James Dalessandro is a best selling novelist (“1906”), true crime writer (“Citizen Jane”), a full-time working screenwriter and a member of the Writer’s Guild of America. Academy Award winning director Brad Bird is attached to direct the upcoming live action film of James Dalessandro’s “1906” novel and screenplay (on Deadline). James recently finished the Pilot and Bible for the TV series “THE RESTLESS” for POW! Entertainment, created by the late STAN LEE, who handpicked James as his writer. In the past several years, James has sold or been hired as Writer/Executive Producer by the FX Channel (12-Hour Limited Series), Eone Entertainment (Two One-Hour Dramas), Televisa USA/Gaumont Entertainment (One-Hour Drama) Starlings Entertainment (a One-Hour Scripted Series, and a Reality/Documentary series), and Grosso/Jacobson Entertainment (several One-Hour Series and Mini-Series). Lew Hunter, Co-Dean of the UCLA Screenwriting program, calls him “one of the four or five best screenwriting teachers in the world.” Full Bio »
Hollywood studios will release less than 100 movies in 2019, most written by veteran writers. The Independent Film market is struggling. All the while TV is exploding. More than 90% of working WGA writers are in TV, which is the market for quality writing and entertainment. Why? TELEVISION IS RUN BY WRITERS. In 2019, Television will produce more than 500 original scripted shows – that’s more than 5,000 scripts – with Netflix, Hulu and Amazon alone spending a combined $20 to $25 BILLION on programming.
What’s the secret to breaking in, finding a job on staff or selling a new show? A GREAT, ORIGINAL PILOT. James Dalessandro will work with aspiring Writers, Directors, Producers to focus them on what it takes to make the dream come true – a career in Television.
Your host James was handpicked by Stan Lee to write the TV Pilot and Bible for THE RESTLESS for POW! Entertainment. In addition he also has Brad Bird (Incredibles, Incredibles 2, Ratatouille) attached to direct a feature film '1906' based on his own novel. He's also written and produced TV for FX, Eone, Televisa USA, Starlings Entertainment and Gross/Jacobson Entertainment.
***All attendees will receive a pdf of THE AMERICANS pilot!
THE AMERICANS PILOT. Each participant will receive a PDF of THE AMERICANS Pilot. It is highly recommended that everyone read the Pilot script and re-watch the Pilot on NETFLIX so they can compare the differences. WHY? Because James will be going through one of the best Pilots ever written, as Participants refer to their scripts.
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
"Jason was and is wonderfully inspiring!" Watch for FREE here: Want to join Jason's 2-part AD class April 8 & April 15? Register here!
Producer Tiegen Kosiak joins our Panel as we listen and read your pitches live to help educate the Writers' Room screenwriters on what is and isn't working in their pitch.
While the channels of distribution have never been more diverse and accessible, the education for filmmakers of how to best utilize those channels is often inscrutable. Are day and date releases still your best bet? Do you still need a title to start with an "A" to pander to the alphabetized cable operators? And how much money are these films even making these days?? With so many different opportunities and new platforms arising constantly, how to choose the best path for YOUR film? Equally bilingual in the language of cinema and the lexicon of sales, Mia offers her knowledge of distribution to help filmmakers navigate their opportunities in the marketplace by understanding the rules that exist and the ways they can be bent and supplemented.
Producers of independent films and TV series deal with a multitude of parties on the production, financing as well as distribution sides. Many of those parties have a financial interest in the project and are entitled to a share of the revenues generated by domestic and international distribution of the film or series. In order to make the allocation and distribution of revenues manageable, it is important to design a Recoupment Schedule for your project. The Recoupment Schedule, also called “the waterfall”, combines all the single deal terms negotiated between the production and investors, financiers, talent, sales agents, co-producers, and service producers. Each project is unique, with its very own financing structure for example, and therefore there is no universal format for a Recoupment schedule. However, there are certain guidelines to consider when putting together a Recoupment Schedule for your project. Want to know more? Join our webinar and we will further discuss how to put together a Recoupment Schedule for your next project!
The Cartel Manager Corey Ackerman joins our Panel as we listen and read your pitches live to help educate the Writers' Room screenwriters on what is and isn't working in their pitch.
Learn directly from award winning non-fiction producer, Jim Young, who's produced 8 films based on books, including Lovelace (James Franco, Amanda Seyfriend), The Man Who Know Infinty (New York Times best Seller), The Catcher Was a Spy and Layover Some of the recent best feature films were based on books, including Hidden Figures, Lost City of Z, Unbroken, American Sniper, Inherent Vice, Wild, The Imitation Game, and The Theory of Everything. Some of the top recent television series based on books include Game of Thrones, True Detective, Pretty Little Liars, The Leftovers, Boardwalk Empire, Justified, True Blood, Dexter, the upcoming Fresh Off the Boat. As you can see, great books often make for great films and TV programs. The first step to beginning an adaptation is to find a book that lends itself to being turned into a film or television project. Discovering an adaptation-worthy subject can be as simple as stumbling across an interesting title at a bookstore or airport newsstand. Another way to find possibilities include reading the magazine Publisher’s Weekly, which profiles new books hitting the market each week along with short synopses. Many other magazines and newspapers give mentions of new titles each month as well. In this on-demand Stage 32 Next Level Webinar, Jim Young will go over how to adapt a book into a film or TV series! Jim will cover everything from acquiring the rights, to script development, to pre-production, to production, all the way to the finish line. Having produced films such as Lovelace (starring James Franco, Sharon Stone, and Amanda Seyfried) and The Man Who Knew Infinity (starring Dev Patel, Jeremy Irons, Toby Jones, and Stephen Fry) and the upcoming The Catcher Was a Spy (directed by Ben Lewin and written by Robert Rodat) and Layover (written and to be directed by Toni Kalem) all based on books, Jim knows how to adapt a book into a film and TV series from start to finish. Jim Young is an independent producer and the president of Animus Films. He has produced over eight films, with upcoming productions including Cut Throat City, directed by RZA. Young is currently developing many other film and television projects with independent companies including Lynda Obst Productions, Ruby Films, Tollin Productions, Tribeca Productions, Underground Films, and Pressman Films.