Bobby Reed is a lifer. He is an actor, director, producer, writer and marketing coach (he has taught this class at AFTRA Los Angeles and San Diego). In show business performing since 1965, he's managed to squeeze in 100+ plays (in London, New York, Los Angeles and Nashville), 150+ movies, 25+ television shows, and now the new frontier, the Internet, with scores of web series and pilots currently running all over that Web. It's been a magical blast, of course, and Bobby is so grateful. Action. Bobby's Stage 32 Blog Posts: Learning Curves Decide Full Bio »
Come join Bobby Reed in an info-packed session about today's marketing for the modern artist, hear promotional techniques you may not have thought of, and get your questions answered about how and why to take charge of your own acting future. You and only you make it happen. The solution to your actor promotional questions is looking at you in the mirror: you are the boss, you will not be discovered sitting in the drug store. Bobby will show you some hot ways to get your career moving, and keep it that way. He's done if for himself; just check out his IMDb page.
Come share his tips and tricks on how to promote your acting career each and every day (that's seven days a week, not five!). Well timed for the approaching new year, eh, when all your creative juices are flowing nicely? This will be your fresh start formula.
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
"Bobby's a firm believer in the "Do-It-Yourself" method. For the past year I had been saying I needed to "get a reel made." A week after speaking with him, I edited my own video reel." - Yvonne Senat
"Bobby taught me that to be successful, I have to distinguish myself from the pack and to stay forefront in the minds of Hollywood decision makers - then he showed me how. Bobby's strategies are simple and sure-fire, and his love and concern for actors are real. Thanks Bobby for starting me on the right foot!" - Bill Bingham
"He has limitless belief in the possibilities that come from action, persistence, and learning new skills. His ideas about what an actor can do are so useful, and get results! I feel like he really is invested in my success, and I feel lucky to know him." - Lisa Goodman
"I was so impressed when I met Bobby Reed. His knowledge about the BIZ and what it takes to advance your career was exactly what I needed to really get going. Knowledge is power and Bobby willingly shares it all with you." - Porter Fowler
Congratulations – you’ve finished your first draft! But now comes the real work. The old adage goes that ‘writing is rewriting’ and that is absolutely true in film and television. A big part of screenwriting is learning how to receive feedback and how to implement it. Most professional writers go through numerous drafts and rounds of feedback before taking their scripts to the market. Just think about the first time you tried anything new – a new instrument, a new workout program, or a new screenplay. Unless you’re a natural, your first attempt isn’t usually your best. It’s the practice – or in this case, the rewriting – that helps you get better and will allow you to create something truly special. Too many aspiring writers think the hard work is over after the first draft. A first draft is a milestone accomplishment, but ultimately just one rung up the bigger ladder. But rewriting and polishing is not always an intuitive process – it’s hard to determine what to change or how much to change it. A big part of rewriting or polishing is learning how to listen to others, and realizing that even a solo screenplay can become a collaborative process. Steve Desmond is a WGA screenwriter whose screenplays have been voted onto the prestigious industry Black List four times in the past five years, including in 2020 with his latest script, The Saturday Night Ghost Club. He sold his sci-fi adventure screenplay, Harry’s All-Night Hamburgers, to Warner Bros in a bidding war, with an Oscar nominated producer attached. FilmNation (Arrival, The King’s Speech) hired him to adapt the Stoker-award-winning horror novel The Cabin at the End of the World. He’s also been hired to work on projects for Legendary Pictures, Sony, Blumhouse, Mandalay, and IM Global, amongst others. His short film, Monsters, that he wrote and directed, has amassed over two million views online and screened in over 100 film festivals worldwide, winning 45 awards. Steve has found his voice as a sought-after screenwriter by mastering the art of the rewrite and his excited to share what he knows with the Stage 32 community. Exclusively for Stage 32, Steve will give an in-depth and practical deep dive of the art of rewriting and polishing that you can take back to your own screenplay or pilot. Steve will share how best to utilize feedback and explain the difference between a rewrite and a polish. He will go through the psychological components of rewriting and show you how to make an effective plan to go through the rewrite process, and then how best to execute it. Next Steve will talk about how to actually trim your script by focusing on scenes and characters and how to work with producers and executives, including how to receive notes and maintain communication. He will then give you tools you can use to determine when you’re actually done. Expect to walk away with a slew of tools and ideas you can use to rewrite your own project and make it the best it can be. Praise for Steve's Previous Stage 32 Webinars: "This was fantastic. Steve offered so much insight, dozens of little nuggets that rang true or gave me pause to think of something I'd never considered before."-Ed K. "Perfectly laid out, clear and concise material taught by a genial host!"-George P. "Steve was fantastic. His examples and insights were on point. Thanks!"-Adam H. "I made 3 pages of notes; good pertinent topics with simple fundamental answers presented. Very helpful, worth the time and fee."-Thomas W.
