On Demand Webinar - Available for immediate viewing and unlimited access.
On Demand Webinar - Available for immediate viewing and unlimited access.
Deborah Riley Draper is a compelling and award-winning filmmaker. Deborah is currently directing the A&E four-part James Brown docu-series SAY IT LOUD, produced by Academy Award winner Ahmir "Questlove" Thompson and Mick Jagger, slated to air May 2023. In 2021, Deborah wrote and directed two documentaries about seminal moments in American history. Her docu-series, The Legacy of Black Wall Street, a two-episode special on OWN/Discovery+, beautifully and candidly told the story of the pioneering community of Greenwood, airing 100 years to the day of the brutal massacre. This project earned Deborah a 2022 NAACP Image Award nomination for Outstanding Breakthrough Creative -Television, marking her 3rd nomination. Also, in 2021, Deborah released Twenty Pearls, the first original documentary to be acquired by Comcast's Black Experience Channel. The full-length documentary featured Vice-President Kamala Harris and shed light on the rarely recognized history of America's first black Greek-letter sorority, Alpha Kappa Alpha Sorority, Inc. Full Bio »
ANNOUNCING A NEW EXCLUSIVE WEBINAR
Your chance to learn from a documentary filmmaker who's worked with Questlove, Mick Jagger, Vice President Kamala Harris, and more!
Plus! Receive exclusive handouts to asses partnerships from Deborah!
Did you know that brands big and small often subsidize the making or distribution of documentary films of all genres and lengths? They do. It's an incredibly valuable opportunity for you, as a filmmaker, to get what you need to complete your project and share it with the world.
These brand partnerships can generate valuable resources for documentary production, including publicity, funding, and access to people.
So how do you create a partnership with a brand or an organization? How do you choose which brands makes this right partners? What should a brand partnership even look like for your film? Stage 32 is here to teach you all about it.
In this exclusive Stage 32 webinar, you’ll identify the impact you hope your film will make and dive into discovering how to tie your mission to a brand, partner, or organization to help bring your documentary to life.
Marketing leaders and brand teams seek innovative partnerships to reach their audiences. This means that brands are increasingly becoming interested in activations that align their mission with content that can positively impact the communities they serve. And this brand interest is your project’s opportunity.
Your host, Deborah Riley Draper, is a compelling and award-winning filmmaker who is currently directing the A&E four-part James Brown docu-series SAY IT LOUD, produced by Academy Award-winner Ahmir “Questlove” Thompson and Mick Jagger.
Riley previously made the docu-series THE LEGACY OF BLACK WALL STREET, which earned her a third NAACP Image Award nomination. She also released TWENTY PEARLS, a documentary featuring Vice President Kamala Harris, OLYMPIC PRIDE AMERICAN JUSTICE, and VERSAILLES ‘73: AMERICAN RUNWAY REVOLUTION, which opened New York Fashion Week in 2012.
Deborah’s success is tied to her ability to know her message, determine what partnerships best align with that message, and lock those partnerships down by knowing your documentary’s potential return on investment, even if that return isn't financially motivated.
In addition to providing you with exclusive handouts to asses potential partnerships, Deborah will show you how to find like-minded partners, how to create a blueprint for your partnership, and the legal aspects of these relationships.
With such an incredible background, Deborah provides invaluable information for filmmakers like yourself. Don’t miss out on learning how a partnership can support your message in this exclusive webinar.
Praise for Deborah's Talent & Knowledge:
"I have had the pleasure of working with Deborah and must say that she's one of the most talented, innovative, multifaceted people I've ever known. She has a ravenous appetite for understanding a challenge from every angle, but also the rare ability to discern exactly what (and where) to focus on to solve it. She is not bound by channels, attitudes, dogmas or barriers--she finds a way to break through it all, always with a human perspective, and weave a compelling story that people can't help jumping into with both feet." -- Laura Davis Taylor, Brand Marketer
UNDERSTANDING THE VALUE OF MY FILM
FINDING LIKE-MINDED PARTNERS
CREATING A BLUEPRINT FOR MY PARTNERSHIP PROGRAM
THE PARTNERSHIP INTERVIEW - ARE THEY RIGHT FOR YOU?
