Richard “RB” Botto founded Stage 32.com (called “LinkedIn meets Lynda for film creatives” by Forbes) in 2011 by inviting 100 of his industry friends to join the community. Seven years later, with over 500,000 members and over 1,000 hours of online film education taught by over 500 industry executives, Stage 32 is the largest online platform connecting & educating film professionals and content creators worldwide. RB is a working actor, producer and screenwriter. The films he has produced have played at dozens of festivals including Sundance, Raindance and Cannes. His screenplay, “The End Game,” is currently in development at Covert Media. RB is also the author of the groundbreaking and best-selling Focal Press/Routledge book – The American Film Market Presents: Crowdsourcing for Filmmakers: Indie Film and the Power of the Crowd. It is also available for FREE on Audible here. Full Bio »
RB will be going over all things film, TV and digital! Bring all your questions related to the craft and the business!
Hello, Creative Army. It's been a busy few months around the Stage 32 offices and for yours truly as it relates to my personal projects. I'm excited to share with you what I'm hearing, what I've learned, and what I've experienced since we last got together. As always, my AMA's are always free! Watch as many times as you'd like. Cheers! RB
Learn directly from Sam Estes and Michael Hobe, composers and sound designers (Inception, Dark Knight, American Horror Story) There are thousands of "composers" around the world, wanting to become the next John Williams or Hans Zimmer - how do you cut through the chaff and find and keep work in the Film and TV Music Industry? Sam Estes and Michael Hobe (Sonicsmiths) have been composers and sound designers for the past decade in Los Angeles, working on several major titles (Inception, Dark Knight, American Horror Story, etc) and have lent their "musical sound design" to many of LA's top composers, including Hans Zimmer, Michael Giacchino, Junkie XL (Tom Holkenborg), Danny Elfman, Christopher Lennertz, Ramin Djwadi, Geoff Zanelli, Lorne Balfe, Henry Jackman, James Levine, Michael Levine, and many others. "After hiring and training many young graduates of music schools, and speaking with non-local (and international) composers who want to break in, we have found that the vast majority of them have no idea how to get projects, keep them or even know the level that is required to produce music for small films, let alone the major titles." In this Stage 32 Next Level Webinar, Sam and Mike are going to explain some of the paths to get to work in this challenging, competitive, and stressful environment - and once you start to break in, what to do to keep work, establishing a base network, and how to make a living doing what you love.
Learn directly from Lane Shefter Bishop, an Emmy-Award winning Producer! Over the last few years, Lane Shefter Bishop with Vast Entertainment has set up more than two-dozen book properties – many of them only book proposals and early partials – with studios, networks and production companies throughout the entertainment industry. Underlying intellectual property is like gold these days. Great projects ‘based on’ or ‘inspired by’ literary material are constantly in demand. And by being in the center of this ‘content is king’ world, only Lane can give you the valuable insights towards making your story more sellable to the industry marketplace. This on-demand webinar will provide essential practical knowledge on the ins and outs of option agreements as Lane breaks them down step-by-step and section-by-section. This is vital for authors and screenwriters who currently have or expect to have their own material optioned and want to know what monies they can expect to make, when, and how. But it is also highly beneficial for producers, directors, and talent looking to acquire their own underlying material for development- books, short stories, graphic novels, articles, etc.
Learn directly from Shaun O’Banion, an award-winning independent producer! As a producer, post-production is a part of the process you’re rarely involved in from day-to-day, and yet it is one of the most integral parts of the filmmaking process (if not the most important). A lot of questions can be asked from a filmmaker like how to shape the film, how to define roles in post, what to do with VFX, how to handle the footage you have and ultimately how to develop a great film after it’s been shot. It’s not easy to do and it takes a lot of practice and experience to perfect. We will discuss the pieces that make up the whole, from assessing the relationships in the edit suite, to bringing all of the elements together and how it all happens. From the technical to the emotional, this webinar will attempt to demystify the process in a way for you to easily understand what to do to “find the film” in post. Post Production: Finding the Film is presented by 20 year industry veteran, Shaun O’Banion, who has worked with the likes of Steven Spielberg, Christopher Walken, Courtney Cox and David Arquette, Ben Stiller, Jack Black, Judd Apatow and Peter Hedges. He has won numerous awards for his films, including the prestigious IFP GOTHAM Award for GIRLFRIEND.
Stage 32 Next Level Education is honored to bring in Keith Powell, well known for his role as “Twofer” on NBC’s 30 Rock, and his role as “Wyatt” on HBO’s The Newsroom as one of our acclaimed instructors. Most recently Keith has written, directed and produced his own semi-biographical webseries Keith Broke His Leg for only $500 per episode! Even better – he is bringing all of the knowledge he’s learned developing this series exclusively to the Stage 32 community! In this Stage 32 Next Level Webinar, you will learn the building blocks to create an artistically successful series without stretching your budget. This means that you will walk away with all the tools necessary to help you during pre-production, production, post-production and even distribution. You will even learn how - with the glut of webseries available on the market - you can make a product that stands out above the noise (and there definitely is noise!) Your instructor, Keith Powell, has taken everything he’s learned on high-budget episodic productions (such as 30 Rock and The Newsroom), modified it, and applied it to creating a successful micro-budget web-series without breaking the bank (all while keeping his sanity…well, kind of). Best of all, he’s going to share ALL of his knowledge with you!
If you're a filmmaker, producer or any creative head looking to incorporate music into your film & television, advertising or media project, you'll need to understand the basics steps of how to secure the music rights for the music you desire to use. From well known hit songs from major recording artists, to indie bands to public domain to original compositions and cover songs of music hits, you will need to be armed with all the knowledge of clearing the rights to that music for your film or project in order for it to play at festivals, screen theatrically, stream on the internet or be released on DVD/VOD. The memorable song placeholder you are in love with and want to use in your opening credits that you found online - is that song even able to be used and licensed within your budget if you screen your film theatrically? What type of rights will you need to exploit your project globally? Or, what about that jukebox song your editor tempted into the background during one of your bar scenes - is that okay to use? And for how much will the licensing fee be for the rights you need? Knowing all these details and nuances will inform you as to why you must prepare in well in advance and allow time for the music clearances, along with knowing the type of rights your project requires for the music needed. Stage 32 Next Level Education is excited to present Anna Grannucci, a Los Angeles-based film producer and music supervisor and Yale School of Drama graduate, with more than a decade of experience working on films such as WHIPLASH and STICKY NOTES for the jam-packed 90-minute Webinar Learn the Ropes of Film Music Clearances. You will learn a variety of valuable information starting with the types of other source music available for film, television, advertising, video games and every other digital media source, which also includes public domain music, royalty free, original composition, and score. You will learn how to gauge what songs are licensable or not for use in your film or project. Once you've chosen your music, you will learn music rights, the clearance process, the difference between festival, theatrical, DVD/VOD and advertising clearances and more! You will walk away from this Webinar with a clearer understanding of your music planning and the understanding of the music clearance process you need in order to make your film's music soundtrack a success! And, who better to educate you than the Music Supervisor for both the WHIPLASH short and feature film who controls the music library associated with the film - we bring you only the best instructors at Stage 32!