Ross Putman is the co-founder of PSH Collective, an independent film production company with a focus on unique and fresh cinematic voices. As a long time development executive at Ineffable Pictures, Ross has worked on many films and with many writers to get films from script to screen. His own second produced feature, The Young Kieslowski, won the Audience Award after its premiere at the 2014 Los Angeles Film Festival. It has been picked up for distribution by LA-based Mance Media, who will be releasing the film in theaters and on all VOD platforms in February 2015. He is producing the upcoming film Eskimo Sisters, with notable comedy director Danny Leiner (Harold and Kumar, Dude Where’s My Car?) at the helm, the con-man comedy My Future Ex-Wife with acclaimed comedy production company Mosaic, and the follow-up film from Kieslowski writer/director Kerem Sanga--a touching young romance set in Los Angeles entitled First Girl I Loved. He sold his original screenplay, Hoods, to Fox Digital Studio, which he will also be co-producing. Full Bio »
Transformers. Godzilla. Captain America. Groot...?
Who knew that this summer's biggest success story would be Marvel's band of unlikely heroes, known as The Guardians of the Galaxy? With their biggest star (Bradley Cooper) playing a talking raccoon, a director whose previous film grossed just $300,000 at the box office, and with a cast of characters so unknown that an entire teaser trailer was devoted just to introducing them, the odds seemed long for Guardians to make any impact at all. And yet it's the only film to gross over $300 million at the US box office--something not even Michael Bay's fourth Transformers movie could accomplish (and that had Marky Mark Wahlberg)!
It's a little known fact that Guardians was based on source material that Marvel all but buried. So why did it work? Regardless of whether a good story is based on source material or original material, Guardians would not have been a success if the script, filmmaking, casting and marketing weren't all thought out and executed perfectly.
In this webinar, we'll deconstruct how Marvel "flipped the script" on... well, its own scripts. A focus on quirkiness, the establishment of a unique tone, and bringing their first female writer in the fold added up to a great finished product. Whether it's the very specific character traits (like Drax's inability to understand metaphor) to the very clear stakes (even when things go deep into sci-fi), Guardians has all the right moves to please movie-goers tired of the same-old-same-old. Yet it becomes truly revolutionary by sticking to the basics; it's a script that puts one foot in front of the other and never stumbles.
Deconstructing the Script
Deconstructing the Marketing
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4-PART CLASS (OVER 8 HOURS OF EDUCATION!) NOW AVAILABLE ON-DEMAND! 4 part class taught by Ross Putman, award-winning producer! Ross's accomplishments include: First Girl I Loved (premiered at the 2016 Sundance Film Festival), The Young Kieslowski (winner of the LA Film Festival), Bad Samaratians (co-produced for Netflix/FOX), and he was the former creative executive at Ineffable Pictures! From Casablanca to Breaking Bad, the reason you remember these stories is because of the compelling protagonist at their core. Their journey is why we tune in, and the way they change is the reason we root for them to succeed (or in some cases, fail). But character can be a tricky piece of the puzzle for screenwriters, especially in Hollywood’s concept-driven environment. Ultimately, great cinema is based on great characters, and this 4 part class is intended to help you find your character, make them real, and build a story around their journey—all the while staying within the realm of commercial modern cinema. Stage 32 is excited to bring you the previously-recorded 4 part class: It's All About Your “Hero's Journey” - How to Write Memorable Characters taught by Ross Putman, award-winning producer. To find out more, click the "What You'll Learn" tab above! This 4-part class offers insight into case studies to help you as a writer form a comparison to inform your own writing. In addition, you will walk away with tools and techniques to apply to your own writing! On-demand classes are discounted and purchasing gives you access to the previously-recorded live class which has over 8 hours of education! Although Ross is no longer reviewing the assignments, we still encourage all listeners to participate to help continue to hone their own writing skills!
