On Demand Webinar - For immediate download. Unlimited access for 1 year.
On Demand Webinar - For immediate download. Unlimited access for 1 year.
James Dalessandro is a best selling novelist (“1906”), true crime writer (“Citizen Jane”), a full-time working screenwriter and a member of the Writer’s Guild of America. Academy Award winning director Brad Bird is attached to direct the upcoming live action film of James Dalessandro’s “1906” novel and screenplay (on Deadline). James recently finished the Pilot and Bible for the TV series “THE RESTLESS” for POW! Entertainment, created by the late STAN LEE, who handpicked James as his writer. In the past several years, James has sold or been hired as Writer/Executive Producer by the FX Channel (12-Hour Limited Series), Eone Entertainment (Two One-Hour Dramas), Televisa USA/Gaumont Entertainment (One-Hour Drama) Starlings Entertainment (a One-Hour Scripted Series, and a Reality/Documentary series), and Grosso/Jacobson Entertainment (several One-Hour Series and Mini-Series). Lew Hunter, Co-Dean of the UCLA Screenwriting program, calls him “one of the four or five best screenwriting teachers in the world.” Full Bio »
Hollywood studios will release less than 100 movies in 2019, most written by veteran writers. The Independent Film market is struggling. All the while TV is exploding. More than 90% of working WGA writers are in TV, which is the market for quality writing and entertainment. Why? TELEVISION IS RUN BY WRITERS. In 2019, Television will produce more than 500 original scripted shows – that’s more than 5,000 scripts – with Netflix, Hulu and Amazon alone spending a combined $20 to $25 BILLION on programming.
What’s the secret to breaking in, finding a job on staff or selling a new show? A GREAT, ORIGINAL PILOT. James Dalessandro will work with aspiring Writers, Directors, Producers to focus them on what it takes to make the dream come true – a career in Television.
Your host James was handpicked by Stan Lee to write the TV Pilot and Bible for THE RESTLESS for POW! Entertainment. In addition he also has Brad Bird (Incredibles, Incredibles 2, Ratatouille) attached to direct a feature film '1906' based on his own novel. He's also written and produced TV for FX, Eone, Televisa USA, Starlings Entertainment and Gross/Jacobson Entertainment.
***All attendees will receive a pdf of THE AMERICANS pilot!
THE AMERICANS PILOT. Each participant will receive a PDF of THE AMERICANS Pilot. It is highly recommended that everyone read the Pilot script and re-watch the Pilot on NETFLIX so they can compare the differences. WHY? Because James will be going through one of the best Pilots ever written, as Participants refer to their scripts.
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A New Lab for Stage 32 Writers! Payment Plans Available - Contact firstname.lastname@example.org For More Information Only 3 Spots Still Available - Don't Miss Out Your chance to be mentored by a professional writer who has worked with Netflix, TVOne, Aspire TV, AMC, Bounce TV, and more. Write your feature or television pilot outline in 8 weeks while being mentored by a professional screenwriter and script consultant! Screenwriting is often described as a solitary craft. Many writers embrace this option, but we've got a better option for you to explore your narrative work. In this exclusive Stage 32 lab, you'll work with a professional screenwriter to learn every aspect of screenwriting story structure and put it into practice as you write your own feature film or television pilot outline in 8 weeks. The eight-sequence structure taught in this lab is used widely in the industry. The writers who live and breathe this structure are some of the most creative working writers as they instinctively understand the framework, allowing their minds to focus on the emotional journey of the characters and find innovative ways to tell their stories. Outlining is a crucial step in the development process when working with executives and representation, who often must approve an outline before the writer can start writing their script. Over eight sessions, you and a group of passionate screenwriters will dive deep into screenwriting structure, focusing on one sequence each week, and applying what you've learned to your script's professional outline throughout the lab. You'll cover world-building, character dimensionality, pacing techniques, and more along the way. Taking you through story structure is AZ Yeamen, a writer and consultant who has sold nearly every script she’s ever written, and now she’s giving writers an incredible crash course in screenwriting based on her years of industry experience. AZ has become the go-to for revisions, doctoring, whipping stories into shape, and pitch packages for Netflix, TVOne, Aspire TV, UMC Streaming, Bounce TV, and independent production companies. She most recently served as a Story Editor on Covenant for AMC's ALLBLK. AZ has mentored countless up-and-coming writers, and her students have sold projects to networks and won numerous screenwriting competitions. With limited spots available, you’re guaranteed hands-on guidance and an interactive experience with AZ. These spots are first-come, first-serve, so don't miss out on working with AZ and walk away with a strong outline and a better understanding of how working writers structure their scripts. PRAISE FOR AZ'S PREVIOUS STAGE 32 EDUCATION: "If you’re someone like me who keeps saying they want to be a writer, this is the place to start taking that seriously. AZ is informative and fast-paced, encouraging you to rise to the occasion with every assignment." -- Rachel Cuyler "First and foremost, AZ is AMAZING! The information provided, the examples, the illustrations, the assignments were all geared towards equipping us to become great script writers. I MUST take the course again. Nothing but applause for AZ and her style of teaching." -- Chris Strickland
Learn directly from Tatiana Kelly who has produced 12 independent films including Wristcutters: A Love Story and The Words (Bradley Cooper and Zoe Saldana), and The Procession. The barrier of entry for the micro-budget / DIY / indie filmmaker has never been lower, making the landscape of independent film more exciting than ever. With box office and VOD sales at an all time high and more distribution opportunities than ever, independent films are enjoying a resurgence. Throw into the mix that many studios and larger production companies are committed to producing numerous micro-budget films each year (see Paramount Insurge) and independent producers such as Jason Blum (Blumhouse) have made a living in the space, and the demand for films with micro-budgets has never been higher. Additionally, many creatives are taking matters into their own hands by making micro-budget films as a calling card for their talents.Some examples of micro-budget films include Napoleon Dynamite, Halloween, Clerks, The Blair Witch Project, Mad Max, Eraserhead, Open Water, Catfish, Saw, Once, Pi.Story and style win the day as a result of the passion and dedication put into micro-budget films. If you are a screenwriter, producer, filmmaker or any other creative that values control of your story and film and has decided to write, develop, shoot or distribute a film in the micro-budget space, this is the webinar for you.