There are two things that a production starts doing as soon as they have the “green light” - casting for actors and scouting for locations. In a way, a location scout is like a casting director for locations and to be able to manage locations take a tremendous amount of skill and organization. Unless a film is shot entirely in a studio with sets or green screen, locations are integral to how the film will look. Anyone can become a location scout, but to become a GREAT scout and manager that people call again and again takes a keen eye, good people skills, and on-the-ground experience. Alan Forbes has served as Location Manager or Production Manager on over 40 feature films including THE IDES OF MARCH, THE INSIDER, SEABISCUIT, THE AVENGERS, CAROL AND POINT BLANK. He began his career crewing on commercials and then went into film production management. He knows first hand what it takes to find and manage locations for a film or TV project and he’s here to teach you exclusively how to do that! In this webinar Alan will guide you through the entire process of scouting and managing - from the moment you get the script, to when they call “Action!” on set. Alan will offer you tips and insights from his decades of location and production management experience. Whether you are someone considering a career as a scout, or a filmmaker looking for ways to increase your production value and anticipate potential location problems, this is the webinar that will help you learn the basics about locations. PLUS! You will receive a Locations Communications Handouts that you can use for your own project!
The backbone of the entertainment industry was shaken to the core after the trades announced one of the major festivals - SXSW was going to cancel its in-person festival. Shortly after festival after festival had to adapt to a new way of doing things - should they present their festival live and take a chance of it being cancelled? Or, should they present their festival virtually bringing on a new slew of challenges? Navigating this "new normal" has rocked the industry and has left many filmmakers scratching their heads about what it all means. Should you release your film in this new format? Or should you hold onto it and wait it out, with the fear of another year going by without it seeing the light of day? Despite the ongoing shift to a virtual, watch-from-home and hybrid model, film festivals continue to serve as an important platform for your film to make its debut. Your film can continue to find attention, distribution and other successes from participating, yet there are new questions and considerations you should factor into evaluating which festivals to submit to. The current spirit of cooperation and collaboration between festivals during the pandemic has radically changed, creating lots of new and exciting ways you can benefit from the circuit. But, with the excitement, there is also a lot of confusion about premiere status, virtual screenings vs online screenings, and more. Outside of getting your film into a festival, there are things you can learn from what the successful festival films are seeing that you can apply to your own film and its release. Whether you are a feature filmmaker or a short filmmaker you need to understand and embrace the new practices emerging among festivals presenting virtual and hybrid events. It’s time you take stock of the situation. Kimberley Browning is an independent filmmaker, the Associate Short Film Programmer at the Tribeca Film Festival and the founder of the long-running short film screening series Hollywood Shorts. Kimberley is also the Executive Producer of HBO ACCESS Directors Fellowship, the network's program developing and launching underrepresented voices into episodic television. Formerly a short film programmer for both the Los Angeles Film Festival and Guadalajara International Film Festival Los Angeles, Kimberley has a long history of working with film festivals and continues to serve as a festival consultant for many independent filmmakers. Kimberley has built her storied career around elevating new voices and empowering them to get their projects out into the world. Kimberley will delve into how filmmakers are finding success with their new films during the pandemic and how you can use film festivals as well as other practices to successfully release your own short or feature film. She’ll begin by explaining how you should be setting your gals and building your strategies to get your film out there. She’ll talk about new practices to build an audience, strategy essentials—with or without COVID—and how you should now be defining success and whether it needs to evolve due to the pandemic. Next Kimberley will focus on film festivals and show you what the new festival landscape and vocabulary looks like. She’ll explain what the best digital platforms festivals are utilizing and which to avoid. She’ll also teach you what ‘geocaching’ is and how to determine your geofencing options. She will go over DRM protections and how to keep your film safe when screening virtually and will talk about the difference between virtual screenings and online screenings. Next Kimberley will delve into the new film festival calendar, how the overall festival circuit is shifting due to date changes and postponements. She’ll give you the rundown of how to read small print before submitting