EXECUTING A PARTNERSHIP
WHY PARTNERSHIP MATTERS - BEYOND THE OBVIOUS
THE LONG GAME
Q&A with Deborah
Deborah Riley Draper
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With more and more content being created and more avenues for films to be seen, the overall distribution market is changing at a rapid pace. But, the classic in-theater experience is still alive and well – if you have the right type of film and you understand how tailor your approach to the market. Don't think for a second that your film is not a fit for theatrical distribution or that all theaters and screens are controlled by the studios. There still IS an opportunity for a film to be distributed to the US market in theaters. Independent film acquisitions with the intent to distribute in the US theatrical market still make up a profitable part of today’s film business. Unfortunately, many filmmakers aren’t aware of the elements a film must have to be considered for theatrical distribution. Understanding everything from where your content fits to how to put your film in the best position to be acquired is absolutely necessary in order for you to give your project the best chance to attract a buyer and give you the opportunity to have your masterpiece, the film you worked so hard to make, seen in a theater. Jason Resnick is the Executive Vice President of Acquisitions for Aviron Pictures and has had decades of experience in theatrical distribution on films of all budget levels. He Jason was formerly the GM of Worldwide Acquisitions for the Universal Pictures Group and in charge of all acquisitions for Universal, Focus Features, Rogue Pictures and Universal Home Entertainment. Now, exclusively for Stage 32, he'll go over what the current US theatrical market looks like for film acquisitions. And, it's more accessible than you think! To fully understand how the market has shifted and how the old thinking has become obsolete, Jason will break down the last 10 years of theatrical distribution to show you what's still working and what has dramatically changed. This information alone will give you a competitive advantage in the space and make you more attractive to buyers. He will also make you understand limited, wide, and day-and-date releases and identify the key players in each. He will show you the proper way to approach these reps and buyers so you stand out in a competitive market. Most importantly you will learn how a film is acquired for US theatrical release and what can hurt and help your chances of getting acquired. You will walk away knowing exactly makes your film look attractive for an acquisition for the US theatrical market. "I learned a lot. Really appreciate Jason's experience and expertise. Jason's presentation was considered, articulate, to the point and very informative. Was well worth the class fee." - Rebecca D.
Putting together a project can be complicated. The amount of information to sift through, from guild requirements and guidelines to union rules and even whether to go union or non-union can be overwhelming, confusing and intimidating. For filmmakers, producers and other creatives looking to control their own content, navigating the guilds and the unions can be so daunting, it pushes back production and/or any forward momentum your project might have. Allow us to help demystify, simplify the guilds and unions landscape and get you on your way to doing what you want to most, making your film, TV or digital project. With independent productions on the rise, it's more important than ever to know how to handle your budget and schedule accordingly, and that begins with understanding which guilds you'll be working with and how to deal with their rules and regulations. It also means understanding the ins and outs of the unions. Buttoning up all of these important variables early will assure that nothing falls through the cracks, your set runs smoothly, and there are no unpleasant surprises once you hit the distribution and collection phases of your project. Rosi Acosta is a Unit Production Manager, DGA, who has worked on over 75 TV and Film projects and over 100 commercials. She is a valued name in Hollywood as a top UPM who's worked on films such as DRIVEN, SPEED KILLS, IMPRISONED and many more. With over three decades of experience, Rosi has worked internationally with production companies from US, Europe, Russia and Latin America. Rosi began as a casting director 32 years ago in Puerto Rico working for director Marcos Zurinaga at Zaga Films where she became one of the top casting directors in the Island. After working as such for a few years, she wanted to expand her horizons in production moving on to work with the most important TV producer in the Island, Gabriel Suau, in Telemundo-Puerto Rico, where she worked for several years in various TV shows and telenovelas. Rosi will begin by giving you a complete, yet simplified look at the guilds and unions. She will pull back the curtain and discuss the ins and outs and pros and cons of working with the labor organizations. Rosi will go over the differences between unions and guilds and help you decide if you should go union or non-union for your project. You will learn the organizations for above the line - WGAW, WGAE, DGA, SAG/AFTRA and PGA, below the line - IATSE, Teamsters and NLRB, as well as other organizations that work closely with them - ATA, AMPTP, MPAA, ASCAP, CSATF, MPSE and more. In addition you'll learn how to become a member of a union or how to become a signatory production. PRAISE FOR ROSI'S TEACHINGS: "Rosi, your 30 years of experience shined through today. You broke down this so it's easily understandable and now I know that my production this year will be union!" - Rachel G. "Awesome explanations of the unions, guilds and organizations. Very comprehensive." - Paul F. "You made this so easy to understand. Thanks Rosi!" - Brandon C. "Putting together my first film as a producer almost made my jump off a cliff. I wish I would have seen this first! What a world of difference it would have made. Thank you, Rosi!" -Marlene D.
Learn directly from Jon Reiss, a distribution and marketing specialist who's worked with Paramount Pictures, Screen Australia, Film Independent, and is the year-round distribution and marketing lab leader at the IFP Filmmaker Labs. There are thousands of film festivals around the world – and tens of thousands of filmmakers trying to get into them. So what to do with your film? Jon Reiss wrote Think Outside the Box Office and has advised hundreds of filmmakers on their festival and distribution strategy. In this webinar you will learn how to create a film festival strategy for your specific film, how to use festivals to benefit the release of your film, how to be smart once you have been accepted into a festival and make each festival work for your film and career. This webinar will cover the essentials that all filmmakers need to consider in order to create a festival strategy for your film.