For most writers and directors, securing representation represents a huge step forward in legitimizing the pursuit of their dreams. The right rep can help you make a living doing what you love - whether it's seeing actors speak your words on screen or managing a cast and crew and yelling "Action!" on set. It's a step that can get you one step closer to quitting your day job and concentrating on your creative career full time. Finding the right manager and/or agent will help you give you a member of your team responsible for helping you develop your creative voice or your distinguished eye, get you in the right doors to connect with the right opportunities, and to help you begin to get paid for your talent and effort. So, how and where do you find the right managers and agents? And, what makes you stand out among the thousands of creatives reaching out and vying for the attention of these representatives on a daily basis? For starters, there are many questions you need to ask yourself to make sure that you're prepared to be representation ready. Further, beyond putting the work into your craft, you need to do your research to assure you have the right knowledge to give you the best shot to stand out in an effort to secure a rep meeting. There's much work that needs to go into being a professional creative before you get your foot in the door. And, once you bust that door open and get the attention of a quality rep, there's an art to making sure that you are asking the right questions to assure that this rep is right for you and your career so that you can start working and keep working. Antonio D'Intinio is one of the hardest working managers in the industry that represents screenwriters and directors at Circle of Confusion. He began his career at the agency APA before joining Jeremy Platt at Plattform, where you helped manage Plattform's first look deal with Amazon Studios. Antonio’s clients work across film and television, selling shows to Apple, Universal TV, eOne among others and their films have been recognized by numerous organizations and festivals including The Nicholl Fellowship, Cannes, Sundance and SXSW. He strives for excellence in his clients, and that is mutually reciprocated making it a successful client-manager relationship. Antonio will teach you the best strategies to obtain representation as a screenwriter or director. You will learn what you need before you approach representation, how best to reach out to representation and most importantly what to do once you’ve obtained representation. Antonio will get down in the weeds to teach you what you must look for in terms of communication from your rep. What questions to ask to make sure you're making the right decision. What expectations your rep will likely put on you from time management to deadlines to the ability to receive and apply notes. You will learn how to achieve the ultimate goal with your rep, mutual respect and expectations. Antonio will demystify the representation landscape and give you the tools to have the confidence to approach potential reps with a clear understanding of what you're looking for, while understanding fully what they want in a client. No matter what stage of your career you're in - whether you're unrepped or looking to change representation - you will benefit from the INSIDER INSIGHTS Antionio shares in this exclusive Stage 32 Next Level webinar! "Antonio really took us behind the curtain with a no B.S. approach. A straight shooter that tells it like it is. Eyes wide open for me now." -Michael K. My goal was always to be repped. And I got my wish. And it went terrible. We weren't on the same page. I didn't know what to do. After watching Antonio's presentation, my last rep and I parted ways and I was able to secure a new manager. The change has been night and day. We work together for a common goal. Thank you, Antonio! - Steven L.
