet the standards to earn that status. But for many, knowing the criteria that can push your application and petition to this high level is nebulous at best and often extremely confusing. We're here to clear it all up for you. Your hosts, Lorraine D'Alessio and Liz Profumo are partners at D'Alessio Law Group. Their practice specializes in immigration and nationality law and concentrates on temporary and permanent business and employment related visas for investors, artists, and entertainers. They have has assisted hundreds of artists, performers, and other industry professionals to realize their dreams of living in the United States. Ms. D'Alessio combines her unique, firsthand knowledge of the entertainment business with immigration law. This year she also won the Century City Bar Association's "Lawyer of the Year" Award. Exclusively for Stage 32, Lorraine and Liz will take away all the confusion, anxiety and fear associated with understanding the Visa landscape and submitting an application and petition. They will start by presenting a detailed explanation of the various type of Visas so you can understand and identify, with confidence, which Visa is right for you. They will dive into the U.S. Immigration Office's threshold for obtaining "extraordinary" status and how you can prove that you fit the criteria. They will help you identify who should be your petitioner and how to best build his or her resume to assure they're credible in the eyes of the reviewing officer. They will teach you what to say and what not to say when you reach the border. And they will dive into other legalities and contracts you should be aware of and how to identify and avoid immigration scams. This is a fully comprehensive overview and directional guide on how to understand the Visa process, submit a thorough and complete application, and best position yourself to obtain a Visa to begin working in film & TV in the U.S. Praise for Lorraine and Liz "The Webinar was simply amazing. Great clarity!" - Ranadeep B. "Tremendously informative." - Arhynn D. "Easy to follow and to understand. So helpful." - Elizabeth K. "The best I've seen on this subject. Filled with gratitude." - Sunil P.
Documentary filmmaking is a very different game than narrative filmmaking, as any documentarian can tell you. Perhaps the most important difference between the two is that narrative filmmaking follows a script. The story is determined and developed before production begins. This is not the case with documentaries—it can’t be. Documentaries capture real life which is anything but predetermined. As a result the documentary filmmaking process is flipped and the story is crafted after production. Therefore perhaps the most important but least talked about stage of documentary filmmaking is the editing. Not the technical craft of editing, but storytelling, specifically finding and crafting the story from your footage. This doesn’t just make or break your documentary; it is your documentary. Yet this process of finding the story can be incredibly hard since it’s is often vastly different from the story in your head. But mastering this skill is the key to being a great documentary filmmaker and something that’s entirely within your grasp. Most documentary filmmakers reach a stage in putting together their film where they believe they’re “too close to the footage” and “need fresh eyes.” At this point, they hope an outsider will help solve the problems arising in their edit. On the contrary, this is stage where the filmmaker needs to get closer to the footage and ask themselves some very big questions. More than the interviews, more than shooting footage, more than even the assembly edit, this is the moment that makes a documentary great; it’s not the time to tap out. Knowing what makes a good documentary story, which big questions to ask, and how to get out of tough narrative jams can make all the difference in putting together your project. Eric Daniel Metzgar is an Emmy Award-winning filmmaker and the producer and editor of Hulu's documentary CRIME + PUNISHMENT, which won an Emmy and Sundance Film Festival's Grand Jury Prize. A two-time Sundance Documentary Lab Fellow, Eric has extensive experience directing, producing, writing, and editing award-winning documentary films. He directed, shot and edited REPORTER, which premiered at the Sundance Film Festival, aired on HBO, and was nominated for an Emmy Award. He also directed, shot and edited LIFE.SUPPORT.MUSIC., which aired on PBS’s long-running documentary series POV, and THE CHANCES OF THE WORLD CHANGING, which also aired on POV and was nominated for an Independent Spirit Award. Eric also edited GIVE UP TOMORROW and ALMOST SUNRISE, which were both nominated for Emmys and also aired on POV. Through his storied and heavily awarded history, Eric has positioned himself as a practiced and highly sought after editor and documentarian. He’s prepared to share what he knows with the Stage 32 community. Eric will teach you invaluable strategies to help you move through the inevitable difficult stages of your documentary editing journey and to stay on track when the going gets tough and all seems lost. He will begin by going over what makes a good documentary story in general, including beginnings, middles, and ends, arcs, stakes, and “releasing power”. He’ll then discuss how best to approach your own footage and determining if you have a story. He’ll explain differentiating between the footage and the story in your head, how to craft an outline, and create a reckoning with beats. He will also teach you what selects are and why they can make all the difference. Next Eric will give you tips on how to approach the initial assembly edit, where to start, how to stay motivated, how to avoid “the music trap” and the best way to start linking your scenes together. Then he will delve into the real editing after the assembly is completed. He’ll discuss rearranging, re-cutting, and deleting, how to fix the scenes that aren’t working and how to know when to kill your darlings. He will also give you tips on revisiting raw footage later on in the process and what to do when you hit those inevitable but painful roadblocks. Eric will focus on the two hardest parts of a documentary—beginnings and endings, and strategies to make them successful. Next Eric will go into strategies of how to be objective of your own project in order to figure out why it sucks. He will spend time giving tips and inspiration for what to do when you hit that dreaded brick wall and how to stay on track and hold on to your purpose when things get difficult. He’ll talk about getting others’ opinions and what you need to do to allow your film to be good, how to take it from good to great, shifting from the content to the form, fine tuning, working with the film as a whole, and how best to address lingering doubts. There’s nothing harder than editing a great documentary, but you will leave this webinar with a better understanding of how to be successful and a collection of strategies to help you navigate your way through. Praise for Eric's Stage 32 Webinar "This webinar was truly insightful. Very down to earth and straightforward with information. I learned more with Eric in a half-hour than 1 year at a university." -Michelle A. "Fantastic webinar! Eric shared valuable information in such an engaging way...I was so relaxed even though I was feverishly taking notes. : ) He was definitely inspiring. I'm anxious to watch it again!" -Marli W. "Amazing session with Eric. He has saved me months of prep on my docs just on the tips I got today. No more paper edits for me." - Genevieve S. "What an amazingly insightful, helpful presentation! Eric's evident passion for documentary film and practical guidance left me excited to dig into my project." -Alexis S. "So helpful. Exactly what I needed during this time in my careers and profession." -Alexandra K.
