Jairo Alvarado started his career as a creative executive at Warner Bros. While there, Jairo helped about a dozen young directors get signed during his 2 years Warner Bros. stint. He was an early advocate of Fede Alvarez’s short Panic Attack, which was acquired by Sam Raimi’s Ghost House Pictures, and Ricardo De Montreuil’s The Raven, which sold to Universal. He then went on to the next stage of his career by moving to management at 3 Arts Entertainment. He joined Circle of Confusion in 2014 where he looks after clients such as Josh Bearman and Josh Davis (Epic), Jordan Blum (American Dad), Christian Cantamessa (Air), Greg Williams (Samarkand). Full Bio »
"I've taken a lot of classes and in particular, webinars over the years. Jairo is probably the best instructor I've encountered. He's not just throwing the stuff we always hear at us, but he's going to the true heart of good [filmmaking] yet explaining it in a way that turns on the light ... constantly. He is truly teaching us "how to become fishermen (or women).” - M. Beattie
In this Stage 32 Next Level Webinar, you will learn the different creative approaches you can take to make your directorial debut or move from writer into the director’s chair. Your host Jairo Alvarado will go over how to look at your career with a modern and technical approach, as well as strategies to help you stand out in today’s competitive climate.
Your host Jairo Alvarado is a manager at Circle of Confusion (The Walking Dead) and recently made a big splash in the industry trades when he signed the filmmakers behind Sundays. Due to Jairo's foresight in assisting the talented filmmakers to make a "proof of concept" film based on a feature idea, the $51,000 short resulted in an industry wide bidding war, with Warner Brothers eventually winning the rights to turn the short into a feature film. As a manager at Circle of Confusion Jairo also looks after clients such as Josh Bearman and Josh Davis (Epic), Jordan Blum (American Dad), Christian Cantamessa (Air), Greg Williams (Samarkand). Back by popular demand, Jairo is here to share his expertise exclusively with Stage 32!
PRAISE FOR JAIRO'S TEACHINGS:
I've taken a lot of classes and in particular, webinars over the years. Jairo is probably the best instructor I've encountered. He's not just throwing the stuff we always hear at us, but he's going to the true heart of good [filmmaking] yet explaining it in a way that turns on the light ... constantly. He is truly teaching us "how to become fishermen (or women).” - M. Beattie
Jairo was amazing... very succinct. Great, great webinar. I must say one of my favorites! – S. Llewellyn
Jairo was very interesting and personable. – C. Koehler
You will leave the webinar knowing:
Jairo Alvarado
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I've taken a lot of classes and in particular, webinars over the years. Jairo is probably the best instructor I've encountered. He's not just throwing the stuff we always hear at us, but he's going to the true heart of good [filmmaking] yet explaining it in a way that turns on the light ... constantly. He is truly teaching us "how to become fishermen (or women).” - M. Beattie
Jairo was amazing... very succinct. Great, great webinar. I must say one of my favorites! – S. Llewellyn
Jairo was very interesting and personable. – C. Koehler
The Happy Writers and Stage 32 want to express our gratitude for participating in Jairo Alvarado's 1st Level Working Writers Lab. Jairo is really impressed at the talent and passion you shown. We hope you enjoyed his first lab - he certainly enjoyed working with you. Jairo is ready to offer those who are ready to move to the next level an opportunity to complete the first 80 pages of your script while he provides hands on supervision. Remember, throughout the year, we are going to be offering our most loyal clients special offers not available to the public and this is one of them. This Lab is INVITE ONLY for the writers who completed Jairo's 1st Level Lab. We believe in evolving and transforming to continuously put our writers ahead of all competition. If you have any questions, email Joey at joey@stage32.com. He will answer your questions accordingly so this is the best atmosphere for everybody. Lab Title: Jairo Alvarado's Second