I've worked in the entertainment industry for twenty years as a writer, an independent producer, a development associate, a director, and an actress. I've produced three television shows, had my writing produced by an Emmy award winning producer, and while working in development I had the pleasure of being a part of Crazy in Alabama, Antonio Banderas' directorial debut (and yes he's as charming in real life as he is on screen). Simultaneously, for seventeen of those years I've been a career coach for Entertainment Industry Professionals. Within that period, I served for seven years as the in-house career coach for the International Cinematographers Guild. There I coached over 1000 people one-on-one, created over 40 seminar topics, ran over 30 mastermind groups, and developed a successful mentor program. I consult all classifications in the industry, above and below the line with my proven system I've developed and the results speak for themselves; the credits of almost every network TV show or studio movie produced have someone with whom I've worked. As an international speaker I give keynotes, college talks, and trainings to entertainment industry organizations. Some of my speaking clients include: AFI, USC Film School, Locals 700, 600, 669, 781, The DGC, AFTRA, Film Training Manitoba, The Actors Network, The Art of Acting Studio, and the SOC (I also hosted their 2013 Lifetime Achievement Awards where I got to improv with Colin Farrell and honor many of the men and women I'd worked with). Want to find me? I'm a regular on BuZZ radio, a teacher for Stage 32, and a contributor to Cynopisis.com Advantage, Actors Ink, and author of two books including And… Action! Powerful, Proven, and Proactive Strategies to Achieve Success in the Entertainment Industry. Full Bio »
One of the great myths about the entertainment industry is that the older you are, the harder it is to break in. The truth of the matter is, there are Baby Boomers working in the industry in all capacities. In fact, with the abundance of film, television and digital content being creative, the opportunities for Baby Boomers has never been greater. Whether you're writing or filming content, looking to produce or work on the business side of the industry, or have an interest in being an actor, crew member, or other on set talent or staff, it's time to get moving and let yourself be seen and heard!
Ageism is a word that gets thrown around often when people talk about the entertainment industry. But at the end of the day, those working in the industry want to hire talented, dependable, and dedicated people to help them elevate their personal and professional goals. So much of getting hired has less to do with your age and how you present and handle yourself.
Jessica Sitomer has been has worked in the entertainment industry for twenty years as a writer, an independent producer, a development associate, a director, and an actress. She's produced three television shows, had her writing produced by an Emmy award winning producer, and while working in development had the pleasure of being a part of Crazy in Alabama, Antonio Banderas' directorial debut (and yes, Jessica says, he's as charming in real life as he is on screen). Simultaneously, for seventeen of those years Jessica has been a career coach for Entertainment Industry Professionals. Within that period, she served for seven years as the in-house career coach for the International Cinematographers Guild. There she coached over 1000 people one-on-one, created over 40 seminar topics, ran over 30 mastermind groups, and developed a successful mentor program. No one knows this topic better.
Jessica will teach all Baby Boomers how to create a relevant career that squashes the myths and stereotypes. She will identify and explain key strategies to circumvent the occasional ageism that historically have turned older generations off to pursuing their entertainment career. You will receive “ageless” tips for making a first impression either in person, by phone or via email. Jessica will also provide marketing tips on how Boomers can market online (social media and websites) to stay current. Further she will show you the advantages you have being a boomer as well as 3 strategies for using them! She will help you identify your strengths and assets to understand what makes YOU stand out so you can parlay those traits into more work. And, through templates (which you can download), she will show you how to simplify your plan of action so you can start down your path toward success.
Age does NOT need to be a factor in pursuing a career in film, television and digital. Jessica will give you the tools, the motivation, the strategies, and the confidence to build the career you wish for!
"Jesica is an inspirational ball of fire. I came in with doubts and fears and left ready to knock down the intimidating gates of the industry. Can I get an Amen? Thank you Jessica!"
- Roberta K.
"Coming from a sales background, there are 2 things I know you need to be successful: Information and confidence. This webinar provided so much information, and it was delivered in such a clear and motivating way, I left with all the confidence in the world."
- Frank I.