to festivals to make sure you know what you need to know ahead of time. She’ll walk through how you should revamp your festival strategy to better navigate COVID and how you should now be communicating with a festival team. Kimberley will also talk about how to now navigate premiere status with festivals and explain how virtual festivals impact your film’s status and its ability to get distributor attention. She’ll also talk about how media and distributors are now navigating new rules in 2020 to find work with films. Next she will teach you how to navigate a virtual festival if your film is accepted, including how to promote your film to a virtual audience and how to build relationships and make connections without in-person events. Beyond festivals, Kimberley will give you strategies to promote and market your film to a general audience for its virtual release including if and how to work with publicists and new social media strategies to start employing. Kimberley will talk about other release strategies for your film beyond film festivals. She’ll give you tips on how to host your own independent online premiere. She’ll also give you a rundown of how to find distributors in a distanced world and how to operate long-standing marketplaces like AFM that are now turning virtual. Finally Kimberley will go over ways to self-distribute your film during quarantine, including if and how to work with aggregators to maximize your release. This is a tough time to release your film—rules and practices have changed across the board—but it’s still possible to find success and Kimberley will show you how to achieve this with your own film. Praise for Kimberley's Stage 32 Webinar "Kimberley was very engaging which isn't easy when there is no audience interaction. Her presentation hit the middle ground between newbies and more seasoned festival goers which was very helpful because we are all newbies in this virtual festival world...both presenters and filmmakers alike." -Laurie C. "Good perspective, useful advice." -Mick H. "It was great!" -Daniel G. "I loved how knowledgeable Kimberley was. She gave me so many ideas of how to move forward with my film" -Karen B.
In very little time, drone photography has become widely—perhaps too widely—used in countless films, television shows, commercials, and other media projects. And along with this wide adoption of drones has come a demand for those who can successfully and artfully operate them. This presents a potentially lucrative and rewarding opportunity for cinematographers looking to expand their reach and build their skill set. Yet with the clear overuse of drone photography in media today, each to varying effects, it’s evident that not all drone shots are created equal, and standing out requires a deeper level of skills. Adding drone cinematography to your film, TV or new media project can breathe new life into shots that may, in the past, have cost your budget heavily. But finding success with drones requires more than knowing simply how to pilot one; a cinematographer needs to understand how to properly use the tool and work with clients and artists to get those perfect shots. The truth is, for as often as drone camerawork is used in film, television and new media today, you can still stand out as a cinematographer in a big way by using drones smartly, artfully, and effectively. But what turns drone photography from mediocre to great? And how can you use this tool to stand out and not only enhance your current project but also help you get more work in the future? Chris Tangey is one of the most sought after drone cinematographers in the world. His impressive career as a cinematographer has him working for Netflix, Warner Bros. Columbia Tristar, BBC, National Geographic, Discovery, Lonely Plant and more. He recently won "Best Aerial Cinematography" in the European Cinematography Awards, and both "Best Drone" and "Best Scenography" In the New York International Film Awards. He was also awarded a Jury Commendation in the World Drone Awards in Siena Italy and has 2 Gold and 4 silver awards from the Australian Cinematographers Society. Chris has quickly become a leader in the field of aerial imagery and is ready to share what he knows exclusively with the Stage 32 community. Chris will continue his drone cinematography education by expanding into the more intermediate and advanced elements of creating a great drone shot and using your work to help you get work. He will begin by going over the nuts and bolts of operating a drone, including preparation and safety checks, proper thumb and finger placement, and what the 180 degree shutter rule is. He’ll also explain how to maintain the shutter rule with ND and PL filters and teach you how to properly take off and land. He will also give you tips of how to eliminate variables and trip points when planning your flight and will show you how to continue to improve. Next Chris will break down the anatomy of a good drone shot. He will explain when drones are useful and when they should actually replace a jib or dolly shot. He’ll talk about the importance of getting the shot you’re after and how to tell if you’re overshooting. Next Chris will discuss different types of cinematic drone shots, including landscape shots, dolly shots, and lift shots. Then he’ll go more in depth of when you SHOULD use a drone and when you SHOULDN’T, including