Level Working Writer's Lab - Invite Only Lab Objective: To write 10 pages a week. By the end of the 8-week lab, you will have roughly 80 pages written and a draft in completion. Lab Overview: Each week you will write 10 pages of your script using the tools you learned from the first lab and the outline you have completed. Two days before the group call, you will email your work to the other writers in your group, as well as to Jairo. Then, on Mondays, the whole class will be broken up into two groups. One will meet from 6:30 PM - 7:30 PM PST and the other from 7:30 PM - 8:30 PM PST. The writers in the lab will have the opportunity to give feedback (under Jairo's constant supervision) on each other's work. This will give writers the tools on how to break down a script. Jairo will also give feedback on the pages during the webinar. You will all learn from each other under Jairo's supervision. This will continue for 8 weeks. As always, you are allowed to email Jairo personally and he will respond during a set aside time. Lab schedule: Mondays starting 11/10/14 (due to the holidays there will be a few weeks off) THE TEACHER Jairo Alvarado was a Creative Executive at Warner Bros. in 2009 and is credited for spotting Uruguayan director Fede Alvarez and his short PANIC ATTACK! In 2011, while building a reputation for identifying up-and-coming talent, he joined 3 Arts Entertainment as a manager. A couple of years later he joined Circle of Confusion. At Circle, he reps writer Brian Miller (ALL OUR YESTERDAYS); photographer/filmmaker Greg Williams, who co-wrote and is attached to direct SAMARKAND, which has Tom Hardy attached to star; AMERICAN DAD writer Jordan Blum; writer/ director Kealan O'Rourke (EMILY THE STRANGE); and Josh C. Waller, of horror label SpectreVision. Alvarado's eye to develop high concepts and genre work is what led him to Circle, which produces THE WALKING DEAD. The show is coming off an amazing mid-winter debut that saw the show, which drew 15.8 million viewers, outperform the Olympics in the 19-49 demo.
In Stage 32's continued effort to democratize the industry, we have partnered with Female Voices Rock for another thrilling virtual event to shine the light on women in the entertainment industry. On March 8, International Women's Day, some of the industry's female leaders came together to host an inspiring webcast celebrating women in entertainment. The panel features four powerhouse female voices of entertainment, including: Robyn Watson - VP of Corporate Comms, Gannett & Board President of Women in Film & Television, Atlanta (WIFTA) Kimberley Browning - Catalyst Content Festival, Head of Programming Amanda Toney - Stage 32, Managing Director Catherine Delaloye - Female Voices Rock, Founder & Executive Director Please note: This panel will be hosted on Zoom Webinar and you will receive your link to log in the morning of the panel.
A Writer/Director/Producer Who Has Worked With Dreamworks, Disney, Warner Bros. and Paramount and Who Produced His Own Podcast Based On A Script He Wrote Shows You How The world of podcasts has exploded and become an industry to be reckoned with. Over 125 million Americans listen to podcasts on at least a monthly basis, and individual shows can have millions of fans. We’re not just talking about nonfiction works like SMARTLESS or CRIME JUNKY; fiction podcasts are also thriving as more writers are turning to the audio medium to tell incredible stories. An art form in its own right, podcasts have also become a proving ground for stories to be adapted for television or movies. Shows like THE DROPOUT, WECRASHED, and THE THING ABOUT PAM would never have been greenlit or aired if they didn’t first find success and a fan base in podcast form. There might not be a better time than now to adapt your feature screenplay to the podcast medium. If you've had difficulty gaining attention for your screenplay, turning it into a podcast and attracting an audience may provide proof of concept for your story to move it to a show or feature. This type of intellectual property is golden. Adapting your screenplay, of course, easier said than done. Writing for audio is a very different process than writing for a film or TV. Podcasts are written to be experienced as real time events, which is