It's Introduce Yourself Weekend at Stage 32! Head over to the Introduce Yourself section of the Stage 32 Lounge and let everyone know who you are, what you're working on, your dreams and aspirations. And be sure to peruse other member's threads. You never know when you're going to make a connection that changes your life!
Ross Putman is the co-founder of PSH Collective, an independent film production company with a focus on unique and fresh cinematic voices. As a long time development executive at Ineffable Pictures, Ross has worked on many films and with many writers to get films from script to screen. His own second produced feature, The Young Kieslowski, won the Audience Award after its premiere at the 2014 Los Angeles Film Festival. It has been picked up for distribution by LA-based Mance Media, who will be releasing the film in theaters and on all VOD platforms in February 2015. He is producing the upcoming film Eskimo Sisters, with notable comedy director Danny Leiner (Harold and Kumar, Dude Where’s My Car?) at the helm, the con-man comedy My Future Ex-Wife with acclaimed comedy production company Mosaic, and the follow-up film from Kieslowski writer/director Kerem Sanga--a touching young romance set in Los Angeles entitled First Girl I Loved. He sold his original screenplay, Hoods, to Fox Digital Studio, which he will also be co-producing. Full Bio »
Transformers. Godzilla. Captain America. Groot...?
Who knew that this summer's biggest success story would be Marvel's band of unlikely heroes, known as The Guardians of the Galaxy? With their biggest star (Bradley Cooper) playing a talking raccoon, a director whose previous film grossed just $300,000 at the box office, and with a cast of characters so unknown that an entire teaser trailer was devoted just to introducing them, the odds seemed long for Guardians to make any impact at all. And yet it's the only film to gross over $300 million at the US box office--something not even Michael Bay's fourth Transformers movie could accomplish (and that had Marky Mark Wahlberg)!
It's a little known fact that Guardians was based on source material that Marvel all but buried. So why did it work? Regardless of whether a good story is based on source material or original material, Guardians would not have been a success if the script, filmmaking, casting and marketing weren't all thought out and executed perfectly.
In this webinar, we'll deconstruct how Marvel "flipped the script" on... well, its own scripts. A focus on quirkiness, the establishment of a unique tone, and bringing their first female writer in the fold added up to a great finished product. Whether it's the very specific character traits (like Drax's inability to understand metaphor) to the very clear stakes (even when things go deep into sci-fi), Guardians has all the right moves to please movie-goers tired of the same-old-same-old. Yet it becomes truly revolutionary by sticking to the basics; it's a script that puts one foot in front of the other and never stumbles.
Deconstructing the Script
Deconstructing the Marketing
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
4-PART CLASS (OVER 8 HOURS OF EDUCATION!) NOW AVAILABLE ON-DEMAND! 4 part class taught by Ross Putman, award-winning producer! Ross's accomplishments include: First Girl I Loved (premiered at the 2016 Sundance Film Festival), The Young Kieslowski (winner of the LA Film Festival), Bad Samaratians (co-produced for Netflix/FOX), and he was the former creative executive at Ineffable Pictures! From Casablanca to Breaking Bad, the reason you remember these stories is because of the compelling protagonist at their core. Their journey is why we tune in, and the way they change is the reason we root for them to succeed (or in some cases, fail). But character can be a tricky piece of the puzzle for screenwriters, especially in Hollywood’s concept-driven environment. Ultimately, great cinema is based on great characters, and this 4 part class is intended to help you find your character, make them real, and build a story around their journey—all the while staying within the realm of commercial modern cinema. Stage 32 is excited to bring you the previously-recorded 4 part class: It's All About Your “Hero's Journey” - How to Write Memorable Characters taught by Ross Putman, award-winning producer. To find out more, click the "What You'll Learn" tab above! This 4-part class offers insight into case studies to help you as a writer form a comparison to inform your own writing. In addition, you will walk away with tools and techniques to apply to your own writing! On-demand classes are discounted and purchasing gives you access to the previously-recorded live class which has over 8 hours of education! Although Ross is no longer reviewing the assignments, we still encourage all listeners to participate to help continue to hone their own writing skills!
You’re a writer who is struggling with crafting believable dialogue. You’re a director looking for the greater meaning in a scene. You’re an actor trying to connect with what a character is feeling. Subtext is the backbone of emotion in any story, regardless of what genre you’re working in. It also helps to separate great scripts from not so great scripts. In this Stage 32 Next Level Webinar, filmmaker Steve Desmond will help you to craft engaging subtext to layer your stories with nuance and emotion. Whether you’re going for laughs, drama, or impending fear, he’ll help you to make your screenplay feel more true to life. For directors or actors working with existing scripts, this webinar will help you to dig deeper below the surface to find the true lifeblood beneath a line. For producers, we’ll discuss tips on how to work with writers to make their subtext come alive. Whether you’re a writer, a director, an actor, or a producer, subtext is a major part of your game and this webinar will help you add an entirely new layer to your projects.
