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Jason Mirch is a feature film, television, branded entertainment, and digital content producer and executive with over 15 years of experience. Most recently, he produced a 3D animated feature film starring Jacob Tremblay, Christopher Lloyd, Mel Brooks, Kenan Thompson, and Carol Kane. Mirch was the Head of feature and television development at Image Nation, a finance and production company based in Abu Dhabi, UAE. There, he supervised the Image Nation contributions in the development of Flight, The Help, The Best Exotic Marigold Hotel, Contagion, Careful What You Wish For, Ghost Rider 2, Midnight Sun, and 100 Foot Journey. Prior to his work at Image Nation, Mirch was Co-Head of Development at Zadan/Meron Productions (Chicago, Footloose, The Bucket List) where he was actively involved in developing a slate of feature film projects for New Line, Paramount, Summit Ent., and CBS/Paramount. He also developed and sold television projects and mini-series to CBS, NBC, Fox, ABC, and Lifetime. He has lectured on all areas of filmmaking, speaking on panels at the Producers Guild of America, the Harvard Screenwriting Group, American Film Market, University of Southern California Film School, as well as several international film festivals and markets. In addition, he has consulted brands, including Burberry and Creative Artists Agency, on the expansion of their operations into emerging markets in the Middle East and Asia. Mirch graduated Cum Laude from Chapman University’s School of Film and Television, where he received a B.F.A., in Film Production, with an emphasis in Writing and Directing. He was mentored by Academy Award Winning Writer/Director David S. Ward, in the spring of 2004, and is the winner of Chapman University Student Filmmaker Award, for Best Director for his film Ally. Full Bio »
Cursing in dialogue can have an impact on many things in your screenplay. We'll examine how swearing is used to reveal character, explore subtext, and drive a narrative forward.
Using examples like Bridesmaids, Good Will Hunting, The King's Speech and Planes, Trains & Automobiles and more, we examine how swearing is used to character, explore subtext, and drive a narrative forward.
Many times in writing our projects do not have a strong enough inciting incident to effectively kick off the narrative. During this webcast we will look at moments everything changed for our protagonists and they were launched on their journey. Every event that happens subsequently will be traced back to this one monumental event. We will examine the inciting incidents of films as well as television shows and explain how they changed the world in an irreversible way. Examples include films such as Monsters Inc., Saving Private Ryan, "The Sopranos," "Breaking Bad," and more!
Great Characters should have Great Introductions. Join us as we breakdown how characters are introduced in features and TV scripts including Star Wars, Fargo, The Good Place, Mad Men, Pirates of the Caribbean, and Arrested Development.
During this hour-long webcast, Jason explores the uses of this technique to drive plot, reveal character and deliver exposition using some of our favorite films and television series including "Fleabag", Deadpool, Spaceballs, "House of Cards", Fight Club, The Big Short and more to find out how these projects break the fourth wall without throwing us out of the narrative. We discuss the how screenwriters weave this storytelling device into scripts and Jason gives you specific types of wall breaks to consider when writing as well as tips on how to write them!
Can you use long dialogue blocks effectively? Sure you can! We'll break down the rousing sales rally in THE WOLF OF WALL STREET, the chilling call in TAKEN, the desperate video message in "Breaking Bad", and the moving speech from HIDDEN FIGURES.
Remember that every line of dialogue matters, every image has a purpose, and there are no wasted bullets in the gun! We're kicking off another month of a packed Writers' Room schedule with the Breakdown Webcast: Exposition as Ammunition! Many writers struggle with how to get out critical information and backstory to the audience in an organic way. So during this webcast, we discuss how to get the audience the information they need without a lecture they don't want. During this webcast we'll discuss different ways of getting out information in a way that feels organic to the narrative and the characters. We examine some of the best - and worst - examples from film and television!