Mark Simon, the “Godfather of Storyboarding”, has over 30 years in entertainment, amassing over 5,000 production credits, including STRANGER THINGS, THE WALKING DEAD, DEXTER, BLACK LIGHTNING, WOODY WOODPECKER, DOOM PATROL, and DYNASTY. He is also the animation producer for the HOW HIGH 2, LITTLE RASCALS and TOOTH FAIRY 2 features. Mark participated in an Engineering Emmy for his work on Storyboard Pro, and was also inducted into the DAVE School Hall of Fame. He has won over 200 awards for projects he’s written and directed, has pitched and sold more than 35 production and distribution deals for his original concepts, and is the author of 13 books, including the industry bible STORYBOARDS: MOTION IN ART, 3RD EDITION. Mark is now bringing his expertise to our Stage 32 community! Full Bio »
When you think of storyboarding you may think that it's just for big budget productions, but the truth is that storyboards are MORE important for lower budget independent projects.
A storyboard helps conceptualize the director's vision of the script and creates a blueprint for all the departments on set to prepare and work from. When your indie film is shooting on shorter timeframes with little wiggle room for mistakes, storyboarding can help save your production time and money.
If you've never storyboarded before there are a lot of things to think of and plan for when planning out your scenes. Or, if you have storyboarded, it's good to refresh your knowledge and make sure you're maximizing your boards effectively. You have to know when you should start storyboarding and who gets involved. You need to know how the boards get used with the cast and crew from pre-production all the way into post-production. And, most importantly you need to know how storyboards can help find mistakes in the script that could derail on-set production.
And, when we wanted to provide storyboarding education to the Stage 32 community, we had to bring in the best…
Mark Simon, the “Godfather of Storyboarding”, has over 30 years in entertainment, amassing over 5,000 production credits, including STRANGER THINGS, THE WALKING DEAD, DEXTER, BLACK LIGHTNING, WOODY WOODPECKER and DOOM PATROL. He is also the animation producer for the HOW HIGH 2, LITTLE RASCALS and TOOTH FAIRY 2 features.
Mark is now bringing his expertise to our Stage 32 community!
In this webinar, you’ll walk away knowing exactly how to incorporate storyboards into your project and the importance of how it can help your production run smoothly! By the end of this webinar, you’ll be running off to storyboard your next production!
An Overview of Storyboarding
The Storyboarding Process
How The Storyboard Affects the Production
Case Study Examples
Q&A with Mark
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A hot topic of conversation in our current COVID-19 world is how film, television and new media productions will resume production safely and effectively. The entire entertainment legal landscape has changed as a result of the world’s pandemic. Producers, filmmakers, directors and crew need to think about protection before you can ever step on set to say “action.” It’s important to take a deeper look at the legal agreements that tie parties together on a project as we contemplate the future. Contract provisions that parties wrote off as “boring” or “boiler plate” will significantly change moving forward. It’s important you understand how this affects your project. You don’t want to get stuck with a production or financial nightmare if you’re not protected legally to move forward on your film, TV or new media project. There are five basic provisions in a legal contract that many dismissed as “boring boiler plate” that now will have significance moving forward. It’s important that you know the basic purpose of these provisions, why they are drafted and what purpose they serve for all parties. With each provision, you will need to know the impact and implications as it relates to COVID-19 and how these provisions will continue to change to comply with government and guilds, insurance coverage and mitigation of risk for both parties. You need to make sure to contemplate unlikely scenarios so that contracts are comprehensive to whatever may occur. Elsa Ramo is one of the top entertainment attorneys in the industry today and the managing partner of Ramo Law. Recently named to Variety’s 2019 “Dealmakers List,” Elsa Ramo has represented over 100 films and 50 television scripted and unscripted series in 2019 alone, including Emmy award-winning shows and films which debuted at the 2020 Sundance Film Festival.Her clients include Imagine Entertainment, FOX, Balboa Productions (Sylvester Stallone’s production company), Scout Productions (creators and EPs of QUEER EYE), Boardwalk Pictures (EPs for CHEF’S TABLE) and Skydance. Elsa has her finger on the pulse of the legal side of the entertainment law and works non-stop to protect her clients in all deals. Elsa will go through the nuts and bolts of contractual provisions in the entertainment industry and a walk through of how these should and will change due to the COVID-19 pandemic. Elsa will start by offering a basic understanding of five contractual provisions that are now much more important in the wake of the pandemic: Force majeure, suspension/termination provisions, assumption of risk and related indemnification provisions, medical releases and disclosures, and scheduling and payment provisions. She’ll discuss why they are drafted and what purpose they serve among the parties. Then, with each provision, she will discuss the impact and implications as it relates to Covid-19 and how these provisions are and will continue to change to comply with government compliance, guild compliance insurance coverage and mitigation of risk for both parties as they contract during a pandemic. Elsa will distill what we can learn from changing these ‘boring provisions’ that we can apply to better prepare ourselves for future unlikely