James Dalessandro is a best selling novelist (“1906”), true crime writer (“Citizen Jane”), a full-time working screenwriter and a member of the Writer’s Guild of America. Academy Award winning director Brad Bird is attached to direct the upcoming live action film of James Dalessandro’s “1906” novel and screenplay (on Deadline). James recently finished the Pilot and Bible for the TV series “THE RESTLESS” for POW! Entertainment, created by the late STAN LEE, who handpicked James as his writer. In the past several years, James has sold or been hired as Writer/Executive Producer by the FX Channel (12-Hour Limited Series), Eone Entertainment (Two One-Hour Dramas), Televisa USA/Gaumont Entertainment (One-Hour Drama) Starlings Entertainment (a One-Hour Scripted Series, and a Reality/Documentary series), and Grosso/Jacobson Entertainment (several One-Hour Series and Mini-Series). Lew Hunter, Co-Dean of the UCLA Screenwriting program, calls him “one of the four or five best screenwriting teachers in the world.” Full Bio »
Hollywood studios will release less than 100 movies in 2019, most written by veteran writers. The Independent Film market is struggling. All the while TV is exploding. More than 90% of working WGA writers are in TV, which is the market for quality writing and entertainment. Why? TELEVISION IS RUN BY WRITERS. In 2019, Television will produce more than 500 original scripted shows – that’s more than 5,000 scripts – with Netflix, Hulu and Amazon alone spending a combined $20 to $25 BILLION on programming.
What’s the secret to breaking in, finding a job on staff or selling a new show? A GREAT, ORIGINAL PILOT. James Dalessandro will work with aspiring Writers, Directors, Producers to focus them on what it takes to make the dream come true – a career in Television.
Your host James was handpicked by Stan Lee to write the TV Pilot and Bible for THE RESTLESS for POW! Entertainment. In addition he also has Brad Bird (Incredibles, Incredibles 2, Ratatouille) attached to direct a feature film '1906' based on his own novel. He's also written and produced TV for FX, Eone, Televisa USA, Starlings Entertainment and Gross/Jacobson Entertainment.
***All attendees will receive a pdf of THE AMERICANS pilot!
THE AMERICANS PILOT. Each participant will receive a PDF of THE AMERICANS Pilot. It is highly recommended that everyone read the Pilot script and re-watch the Pilot on NETFLIX so they can compare the differences. WHY? Because James will be going through one of the best Pilots ever written, as Participants refer to their scripts.
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
When the entertainment industry shut down as a result of the global pandemic, insurers were left with hundreds of millions of dollars in claims. As a result, traditional production insurance is no longer available. Carriers have modified their coverages, added exclusions and changed coverages they are offering altogether. Additionally, they now require more information in order to underwrite and provide a quote for the film. Production insurance has always been difficult to navigate, but now more than ever it’s crucial to understand how it works and how it’s changed. Filmmakers and creators, both independent and as a part of studios and networks, are itching to get back to work and start creating again. However it’s important to be careful before plunging in, and not just for health reasons. The truth is updates to production insurance is going to change things for everyone, and you need to understand how exactly things will change before you get started on your next project. Filmmakers need to learn what the new underwriting guidelines are and what information is now needed in order to obtain production insurance. You also need to know how to better budget the increased cost for insurance and so that there are no surprises when the quotes come. By knowing what terms and insurances are available for your specific project, you will be able to discuss these options with lenders, distributors and bond companies. It’s more important than ever to be informed and to be prepared when gearing up for your next production. Daniel R’bibo is a Senior Vice President at Gallagher and has worked on over 100 feature films including Oscar winners such as FOXCATCHER and HER, as well as A24's MID-90's, SEARCHING, HAPPY DEATH DAY and a dozen television shows. For nearly two decades, Daniel has provided insurance services for independent and studio projects which have premiered at Cannes, Sundance, Tribeca, TIFF and more. He has worked on all lines of insurance ranging from Production Insurance policies to Financial and Cybertechnology policies such as E&O, D&O and Network/ Security & Privacy coverages. Daniel was featured in Risk and Insurance Magazine’s Top 40 Under 40 List and has been awarded their Power Broker Award in the Media & Entertainment Category four separate times. Few people in the world know entertainment insurance better than Daniel, and he’s prepared to share what he knows exclusively with the Stage 32 community. Daniel will dive deep into how production insurance works and how it has changed with COVID-19 pandemic. He will begin with a general overview of production insurance. He’ll explain the various insurances relating to production including production package, general and auto liability, workers compensation, errors and omissions (E&O), and COVID specific insurances. Next Daniel will delve into the changes in insurance underwriting and carrier appetite due to the pandemic. He’ll walk you through what you need to know before you get a quote, including COVID related exclusion and new terms and conditions, required safety procedures, and how may quotes you can expect for your project. He will also show you how much to budget for your own production insurance. Finally, Daniel will provide case studies of real films’ insurance breakdowns, both before COVID and after. He will spend time discussing both films made for under and over $5 million. It can feel like the Wild West now in venturing back into production, but Daniel will give you a clear picture of how insurance is going to work moving forward. PLUS! You will receive a production insurance quote checklist to make sure you have everything in order to ensure you get the best quote possible from an Insurance Agent.