The most significant aspect of any actor’s career is securing work, but with overwhelming competition, roles are scare and difficult to come by, which can make this task incredibly tough. Yet in the end, acting careers are built on the work and honing your skills as a performer. Every actor knows that work begets work. This is because as we expand our experiences and circle of connections, more doors open with opportunities for more work. It’s great to have an agent, to make those connections, to develop strategies to become more marketable, but more important than all of that is becoming the best actor you can possibly be. Ultimately, producers want to hire the right performer for the role, and putting yourself in a position to get that role is less complicated than others might have you believe. Whether you are preparing for an audition or a performance for a role you are already cast in, your main tool and blueprint before you even get on set or in that audition room is likely going to be the script, and any practiced actor will tell you there’s a lot more to a script than just your character’s dialogue. If you’re simply going through the script to highlight your lines, you’re missing out on a treasure trove of information that will lend itself to you finding the character and giving your best possible performance. An experienced actor is able to fully break down any written scene to internalize not just the dialogue, but the beats, the context, the elements that are unwritten but still very present. Knowing how to analyze a script and glean from it all of its information and clues will allow you to more fully inhabit your role and make you a better and more cast-able actor. Taylor Nichols is an award winning filmmaker, theater director and actor with over one hundred credits to his name. He is currently on the Emmy-nominated Hulu show PEN15 and the HBO smash-hit PERRY MASON. Taylor has also appeared on shows such as Emmy and Golden Globe nominated THE WALKING DEAD and PRISON BREAK, the cultural hit DIRTY JOHN, Emmy-winning MODERN FAMILY, 24, Golden Globe nominated THE MENTALIST and many more. In addition to acting, Taylor is an award winning short filmmaker and an experienced producer with feature credits including THE NEXT STEP and CASE 219. Taylor brings to Stage 32 more than 30 years of experience in the entertainment industry and is ready to share with the community the skills and lessons he’s developed throughout his career. Taylor will lay out how to break down a script as an actor and develop the techniques needed for characterization and emotional depth to “live truthfully under imaginary circumstances”. Taylor will begin by teaching you what an actor should do as soon as they get the script, including what to focus on during your first read through and how you should be marking it up. He will give you the tools to zero in on a specific scene’s theme and will then delve into determining your character’s objective, both in the scene and in the story as a whole. He’ll talk about how and where you should place dramatic beats by finding the scene’s shape and creating and feeding into the flow. He’ll go into what makes beats and pauses feel natural and honest and when they feel put on and will also outline how you can use your beats as a tool for line memorization. Taylor will then go over how to define your character’s obstacles while reading the script and how you should create your own honest actions in the scene. He will also explain how these actions can successfully interact with both beats and objectives. Next he will explain what “givens” are in a script and how you can find the givens of your character. He will also teach you the difference between naturalism and honesty when giving a performance and explain why honesty is always what an actor should be working towards. Taylor will also lead a live, interactive acting workshop to illustrate the strategies he has taught and show how to use the written scene to define the characters. Taylor will break down down a scene of a script in real time and will bring up students to perform these role based on this breakdown. Through his lesson and workshop, Taylor will give you invaluable tools to help hone your craft and better prepare you for any future auditions or performances. Praise for Taylor's Stage 32 Webinar "Wonderful job on all counts. Taylor was very informative and ever so likable." -Jody F. "I really loved the webinar - Taylor gave a really useful and inspiring presentation, which felt genuinely rooted in the love of acting and the respect for the craft of it. I found both the teaching and the workshopping aspect of it very informative and really gave us as actors clear examples of how to up-level our work." -Rowen B. "Taylor was great and very helpful." -Martin B. "Taylor was great! I thoroughly enjoyed Taylor's class & will be re-visiting it through the on-demand option." -Laurka L.
Learn directly from Alexander Carney, an award-winning stage director with works all across the country! Theater auditions are different from TV and film auditions. Theater calls on different skills and makes different demands on the actor. The size, power and flexibility the actor needs to convey during an audition can be daunting to both the newcomer and the more experienced performer. Live theater auditions can be especially nerve-wracking. The best way for an actor to combat nerves and make their best presentation is through preparation --- but the actor must know WHAT to prepare. Things like what to wear and proper protocol are just as important as the clarity and presence of your acting. Learning the structure of a good audition can help the actor immensely. The preparation process is not easy but it is necessary and can be great fun. Since one minute of performance or audition requires an hour of rehearsal, the actor has a lot to do to be fully prepared for what is at most a seven or eight minute experience. Stage 32 is excited to bring you “How to Master the Theater Audition” led by Alexander Carney Theater Director/Coach, from New York, New York with over 30 years in the business. Alex has directed over 50 plays (most notably over 20 of Shakespeare). He is currently Artistic Director of Raised Spirits Theater, which is dedicated to classic theater "by, for, and with ALL sorts of people."