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
Finding, securing, and building a relationship with a meaningful and experienced producer can be one of the biggest challenges writers and filmmakers face. Even with a great script and a stacked cast, many producers who can move the needle on a project are often in great demand. Securing a meaningful producer means you have someone on your team who can pull the strings, make the offers and put the puzzle pieces of the project together. But how do you find a producer in the first place? How do you build a relationship and show them that you’re someone they should take a chance on? And once you’ve reached that point, how do you get the most out of that relationship to assure that your vision reaches the screen in the most productive, and hopefully profitable manner possible? One of the biggest misconceptions for talent is that producers stifle creativity. ‘The only word they know is “no!”’ or ‘The only thing they care about is money!’. The truth is, though, that building a relationship with the right producer can be a career-maker and can also make your life easier. Producers help you make connections, take all of the day-to-day questions about making a project off your plate, and can even creatively add to your series or film. But you need to know how best to use your producers if you’re going to succeed. Writers and filmmakers alike need to know how to find the right producer for them, understanding the skills different types of producers bring to the table, and finding the best way to create a good producer/talent relationship. Rachel Crouch is the Director of Development at Cold Iron Pictures, a production/financing company that most recently produced BEING FRANK starring comedian Jim Gaffigan and Anna Gunn. Previously Cold Iron produced SWISS ARMY MAN starring Daniel Radcliffe and Paul Dano, as well as Marielle Heller’s directorial debut DIARY OF A TEENAGE GIRL starring Bel Powley, Kristen Wiig and Alexander Skarsgård, both of which premiered at Sundance Film Festival. They also produced the Sundance hit UNTITLED AMAZING JOHNATHAN DOCUMENTARY, which premiered in the US Documentary Competition section and is available on Hulu. Rachel has been involved in every step of producing these films and has helped launch careers of the talent involved with them. Rachel will walk you through the nuts and bolts of finding the right producer and forming a great working relationship with him or her. She will discuss the different types of producers and how each contributes to different projects. She will then go into how to find that perfect producer, and the best ways to do research, take meetings, and woo them to get them on your side. She will also discuss the producer’s role in every phase of production—from giving notes during development, to building the team in pre-production, serving on the ground during production, and handling sound, color, and deliverables during post, among many, many other facets. Rachel will help you tackle the tricky issue of dealing with money with your producer and outline the common ways the producer-talent relationships fall apart, as well as flourish. Rachel will even provide case studies from her own background to illustrate how the producer-talent relationship helped create Independent Spirit Award winning DIARY OF A TEENAGE GIRL, Sundance winning SWISS ARMY MAN, and SXSW nominated BEING FRANK. Like what you heard from Rachel during this webcast? Send Rachel your script and speak with her for a half-hour by clicking here. Praise for Rachel’s Stage 32 Webinars: "Very informative, Rachel is wise beyond her years." -Anthony L. "Very helpful! I learned so much and I am looking forward to going back and rewatching" -Milena W. "Rachel Crouch was awesome. She enriched my knowledge of the world of producers and how as a screenwriter we can make connections with the right ones and how best to work with them! Great job." - Ricki L. "Rachel was terrific! Her thoughts were clear and helpful." -Valerie C.
Learn directly from Emmy Award-winning producer Lane Shefter Bishop! “Your story/book seems like it would make a great TV series or movie!” Ever heard these words before? If so, join executive Lane Shefter Bishop, as she takes you through the process in this Stage 32 Next Level Webinar. Over the last few years, Lane Shefter Bishop with Vast Entertainment has set up more than two dozen book properties – many of them only book proposals and early partials – with studios, networks and production companies throughout the entertainment industry. Underlying intellectual property is like gold these days. Great projects ‘based on’ or ‘inspired by’ literary material are constantly in demand. And by being in the center of this ‘content is king’ world, only Lane can give you the valuable insights towards making your story more sellable to the industry marketplace.
Now that the barrier to entry is lower than ever to start creating your own content, it's imperative to learn how to capitalize shooting on digital. Whether it's understanding the needs of digital services like Netflix, or platforms like YouTube, there is a spot in the market for you to make it a career. In this exclusive Stage 32 webinar your host Stephen Balsley will be going over the technology side of the Industry, with a specific focus on the shift from Film to Digital. We will also be learning to look at Media as a whole, from how each piece is interconnected, to how technology is affecting extraordinary change in every area of Media. We will go over specific examples of Filmmakers who have successfully capitalized on the shift to Digital, and will provide useful steps to ensure your projects are taking full advantage of the available Technology to give you the best possible chance at creative success. The Technical side can be one of the most difficult and daunting areas of any Industry (like opening up the hood of a car), but Stephen's goal for this webcast is to inspire an overall curiosity into all of the change that is currently happening, and to begin to gain a firm understanding of how the Industry works around, and is very often driven by, the Digital Age in which we live. Stephen Balsley began his career at a RED Digital Cinema nearly 9 years ago, and has watched it grow from a small startup company into one of the leading Cinema brands in the world. During that time, the RED One camera was largely credited with driving the shift from Film to Digital, with RED cameras now being used in a large number of films and other projects across the Industry. Although Stephen’s expertise is in RED, he is well experienced in all types of cameras, including Arri, Canon, Nikon, Blackmagic, and more.