Sorry, this lab is fully sold out. Keep checking back for upcoming labs and other education! Do you have a great idea for a show? No more stalling and no more excuses. It’s time to write it. If you have a show in your head that is perfect for a streaming network like Netflix, Amazon, HBO Max or Hulu, you’ve picked a fantastic time to get that show out there. Streamers are picking up content and considering new work more than they ever have before. They are ready to see your show, but you need to write it first. Creating a fantastic hour-long series is fully within your reach. Yet many writers stop before they even start because they get overwhelmed, procrastinate, or feel the dreaded imposter syndrome setting in. We know what that’s like, which is why we’ve created a program that will give you the structure, the accountability, and the guidance you need to actually get that pilot out of your head on paper. Over 8 intensive weeks, you will be able to work closely with top literary manager Charlie Osowik in order to fully prepare, outline and write the pilot script for your own TV series. Charlie is no stranger to this process and has helped his clients develop their own shows for networks like Comedy Central and Dust and use their pilot samples to get staffed on popular streaming shows like HBO Max’s DOOM PATROL. Charlie knows how to help bring the best work out of writers and will use this process to help you develop your own show. Get the support and structure you need to finally write that pilot script before the summer ends. Throughout the course of this exclusive online lab, you will have direct access to Charlie as a mentor by email and via video conferencing as you write your pilot. WHAT TO EXPECT By the end of this 8-week writing lab, you will have a completed hour-long television pilot script ready to be shown to reps, development execs and other executives and professionals. Sessions will vary between 2-hour group settings and personal one-on-one Zoom meetings with Charlie. You will be held accountable to take the lessons from each week and move your work forward. Plus, to keep you motivated and inspired, you will have access to a private, dedicated Stage 32 Lounge where you can communicate with your fellow classmates throughout the writing process. To see the full writing lab schedule, see below under "What You Will Learn". PLEASE NOTE: This exclusive Stage 32 lab is limited to 10 writers and will be booked on a first come, first served basis. The opportunity to work this closely and for this long with a manager and an expert in the field is an incredibly unique and valuable opportunity. If you are interested, please do book quickly. Once the spots are gone, they’re gone for good. Payment plans are available - please contact Harrison at email@example.com for more information This lab is limited to 10 people This lab is designed for beginner and intermediate screenwriters looking to build a pilot from scratch or expand on an existing idea or polish an existing pilot.
A good book takes the reader to another world. A good film or series does the same. Today, it’s not unusual to turn on the tube and take in films like THE WOMAN IN THE WINDOW, HILLBILLY ELEGY, and BLACKkKLANSMAN, or series like OUTLANDER, THE HANDMAID’S TALE, and MINDHUNTER, all of which are based on fiction and non-fiction books. Writers of all levels are seeing the potential with adapting a good story from the pages of a book. However, not knowing exactly how to go about structuring the story or what elements to highlight and pull from a novel could be a proverbial brick wall for some. But it doesn’t have to be. A large part of the battle for many creatives is determining whether or not a book or article is worthy of adaptation. Once that determination is made, deciding what part of the story is high concept and what isn’t is also a challenge for some. Understanding the writing process when it comes to novel adaptation is a crucial (and often overlooked) step in developing your story. Liz Sczudlo is an experienced TV and film writer who is often hired by networks and studios like the CW, Hulu, Lifetime, Hallmark and more to adapt popular novels for the screen. Some of the novels she has adapted include#1 New York Times Bestseller THE DIVINE SECRETS OF THE YA-YA SISTERHOOD, THE ARCHIVED by bestselling novelist V.E. Schwab, Aimee Friedman's SEA CHANGE, and Dani Cubides' MI HERMANASTRO. A seasoned television writer and producer, Liz has written for shows like CW's JANE THE VIRGIN, FOX's THE FOLLOWING starring Kevin Bacon, ABC Family's SWITCHED AT BIRTH, MTV's AWKWARD and CW's 90210. In addition to developing her own pilots for Hulu, TBS, CW, CBS and Village Roadshow, Liz is currently serving as writer and co-executive producer for the CW's reboot of DYNASTY, where she helps run the room. Liz's deep experience with writing and adapting has given her unique skills and understanding of the novel adaptation process, and she's excited to bring what she knows exclusively to the Stage 32 community. Liz will take you through the process of adapting a book for a film or series from start to finish. From learning how to determine what types of IP to adapt to organizing ideas and materials, Liz will help you boil down your concept so you can get started. What’s more, she’ll dig into how you should best develop the story world, the importance of building strong characters, and how to choose the most notable moments to give your story momentum. Tips on how to reach out to the author are also part of this informative webinar. Liz will even offer a case study of HBO's adaptation of Liane Moriarty's novel BIG LITTLE LIES, breaking down the choices that were made to turn the popular book into the wildly successful series that it became.
