Daniel Stellan Kendrick is a manager and development executive at Chatrone, a production / management company, which specializes in animation. Originally hailing from San Diego, Daniel moved to Los Angeles to attend UCLA where he graduated with a degree in history and film. He worked at International Creative Management before joining Chatrone in 2012. His clients include writers, artists, and creators that have worked on projects such as Robot Chicken, SpongeBob SquarePants, Teenage Mutant Ninja Turtles, The Lego Movie, and Top Cat. Chatrone’s first animated feature, The Book Of Life, was released in 2014 by FOX. It was nominated for five Annie Awards and a Golden Globe. With offices in Rio de Janeiro and Sao Paulo, Chatrone also produces multiple TV series in Latin America. Full Bio »
You can join Daniel Kendrick, Manager and Development Executive at Chatrone (Golden Globe nominated animation feature film The Book of Life, with animated clients for SpongeBob SquarePants, The Lego Movie, Robot Chicken, Teenage Mutant Ninja Turtles) as he deconstructs PIXAR's Oscar-nominated script, Inside Out!
As the second highest grossing PIXAR film ever made and Oscar nominee, what makes Inside Out resonate so deeply with audiences across the world? PIXAR, the world’s premiere animation studio, has yet again managed to produce a smash hit that makes everyone laugh and cry all the way from children to grown adults.
Join your host, Daniel Kendrick as he delves deep to deconstruct the Inside Out script as part of the popular Stage 32 Next Level Education "Deconstructing the Script" series! You will learn the storytelling strategies and techniques PIXAR employs to produce hit after hit award-winning animated features. Daniel will go over the methods by which PIXAR tweaks traditional story structure to compose an enthralling character piece. You will understand the plot points and characterization that makes the fictional inhabitants of a mind in this script so appealing and endearing. You will also understand the visual and poetic appeal of Inside Out and its characters’ journeys.
You will walk away with a solid understanding of all the elements that make Inside Out a successful script including: protagonist, plotlines, characters, dialogue & visuals, set ups & pay offs, animation and overall development. To find out more, click the "What You Will Learn" tab above!
DECONSTRUCTING THE DEVELOPMENT PROCESS
DECONSTRUCTING THE SCRIPT:
Recorded Q&A with Daniel!
**Daniel presents detailed analysis of the script and references his own personal margin notes throughout his webinar for you to view. Although it is not required, we recommend that you read the Inside Out script prior to taking Daniel's webinar. You can access the script by clicking here.
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A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
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A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
Learn directly from Daniel Stellan Kendrick, Manager and Development Executive at Chatrone LLC (The Book of Life). From our first exposures to Mickey Mouse to the off-color adult humor of South Park, animation spans the human experience. One of the most unlimited and flexible mediums of entertainment, it often remains an outlier in the film industry. Aspiring writers are constantly inundated with information and resources about writing the perfect feature screenplay, but rarely do they have the opportunity to glimpse inside the animation industry. This practical and informative webinar will illuminate the trade secrets and industry culture of cartoons. Over the years, Daniel Stellan Kendrick has heard countless pitches from aspiring animation writers. After a while, he realized that the tools required to succeed at writing this unique and unfamiliar specialty are not easy to find. In this Stage 32 Next Level Webinar, Daniel will walk you through the lay of the land of the animation industry. From concept creation, to the big players, to the final pitch, Daniel will help you master this boundlessly imaginative field we call “animation.” Daniel Stellan Kendrick is a manager and development executive at Chatrone LLC, a production / management company, which specializes in animation. His clients include writers, artists, and creators that have worked on projects such as Robot Chicken, Spongebob Squarepants, Teenage Mutant Ninja Turtles, and The Lego Movie. Chatrone’s first animated feature, The Book Of Life, was nominated for five Annie Awards and a Golden Globe.
