Pete Goldfinger is an incredibly successful feature and television writer in Hollywood, perhaps best known for penning the two newest features in the SAW horror universe, including JIGSAW, which grossed over $100 million, and SPIRAL, starring Samuel L. Jackson and Chris Rock, which debuted at number one at the box office this year. Other credits of Peter’s include SORORITY ROW, PIRANHA 3D and TV shows like TEENAGE MUTANT NINJA TURTLES and AVATAR: THE LAST AIRBENDER. When he’s not writing for the screen, Pete is running and hosting his own screenwriting retreats, in-person workshops, and Zoom classes. Students of Pete’s classes learn how to turn their projects into marketable, saleable products, and he’s going to deliver these same principles to Stage 32’s community. Full Bio »
Learn how to pitch remotely from the writer of JIGSAW and SPIRAL (Number one movie at the box office this year)
Includes a live pitch demonstration and an exclusive pitch workshop where YOU can practice your Zoom pitch and receive notes!
Pitching films and series has changed DRASTICALLY over the past year, as we’ve moved from traditional in-person pitches between writers and producers to remote ones. And even as we continue on our path to a stronger semblance of “normal”, all signs point to Zoom pitches sticking around and remaining a consistent aspect of the industry. Zoom has become the norm for eager writers, and if you’ve never pitched before, having the right tools, tips, and materials at your fingertips can really make your pitch shine. If you’ve never pitched to an executive or showrunner before, you may not know what it takes to deliver. Now, more than ever, you must be quick, concise, and clear. To avoid aimless rambling or unnecessary detail and conversation, structure is key. And once that structure is in place, your well-developed pitch can take you to the next level.
What are the elements you need to pitch to a development executive or producer to get you to that next level? If you don’t know how to pitch efficiently while keeping your concept clear, the virtual call you’ve waited weeks to have could come to an abrupt end. Those who don’t take the time to practice and think they can roll through on the fly quickly, discover they’ve missed out on an incredible opportunity. But armed with the right tools, conversation, and materials, your chances are as good as anyone else’s.
Pete Goldfinger knows what those tools are.
Pete is an incredibly successful feature and television writer in Hollywood, perhaps best known for penning the two newest features in the SAW horror universe, including JIGSAW, which grossed over $100 million, and SPIRAL, starring Samuel L. Jackson and Chris Rock, which debuted at number one at the box office this year. Other credits of Peter’s include SORORITY ROW, PIRANHA 3D and TV shows like TEENAGE MUTANT NINJA TURTLES and AVATAR: THE LAST AIRBENDER. When he’s not writing for the screen, Pete is running and hosting his own screenwriting retreats, in-person workshops, and Zoom classes. Students of Pete’s classes learn how to turn their projects into marketable, saleable products, and he’s going to deliver these same principles to Stage 32’s community.
During this timely and much-needed webinar, Pete will show you how to deliver the most valuable and authentic pitch possible by discussing the elements that need to go into a pitch so that you hook producers and showrunners quickly. From handling (sometimes) awkward small talk to delivering strong loglines with pitch decks, Pete will share his years of experience so that you leave feeling confident about your next (or first!) virtual pitch. After passing on his golden nuggets of wisdom, Pete will deliver a live pitch demonstration, who will take attendees’ ideas on what to pitch and then deliver his pitch on the spot to give you a feel of what Zoom pitching and thinking on your feet is really like.
Pete will even offer an invaluable pitch workshop after his presentation, opening the floor to volunteers who will practice giving pitches and then receive valuable notes from Pete!
