Josh is the Production Executive at Amasia Entertainment, where he was the executive on WILD MOUNTAIN THYME starring Jamie Dornan, Emily Blunt, Jon Hamm and Christopher Walken and he served as Associate Producer on their feature film THEM THAT FOLLOW, produced with Gerard Butler, which premiered in Dramatic Competition at the Sundance Film Festival. He is also in active development on many of Amasia's projects with major studios. Prior to joining Amasia he worked for over a decade in freelance production. He began his career in Chicago, producing micro-budget indie projects and working as an in-house shooter/editor for non-profit organizations. Eventually relocating to LA, he has worked in production on dozens of movies, TV shows, and video games. Some of the films he worked on as the Production Coordinator include the Sundance Audience and Grand Jury Award-winning WHIPLASH, CAKE, and THE STANFORD PRISON EXPERIMENT. Full Bio »
All of us are storytellers.
No matter what part of the film or TV making process you are involved in ultimately your job is to tell your story in the best way possible - on the page or on the screen. And, sometimes, if you get a story on the page you realize that there is no one better than you to be able to direct that vision.
Maybe you have a vision for the way your characters look or how they talk. Maybe you have a vision for a set piece that you just know, if shot just right, will make a scene perfect. Ultimately what's in your Mind's Eye can catapult you to be an excellent director for your project.
But, where do you begin?
Becoming a first time writer/director takes a lot of risk on both sides creative and professional. Creatively, you may not have the experience to be able to correctly execute your vision in the way your mind sees it. Professionally, a producer or financier has to take a risk on you and believe in you to make sure that they make back the money they invest in you.
Although this isn't an easy scenario for either side, the great news is that it can be done.
And, we've brought in a Stage 32 Educator who has helped do just that for first time writer/directors Britt Poulton and Dan Madison Savage who's film THEM THAT FOLLOW got produced by Gerard Butler, starred Oscar-winner Olivia Colman and screened at Sundance!
Josh Sathre is the Production Executive at Amasia Entertainment, where he was the executive on WILD MOUNTAIN THYME starring Jamie Dornan, Emily Blunt, Jon Hamm and Christopher Walken and he served as Associate Producer on their feature film THEM THAT FOLLOW, produced with Gerard Butler, which premiered in Dramatic Competition at the Sundance Film Festival. He is also in active development on many of Amasia's projects with major studios. He is actively working with newer writer/directors and has seen incredible success...as long as they are prepared for the opportunity.
In this exclusive Stage 32 Next Level Webinar Josh will teach you the ins and outs of what it takes to stand out as a writer/director in order for you to effectively get your shot at making your first feature film!
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This Webinar has a 100% Satisfaction Rating! It’s undeniable that we’re witnessing a new era of unscripted television. The staggering, cultural success of shows like CHEF'S TABLE, TIGER KING, CHEER, I’LL BE GONE IN THE DARK, and LAST CHANCE U signify in no uncertain terms that the appetite is huge for premium docuseries and will likely continue to be for at least the near future. In today’s rapidly evolving television landscape, one of the greatest challenges that producers face is how to develop series that will actually resonate in such an increasingly crowded space. Gone are the days of having an idea, putting a 3-page deck together and pitching it to 30 different networks in the hopes that several of them will make offers to further develop the series. Instead, the most effective way to produce a docu-series in today’s world is to secure many more parts of the package when bringing a new project to market. In a world of talent, access, format and projected story arc, the development of different types of shows require us to ask different questions of ourselves early on and throughout the development process. Doing this and working to stay ahead of the curve can very well situate you for success and put you on your way to produce your own premium docuseries. And, we're thrilled to bring you a Stage 32 Educator who can help you do just that. Andrew Fried is the Founder and President of Boardwalk Pictures, producers of premium non-fiction content for multiple networks and distributors, including Netflix, Showtime, Quibi, YouTube and many others. A recipient of multiple Emmy wins and nominations (including six nominations and three wins for breakout Netflix hit CHEER just this year), Fried and Boardwalk strive to elevate and expand the idea of documentary television across an ever-growing unscripted landscape. Boardwalk has been responsible for some of the most prestigious unscripted series of the last few years. CHEF'S TABLE, now in its 7th season, received 8 Emmy nominations, won 3 James Beard Awards and the IDA Award for Best Documentary Series. CHEER, also on Netflix, has proven to be one of the platform's biggest successes. Other huge commercial hits include Gwyneth Paltrow's THE GOOP LAB, 7 DAYS OUT, STREET FOOD and LAST CHANCE U (now in its 4th season), the Showtime series ACTION and YouTube’s BEST SHOT. By revealing how the industry works behind popular docuseries and walking you through the entire timeline of what putting together content like this looks like, Andrew will give you clear tools and a practical roadmap you can use to make your own docuseries a reality. Praise for Andrew's Stage 32 Webinar "Really really great info. As someone who has had success in pitching docuseries before Andrews's information was spot on and I still got new info and ideas out of it!" -Matt R. "Great presentation. One of my top 2 favorite Stage 32 webinars I have attended. -Heather L.