Producer Chris Moore has done it all. From producing 2 Oscar-winning films Good Will Hunting and Manchester by the Sea, to producing some of the biggest franchises of our time like American Pie - he's seen it all. What's even more impressive is that Chris is committed to creative careers and the journey it takes to sustain one. Chris was the co-founder of Project Greenlight with Matt Damon, Ben Affleck and Sean Bailey and The Chair - and continues to help inspire those who chose a life in entertainment. With the evolution of the industry causing dramatic shifts in the way you create and consume content (film, television, digital) more and more opportunities are being presented for a creative career. In this Stage 32 webinar Chris is going to discuss what the shift entails and how you make an educated decision on which path you should take with your career in “the industry” to satisfy the lifestyle you want. Producer Chris Moore will be hosting an interactive webinar where he’ll be discussing the future of the industry and will workshop with a select group of students from the class. He’ll talk about your intended primary path and discuss possible alternative paths if you can’t find the right fit with your primary goals. For example, if you are setting out to be a director and you’re having trouble gaining traction, Chris will go over alternative ways you can break in and gain your footing. Or, if you’re a screenwriter and have been at it a long time and haven’t gotten your break, what are alternatives for your lifestyle in this industry? Or, if you're a cinematographer looking to move from digital shorts to streaming TV, what can you do? All creative professions are welcome to attend!
As screenwriters, it is our job to create well-rounded stories. That means not only having a main character whose journey we follow but also including supporting characters and stories. The addition of strong supporting characters and subplots allows the audience to feel as if your story actually has a life outside of the confines of your script. This is the difference between being a professional screenwriter and someone who writes as a weekend hobby. In this Stage 32 Next Level Webinar, Jordan Barel (Development, for Producer/Actor Paul Scheer and Abominable Pictures) will teach how to bring your supporting characters to life. You will learn how to create characters that are integral to the main plot and the shape of your screenplay. He will walk you through using your support characters to subtly deliver key exposition and give insight into your protagonist. In addition, Jordan will show you how to use your subplots to strengthen your second act and keep the action moving along. You'll break down various film genres to show how each utilizes supporting characters and subplots so you can apply it to your projects. You will walk away with the tools necessary to deliver a fully developed script!
Learn directly from Conrad Sun, TV Lit Manager and Development Executive at Meridian Artists who represents TV writers in all genres for shows such as Blindspot, Two Broke Girls and Bojack Horseman. So you’ve finally fleshed out your ideas for your next TV project and you’re off to the races developing your next screenplay. While working on your series, you’re constantly reminded of the one thing that every executive looks for: CHARACTER CHARACTER CHARACTER. Every executive says they want to read compelling characters. But what exactly does that mean? And how does one accomplish this? In this Stage 32 Next Level Webinar, Literary Manager Conrad Sun will breakdown six TV characters and how they are portrayed in their respective drama pilots: Frank Underwood (House Of Cards) Walter White (Breaking Bad) Annalise Keating (How to Get Away With Murder) Piper Chapman (Orange is the New Black) Tony Soprano (The Sopranos) Lester Nygard (Fargo) Through these characters, Conrad will illustrate the traits and nuances that make them compelling to their audiences. From there, he will discuss how to apply these traits to your own characters.
Lab Full! If you are still interested in joining, contact email@example.com By popular demand, we're bringing in TV executive Anna Henry (who has 100% satisfaction with her webinars!) to teach a one-on-one TV pitch document writing lab! Need help with writing your TV series pitch document? Look no further! Anna's here to help. "I thought it was a great course and really helped me understand the format. Anna is knowledgeable and quickly cuts through to what can help your story better. Her notes on my script were insightful and really demonstrated her thorough experience." - Lee L. "Anna’s class was by far the most thorough, well put together, and organized screenwriting class I’ve ever taken. I have an MFA in filmmaking and, after graduating, I still felt as if I didn’t fully understand the structure of pilot writing. Anna’s class laid it out step by step and she went through every piece in detail. She was also extremely available to her students. During our one-on-one sessions, I expected to have a quick 15 minute call with her but she ended up speaking extensively with me about my story from outline through script stages. She really, truly cares for her students and is there to answer any questions, which, given her abundant experience in the industry, is a priceless piece of her labs. Thank you, Anna!" - Jacqueline D. "Anna was concise, and detailed. I've been working on log-lines/treatments/synopsis for 2 years for my scripts and never had it nailed like Anna was able to do. She rocks!" - Cheryl Lynn S. This is the golden age of television and the appetite for content has never been greater. What does everyone network and streamer want? Fresh, unique, authentic voices with never-been-told stories. While the door is open to new writers, the competition is fierce. Of course you need a very strong finished script, but before that will be read, you need to be able to communicate what makes your show stand out from the crowd, what will make people want to watch it for years and years, and why you are passionate about writing it. You need a blueprint of what the series will be beyond one episode. That's where a pitch document (aka bible, aka treatment) comes in. Whether you are selling your show verbally, sending the pitch to a potential producer, or applying for a fellowship, this document carries the weight of your imagined world with all its inhabitants and stories. That's a tall order! So where do you begin? How do you organize your ideas? What should be in a pitch? How detailed should you get? Should you start with a summary of the pilot? Should you have ideas for future episodes? What should you say about your characters? In this lab we will delve deep into writing an effective pitch for your scripted television idea - one that will clearly communicate your intentions, excite the reader, and convey your voice and your passion. I have spent my career developing television projects with writers and selling those show ideas as a development executive, manager and producer. What I have found is that most screenwriters have taken classes that helped them learn about story structure, writing scenes, dialogue, etc. but writing a pitch is entirely different. Most writers need help with switching gears and selling their story in addition to telling it - which is the purpose of this lab. Payment plans are available - contact firstname.lastname@example.org for more details