Today, more than ever, self tape auditions are how the casting process works for actors. Understanding how to set up, craft, and shoot a self tape can be the difference between landing more roles or having your talents fall by the wayside. When a casting director requests and accepts self tapes to assist in their casting process, they inevitably wind up with tapes of varying quality and content. Whether it's picture quality or sound quality fails, a bad self tape immediately gets bypassed. Actors often think that their talent will always win the day. In a room, that might be true. But on a self tape, quality matters. Fortunately, there are some very simple, but comprehensive steps you can take that will make a massive difference in what you present to a casting director. The goal is to keep the attention off cosmetic or sound flaws and on your acting, where it belongs! Marin Hope, CSA is a Los Angeles native and LA-based casting director, who won the 2020 Artios Award for Casting. Marin works alongside Heidi Levitt, casting film, television, commercial, theatre and New Media projects. Some casting credits include HBO's BESSIE starring Queen Latifah, Mo’Nique, Michael K. Williams and Mike Epps, AMERICAN MADE, starring Tom Cruise and Domhnall Gleeson, COMPLETE UNKNOWN, starring Michael Shannon and Rachel Weisz, HOMELAND, starring Claire Danes, THE LAST WORD, starring Shirley MacLaine and Amanda Seyfried, KINGS, starring Halle Berry and Daniel Craig, Bad Samaritan starring David Tennant and Robert Sheehan, WHO WILL WRITE OUR HISTORY, starring Joan Allen and Adrien Brody, and most recently MOLLY, Javier Bardem, Elle Fanning, Chris Rock, Laura Linney and Salma Hayek, which is currently in post-production. Over her storied career she has seen thousands of auditions and hundreds of casting self-tapes and she's back here exclusively on Stage 32 to impart her wisdom on what can help you get a leg up on the competition when it comes to your self tape. Marin will talk about the need for self-tapes and why they are an essential part of today's casting process. She will go over your question on whether or not you should use a self-tape facility or film from home. When it comes to shooting at home, you will learn background, lighting, angles, wardrobe choices and equipment you will need, as well as whether or not you should film horizontal or portrait. Finally, Karen will teach you the do's and don'ts of a self-tape and share with you examples of good and bad auditions. You will learn all of this from an esteemed casting director's perspective which will give you the unique insight into how your own self-tape is viewed. PLUS! Marin will share with you: Videos clips of do's and dont's for casting videos A resource sheet of tools and equipment that can help you with the look of your casting tape Praise for Marin's Stage 32 Webinar: "I thought I was just going to revisit what I already know about self-taping but Marin brought forth valuable new information." -Michele C. "I think Marin's webinar is excellent and covered everything that an actor would want or need. I like her no nonsense approach. Takes a lot of the fear factor away." -Sondra C. "The information was informative, Marin gave a lot information that is extremely invaluable to me in this industry and I look forward to many more webinars with Stage32 because of this." -Michael C. "Well, done. I have made it into several movies and missed getting into others. There are several things I learned which I will incorporate in future auditions." -Kenneth W.
With more and more content being created and more avenues for films to be seen, the overall distribution market is changing at a rapid pace. But, the classic in-theater experience is still alive and well – if you have the right type of film and you understand how tailor your approach to the market. Don't think for a second that your film is not a fit for theatrical distribution or that all theaters and screens are controlled by the studios. There still IS an opportunity for a film to be distributed to the US market in theaters. Independent film acquisitions with the intent to distribute in the US theatrical market still make up a profitable part of today’s film business. Unfortunately, many filmmakers aren’t aware of the elements a film must have to be considered for theatrical distribution. Understanding everything from where your content fits to how to put your film in the best position to be acquired is absolutely necessary in order for you to give your project the best chance to attract a buyer and give you the opportunity to have your masterpiece, the film you worked so hard to make, seen in a theater. Jason Resnick is the Executive Vice President of Acquisitions for Aviron Pictures and has had decades of experience in theatrical distribution on films of all budget levels. He Jason was formerly the GM of Worldwide Acquisitions for the Universal Pictures Group and in charge of all acquisitions for Universal, Focus Features, Rogue Pictures and Universal Home Entertainment. Now, exclusively for Stage 32, he'll go over what the current US theatrical market looks like for film acquisitions. And, it's more accessible than you think! To fully understand how the market has shifted and how the old thinking has become obsolete, Jason will break down the last 10 years of theatrical distribution to show you what's still working and what has dramatically changed. This information alone will give you a competitive advantage in the space and make you more attractive to buyers. He will also make you understand limited, wide, and day-and-date releases and identify the key players in each. He will show you the proper way to approach these reps and buyers so you stand out in a competitive market. Most importantly you will learn how a film is acquired for US theatrical release and what can hurt and help your chances of getting acquired. You will walk away knowing exactly makes your film look attractive for an acquisition for the US theatrical market. "I learned a lot. Really appreciate Jason's experience and expertise. Jason's presentation was considered, articulate, to the point and very informative. Was well worth the class fee." - Rebecca D.
In this challenge, members were asked to write one side of a phone conversation. The challenge is to give us the full idea of the story, the conflict, the relationship between the characters, and the ultimate resolution. The key to this exercise is to make the stakes high! Can the writer phrase their character’s dialogue so that the phone call still makes sense - and give us the exposition we need? During this webcast we received a number of fantastic entries that spanned genres, including Rom Com, Thriller, Drama, and Comedy, and more!