scenarios and ensure contracts are comprehensive to whatever may occur. Finally, Elsa will teach you how to flag and ensure that the modifications placed on these contracts comply with government legislation, union compliance, and other worst-case scenarios.You will be fully prepared to understand how “boring boiler plate” provisions can affect your project and how to best protect yourself. Praise for Elsa’s Stage 32 Webinar: "This was one of the best webinars I have taken so far. Thank you again. I look forward to the next one!" -Romina S. "Awesome presentation - great speaker, made complicated issues much clearer, lots of great info! Great info for anyone in the industry in all positions. Thanks!!" -Ron H. "This webinar was absolutely brilliant! Elsa is clearly a pro, but her manner was so calm and approachable. She didn't talk down to us and explained all these intricacies so that I believe everyone was able to understand them. Bravo! More Elsa Please!" -Becca G. "Elsa is always amazing and legal is always a fantastic topic, now more than ever!" -Lisa G.
Do you see yourself writing for a television show? 543 shows were broadcast last year and thousands were picked up for development. Now, more than ever, is the golden age of television and it’s your opportunity to be able to be staffed on a television show as a writer. But, how do you get there? We’re not going to lie, it’s difficult, but it’s not impossible if you understand the path it takes. In this Stage 32 Next Level Webinar you’ll learn how to make it happen by learning what type of education you need, how to stack the deck in your favor, how to get your scripts in order and how to seize your opportunity. By learning from Charlie Charbonneau, who’s worked in three television writers' rooms, you’ll be armed with what you need to know in order to break into your first writers' room. No matter your background or level of experience, you will come away with a deeper understanding of the obstacles and the many surprising solutions to getting and keeping a spot at that table in the television writers’ room. "I'm grateful for how generous he was with his knowledge and time. He was awesome." - Joanne L. "This was by far one of the better webinars I've attended on Stage 32. The information was relevant (which was of upmost importance) and Charlie was an enjoyable presenter." - Matthew M. "Charlie was outstanding. He was organized, helpful and extremely insightful." - Kimberly E.
Learn from a producer whose films have been in theaters, on HBO, Hallmark, Starz, Showtime, and more. Low budget filmmaking is all the rage these days. But unfortunately, many people equate low budget with low quality. And if we're being honest, that's because most producers and filmmakers don't understand how and where to spend their money to stretch their dollar and make sure the quality is up there on the screen. In short, you don't have to compromise on your vision if you have a smaller budget to work with. Even though you may not be playing with studio level money, you still have the ability to make a high quality film without skimping on spending for what matters. If you are clever in your planning, approach and execution of minimizing costs your will walk away with a movie you will be proud of and that will play much larger than the budget. And this will allow you to stand out in every way, from festival submissions to attracting sales agents, distributors and more. Thinking smart about your indie film must begin at the script stage. There are many tips and tricks successful producers and filmmakers use to ensure that a project will not run amok financially once you start developing and shooting it. You must think outside of the box to be able to find cost-effective ways to assure you get everything you need to make your production go smoothly and on schedule while keeping you in line on your budget. Once you master a few tips and tricks of the trade, you'll assuredly have money left over to spend on what really counts and make your film look and sound like you had money to burn. So, how can you evaluate your script, avoid the common pitfalls, and assure that you avoid the myriad issues that can stall a production or push it over budget? We have the answers. Sara Elizabeth Timmins was a field producer on the hit HBO series McMillions, which was produced by Mark Wahlberg and premiered at Sundance 2020. Her films have been seen in theaters, the Hallmark Channel, Starz, Showtime and internationally. She has worked with talented actors like Jane Seymour, Ellen Burstyn, Chris Cooper, Josh Lucas and Mackenzie Foy and writers like NY Times Best Selling Author David Baldacci. Throughout her career she has learned how to attach award-winning talent and turn a profit on every single one of her films. Sara Elizabeth will teach you the 3 key elements you must not skimp on in order to get your film to come out looking the best possible way. She'll share how she's been able to secure and manage professional talent and crew on a low budget. She'll take you step by step with great examples of where you can minimize costs in the script and development phase, as well as once you're in production. She'll even share things to think about when it comes to transportation, lodging, craft services, locations and more. She'll also give you 9 common production dangers that can sabotage your budget - you'll want to know each one of these before you even say "action!" This is information you'll want to come back to time and time again and can help you for every single production regardless of your working budget. PRAISE FOR SARA'S TEACHINGS: "What clever information Sara Elizabeth. Thank you a million for your insights into your process producing. You gave me so many things to think about that I never would have considered. I'm excited to put this into practice on the film I'm doing next year!" - Robin M. "Brilliant. Just brilliant. I feel like I just got the secret sauce." - Timothy K.
