Richard “RB” Botto founded Stage 32.com (called “LinkedIn meets Lynda for film creatives” by Forbes) in 2011 by inviting 100 of his industry friends to join the community. Seven years later, with over 500,000 members and over 1,000 hours of online film education taught by over 500 industry executives, Stage 32 is the largest online platform connecting & educating film professionals and content creators worldwide. RB is a working actor, producer and screenwriter. The films he has produced have played at dozens of festivals including Sundance, Raindance and Cannes. His screenplay, “The End Game,” is currently in development at Covert Media. RB is also the author of the groundbreaking and best-selling Focal Press/Routledge book – The American Film Market Presents: Crowdsourcing for Filmmakers: Indie Film and the Power of the Crowd. Full Bio »
I invite you to join me this coming Tuesday at 1PM PST for an interactive AMA where I'll be answering as many of your questions as possible. This session is FREE and ALL are welcome to attend. All you have to do is click on the link below and register. And please do invite ANY creatives you'd like. The more, the merrier!
CCO Bradley Gallo and Story Editor Nat Topping from Amasia Entertainment join our Panel as we listen and read your pitches live to help educate the Writers' Room screenwriters on what is and isn't working in their pitch.
When making an independent film, finishing the film is only half the battle. You need people to actually see the film you’ve worked so hard on. When it comes to distribution, it’s important to know how to get your film into the worldwide marketplace. Once it’s there, you need to know how to generate interest toward it so the film can make its money back for the investors and back-end participants. Distribution comes in all shapes and sizes, but what kind of distribution is right for your indie film? Sometimes it means getting your film distributed by a studio; sometimes it’s creating a self-distribution path. Sometimes —- most typically — the distribution lands somewhere in between. Every film is different and therefore requires a different marketing plan, release strategy, and team behind it that have the passion and drive to get the most out of its release amongst the myriad other movies available. In this on-demand Stage 32 Next Level Webinar, host Tiffany Boyle will get into the details of what the independent distribution process looks like. She will go over how to get the right representative, foreign sales agent, and domestic distribution, and the different options for each based upon the size, genre and execution of a film. She will also discuss what the key points are to look at when reviewing a foreign sales agent and/or domestic distribution deal. Filmmakers should be making an informed decision when choosing who will be handling the licensing of their film for the next 3-25 years, and Tiffany is here exclusively for Stage 32 to help you navigate the ever-evolving world of indie distribution. Tiffany Boyle is the President at Ramo Law and works with producers, financiers and writer clients to bring their new material to life. Having been a Director of Sales at Crystal Sky Pictures, Tiffany has an extensive background in foreign sales. She now works with the attorneys to review, collaborate, develop, submit and supervise creative materials on behalf of clients within the firm. Tiffany has worked on over 100 features including, Stuck In Love, Pawn, Gimme Shelter, Maladies, and I-Lived. She has been to AFM, Berlin, Tribeca, TIFF, Sundance, and Cannes and is constantly expanding her knowledge of how to match films with production and distribution companies.
Learn directly from Aaron Marcus, a full-time actor and commercial model for nearly 3 decades! Working as a full-time actor can be really difficult. I know. I have been doing that for nearly 3 decades! One of the ways that I have been able to avoid taking on jobs outside of the industry (waiting tables, doing temp work, walking dogs (except my own) is by using my acting skills to get Commercial Modeling gigs. Commercial models come in every form. They are the glorified versions of everyday people, and, let’s face it, as an actor you can morph into any of those roles once the camera turns on. A commercial model is hired to portray the doctor, teacher, mom, banker, student, grandparent, blue-collar worker, patient, real estate agent, athlete, musician, nurse, attorney, and the list goes on and on! Unlike other jobs, most commercial modeling jobs only last a few hours. It is great to get a full-day booking, but that is rare. Commercial modeling work hardly ever interferes with theater performances, and it’s a great way to stay busy in between film or TV performances. It’s a better way to make additional income doing what you love by being in front of the camera. Fees for commercial models will vary depending on your location and the usage of the ad. Commercial Models will earn a great hourly rate per session, and if the ad is running in a high exposure format (billboards, posters, on the side of a bus, Internet, package, etc.), generally bonuses are paid on top of the session fee. That certainly beats bussing your tables at a restaurant, working graveyard shifts at a call center, or stocking a back room at a retail store before your next film, TV show or play starts. Join me during this exclusive Stage 32 Next Level Webinar as I share with you how I’ve made a living doing this for nearly 30 years and how you, as an actor, should consider it as an additional form of income.
To see a video sample of the class, see below! 2 part class taught by Conrad Sun, TV Literary Manager and Development Executive for Meridian Artists, who has worked in development with companies like Epix, Hasbro Studios, Gran Via Productions (Breaking Bad), New Wave Entertainment and Motion Theory Films! Most of Hollywood would agree: we’re currently living in the golden age of television. With the rise of distributors like HBO, Netflix, AMC, Showtime and FX, and the accolades of shows like Breaking Bad, Man Men, Game Of Thrones, Fargo and True Detective, creators are constantly elevating their stories and going beyond the boundaries of traditional television. Each year the bar gets set higher and the marketplace for content becomes more competitive. So how does a TV drama pilot stand out from the rest? How does a writer generate an amazing premise for a television show? Then once they do, how do they convey its essential elements in a pilot script? Stage 32 Happy Writers is excited to bring you the previously-recorded 2 part class: How to Create an Oustanding TV Drama Pilot taught by Conrad Sun, TV Literary Manager at Meridian Artists who has worked with Epix, Hasbro, Gran Via Productions (Breaking Bad), New Wave Entertainment and Motion Theory Films. Learn what separates the good dramas from the great ones, and how to write one all your own. Here's a sample of what to expect in this exciting Next Level Class: Purchasing gives you access to the previously-recorded live class. Although Conrad is no longer reviewing the assignments, we still encourage all listeners to participate.
Learn directly from 30 year veteran Lauren “Fluff” Lindsay, Key Craft Service on Legends Of The Fall (Brad Pitt, Anthony Hopkins), Rocky IV (Sylvester Stallone, Dolph Lundgren), and Sleepwalkers (Charlize Theron, Woody Harrelson)! In this Stage 32 Next Level Webinar, your host Lauren Lindsay, will walk you through the details specific to managing and executing the job of providing nourishment to a working film crew in full production. In film, television, live theater or video production, Craft Service is a dynamic position which provides tray service around set, and buffet style foods and beverages to the other departments suitable to the environment on any given day or night. Drawing from her vast experience on 82 productions, you will learn all the steps involved from getting hired, and knowing what is expected of you, to being successful working in this department. Her passion for fresh and healthy foods, which promotes a happy and productive crew, has made her famous behind the camera.
Looking to develop your first pitch? Want to improve the pitch you already have? Join Stage 32's Nick & Allen and learn what turns a pitch into a request or meeting! We see over 200 projects pitched on Stage 32 each week and review the feedback execs give on all of them. We see the good, the bad, and everything in between. We see what gets read and what gets the dreaded pass. What lands on the top of the pile and what gets buried under everything else. And we see the questions about pitching that get asked week in and week out. So we at Stage 32 have decided to put our experience together in a FREE Webinar on Pitching through Stage 32! On Monday, March 12th at 1PM Pacific, Stage 32 Writing Service's Allen James Roughton and Nick Assunto will take a deep dive into sharing what they’ve learned over hundreds of pitch sessions and thousands of pitches. Have a question about pitching you've always wanted to ask us? Join us live and participate in the Q&A!