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Uma Incrocci’s TV credits include appearances on “How To Get Away With Murder,” “Jane The Virgin,” Hulu’s new show “The Path,” “Bored to Death,” “Louie,” “Pan Am,” “Lipstick Jungle,” and “Chappelle’s Show.” She’s also been in a wide variety of indie films as well the Jason Bateman comedy, “The Longest Week.” She’s recently relocated to her hometown of Los Angeles, after many years in New York, where she worked extensively in regional and New York theater. She also co-produced and co-wrote the pilot Living in Captivity (official selection, NY Television Festival and LA’s Independent Television Festival), and co-wrote the book and songs of the rock musical Mother Eve’s Secret Garden of Sensual Sisterhood (FringeNYC; and Winner, New Jersey Playwrights Contest), which is currently in the fundraising stages for an off-Broadway run. Christian Pedersen has appeared on “The Good Wife”, “Damages”, “Fringe”, “Royal Pains,” and has had recurring roles on the daytime dramas One Life to Live, Guiding Light and All My Children. He is fortunate to have performed in dozens of plays in New York, Los Angeles and all across the country. Christian is also an award-winning composer who, along with his partner Uma, has just finished his second rock musical entitled Grandma’s Ring. Together, they’re a husband-and-wife songwriting, producing and teaching team. Between the two of them, they’ve attended over a hundred casting director workshops, acting classes, and business of acting courses, and been on hundreds of auditions. They’ve worked in every area of the business from commercials to TV to webseries to audiobooks. Both have degrees in Theater and are thrilled to share their experiences in the business with the Stage 32 community. Plus, as an exclusive bonus, they’ll then be joined by legendary Casting Director Erica Jensen, who has cast Broadway shows (including Hedwig and The Angry Inch and the recent Of Mice and Men with James Franco) and major off-Broadway and regional theaters (including Classic Stage, Long Wharf Theatre, Williamstown Theater, Actors Theater of Louisville and Playwright’s Horizons). Full Bio »
Are you an actor looking to make the leap from educational theater to professional theater? Or have you built an on-camera career but would like to work in theater more? Outside the major markets of New York, Los Angeles, and Chicago, there is a lot of work for actors in Regional Theaters all over the country. Building a career in theater requires a strong working knowledge of the business, how to build relationships with casting directors, and how to best market yourself.
In this Stage 32 Next Level Webinar, actors Uma Incrocci and Christian Pedersen will walk you through each step of advancing your career in theater. They’ll share from their own experiences auditioning for and working in Regional Theaters, tours and off-Broadway.
Special Guest, Broadway Casting Director Erica Jenson will join!
Plus, as an exclusive bonus, they’ll then be joined by legendary Casting Director Erica Jensen, who has cast Broadway shows (including Hedwig and The Angry Inch and the recent Of Mice and Men with James Franco) and major off-Broadway and regional theaters (including Classic Stage, Long Wharf Theatre, Williamstown Theater, Actors Theater of Louisville and Playwright’s Horizons). This class is a unique opportunity to hear about the theater casting process from both sides of the table – from the actor’s preparation, to what the casting director expects, to their different experiences of the room.
We’ll also talk about the big question for many theater actors as they build their careers: “Do I need an MFA?” Erica attends showcases from all the major programs and she’ll share her opinions and insight. We’ll talk about the realities as well as the joys of a career on stage.
Join us for this one of a kind webinar – we'll have 3 incredible professionals discussing the theater industry!
Uma Incrocci and Christian Pedersen
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The audition room. Even thinking about it makes even the most seasoned actor cringe. Walking in, you never truly know what you're going to get, but what if you had an upper hand on knowing what to expect before you ever walk in the door? We're here to help you learn just that! In this Stage 32 Next Level Webinar, accomplished actors Uma Incrocci and Christian Pedersen are back by popular demand to walk you through what happens in every type of audition room: Film auditions TV auditions Theater auditions Voiceover auditions New media auditions Commercial auditions Self tape auditions They’ll share the tactics they use themselves on how to deal with nerves, how to ace the chit chat in the room, and how you can be a smart actor that casting directors will want to call in again and again! After attending over a hundred casting director workshops and classes, going on hundreds of auditions, casting their own projects, and booking work in every area of the business, Uma and Christian offer a unique insider perspective on booking the room, no matter what the format. Everything you learn in this webinar is essential for you to know and understand when trying to book a new role. "Uma and Christian are amazing: super smart, highly articulate, totally authentic and exceptionally charming and generous. As long as they're willing to create more fantastic webinars, I'll be attending them." - James B. "They are very charming, giving, fun, and always very sharing. I feel that I am very close to where they are at in their careers, so it is nice to know that we are all experiencing the same things, and they always give me some new info. Great webinar!!" - Jan H.