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Learn how to pitch remotely from the writer of JIGSAW and SPIRAL (Number one movie at the box office this year) Includes a live pitch demonstration and an exclusive pitch workshop with 5 volunteers! As Zoom pitches continue to be our “new norm,” it’s important to know how to deliver the most effective virtual pitches, because let’s face it, it’s not the same as pitching in person. The energy is different, and you need to make sure you keep the energy high and engaging. How do you keep producers interested through a computer screen? Now, more than ever, you have to be quick, clear, and concise. Structure is key, but so is knowing how to handle small talk. Pitching is as much about selling your project as it is about selling yourself. Armed with the right tools, conversation, and materials, your chances are as good as anyone else’s. Pete Goldfinger is an incredibly successful feature and television writer in Hollywood, perhaps best known for penning the two newest features in the SAW horror universe, including JIGSAW, which grossed over $100 million, and SPIRAL, starring Samuel L. Jackson and Chris Rock, which debuted at number one at the box office this year. He’s going to teach you how to quickly hook producers and showrunners with the most valuable and authentic pitch. Pete will share his years of experience handling everything from small talk to delivering strong loglines with pitch decks so that you’ll have all the tools to feel confident in your next virtual pitch. To demonstrate a live Zoom pitch and being quick on your feet with your pitches, Pete will deliver one of his own pitches, and then give you the opportunity to practice your own one-minute pitches and provide you with feedback. This is an amazing opportunity to fine tune and get advice on nailing your pitch from someone who knows just how to do that.
Payment plans available - contact firstname.lastname@example.org for details Limited Class Size - Only 4 Spots Remain Get Guidance in Rewriting and Improving Your Half-Hour Pilot Script with Experienced TV Writer Meghan Pleticha of SILICON VALLEY Rewrites can make or break a pilot. It’s the time when you can take your script to be a cut above the rest, or overwork it and undermine its potential. Nowhere is this truer than in the half-hour comedy pilot, where jokes can halt the story's momentum and the plot can overwhelm the characters. But with the guidance of a professional half-hour writer, you can take your script to the next level and kickstart your career with a ground-breaking comedy. In this exclusive Stage 32 lab, you’ll work directly with SILICON VALLEY writer Meghan Pleticha as she mentors you through rewriting your half-hour comedy pilot. In addition to writing for the Emmy-nominated HBO series, Meghan has also worked on Cartoon Network’s POWER PLAYERS, FX’s MARRIED, ABC’s CHARITY CASE, and VH1’s HIT THE FLOOR. You’ll also read successful half-hour comedy pilots to see what made them stand out in the booming television marketplace and will be able to ask Meghan questions directly as you work in a limited setting. With only 12 spots available, you’re guaranteed quality time with Meghan and your new network of fellow comedy writers. Using her own unique and tested rewrite process and a series of assignments and exercises, Meghan helps you tackle your script the best way possible so that you leave with a stronger pilot you can be proud of. Don’t miss out on this incredible chance to be mentored by a professional staff writer on a critically acclaimed show. These spots are filling fast. "Writing pilots is hard! You have to come up with characters, a world, AND a story?! In script after script, I've seen writers spend so much time on the first two, the story gets lost. Even worse, without a strong pilot story, your world and characters won't reach their full potential. I love helping writers find the best structure for their show so their script can most accurately represent them and their idea. And I'm looking forward to doing that with Stage 32. See you in class!" -Meghan Pleticha
Zero Gravity Management is a progressive entertainment company whose strength lies in the development and representation of screenwriters, directors, and actors. ZG Management maintains a list of some of the industry's most established professionals in all arenas.
Spain attracts filmmakers from all over the world and has, especially, for the last decade, because of its popularity as a country for film production. Movies like MISSION IMPOSSIBLE II and FAST AND FURIOUS, as well as the series GAME OF THRONES and THE WITCHER, are just a few examples of productions shot in and around Spain. Not only is it brimming with talented actors and crew members, but the countryside alone is a candy store for creatives looking for beautiful locations and backdrops. Thanks to equally attractive tax incentives, a strong distribution base, and the presence of HBO and Netflix in the country, Spain is now on the map as an international film production hub. If filming abroad has been on your mind, producing in Spain may be more cost effective than you initially thought. But if you’re not familiar with the production territory, tax incentives, or how to go about preparing for a production in a foreign country, you could be missing out on collaborative opportunities that can take your film further both financially and globally. Navigating requirements, rebates, and the foreign market can be intimidating. But international film production doesn’t have to be overwhelming when you have the right information at your fingertips. David Zannoni is an international business specialist and consultant for Fintage House in the US, Europe, Canada and Latin America territories, and knows what it takes to produce or co-produce in Spain. Fintage House is the world's most respected company for revenue and rights protection for industry professionals and companies. David makes deals and speaks at international film markets, festivals, and conferences, including: the Cannes Film Festival, the European Film Market (EFM) in Berlin, the American Film Market (AFM), Ventana Sur, the Bogota Audiovisual Market (BAM), and the Toronto International Film Festival (TIFF), and travels regularly to the United States, the Netherlands, Europe, and all over Latin America. David will enlighten you on the many benefits of shooting and distributing your film in Spain. David will kick off the 90 minute webinar by sharing his knowledge on the industry there, then moving attendees into the many benefits of shooting and distributing your product in Spain. Smaller, Independent films upwards to larger productions can benefit from foreign production shares. There are regional requirements and national requirements, and David will break those down with ease. He’ll also explain what co-producing in Spain means, and how it just might be the secret ingredient your production needs to be seen by other producers and distributors. Praise for David's Previous Stage 32 Webinars "David is incredible and lovely and clearly knows his stuff." - Cynthia P. "Eye-opening information. A no-brainer approach that wouldn't be so obvious to the uninitiated." - Gary O. "By far, the best class I've seen on the subject." Kirk K. "David is a fantastic teacher. And what a voice! I could listen to him all day. More importantly, I learned so very much!" - Isabella T.