A Top Literary Manager Gives You a Guide to a Full-Time Career in Screenwriting The truth is there’s a lot more that goes into being a full-time writer than just writing, and every successful writer working today has learned how to balance the craft with the business. And while each writer’s path to success is unique, it almost always involves building your toolkit, finding the right representation, getting noticed, and networking. These elements do not come easy and are not always self-explanatory. If you’re a writer that’s serious about building a career in this field, it’s crucial to learn how writers have achieved their goals in the past and how you can use the tools at your disposal to pave your own path to success. Ashley Berns is a long-time literary manager who worked at respected management company Circle of Confusion for 15 years before opening his own company, Leigh Hill Management. Over his career Ashley has represented writers and directors including Tony Jaswinski (THE SHALLOWS), Gary Whitta (ROGUE ONE: A STAR WARS STORY), two time Academy Award nominee Lucy Walker (WASTE LAND), Nicholl Fellowship winners Alisha Brophy & Scott Miles (INSIDE JOB/Netflix), and BAFTA winner Tinge Krishnan (INDUSTRY/HBO). Ashley also serves as executive producer for the Showtime series WORK IN PROGRESS. Over the course of four information-packed on-demand sessions, Ashley will dive deep into the steps you should be taking to build your writing career and the strategies, tips, and advice you can use to find your place in the industry. He will work directly with you in a class setting, focusing on four major aspects of a writer’s career—building your toolkit, finding representation, getting your work and yourself noticed, and networking. If you are a screenwriter with the hopes of writing full-time but aren't sure where to start, start here! PRAISE FOR ASHLEY'S TEACHINGS: Wonderful and insightful class. Great look inside the industry from a manager's perspective, with reference materials too. Blunt and honest but very encouraging. -Darren T. "Ashley was fantastic. I liked his realistic and honest view on the job. We learned about the upsides and the downsides. And that is the part of Ashley's class that I’m most thankful for." -Thomas D.
The more production savvy we are, the better filmmakers we become. As directors, it is our job to know every heartbeat of our story; the preparation needed for executing our vision; and the intricacies of bringing it to its final conclusion, in a way that will illicit an emotional response from our audience. That means that we must not take our foot off the pedal once we wrap. Being present, aware, in control, and maintaining our focus during post-production is vital. Sometimes our film is made (or lost) in the edit. The technical steps of post production can seem overwhelming, especially coming off the heights (or lows) of wrapping a picture. But if we don’t have a good understanding of the post production steps, it could be challenging to bring our vision to a strong finish, and ultimately to a wider audience. Stacia Crawford is a Director/Producer/Writer/Actress who, last year alone, directed two feature films which premiered on Netflix and Lifetime. As a producer she has helmed five feature films with Mar Vista Entertainment (premieres on Hallmark, Lifetime, CMT), in addition to several independent feature films. In television, Stacia co-directed/produced various unscripted series for NBC/Esquire, The History Channel, A&E, AMC, Spike, Logo, Pivot, Blaze TV, MTV. She also produced several web content shows, most notably for My Space. Prior to directing/producing, Stacia started her career as an actress/writer and can be seen in several feature films, including cameo roles in films that she’s directed. As a writer, she has written two novels (KIT TEN, THE SPACE BETWEEN) and co-created four original dramatic television series, (DRIVING UNDER THE INFLUENCE, WILDCATTERS, AMERICAN CAESAR, and SENESCENT) all currently in development. In a clear, expansive, yet easy to digest presentation, Stacia will help all filmmakers understand exactly how to handle and navigate the post-production process. She will begin by teaching you what to look for when hiring your entire post-production team. From there, she'll discuss the difference between all the post production positions - some sound quite similar, but do completely different jobs - and...do you need them all? Stacia will then dive into scheduling including the level of cuts for the film, and how long each part of the process (sound, coloring, etc) should take. She will discuss pick up shoots, fixing lighting and audio mistakes, and how to protect for footage errors. She'll even get into key art and what to include in your trailer! This