Ready to make the transition into TV work? Or looking to start your career in TV? Even the best actors can stumble when faced with starting out in a new medium. Especially if your experience or training is mostly in theater, there are key differences between the audition styles. Most actors start with co-star roles, which are often short scenes that can be especially challenging to prepare well. Breaking into TV also requires a strong working knowledge of the business, how to build relationships with casting directors and agents, and how to best market yourself. In this Stage 32 Next Level Webinar, actors Uma Incrocci and Christian Pedersen will walk you through each step of the TV casting process, from submissions to auditions to producer sessions to bookings. They’ll discuss practical strategies on how to get in the audition room, how to prepare for the room, and how to book the room. They’ll focus on how to tackle a co-star audition – with specific tools and tips on preparing the material, even if you only have one line. They’ll share the tactics they use themselves on how to deal with nerves, how to ace the chit chat in the room, and how to be a smart actor that casting directors will want to call in again and again! They’ll also offer a preview of what to expect on your day on the set. Self-taped auditions are becoming more and more the norm, so they’ll also review how to make a high-quality audition video. After attending over a hundred casting director workshops and classes, going on hundreds of auditions, and booking many TV roles, Uma and Christian offer a unique insider perspective on getting started in TV work.
Inclusivity is not a checklist you run through to avoid a negative media attention or a lawsuit, though many productions may treat it this way. Inclusivity and accessibility are vital for creating more jobs and reaching the widest audience. This ultimately gives you the highest possible return on investment as the more people there are who can enjoy your film, the more money you stand to make. The longer you wait to consider inclusivity and accessibility in your production, the more it will cost and stress you out later. Do you know how to identify tax incentives so that your production is accessible? Or the legal requirements to make an inclusive film? How do you even begin to discuss these topics while being sensitive and constructive? Whether you want more creative storytelling, opportunities to better engage audiences, or are looking for new money sources, with this webinar, you'll immediately have everything you need to put the information into action in your project. Independent producer of Tuck and Roll Productions, Amanda Upson, guides you through how she does it all! Using her own experiences making the timely-themed project RENEGADES: KITTY O'REILLY for PBS's AMERICAN MASTERS, and the social justice documentary, A LONG MARCH, no one better understands diversity, accessibility, and inclusivity better than Amanda. She'll show you how to navigate this expanding aspect of filmmaking through her experiences as someone hard of hearing, as a producer, and as a lawyer admitted to the US Supreme Court bar, who advocates for others. She also includes exclusive resources that you can use for your productions: Budgeting considerations How to discuss disability and accessibility Resources for legal requirements This isn’t a list of helpful resources, but rather, an in-depth look at how to create fantastic opportunities by being an ally, and you’ll be amazed at how simple it can be. This shift in your mindset, guided by someone with first-hand knowledge, creates awareness that ripples through the creative process, from development to assembling a diverse cast and crew to your marketing strategy. "Amanda Upson is an exceptional producer. Increasingly, accessibility and inclusion are a necessary part of productions. Beyond her expertise as a producer, her knowledge and experience ensured that our production not only met the technical requirements for accessibility, which was important to our distributor, but also ensured that we created an inclusive space for a diverse cast and crew. Her understanding of these concepts helped us to provide more nuanced storytelling, and support long term success." Day Al-Mohamed, Series Creator/Writer/Director RENEGADES: KITTY O’NEIL
Aerial images go back to when hot air balloons first went up in the 1700s, but the use of aerial images has exploded in the 21st century with the now ubiquitous Unmanned Aerial Vehicles, better known as drones. In very little time, drone photography has become widely—perhaps too widely—used in countless films, television shows, commercials, and other media projects. And along with this wide adoption of drones has come a demand for those who can successfully and artfully operate them. This presents a potentially lucrative and rewarding opportunity for cinematographers looking to expand their reach and build their skill set. Yet with the clear overuse of drone photography in media today, each to varying effects, it’s evident that not all drone shots are created equal, and standing out requires a deeper level of skills. Adding drone cinematography to your film, tv or new media project can breathe new life into shots that may, in the past, have cost your budget heavily to rent