As an actor, there are so many elements that go into being successful. Craft and method, scene study, poise, rehearsal, memorization, building your brand and identity. The list goes on. Yet in the end, getting cast in a project might come down to just two pieces of paper: your headshot and your resume. It’s often the very first impression casting directors or producers have of you and may dictate whether or not you get in the room to audition in the first place. Considering how much can come down to your these two items, it’s critical you make them as effective as possible to put your best foot forward. There are tons of online resources, articles and videos on the do’s and don’ts of actor headshots and resumes, many of which contradict the next. Acting coaches, agents, managers and industry professionals are quick to define what makes a headshot “pop” and what to include on your resume. But what do casting directors really look for? And what can make your headshot and resume stand out from the stack of others that a casting director receives? Over her career, casting director Marin Hope has cast hundreds of actors in film, TV, theatre and commercial projects. The winner of the 2020 Artios Award for Casting, Marin works alongside Heidi Levitt, casting film, television, commercial, theatre and New Media projects. Some casting credits include HBO's BESSIE starring Queen Latifah, Mo’Nique, Michael K. Williams and Mike Epps, AMERICAN MADE, starring Tom Cruise and Domhnall Gleeson, HOMELAND, starring Claire Danes, THE LAST WORD, starring Shirley MacLaine and Amanda Seyfried, and most recently MOLLY, starring Javier Bardem, Elle Fanning, Chris Rock, Laura Linney and Salma Hayek, which is currently in post-production. Marin’s deep experience in acting has made her a foremost expert in what it takes for actors to get the job, and she’s back exclusively with Stage 32 to reveal what she knows. Marin will reveal from a casting director’s perspective what makes an actor’s headshot and resume effective. She will discuss everything from hair and makeup to how much you should spend on headshots to what makes a headshot stand out. She’ll provide details on how to best format your resume and what credits you should and should not include. She’ll also discuss what a casting director looks for when reviewing actor materials and why one actor may be selected to audition over another based solely on their headshot and resume. You’ll learn all of this from an esteemed casting director's perspective, which will give you a unique and valuable understanding of how to best curate your materials. Praise for Marin's Previous Stage 32 Webinars "I thought I was just going to revisit what I already know about self-taping but Marin brought forth valuable new information." -Michele C. "I think Marin's webinar is excellent and covered everything that an actor would want or need. I like her no nonsense approach. Takes a lot of the fear factor away." -Sondra C. "The information was informative, Marin gave a lot information that is extremely invaluable to me in this industry and I look forward to many more webinars with Stage32 because of this." -Michael C. "Well, done. I have made it into several movies and missed getting into others. There are several things I learned which I will incorporate in future auditions." -Kenneth W.
When people think of Manchester By the Sea, they think of an independent film drama that finds comfort in its misery. There is a stoic color palate that highlights the depressing grey of New England and its melancholy protagonist. The script (and film) are also filled with a certain quirkiness and comedy typical of the American working class city by the sea. Through its incredible pain, there are rays of sunshine and humanity that are delicately written and incredibly effective. We've brought in the Development Executive for Mandalay Pictures, Patrick Raymond, to deconstruct this Oscar-winning script. What we will discuss and uncover is the process and elements required that enabled a film as seemingly small and intimate, like Manchester, to become a commercial and critical success. We also will address the elements of writing that attract A-level talent and help create characters that support great performances. Patrick looks forward to the discussion. All attendees will receive the Manchester by the Sea script and we highly recommend you read it in advance of the webinar.
Payment plans are available - contact email@example.com for details 4 Spots Left! If you have to miss a class, don't worry. Each class is recorded and you can watch on-demand PRE-CLASS PREP - Read your syllabus and plan out your writing ideas. Begin to think about 1-2 ideas that might be a good idea for your comedy pilot. Start to prepare for your pilot pitch. Class #1 – Introduction, Character, World This week we will cover the syllabus, your instructor's background and experience, your goals for this eight-week lab and launch into a discussion on creating strong characters for your pilot. We will discuss the types of comedy pilots and how they differ from network to network. This will include a discussion about Single-Camera and Multi-Camera comedies. Then we will delve into character – what makes for strong characters and weak ones. Also knowing the world your show takes place in. You will have a writing assignment this week. Class #2 – Pilot Outline, Pitch Document This week we will break down pilot structure, plot and subplots. Pilot structure varies depending on the type of comedy pilot (single-camera or multi-camera) and the network (broadcast, cable, streaming, digital, etc.) We will identify what kind of network to target for your story idea and structure the pilot accordingly. We will also discuss the function of your pitch document. This will include incorporating your character descriptions as well as the pilot storyline, and arc of your show. You will have a writing assignment this week. One-On-One Consultations - Pilot Outline Review (No Online Class) This week will consist of one-on-one consultations regarding your pitch document. Each writer will send in their pitch document in advance and will have a 10-minute call to discuss what works and what doesn’t. The assignment for the week is to address any notes given on the pitch document before proceeding with next week’s class. Class #3– Structure, Scenes, Dialogue. Time to Write your Pilot! We will discuss both the Single-Camera and Multi-Camera structure. You will decide which works best for the pilot that you are developing. We will address the qualities of effective (and ineffective) scenes, dialogue, and jokes. We will also go over all the necessary story beats that exist in a comedy pilot, including traditional page count, act breaks, tags, etc. After this class, you will have 3-4 weeks to complete the first draft of your pilot. Spencer will be available during this time with any questions you have during the process. One-On-One Consultations - Pilot Notes (No Online Class) The assignment this week will be to incorporate any notes given on the pilot before proceeding with next week’s class. Class #4– After You Write Your Pilot Last online class. We will discuss what happens when you take meetings with managers, agents, and showrunners, and how to pitch a comedy pilot. We will also discuss other kinds of TV comedy writing (late-night talk shows, sketch, political comedy talk shows, etc.)