Television today has changed. There’s more of it, thanks to streaming services that make binge worthy television available anytime, anywhere. According to stats recently released by Netflix, shows like BRIDGERTON and THE WITCHER pulled in over 75 million views in 20201. That’s a lot of television. A lot of television means more writer’s rooms. And more writer’s rooms means more opportunity to get staffed. But to find representation and take a seat at the table, you need more than a killer personality. You need a solid portfolio brimming with strong writing samples. Showrunners are looking for a portfolio that demonstrates your ability to tell a story. There’s no time like the present to prep a portfolio with hot samples, cool writing, and even cooler storylines. Showrunners need examples from you to make decisions on who to bring in the room. As an unrepresented writer, you have to demonstrate to them that you’re the one. And to do this, a series of writing samples, known as a portfolio, is a surefire way to show off your ability. You need to convince showrunners to bring you on board. If your writing samples lack luster or you don’t know where your story is headed in future seasons, conversations with managers or showrunners could be short lived. You could miss out on opportunities because your script wasn’t up to par, or your original idea wasn’t original at all. Let's make sure that never happens. Spencer Robinson is a literary and talent manager at Art/Work Entertainment who's been in the industry for over twenty years. His clients have been in films with directors Quentin Tarantino, Steven Soderbergh, Clint Eastwood, Gore Verbinski and more. In the TV world, his clients have been regular cast members on shows for Netflix, The CW, Cinemax, CBS, NBC, FX, Starz, Nickelodeon, EPIX, and TBS, to name a few. His writing clients work in both features and television on broadcast, cable, and streaming platforms. He currently has a client writing on two Netflix series, and another client who just sold a show to Amazon. He also reps a writer who currently has a project at Aggregate Films, which has a deal at Netflix. Spencer will dive deep into the kinds of TV samples writer’s should have ready, as well as exactly what managers and showrunners are looking for as they read through them. He will talk about the kinds of scripts your portfolio needs so that you shine like the crazy diamond you are. Certain elements of your script should stand out. Take useful notes as Spencer talks about these elements and helps attendees better understand the importance of solid and saleable characters. And then sit back and take in the golden nuggets he delivers on what managers and showrunners look for in a writer. If you dream of being in a writer’s room, this webinar was made for you. Praise for Spencer's Previous Stage 32 Webinar "Spencer was awesome! Super informative and detail driven - providing great insights. Packed so much into a short amount of time which I'm super grateful for!" -Eric C. "Spencer Robinson has high energy and packs a ton of information in his lecture. Most importantly Spencer gives realistic advice while encouraging writers to move forward fully informed of the terrain." -Oweeda N. "Spencer opened my eyes to how the TV world works with broadcast and streaming. What a great crash course!" -Ricki L.
In this Pitch Tank Webcast, Jason Mirch is joined by The Bucket List and Hairspray producer, Travis Knox. Travis and Jason listen to 5 pitches and offer feedback to Writers' Room members. Projects include a contained political thriller, family drama series, elevated action thriller, anthology series, and a feature with a big conceptual hook! Travis also offered his thoughts on how to deliver a pitch and shared the best advice he ever received.
"I can't imagine there is a better romantic comedy class anywhere in the world." 2-Part Class Available to view RIGHT NOW From epics like Annie Hall to classics like When Harry Met Sally and Pretty Woman to modern day movies like The Big Sick, Crazy Rich Asians and Last Christmas, romantic comedies have provided us with some of the most memorable films in cinema history. And now, especially thanks to streaming platforms like Netflix, Amazon, Hulu, and HBO Max, rom-coms are not only back en vogue, but hotter than ever. And the demand for great rom-com scripts is at an all time high. If you have a rom-com or are thinking about writing one, you have to understand all the elements that make up the formula that has been so successful for the most profitable rom-coms that came before. We're here to help you achieve just that. You have a great love story you want to tell. You have a great setting, characters, plot and dialogue you know is going to pop off the page. And you also know that love is a universal language and that your idea will be appealing to romantics all over the world. But, did you know that almost all successful romantic comedies have 5 set up elements and 5 plot elements that are necessary to make it a winning formula? You need to know these 10 elements and how to apply them in order to make your script go from the shelf to being greenlit. Amanda Johnston-Zetterstrom is a writer on Netflix’s hit series, YOU – today’s most modern version of an obsessive dark love story. She was a producer on Brie Larson’s debut Short Term 12 and worked on Friends with Kids starring Jon Hamm, Adam Scott, Kristen Wiig and Maya Rudolph. She’s had a storied career taking love stories in complex worlds and bringing them to the screen. And, now, you can learn about her formula on what makes a good romantic comedy screenplay become a great romantic comedy screenplay. In this two part class (over 4 hours of instruction!) Amanda will go over the 10 crucial elements to write a good rom-com, what makes existing romantic comedies work, how to make your script stand out from the pack, what differentiates a good rom-com from a bad one, how to hone your own voice and how to originate a great idea/hook. You will get the tools you need to write a funny, heartfelt, PRODUCIBLE romantic comedy – so that you can see your name in lights (and let’s be real… get paid!) "Wow. This class was so comprehensive. Between the dozens of case studies and the practical tips and applications I can't imagine there is a better romantic comedy class anywhere in the world." - Gwen B. "Amanda is like a walking encyclopedia of all things love and rom-com. It's amazing how she made writing this format so easy to understand. She gave me so much to think about when diving into my script. Thank you Amanda. I will definitely take any class you offer on Stage 32!" - Kaustubh P.