the necessary equipment to get. In the same way, finding success with drones requires more than knowing simply how to pilot one; a cinematographer needs to have the eye and well-developed instincts and they need to understand how to work with clients and artists to get those perfect shots. It's important to know that the term ‘drone operator’ is often used for those that use these vehicles to capture video or images, but just as cinematographers are never simply referred to as ‘tripod operators’, neither should anyone simply be seen as a ‘drone operator’. A drone is just a new way to place the camera in incredibly exciting places, a tool in a tool belt. Better understanding the steps that can take you to this point can prove exciting and promising for a cinematographer’s career. Chris Tangey is one of the most sought after drone cinematographers in the world. His impressive career as a cinematographer has him working for Netflix, Warner Bros. Columbia Tristar, BBC, National Geographic, Discovery, Lonely Plant and more. He recently won "Best Aerial Cinematography" in the European Cinematography Awards, and both "Best Drone" and "Best Scenography" In the New York International Film Awards. He was also awarded a Jury Commendation in the World Drone Awards in Siena Italy. He has 2 Gold and 4 silver awards from the Australian Cinematographers Society. Chris has quickly become a leader in the field of aerial imagery and is ready to share what he knows exclusively with the Stage 32 community. Chris will give you the knowledge and tools to get you started to becoming a successful aerial cinematographer. He’ll begin by giving a brief introduction on drone photography, offering a history and understanding of what exactly drones, as well as how they have affected the current state of helicopter-based cinematography. He’ll explain the benefits and exciting potential of drone cinematography and how that has come into play in media today. He’ll lay out how drones and drone photographers work within small and large productions and their crews. Next Chris will give a rundown of how drones work, what the main types of drones are, what the main drone manufacturers are, and what the notable parts of a drone are. He’ll explain what features are offered for different drones and what features are needed for different types of projects. He’ll also give tips on where to buy your own drone as well as how to obtain a licence to legally operate them. Chris will then outline the safety and legal aspects of operating drones. He will teach you the governmental rules and regulations in most countries, including vertical separation rules and how both controlled and uncontrolled aerodromes are treated. He’ll give you tips on how to navigate these rules while still working with your clients and how to understand what your licence gives you the right to do. He’ll also provide strategies to work within the confines and limits to still get the shots you need as well as strategies to keep yourself and your crew safe. Chris will go over how to break into the industry as an aerial cinematographer. He’ll explain the current marketplace and help outline what level of the marketplace you should be targeting. He’ll give you tips on how to build a reel and display your ability to find opportunities and will teach you how to find and stick to your rate, including ways to not undercut the market, manage value-added rates, and offset licence rights against day rates. Chris will even offer case studies from his own career to demonstrate how best to work with clients and get the shots you’re after. Expect to leave with the knowledge and confidence you need to kick start your own aerial cinematography career. "My career as a cinematographer has been “elevated" greatly by incorporating drones and knowing how to use them properly to get the best possible shot. I'm so excited to share my experiences with the Stage 32 community and give everyone the knowledge to use this powerful tool to their creative and financial advantage" -Chris Tangey
It’s the dream of many to have a career as a writer for TV or film, to be able to make a living creating worlds and telling stories. Just ask almost anyone at any coffee shop. However the life of a writer, even the most successful, isn’t always easy. The career path is fraught, unpredictable, and inconsistent. Every writer breaks in (or doesn’t) in different ways, and as a result, there isn’t a singular roadmap for aspiring writers to find the success they’re looking for. That said, having a keen understanding of the industry you’re trying to break into and a wherewithal of potentially helpful steps on your journey is vital in finding your place and advancing in your career. The truth is there’s so much more that goes into being a writer than just writing. Creative chops alone won’t save you. You are creating art for a market and therefore need to understand how the market operates in order to work within it. And while every writer’s career is unique, there are still commonalities and patterns among them and mistakes many have made that you can avoid by learning from them. Lee Sternthal is a screenwriter, director and photographer who has written screenplays for every major studio, including TRON: LEGACY for Disney, as well as scripts for Johnny Depp, Mel Gibson