entirely different from a feature or TV script. A good podcast must paint a picture with only words and sounds and be paced to pull a listener in despite any distractions around them. It must also be structured into short episodes that defy traditional film or TV act structure. So, how do you turn 100 pages of a script into a multi-episode podcast? How does writing character or story arcs change when adapting your feature script to multiple episodes? Having a better understanding of what goes into a great comedy, drama, or genre podcast and the rules and expectations that come with this unique format can position you for success in telling your story and finding an audience. Mike Disa is currently the director of the highly praised Netflix show Paradise PD and has been working in the industry, both in television and features, for two decades. With no film training or knowledge of the byzantine workings of the entertainment business, he eventually found success and has worked with studios such as Dreamworks, Disney, Warner Bros., Paramount, and many others. Over a fascinating career, Mike has worked with some of the greatest and most infamous people in Hollywood including Steven Spielberg, Eric Goldberg, Ralph Bakshi, Glenn Close, Steve Oedekerk, David Tennant, Amy Poehler, Adam Sandler, Jeffery Katzenberg and Roy Disney. Always an innovator, Mike recognized the interesting time right now for developing material based off of IP and took it upon himself to adapt his feature script SENTINELS: POINT OF NO RETURN into a 12-part podcast series, which is now produced. Having recently gone through the experience Mike is excited to share his approach and his lessons learned writing the adaptation exclusively with the Stage 32 community. Mike will walk you through the nuts and bolts of writing a fiction podcast and give you the tools you’ll need to adapt your long form script into this new medium. He’ll begin by discussing what the state of podcasts looks like today, including what kinds of podcasts are possible and the different formats of fiction podcasts that people are writing and which ones are currently popular. He’ll then delve into how to approach your podcast adaptation and which things you should decide on from the outset. This includes deciding on the format that will work best for your story, how to adapt your writing style to short form when you’re used to writing features or television, and whether you will use a narrator or go full “radio play”. He’ll also give you tips on how to plan for sound while starting to write. Mike will next go into detail on breaking your long form story into multiple short form episodes. He’ll give you tips on extending your story and show you where to put episode breaks within it. He’ll go over building tension between episodes between episodes and what goes into good cliffhangers on podcasts. He’ll also talk about how to avoid needing recaps between episodes. Next Mike will spend time talking about other writing challenges that come with this format, including how to paint a picture in audio form without creating awkward dialogue, the process of holding on to your subplots without your storytelling getting choppy, and how to use your first episode to grab your audience. He’ll also offer tips of how to give your characters separate voices. Finally, Mike will use his own podcast SENTINELS: POINT OF NO RETURN, which was originally written as a feature, to illustrate the process of adapting for podcasts. He’ll even share samples of both the feature and podcast versions of the SENTINELS script. If you’re excited about podcasts, curious about writing your own or adapting your feature script into one and don’t even know where to begin, start here. Praise for Mike's Stage 32 Webinar: FIVE STARS FOR MIKE!!! He is super-awesome! Can't wait for the next session. -Robert S. "Mike Disa is definitely one of the best. He provided advice that is actionable." -Martin R. "I loved how engaging Mike was. It felt like he was genuine and addressing each of us almost individually. I have honestly never had a better Stage32 experience!" -Elle C. "It was great to hear from Mike. What a professional and what great advice from someone who knows the business and the craft of writing for podcasts." -Mary S.