Learn directly from Laurie Cook, Producer and Head of Development at Bigscope Films, who's produced 4 feature films that have sold theatrically worldwide! Lured by generous tax incentives, many of Hollywood's biggest films have shot in London or are planning to head to the U.K. There is over $500,000,000 worth of public money to be spent on films each year in the U.K., and in 2012 there were over 250 films shot in the U.K. and over 600 films released there. It's a wonderful place to get films made, but the competition for finance and distribution is stronger than ever. What makes the film market different in the U.K than in Hollywood? How do you get your foot in the door as a writer, director, or producer in the U.K. film industry? Once you're in, how do you stand out from the crowd? In this Stage 32 Next Level Webinar, host Laurie Cook will guide writers, directors and producers through the independent U.K. film market from an insider's point of view: how to get funding for your script and film, how and why certain projects stand out against the rest, and how to boost your chances of success. This will be your go-to guide to navigating the U.K. film market and getting your film made in the U.K. You will leave with an agenda to make you and your project focused and well presented for maximum impact. Your host Laurie Cook is a Producer and Head of Development at Bigscope Films, where he produced the films Pressure (starring Matthew Goode & Danny Huston) and Don't Hang Up (starring Gregg Sulkin) releasing this year, as well as Hangar 10 and Outpost, which were released in 2014. He knows the ins and outs of the U.K. film market, what executives are looking for when taking on projects and how to make your mark to get your script and films made.
Private Lab - Only 12 Spots Available - 5 Spots Remain Punch Up Your Animation Pilot Script with an Animation Professional and Veteran with 25+ Years of Experience Work and Support Fellow Writers As You All Work Together To Hone Your Scripts Animated television is currently experiencing a boom like we’ve never seen before. Since it’s possible for the bulk of the work to be completed from home or while socially distanced, animation has been flourishing as more players are turning to this format. New shows like SOLAR OPPOSITES on Hulu, CLOSE ENOUGH on HBO Max, FINAL SPACE on TBS and BLOOD OF ZEUS on Netflix are hugely popular, and this is just the beginning. The opportunities to write animation may be extra plentiful right now, but you still need to have a dynamite pilot script to present if you want to be noticed, and that means more than a workable first draft. The old adage that writing is rewriting is especially true for animation and comedy scripts that need to be tight, punchy, and effective in every sense. And since television writing is almost always a collaborative process, a necessary step to making your project successful is to bring in different perspectives, different senses of humor, and some expertise to get the script fine-tuned and to the point where it’s truly special. We have just the person to help you with this. Mike Disa is an accomplished director, producer, writer, and artist who produced and directed on shows like THE SIMPSONS and the hit Netflix series PARADISE PD and has been in the animation industry for over twenty-five years. Mike found success working with studios such as Dreamworks, Disney, Warner Bros., Paramount, and many others. Over a fascinating career, Mike has worked with some of the greatest and most infamous people in Hollywood including Steven Spielberg, Eric Goldberg, Ralph Bakshi, Glenn Close, Steve Oedekerk, David Tennant, Amy Poehler, Adam Sandler, Jeffery Katzenberg and Roy Disney. A favorite and fixture among the Stage 32 community, Mike is deeply entrenched in the world of animated TV and knows better than most what it takes to get an animated show off the ground. Mike will lead an intimate and valuable writers’ workshop with a small group of students to help rewrite and fine tune each writer’s animation pilot script, line by line. Each session, Mike will focus on 1-2 scripts and work with the group to punch up and improve each. Not only will you receive extended and personalized attention from an expert in the field to improve your own work, but you will also have the opportunity to support other writers with their own projects and learn valuable lessons from the process that you can take back to your own work. Expect to leave this unique program with a much-improved pilot script, a set of tools you can take with you to better improve and rewrite other projects, and a supportive group of like-minded writers from around the world. Note: Because this is a rewrite class, you must already have at least a fully written first draft of a 30-minute animated pilot script in order to participate in this workshop "Mike Disa is the most knowledgeable, helpful and straightest shooters I've ever met. He helped improve my pilot 1,000%. If you have the opportunity to work with Mike, take it. You will not regret it." - Aimee P.