and many others. His film, THE WORDS starring Bradley Cooper, Zoe Saldana and Jeremy Irons was an Official Sundance Film Festival selection and was later bought by CBS Films. Lee is a Sundance Institute Fellow, and his work has appeared on The Black List. Through his journey in this industry he has seen it all - the good, the bad and the ugly - and has come to Stage 32 exclusively to tell you about it. Lee will reflect on his own career as a writer, the mistakes he’s made and the successes he’s found, both in the indie space and the studio system, to give you the perspective, lessons learned, and strategies to better navigate your own writing career. He’ll begin by focusing on writers just starting out and will discuss whether new writers need a manager and whether they need an agent. He’ll then talk about the pros and cons of having a writing partner and what to expect if you join forces with someone else. He will discuss Sundance Film Festival and reveal what actually happens if your film gets accepted. Lee will also discuss the insider Hollywood script survey the Black List from and illustrate what happens when your script appears on this list. He’ll then delve into screenwriting services, how they can be helpful, and how they can be harmful. Next Lee will then share his own experiences, both writing for a studio for the Disney film TRON: LEGACY as well as writing for the independent project THE WORDS to give you a sense of what those experiences are like from the inside. He’ll discuss how to know how much you’re able to take on and how to grapple with the doubt and Imposters Syndrome that is incredibly common among writers starting to find success. He’ll then go over the best ways to continue to pay the bills as a new screenwriter. Finally, Lee will give you his insider knowledge of the industry, including how to understand who “The Players” are and how to navigate them, what “The Venues” are and how they operate and how to work different rooms. Praise for Lee’s Webinar: “It was great to hear about all of Lee’s different experiences. I feel like I have a better sense of what to expect and what to do moving forward to keep on writing!” -Dennis G. “Lee was great! This was such an interesting webinar!” -Betty H. “I’m so glad I saw this! Lee has so much knowledge to share.” -Terry C. “Lee definitely answered a lot of big questions I’ve been asking myself about getting into writing, and now I’m excited to take some next steps. Thanks!” -Gwen D.
Most people have a general idea of what a director does, but that idea usually pertains more to feature films. Directing television can be a separate beast altogether. Successful TV directors need to be adept at navigating inherent contradictions associated with this role. Unlike in films, TV directors have to both have a vision and still fit in with the overall feel of the series. And they need to be in charge despite often only coming in for an episode or two. These are tough lines to straddle, but doing so and honing your craft can lead to a successful and exciting career. Pursuing a career in directing in any medium is rife with challenges: there is no set path to success and finding insight into the inner workings of directing is challenging. Television directing is an even more specific specialty within the world of directing. Several ways of working and behaviors that would be ideal for a feature director are not compatible with the way television is produced. In addition, the path to breaking in as a television director is quite different from that of a feature director. If your goal is to direct television, it’s vital to understand the way television is produced and the role that the director plays within that specific production environment. Heath Cullens is an accomplished television director who has directed episodes of TV shows like IT’S ALWAYS SUNNY IN PHILADELPHIA, GREAT MINDS WITH DAN HARMON, and FX’s YOU’RE THE WORST. Heath’s other notable credits include IDIOTSITTER for Comedy Central, DEADBEAT for Hulu, and BLACK JESUS for Adult Swim. In addition to directing, Heath also produced the Lionsgate feature ARMED RESPONSE, starring Cary Elwes, Ethan Embry, and Alan Arkin. A recipient of a Drama League Directing Fellowship and a member of the Lincoln Center Theater Directors Lab, Heath is well-versed at the art of TV directing and will now share what he knows exclusively with Stage 32. Heath will dig into the specifics and craft of directing for television and will reveal how to pursue it and how best to do the job once you get it. Heath will first explain how best to pursue work in TV directing, including discovering the type of TV is the best fit, how to find your ‘in’, developing a reel, shadowing, and working with established creators. Next he will delve into the vital relationships you’ll need to maintain as a TV director, including with the EP/showrunner, the crew, the cast, and the network or studio. Finally Heath will go through the major challenges you should expect in this role and tips on how to navigate. Along the way, Heath will share challenges and experiences from his own career. The role of a TV director can be enigmatic and often eclipsed by feature films, but Heath will give you the rundown so you can be equipped with the knowledge and advice to pursue this route on your own.