This is the 2nd installment of the Stage 32 + Bondit Media Capital Masterclass featuring Matthew Helderman (CEO of Bondit Media Capital) and Jordan Yale Levine (President, Yale Productions).Please note this webinar is audio only.
A MASTERS OF CRAFT WEBINAR - ONLY ON STAGE 32! It takes a special person to be a screenwriter. It takes a lion's heart, discipline, patience and perseverance. It also takes a willingness to learn from those who came before, found success in their craft and developed the skills necessary to navigate the business. FIGHT CLUB. Need we say more? OK. How about JUMPER? Or the in development THE DESTROYER to be directed by Shane Black. And, of course, any number of scripts for which this legendary screenwriter has collected hefty paychecks on and which never have seen the light of day. (Oh, he'll be teaching about that as well.) Jim Uhls knows what's what. For over 30 years, Jim has been a working writer in the industry. He was there during bull market for screenwriters, through the independent movement, through the studio resurgence, and into the here and now of the indie renaissance and the dawn of digital and the streamers. Now Jim is bringing his extensive knowledge of the craft and the business to teach exclusively for Stage 32 and our Masters of Craft series. In this meticulous step-by-step presentation, Jim is going to show you how you can mine for great ideas and bring them to maturity. He will teach you how to bring unparalleled depth to your characters. He'll show you how to write by seeing the trailer in your mind. How to use stream of consciousness as a tool to outline your script and find your beats. How to use emotional logic to power your work and much more. How to make sure your material is as attractive as possible to managers, agents, talent, producers, and financiers. He's even going to show you how to adopt a book, using FIGHT CLUB as an example! Most of all Jim is going to show you how to channel the passion and remove the cynicism and blocks that were not present when you first started. "I've never quite met anyone like Jim. His skills are undeniable and revered in the business. But it's his approach, his consistency, his way in to the material and the characters and his ability to see the entire landscape in a clear, calm matter that sets him apart. He's a true original and an inspiration to so many including yours truly. I've learned so much from him." -Richard "RB" Botto - CEO Stage 32, Screenwriter This is a masterclass you will not want to miss. Jim will leave you laughing, full of energy, and ready to write!
We've got another fantastic Pitch Tank Webcast with special guest, Senior Coordinator Janean Jeffries of ViacomCBS! Janean works directly with the Executive Vice President Head of Production for MTV, VH1, CMT, Paramount TV, Logo, Smithsonian Channel, MTV Studios, TVLand, Pluto TV, Comedy Central, and Pop. Janean has over 15 years experience in the entertainment industry, giving her a broad knowledge of what executives want and need on their screens. Previously, Janean worked for Love Life Entertainment & CBS Films. During the webcast we heard excellent pitches across the spectrum, from Action Adventure and Sci-Fi to Character-driven Drama and even TV-series.
Hey screenwriters and creatives! Mark your calendars and come hang out online with Stage 32 Director of Script Services, Jason Mirch on Tuesday, November 12th at 1pm (Pacific). If you're a screenwriter and looking for support for your writing or your career, this is the online hangout for you! What is a Stage 32 Writer Hangout? This is an online webcast where screenwriters and creatives gather to share what you're working on, things that are inspiring you and give you a forum to ask questions you have about your craft, the business or the industry. For over a decade, your host, Jason Mirch, has worked in nearly every aspect of the business, including representation, development, production, and film finance. He has worked with Academy and Emmy Award winners on studio and independent projects.
Hello, Creative Army. It's been a busy few months around the Stage 32 offices and for yours truly as it relates to my personal projects. I'm excited to share with you what I'm hearing, what I've learned, and what I've experienced since we last got together. As always, my AMA's are always free! Watch as many times as you'd like. Cheers! RB