The big streaming platforms (Netflix, Amazon, Hulu, Disney+, Apple TV) are leading the charge in original programming. The number of new shows being produced has never been higher. However, these platforms have different needs, different expectations and different boundaries and mandates than those of traditional broadcast networks. So how does a creative navigate the big time streaming world? And how does a writer stand out to get staffed or sell a standout drama series? This webinar will explain in comprehensive detail how drama series are pitched, developed, and sold to streaming platforms and what you can do as a writer to position yourself to get noticed. With so many writers vying for an opportunity to sell or be staffed on a show, it’s incredibly important to understand the changing landscape and know the best ways to operate within it. Having a clear sense of how executives at streamers think and what they’re looking for will give you a distinct advantage in adjusting your script to pique their interest or in presenting yourself more effectively to sell your show or get staffed on one of their growing number of series. Spencer Robinson is a literary and talent manager at Art/Work Entertainment who's been in the industry for over twenty years. His clients have been in films with directors Quentin Tarantino, Steven Soderbergh, Clint Eastwood, Gore Verbinski and more. In the TV world, his clients have been regular cast members on shows for Netflix, The CW, Cinemax, CBS, NBC, FX, Starz, Nickelodeon, EPIX, and TBS, to name a few. His writing clients work in both features and television on broadcast, cable, and streaming platforms. He currently has a client writing on two Netflix series, and another client who just sold a show to Amazon. He also reps a writer who currently has a project at Aggregate Films, which has a deal at Netflix. Spencer will use his extensive experience working with writers and selling their shows to streamers to share some of the do’s and don’ts of writing a drama pilot for streaming television and outline how to tailor your script to make the best impression with the executives at these platforms. He will do this by first laying out how the streaming platforms differ from one another and what exactly they're looking for. Not all streaming platforms are created equal and it's imperative you know the difference. From there, Spencer will dive into script structure and formatting, specifically analyzing what you should be considering before you write your pilot. Next, he will tackle staffing and sales, so no matter what your goal whether to be in a writer's room or selling your pilot, you have all the information you need to position yourself correctly and with the best chance of success. Spencer will even get into the difference between streaming platforms and broadcast networks so you can determine where your material might be a best fit. Expect to leave this class with a comprehensive understanding of the shifting industry of streaming television and a toolkit to better excel within it. Like what you heard from Spencer during this webcast? Send your script to Spencer and speak with him for an hour by clicking here. Praise for Spencer's Stage 32 webinar: Spencer was awesome! Super informative and detail driven - providing great insights. Packed so much into a short amount of time which I'm super grateful for! -Eric C. Spencer Robinson has high energy and packs a ton of information in his lecture. Most importantly Spencer gives realistic advice while encouraging writers to move forward fully informed of the terrain. -Oweeda N. Spencer opened my eyes to how the TV world works with broadcast and streaming. What a great crash course! -Ricki L. "Very enlightening. Gave a realistic view of how difficult it is to get a pilot made but was just inspiring enough to give hope. :)" -Clive M.