is a comprehensive webinar designed to keep you deeply immersed in the post-production process carrying with you the knowledge that will keep your team on board with finalizing your vision. Praise for Stacia from her previous Stage 32 Next Level Webinar: She explained what is the Director's job was very very well and broke it down step by step! -Sharlene R. Stacia did a great job. She was great! -Tracey A If you are thinking of going into the industry it was amazing, hit all the points, and she went above and beyond when she expanded on a lot of her points...like making sure you get your insert shots (which I've been a victim of.). Overall she was great, clear and to the point. -Ryan H. Stacia was great. A lot of good information in a clear and concise manner. -Angel N. Great information! -Liz H. It was interesting to hear from other filmmakers' perspective. I learned a lot about the Director's position, as it relates to Film & TV. I came into this webinar because of my interest in knowing more about the producing/directing side of the industry, and man Stacia really did go in and cover a lot. My mind was soaking up information left and right. Another great webinar! -Shayne W.
Learn how to create and maintain a budget for a television show with a producer who has worked on DEXTER for Showtime, SWINGTOWN for CBS, HELP ME HELP YOU for ABC, and GOLIATH on Amazon, and more! As a television maker, one of the most difficult aspects of your job is creating and managing the budget for your project. Budgeting a feature or a short can be complicated enough, but at least you have all of the information at your fingertips. You have a script, schedule, rates—all of these things are at your disposal. However what happens when you need to budget a TV show? You don’t have all the scripts, there’s seemingly no way to create a schedule and, on the surface, no way to generate a budget. And once that budget is established, how do you handle decision making and cost tracking over a many, many months long process? These seemingly unsolved issues do have answers, and ones that may be simpler than you think. Successfully producing a TV show to get on screen requires that you understand not just how to build a TV budget, but also how to operate it. Knowing the ins and outs of Movie Magic and the various tools within as it relates to television is key. It’s very easy to get overwhelmed and drown in the details of creating and managing the budget of a series. Through thorough research of the software, what it does and how it affects your project, you will be able to create TV budgets with ease. Presenting a solid TV budget will help you gain the confidence of those who can ultimately invite you into the inner circle of TV producing and allow you to advance your career to new heights. To help you on your path is Rami Rank who has produced on Amazon's GOLIATH, DEXTER for Showtime, SWINGTOWN for CBS, HELP ME and HELP YOU for ABC, as well as features such as the remake of APRIL FOOL'S DAY. Through his storied career, Rami has produced and budgeted for all types of television shows, including some of the biggest ones out there. He knows intimately what goes into the vital aspect of creating a budget for these projects and is ready to share all he’s learned exclusively with the Stage 32 community. In this 3-session on-demand class, Rami will offer detailed, practical, and exhaustive guide to creating and managing a successful TV budget. In session one he will review the basic starting point of a TV budget: where the information comes from and how to utilize it. He will review some basic concepts like Budgeting and Scheduling Software, Rate Guides and the two types of budgets you’ll be creating – Patterns and Amorts. Session 2 will be a deep dive into the Amort budget. Students will receive a copy of an Amort budget to use as reference as we walk through all of the departments, positions and costs to consider in preparing the Amort. In the final session you will receive copies of a pattern budget to use as reference as he teaches how this budget is transformed into an episodic budget and then tracked using hot costs and cost reports. You will leave these three classes with the knowledge base and confidence to tackle any TV budget. Plus this class comes with exclusive handouts that you can use for your own projects including: PDF copies of real Pattern and Amort budgets. "As a long time producer, I know how important a solid budget is for any television show, and I know just how challenging it is to create one successfully—much harder than for features and shorts. I’m excited to empower producers and creatives in the Stage 32 community to do the same. Get ready to learn more about TV budgets than you ever have before!" -Rami Rank