Find out what buyers and executives need to see in your pitch bible from a producer who's set up projects at HBO, Amazon Prime, AMC, Starz, Sony, Fox, and more. You’ve received plenty of tips on penning your pilot, but how do you actually put together the companion pitch bible that helps sell your show? The opportunities to pitch your project are everywhere, from broadcast networks to streamers. Even here on Stage 32, you can find countless execs looking for new ideas to develop. And you need to be prepared with a pitch bible when those opportunities arise. A pitch bible is a written document that briefly tells an executive everything they need to know about your series in an efficient and engaging way. In this exclusive Stage 32 webinar, one of our most popular hosts, Anna Henry, will show you exactly what executives want to see in your pitch bible. Anna will walk you through every aspect of what you need to include in your pitch bible, how much time to spend on each element, and how to organize it all in a way that’s easy to follow. Most importantly, she will show you how to include all of this information in a way that shows just how entertaining and exciting your show is and why an executive needs to buy your show today. Anna is an accomplished producer, development executive, and television instructor who teaches writers like you exclusively through Stage 32, including the Netflix & Stage 32 Creating Content for a Global Marketplace Program. Over her lengthy entertainment career, she has pitched and set up projects at AMC, Amazon Prime, Starz, HBO, Sony, Fox, EOne, ITV America, and OddLot Entertainment, among others. She’s worked at CBS, ABC, Nickelodeon, and multiple production companies, as well as in management at Andrea Simon Entertainment, where she worked with writers of all experience levels. This webinar with Anna ensures that you know everything that’s needed in your pitch bible so that you’re prepared to sell your project the moment an opportunity arises. Join Anna - and the countless other writers who have benefited from her guidance - to take your project pitch to the next level today. TESTIMONIALS FROM PREVIOUS STAGE 32 EDUCATION FROM ANNA: "Anna's webinar was fantastic. I am writing my first one hour drama pilot so this webinar was packed with the exact information that I will be immediately putting to use in my rewrite. The slides were clear, concise and informative. The speaker was excellent at conveying the information I needed." -- Bobby C. "It was really great information. Anna was a terrific host, very knowledgeable and shared a lot of information and tips." -- Marla H.
Serialized dramas produced in the streaming and premium cable spaces may be garnering more awards recognition and chatter on social media, but their often-ignored cousins – the procedural dramas that present closed-ended stories within each episode – should not be underestimated. Procedurals continue to not only draw huge crowds, but can stay on the air for many more seasons than their streaming counterparts (can you believe GREY’S ANATOMY has had 17 seasons??). Current ratings for shows like CBS’s EQUALIZER, FOX’s 9-1-1 and NBC’s CHICAGO P.D., CHICAGO FIRE and CHICAGO MED demonstrate just how wildly successful procedural dramas continue to be. The fact is writing and producing the successful procedural remains a highly marketable skill that can offer longevity to a writer's career, though it requires both technical knowledge and an understanding of the current marketplace for these enduring shows. For something that seemingly sticks closely to a formula, the professional TV procedural script can be deceptively hard to write, and there is little if any published literature addressing this subject. Over the years, many “rules” for writing the procedural or mystery have developed in rooms across Hollywood, and expectations for what such a script must include have grown. But how can up-and-coming writers or writers of other genres learn these rules? What actually constitutes an effective procedural pilot script and how can writers demonstrate this skill in order to find their way into a writers’ room? Barry Schkolnick is a long-time writer and producer in Hollywood who has written on over 20 procedural TV dramas including LAW & ORDER, UNFORGETTABLE, THE GUARDIAN, THE DIVISION, STAR TREK: THE NEXT GENERATION, and IN JUSTICE. Barry also served as co-executive producer on USA Network’s IN PLAIN SIGHT and consulting producer for CBS’s Emmy-nominated and critically acclaimed THE GOOD WIFE. Barry’s work on LAW & ORDER was honored with a nomination for a Writer’s Guild of America award for Best Episode, Dramatic Series and a Silver Gavel Award from the American Bar Association. In addition, he was a member of the writing staff of LAW & ORDER’s Emmy and Peabody Award winning season. Barry has an incredibly deep experience in the world of procedural drama television and will be sharing what he knows exclusively with the Stage 32 community. Barry will walk you through procedural