Learn From A Producer and Development Executive who has worked at CBS, ABC, Nickelodeon, and more! "It was amazing, enlightening - completely. I learned soooo much - especially as a feature writer who's been asked to turn a feature script into a pilot!! Thank you soooooo much." -Kristin G. The market for historical dramas is hot. Shows like The Crown, Genius: MLK/X, The Law According To Lidia Poet, The Great, Babylon Berlin, The Empress, Call the Midwife and more are dominating with controversial plot lines and riveting characters. But to sell a historical drama, you first need to know the specifics of writing this specialized genre. You need to understand what type of intellectual property makes for a compelling story and then have the skills necessary to turn this historical piece into a modern, binge-worthy series that speaks to today's audiences. In this exclusive Stage 32 on-demand webinar, industry veteran Anna Henry who has worked as a development executive and producer and has shepherded numerous projects through networks and streamers is here to show you how. Anna is a Producer and Development Executive who has worked at CBS, ABC, Nickelodeon, and multiple production companies, as well as a manager at Andrea Simon Entertainment. Her clients have worked on shows such as THE DEUCE, POWER, IN CONTEMPT, TOMMY, VIDA, SEVEN SECONDS, HUNG, CHICAGO FIRE, FEAR THE WALKING DEAD, THIS IS US, and THE FLASH, and have set up projects at AMC, Amazon, Starz, HBO, Sony, Fox, EOne, and more. Anna has projects currently in development around the world and is incredibly familiar with what goes into a great television pilot. If you are developing a historical drama or ever want to try, this information-packed webinar is a must! Praise for Anna's Stage 32 webinar: "The webinar was fantastic. I am writing my first one hour drama pilot so this webinar was packed with the exact information that I will be immediately putting to use in my rewrite. The slides were clear, concise and informative. The speaker was excellent at conveying the information I needed." -Bobby C. "It was really great information. Anna was a terrific host, very knowledgeable and shared a lot of information and tips." -Marla H. "Comprehensive, insightful. Combined a lot of material I had heard snippets of on character, world dev, etc. but artfully stitched together in one presentation." -James F.
Payments plans available - contact edu@stage32.com for more information. 4 of 10 Spots Remain It's hard enough to break an original story on your own, but how do the professionals do it as a group on an idea they didn't create? Working in a writers' room is the dream for many, but once you're in, the work is just beginning. This webinar shows you exactly how a writers' room operates by putting you in a mock room to try and create an episode from scratch as a team. Do you wonder what it's really like to work in a writers' room? When should you speak up versus listen? What are the different roles in a writers' room? Whether you want to write one-hour procedural or serialized television, the ability to write a close-ended episodic is an incredible skill that will benefit you throughout your career. It can be intimidating to enter a writers' room, and you want to have some knowledge to enter confidently. That's where Kate Sargeant and her exclusive Stage 32 course have you covered. In this eight-week course, you'll work with the instructor and a handful of similarly ambitious and creative writers to break an episode of the network procedural CASTLE, including the A, B, and C-story, using a virtual whiteboard. You'll work step-by-step through the process for the most in-depth experience as you work from pitch through a draft as a group together, pitching ideas and learning to communicate with one another. This format gives you invaluable direct, practical, and real-world experience to assist your long-term television career. Running your mock writers' room is professional screenwriter Kate Sargeant, who has staffed in numerous rooms, including CASTLE, CSI CYBER, NCIS NOLA, BLINDSPOT, and more. She's also directed the short films CHANGING LANES, FACING LIFE, and YOU CAN'T DO THAT ON THE INTERNET, as well as the streaming series VIRTUALLY SINGLE. You'll have access to Kate during the eight weeks in class and outside of class via email for any questions you may have. You'll also have the opportunity to develop a genuine working relationship with your classmates, networking with writers with similar goals to your own that can extend beyond class time. "Working with Kate was unlike any other! She's so fun and personable and gives the best advice." - Noella J.
Learn directly from Producer Mitchell Peck, who has produced 3 studio movies with worldwide distribution! Hollywood is a global aspiration. This year, 80+ countries submitted films for Academy Awards consideration. And the number of aspiring screenwriters is growing every year thanks to websites like Stage 32, and others. Tech and resource barriers to entry for filmmakers are being lowered, with DSLR's, iPhones, online distribution, social media, etc. Financing is easier than ever before, thanks to options like Slated, Indiegogo, Kickstarter, etc. Filmmaking is finally a democratic medium. Yet, at the same time, Hollywood remains largely impenetrable -- and opaque -- to outsiders. Literary agencies, production companies and movie studios will not read "unsolicited submissions." Hollywood is an inefficient system; good material falls through the cracks all the time. For 20 years in Hollywood as a movie producer, Producer Mitchell Peck has specialized in identifying material (scripts, books, articles, life-rights, etc.) and aspiring screenwriters from outside the Hollywood system -- and successfully guiding them into Hollywood's best literary agencies, top management-production companies, and major movie studios. (Check out some of Mitchell’s success stories on his website below). Few producers can boast the same track-record of success as Mitchell on behalf of aspiring screenwriters. In this webinar, "Anatomy of a Hollywood Movie Deal: 7 Case Studies of Success with Producer Mitchell Peck” Mitchell will shed light on -- and hopefully demystify -- the process of successfully navigating the Hollywood marketplace by sharing highlights from seven (7) Hollywood movie deals in which he successfully guided aspiring screenwriters to top agency representation, script development deals, and-or produced studio movies with worldwide distribution.