Love it or hate it, the power of social media is undeniable. Harnessing the power of social media is one of the great secret weapons many producers, filmmakers, screenwriters and other creatives and professionals use to draw attention to and market their films. Learning how to correctly use social media can not only win you an audience for your film or project, it can also get you much desired attention from managers, agents, sales agents, distributors and other people of influence who can help you get your film seen and move the needle on your creative and professional career. And the greatest thing about social media? It's free. It won't impact your budget in the slightest, yet the return on your time investment can be greater than any money you can spend. But you have to know how to navigate the landscape. Make no mistake, you need this important tool in your arsenal and we'll show you how to wield its power. There is nothing more valuable than a large enthusiastic and vocal audience of supporters. Having people champion you and your film carries with it social proof. The more people who spread the word and the more advocates they can recruit, the more marketing and promotional power you have. This is why studios spend millions of marketing dollars on social media. But you can get the same results without spending a dime. And in this day and age, social proof is valued almost as much as IP. It brings you and your project heat. It says to managers, agents, sales agents, distributors, producers, financiers and other executives and decision makers that you have something worth paying attention to. Something of value. Something they need to see. Jennifer Winberg has over 10 years of branding and entertainment experience in digital strategy, social media, and integrated marketing. Recently, she launched the Digital Marketing Team for the Day and Date Film Division - Lionsgate Premiere. She's worked on a wide range of films from limited theatrical, VOD, independent, and home entertainment releases. Jennifers has worked with mini and major studios such as: Disney, Fox, Sony, Lionsgate, and Gravitas Ventures. She has designed and run film social media campaigns that have gone viral and have drawn millions of eyeballs. Jennifer will take you through all the reasons you need social media for your film, from SEO purposes, to driving an audience, to giving you the opportunity to tell your story and the story of your film to a mass audience. She will teach you which social media platforms are the right fit for your film and will give you the best return on your time investment. She will teach you about messaging and how to stay on point. She will discuss different types of media and how to utilize each to maximize your exposure and return engagement on each platform. If you are thinking about hiring someone to handle your social media, Jennifer will show you what to look for in a hire. She will take you through various campaigns and tactics, bartering, cross promoting and enlisting your cast and crew to get involved. She will take away your anxiety of the time commitment you may believe social media involves by showing you various social timing and simple graphic design programs. And to make it all easier, Jennifer will present some case studies designed to spark ideas and remove your fears. "Ok, I took this because I HATE social media. Now I see that I allowed that concept to fester and grow irrationally. Jennifer presented this information in a way that made an optimist out of this skeptic. I'm not even going to dip my toe in, I'm diving in head first." - Maria N "Masterful." - Anthony C. "As comprehensive as it gets." - Martina J. "Social is littered with abandoned film accounts. I have always had success promoting my films on social media because I make sure to post great content and to be engaging. But, wow, there is SO much I was missing out on. So many things I did not know, overlooked, or simply didn't consider. Jennifer had me scribbling pages of notes. My mind is spinning. Can't wait to put all this information into practice." - Laura D.