drama television, how it fits in to today’s market and to best write in this genre in order to break into the space and create compelling television. After breaking down the actual difference between serialized and procedural dramas, Barry will give an honest appraisal of the market today and the pros and cons of writing procedural television within it. He’ll walk you through the main types of procedural series currently on air and will then lay out some of the main elements any procedural pilot needs. He’ll provide tips and strategies to best write in this space, including choosing the right lead character, how to best outline, and what the Golden Rule of procedurals is. Barry will conclude the webinar with a case study of the pilot script of THE GOOD WIFE, which he served as a consulting producer on. Using the lessons he taught, he’ll explain why this pilot was so successful and how you can use the script as inspiration for your own procedural project. Praise for Barry's Stage 32 Webinar "Barry presented information that I needed to know whether I was aware of that or not before the webinar. I like that Barry used a script that was available to us ahead of time and knew where he was going to in that script to show us what he wanted us to learn. It was one of the best webinars I have taken." - Bev I. "Barry gave great examples to distinguish the different types of procedural drama from serialized drama. They were easy to understand especially since Barry focused in on the key elements of the procedural drama. I did like the fact that Barry broke the pilot into "chunks" and talked about each one separately." - Susan S. "Barry spoke very personally and also gave good examples and applied his experience to today. Also he was very focused on what to do to succeed but he also was honest that you have to love writing. He came across as smart and no nonsense but also very warm and kind, which seems like a great combination for a writer. Maybe that's why he has been so successful!" - Deborah B. "Barry was very likable, down to earth, forthright. I felt that he really cared about helping writers." - Elise M.
Stage 32 is dedicated to diversity and toward seeing that the imbalance of female creatives finding work changes permanently. That is why we are proud to present our Women In The Room series and the first installment Breaking In As a TV Writer! You can join this live webinar for FREE! It continues to be Stage 32's mission to give you access to this incredible information and talent working in the industry. Hosted by the Script Coordinator for FOX's Shots Fired, Courtney Smith, Women In The Room - is designed to show you how to break in and get paid as a television writer. Joining Courtney will be Sonia Kharkar, Showrunner's Assistant of such acclaimed programs as FOX's The Mindy Project and NBC's The Blacklist, Nicole Ranadive, Staff Writer for TNT's The Librarians and Script Coordinator for FOX's Sleepy Hollow, Solange Morales, a Writer's Assistant on FOX's Shots Fired, and Nicole Brides Ockman, a Script Coordinator for FOX's Blindspot If you’re interested in taking the first step toward landing a job in a TV writer’s room these ladies will give you advice on breaking in, breaking story and navigating the politics and personalities. We’ll go over what to expect once you’re in an assistant or script coordinator role – the good, the bad and the sleepless – straight from the dynamic ladies who help keep the train on the tracks. Plus, we’ll open up the floor so you can ask questions during a Q&A session at the end. With more television being created just about everywhere, this is actionable information for everyone, no matter where you live in the world! Your accomplished instructors are: Sonia Kharkar - Showrunner's Assistant - FOX's The Mindy Project - NBC's The Blacklist Sonia began her career at WME and moved on to be a showrunner's assistant for ABC's The Blacklist and now is a showrunner's assistant for Mindy Kalig on The Mindy Project. Nicole Ranadive - Staff Writer - TNT's The Librarians, Script Coordinator - FOX's Sleepy Hollow Nicole has been active in the TV industry for years having worked in various writing positions on 24, Everybody Loves Raymond, Hawaii Five-O, Smallville and Dawson's Creek. Solange Morales - Writer's Assistant - FOX's Shots Fired Solange is currently a writer's assistant on FOX's Shots Fired. She started at Fox Searchlight Pictures as an assistant to screenwriters, producers and directors for the feature films Notorious and The Secret Life of Bees. Her next stop was the world of documentaries, casting her as associate producer of ESPN’s One Night in Vegas, a doc chronicling the parallel lives of undisputed heavyweight boxing champ, Mike Tyson and iconic rapper, Tupac Shakur. Melissa Brides Ockman - Script Coordinator - NBC's Blindspot Melissa is currently the Script Coordinator for NBC's Blindspot. From New York, Melissa graduated from City University of New York-Hunter College with a Bachelor's degree in Film, Cinema and Video Studies.