You'll see a breakdown of Netflix internal coverage It seems like it is all about the streamers these days. Netflix, Amazon Prime, Hulu, HBO Max--they have become the Holy Grail for screenwriters and emerging talent. And yet as prominent as these platforms have become, the process behind how a film actually finds its way into their library is opaque and enigmatic. With so little information on the inner workings of the streamers, it can seem confusing, maybe even impossible to get your own proverbial foot into the portal and get your screenplay noticed. You may wonder if there is any actual human element involved in considering your project. Understanding more about how streamers find and select films can help you understand how best to get your work noticed and walk into the murky streaming waters with more confidence. So what actually happens to a submission behind-closed-doors at one of the streamers? Who is reading it and what are they looking for? The professional readers employed by streamers are trained to use very specific criteria to assess material. They do not use the same methodology as agents, managers, or producers who may be more willing to develop material and incubate projects. It’s helpful to know that there are certain types of projects and styles of writing that are more likely to get these readers’ attention and prompt them to escalate your submission to actual decision-makers. Let’s dive in. Michael Schulman is a Feature Story Analyst for Netflix as part of its Independent Original Film Division, and his job revolves around evaluating feature screenplay submissions and deciding which ones to pass up to the executives to consider. Prior to his role at Netflix, Michael spent nearly a decade in the story department at CAA where he found projects for CAA clients. Over his storied career, Michael also served as an agent at ICM’s Motion Picture Literary Department and held numerous studio creative executive positions at Orion, TriStar, and Disney where he worked to develop film and television projects with some of the top talent in the industry. Michael is very familiar with what it takes for a script to find its way to decisionmakers since this has been a key feature of his job for over a decade. Exclusively for Stage 32, Michael will reveal how streamers evaluate and identify feature film submissions and specifically what the initial readers look for before sending a script along to decisionmakers. He will give you an overall look at the steps a film takes to getting greenlit at a streamer and lay out who exactly these readers are that will be evaluating your script at the beginning. He’ll also show you what these readers are trained to look for and how they know “it” when they see it. Michael will also explain the importance of packaging during this phase and how streamers’ “algorithms” really work. Through Michael’s honest, comprehensive, and in-depth discussion of this often-secretive side of streaming platforms, you’ll be able to leave with a much clearer idea of how to get your own script the best shot of being selected at Netflix or other streamers. Note: This webinar focuses on streamers' reading and evaluation process after a screenplay has been submitted, and focuses less on the actual submission process. Keep in mind that submitting your project to Netflix and other streaming giants is, by design, difficult and often requires an agent or manager that is already connected with the platform, or to go through production companies or studios that already have a development deal in place. For more information on how to reach managers or production companies, check out some of the on demand webinars below! How to Get Pitch Meetings For Your Project How to Find and Choose the Right Screenwriting Manager for Your Career How to Identify, Secure and Build a Relationship with a Great Producer for Your Film Project - with Case Studies How to Capture the Attention of a Showrunner or Manager with your TV Writing Samples
Learn directly from Michael Poisson, the former Director of Development at Silent Machine Entertainment, Krysten Ritter’s production company that has a first look deal at Universal TV. Michael is also a comedy writer who used his insider knowledge to land a manager, and get two projects in development at TV production companies. In this Stage 32 Next Level Webinar, your host Michael Poisson will guide you through the business side of how to become a working writer in Hollywood. Writing an awesome script is only part of the process for becoming successful in this industry. Having worked on various projects from both the executive side, as well as the writer side of things, Michael has obtained great insight for how to avoid the difficult terrain when meeting and working with producers, studios, and networks. And while the process of finding a manager or agent is daunting, keeping a strong relationship with them so that they’re doing the most for you as their client can be equally difficult. Michael will share with you his insider knowledge to help: keep your writing on track, your meetings fruitful, and your industry contacts strong. If you’ve ever wondered what you should talk about in “general meetings”, how to take notes from friends/producers/execs that you don’t agree with, or how to be a more prolific writer, this webinar is for you!