Latin America has become a growing hot spot for film and television productions, and notable projects continue to arise from the area, including Academy Award-winning ROMA, Cannes Film Festival Palm d’Or nominee AQUARIUS (produced by a Stage 32 member!) and successful Netflix drama series NARCOS. With desirable film and television infrastructures, talented cast and crew on hand, and generous local incentives for productions, Latin American countries will no doubt continue serving as a booming market for foreign productions into the future. As a producer or filmmaker, understanding and working within this region can serve as a boon for you and your projects. Latin America might be a production hot spot, but it’s also a hard place to nail down. That’s because we’re talking about multiple countries with their own governments, incentives, cultures, treaties, and opportunities. And of course, all of these continue to change as countries shift and evolve. So what does this region look like right now from the point of view of a filmmaker? And how can you harness the opportunities these countries have to offer? Where do you even get started? David Zannoni is an expert in the Latin America industry. For over a decade he has represented Fintage House (the world’s largest collection account management agency) in the region, negotiating agreements for films and television series. David is involved in business development and relationship management specifically in the US, Latin America and Spain. David also runs Zannoni Media Advisors, where he focuses on international service providers in the film and TV industries, as well as film and TV productions in Latin America, among other places. David’s experience in global business as it relates to Latin America is unparalleled. David will dissect the booming and ever-changing Latin American film market to give you the bird’s eye view of what’s going on over there and how you can get involved. He will begin by discussing the region’s history with film and television productions, as well as the notable titles that have come from there recently. He will then delve into the main production hubs in Latin America on an individual basis—Brazil, Colombia, Mexico, Chile, Dominican Republic, Uruguay, and Puerto Rico. He will then teach you the main types of incentives offered in the region, including tax rebates, tax exemptions, and discounts, and how those differ country-to-country. Next, David will go over how co-productions work in Latin America and the benefits that come along with them. He will outline the different co-production treaties in place and how you can use these to your advantage. He will discuss how Latin American films are financed, how they’re distributed, and how standard revenue models work there. He will then give you the tools to successfully approach businesses in this region and warn you of the common pitfalls you may come up against. He’ll then lay out the services offered in these regions that you can use, as well as the Latin American markets and festivals worth investing your time in. This is the ultimate guide to everything you need to know to produce in Latin America. Praise for David's Webinar: "I learned so much! Thank you" -Janet M. "I was not expecting David to give us so much specific information about producing in Latin America. This was incredibly helpful" -Mario T. "One of the most thorough and informative webinars I've ever been on. Thanks David and Stage 32!" -Holly B. "David knows so much about this! It was great to learn from an actual expert" -Benjamin R.
4-PART CLASS (OVER 8 HOURS OF EDUCATION!) NOW AVAILABLE ON-DEMAND! 4 part class taught by Ross Putman, award-winning producer! Ross's accomplishments include: First Girl I Loved (premiered at the 2016 Sundance Film Festival), The Young Kieslowski (winner of the LA Film Festival), Bad Samaratians (co-produced for Netflix/FOX), and he was the former creative executive at Ineffable Pictures! From Casablanca to Breaking Bad, the reason you remember these stories is because of the compelling protagonist at their core. Their journey is why we tune in, and the way they change is the reason we root for them to succeed (or in some cases, fail). But character can be a tricky piece of the puzzle for screenwriters, especially in Hollywood’s concept-driven environment. Ultimately, great cinema is based on great characters, and this 4 part class is intended to help you find your character, make them real, and build a story around their journey—all the while staying within the realm of commercial modern cinema. Stage 32 is excited to bring you the previously-recorded 4 part class: It's All About Your “Hero's Journey” - How to Write Memorable Characters taught by Ross Putman, award-winning producer. To find out more, click the "What You'll Learn" tab above! This 4-part class offers insight into case studies to help you as a writer form a comparison to inform your own writing. In addition, you will walk away with tools and techniques to apply to your own writing! On-demand classes are discounted and purchasing gives you access to the previously-recorded live class which has over 8 hours of education! Although Ross is no longer reviewing the assignments, we still encourage all listeners to participate to help continue to hone their own writing skills!