As an independent filmmaker or producer, you likely start working on a new endeavor for creative reasons—the chance to tell an amazing story, build worlds, create something of cultural value. Yet this is, of course, not the only element of filmmaking. Like it or not, your independent film is not just a creative endeavor; it’s also a business. You’re sourcing financing and bringing in investors, building a team, and creating a property that will (hopefully) ultimately make money not only in the present, but for years to come. In short, you’re not just a making a piece of art; you’re also running a business. To operate successfully in the world of independent film and continue to make films that you’re proud of, you need to be able to think like an entrepreneur and understand the dynamics and the relation between financing, distribution and recoupment of film investments. Further, you need to open up your creative mindset to the myriad opportunities available all over the world including hot markets found throughout Europe. The business side of films is often especially difficult for filmmakers and creative producers, but the more you understand, the better your chances of finding a production partner or investor to take your vision forward. Working in the European market, especially with films in the €1MM and sub€1MM range can offer you opportunities you haven't thought of before. But to take advantage of this surging market, you need to understand the variety of production and financing options available and how to tap into them. Whether it's hard money, soft money or other methods toward financing and securing the necessary pieces to greenlight your project, getting a handle on the in's and out's of how to proceed will put you in a powerful and advantageous position. Understanding and executing this business model will open new doors to other productions around the world and serve to create a portfolio of proof that will serve as a calling card moving forward. David Zannoni is an international business specialist for Fintage House, the world's most respected company for revenue and rights protection for industry professionals and companies. David negotiates agreements for films and television series and is involved in business development and relationship management specifically in the US, Latin America and Europe. As an international film business specialist David is continuously present to make deals and speak at international film markets, festivals and conferences, including: the Cannes Film Festival, the European Film Market (EFM) in Berlin, the American Film Market (AFM), Ventana Sur, the Bogota Audiovisual Market (BAM), and the Toronto International Film Festival (TIFF), and travels regularly to the United States, the Netherlands, Europe, and all over Latin America. David is intimately familiar with how independent films are financed and made profitable all over the world and will share what he knows exclusively about the European market with the Stage 32 community. David will focus on the European market and walk you through what you need to know to finance your independent film, EUR1MM or less, and leave profitable. He will begin by explaining what a EUR1MM or under budget looks like, whether it’s considered a small film or microbudget, and how it compares in the larger worldwide film market. He’ll delve into how film financing works specifically in Europe, including a breakdown of soft money sources versus hard money sources, debt financing versus equity financing, tax and location incentives, and film funds and government support. He will also discuss working with a co-production as a financing tool. He will highlight how European film financing is different compared to other regions and the different levels of film financing to consider: European, national, and regional. David will next demonstrate the importance of language, culture, and collaboration and will then teach you what specifically Europe can offer for both European and non-European productions, including incentives, co-productions, diversity, talent, and shooting locations. He will explain how to approach your film as an asset, how to see yourself as an entrepreneur, and how to see filmmaking as a business. David will then go over the continental circle of financing, distribution, and investment recoupment and will explain how risk mitigation works for European film projects. Next he will discuss managing revenue and rights, as well as managing recoupment as a whole. He will spend time delving into European film contracts, including distribution agreements, CAM agreements, and sales agency agreements. David will ultimately illustrate whether European films can be profitable and how, and analyze with you when a European film can be considered successful, whether it breaks even or finds profitability. Plus, David will show a case study of a real EUR1MM European film to illustrate how a film of this level can be profitable and exactly how the money flows through from beginning to end. He’ll show financing documents and spreadsheets to illustrate the financing structure and demonstrate how money flows in and out. Through this detailed and practical demonstration, you will leave with strategies and a deep understanding of how to approach your own EUR1MM film as an entrepreneur and build a finance structure that will leave you and your investors profitable. This Stage 32 Webinar is Part 2 in David’s "Think Like an Entrepreneur" series. Click here to check out David’s webinar on being profitable in US marketplace with a sub-$1MM film. Praise for David's Previous Stage 32 Webinars: "David is incredible and lovely and clearly knows his stuff." - Cynthia P. "Eye-opening information. A no-brainer approach that wouldn't be so obvious to the uninitiated." - Gary O. "By far, the best class I've seen on the subject." Kirk K. "David is a fantastic teacher. And what a voice! I could listen to him all day. More importantly, I learned so very much!" - Isabella T.