questions you should ask yourself before using the drone, how best to plan your shot, and what situations are most effective for drones. Finally, Chris will go over how drones work in the industry and how this particular skill set fits in. He’ll teach you the best ways to show off your talent and get noticed and give you tips on pathways to find work, including networks and communities, forums and drones for hire databases, and how that intersects with representation. Chris will leave you with a lot more context, skills, strategies, and knowledge to start using drones for your project and stand out from the pack while doing it. This is Part 2 of Chris Tangey's Drone Cinematography Webinar Series. To check out Part 1, now available on demand, click here. "My career as a cinematographer has been “elevated" greatly by incorporating drones and knowing how to use them properly to get the best possible shot. I'm so excited to share my experiences with the Stage 32 community and give everyone the knowledge to use this powerful tool to their creative and financial advantage" -Chris Tangey
Learn directly from Indiegogo Film Campaign Specialist, John T. Trigonis! Raising funds. Every filmmaker, director, screenwriter, even actors, has experienced the frustration. The introduction of crowdfunding through sites such as Kickstarter and Indiegogo has brought an incredible new opportunity to those looking to find funding for their films. However, running a successful campaign is not easy! Crowdfunding has revolutionized the way film and video projects are funded by taking the power from the corporations and putting it back into the hands of the creators. Because of this, it's not enough to run a simple, run-of-the-mill campaign on crowdfunding platforms like Indiegogo. Today, running a campaign must be an experience for the campaign owners and especially the contributors, and that's where innovation and creativity come into play, oftentimes spelling the difference between a short-lived stint in crowdfunding and a memorable communal experience. In this Stage 32 Next Level Webinar, you will learn the history of crowdfunding, how to pre-market your campaign and you will walk away with basic & advanced techniques of running a crowdfunding experience!
Learn directly from top key grip from Amazon's THE BOYS and Netflix's LOCKE & KEY & THE UMBRELLA ACADEMY! It truly does take a village to put together a production, and while the actors and directors often get the lion’s share of the credit, there many other players that are absolutely critical to a film’s ultimate success. Key among these are the grip, electric, and camera departments. Including the key grip, best boy, gaffer, ACs and other positions, these folks are the ones who actually get the film made. They manage equipment, set up and operate the camera and dollies, rig the lighting, and more. It’s not as widely considered as other departments, but the camera, grip and electrical fields are a fantastic way to break into the film industry, pick up skills on set, contribute to exciting projects, and build a reputation for yourself. For aspiring filmmakers looking to get in the middle of the action, there are very few opportunities as entrenched and as involved as the camera, grip, and electrical team. But how do you break in? You might see roles like “key grip”, “2nd AC”, “gaffer”, and “best boy” in the credits, but what does each do, and which roles could you be the best fit for? And once you’re in, how can these roles lead you to new opportunities like cinematographer or director? Richard Teodorczyk has been working in the camera and grip department for over 35 years, most recently serving as key grip for the second season of Netflix’s LOCKE & KEY. Richard has recently served on other notable shows including Amazon’s THE BOYS, Netflix’s THE UMBRELLA ACADEMY, and FX’s WHAT WE DO IN THE SHADOWS and films like SCOTT PILGRIM VS. THE WORLD, LARS AND THE REAL GIRL, and THE VOW. Although his experience mainly comes from a grip’s point of view, his years of experience allow him to share knowledge, tips and helpful tricks for those wishing to join the industry in a grip, electric or camera capacity. Richard will teach you how you can begin a career in film and television by working on the shooting floor. He will walk you through all the possible jobs within the camera, grip, and electrical fields, what skills you need to be successful, and how COVID-19 has changed the film landscape. He will provide valuable tips on how to find your place and keep it, and how to maintain your sanity through what sometimes seems like a daily grind. He will also discuss the path from the camera department to other roles like cinematographer and director. Richard’s presentation will help you decide which direction is right for you and how to avoid the many potential pitfalls of the biz that always seem to be lurking in the background. Working in film and television provides an individual the incredible opportunity to work day in and day out with creative people in interesting situations. It can also create tense and difficult scenarios when so many voices collide. I hope my years of experience can offer some insight into how to navigate this beautiful and crazy minefield we call the shooting floor, and teach people what to expect in a world that is continually evolving. -Richard Teodorczyk