As a working actor, some of the best roles you can land are guest star roles for TV series. The money is good and it's an opportunity to become much more visible and have a lot more people see what you can do. Plus guest star roles give you invaluable experience working on a large and professional set. And landing guest star roles aren't just a fantasy; it's something you can actually achieve with the right preparation and understanding. You have to prepare quality reels, rehearse auditions and continuously study and improve your craft. Yet this is only half the battle. The second part of the actor’s journey is knowing how to maintain that trajectory of success after you’ve gotten the job. You need to know how to navigate the industry after you've gotten your foot in the door - so that door of opportunity does not close on you. There is a lot of information out there on the audition process for actors, but very little on how to actually do a good job once you're on set. If you're on your first guest star role, there's a lot you need to know to be successful. You want to make sure you perform well and that the cast and crew enjoy working with you so you can build your reputation and discover more roles. You want to make sure that your presence is a present to those around you. It isn't always easy making a good first impression on set but actors who accomplish this are able to secure more longevity in their careers. We’ll show you how to attain this same success. Maddie Corman is an award winning actor and writer who has guest starred on over 35 television series including all three LAW & ORDERs, CURB YOUR ENTHUSIASM, and THE GOOD WIFE and has had recurring roles in recent shows like YOUNGER and MADAME SECRETARY. Maddie has also been featured as a series regular on MR. PRESIDENT, starring George C. Scott, ALL AMERICAN GIRL, and ALMOST THERE. Maddie is also a writer and director. Her short film HOW WAS YOUR DAY was selected by Tribeca Film Festival and her first full length play ACCIDENTLY BRAVE was produced by the Tony Award winning Daryl Roth (KINKY BOOTS, INDECENT), which had a critically acclaimed run and also won the Off Broadway Alliance award for best solo performance. Maddie has decades of experience finding work as a guest star on countless acclaimed series and knows better than most what it takes to find success in this way. Maddie will provide invaluable guidance and tools on how to land guest star roles on TV series and how to make a good impression on set so you can keep on finding more work. Maddie will show you her own reel to use as inspiration and how to properly prepare for a great audition from wardrobe to improvisation to cues. She will also teach you key specifics around auditioning such as what they are looking for, how to continue prepping while you are waiting, and tips on small talk when you first walk into the room. Maddie will also prepare you for all types of auditions whether in-person, over zoom, or self-tapped, provide you with unique advice on how what to do after booking the role, and how to act on set like how to read your call sheet, nail your blocking, and what to do when you’re not needed on set. Maddie is tremendously excited to share her infinite wealth of knowledge and expertise with the Stage 32 community.
The new year is an exciting time as you dream of all the new projects you'll be working on! But this year isn't really over until April 15th, when you've entirely completed the previous year's taxes. Get ahead of the headaches and make a strategy now with the help of entertainment CPAs. Personal taxes, corporate taxes, and loan out company returns. All of these tax returns are necessary for creatives, and they all tie together. Not to mention that what you can right off changes every year. You never want to pay more than you should, but do you know everything you can deduct? Whether you're looking back at the last year or looking at projects coming up, this webinar will get you organized and ready to tackle your taxes! Kristy Clabaugh and John Thomas are Certified Public Accountants and founders of Element CPA, an entertainment and creative-focused accounting firm. They know the ins and outs of production accounting, having provided over 20 years of experience in accounting, tax, and advisory services on both above and below-the-line areas of film, television, animation, and music sectors. Kristy also serves on the executive board of directors as Treasurer for both the Georgia Production Partnership and Women in Film & Television Atlanta. The duo will answer your questions so that you can apply this priceless knowledge to your projects and companies. Don't have the chance to watch this exclusive webinar live? Or do you want to be able to return to this fantastic information? You'll have access to this webinar for a whole year and can return to it again and again. Don't waste your valuable time making redundant spreadsheets, digging through unnecessary receipts, and stressing yourself out. Learn from some of the best in this webinar and walk away clear on what you need to do, what you don't, and ready to make tax time a breeze! PRAISE FOR JOHN'S TEACHINGS: "This is the holy grail! John and Kristy are so knowledgeable about so many things with the business side of the film!" They made this part of the process actually fun!" - Wade N. "All I can say is wow. I have seen the light and now feel beyond comfortable putting together my next film." - Jennifer L.