JT Mollner is a feature film director with his latest film "Outlaws & Angels" becoming an official 2016 Sundance selection and released theatrically by MGM/Orion. Mollner's Writer/ Director credits include "The Red Room" (2008), "Henry John and the Little Bug" (2009), and "Sugartown" (2011); all 3 award winning shorts that played the festival circuit and have now been acquired by Shorts International for worldwide distribution -- a rarity in the world of short form cinema. JT has directed numerous commercials and music videos, most noteworthy being a spot for Lincoln MKS that aired during the Grammy Awards in 2011. In 2015, Mollner made an impact by presenting screen legend Dee Wallace (America's Mom) in the against-type role of a drug addicted, chain smoking bad girl in his 16mm short film "Flowers in December" - inspired by the gritty, "blue collar dramas" of the 1970's. His debut feature film, "Outlaws and Angels", Produced by Rosanne Korenberg (Half Nelson, Hard Candy) and Chris Ivan Cevic shoot in late 2015 and was based on his own original screenplay. It's has been described as a brutal, ultra-realistic home invasion drama set in the old west: Peckinpah's "Straw Dogs" meets "Lolita".JT is a proponent of celluloid image capture and has partnered with Kodak Motion Picture Film and Panavision on multiple projects.After winning multiple awards at Hollyshorts Film Festival, JT became a Jury member in 2012 and has remained ever since.Mollner's production company, "No Remake Pictures", is committed to injecting original, unique, and sometimes controversial stories into a market saturated with remakes and safe, formula fare. The company (an advocate of real film stock, and not digital) is a proponent of practical effects over CGI and VFX. Full Bio »
So, you want to make a short film - how do you finance it? We're bringing in Sundance director JT Mollner who launched his career making short films - all while learning how to finance them from outside sources. In this exclusive Stage 32 Next Level Webinar, JT will teach you everything you need to know to finance your short film to make your creative dream a reality!
Included - you'll receive a Pitch Deck from JT's film OUTLAWS AND ANGELS which started as a short film proof of concept, and went on to be made as a feature, being selected as an Official Selection at Sundance and selling to Orion films!
Determining Your Budget
We'll go over the various budget ranges and what to expect if you are working within that range.
How To Put a Pitch Deck Together
We'll share an actual pitch deck example and explain the process on how to put it together - what needs to go into a pitch deck? What should be kept out?
Private Investors vs. Crowdfunding
We'll share 3 detailed examples of investors you can approach that are within you reach. You'll learn how to identify them, what motivates them to want to invest and how to tailor your pitch to make them want to work with you.
We'll go over Indiegogo vs. Kickstarter and give you the pros and cons of each that I've learned. We'll go over how to make your crowdfunding campaign work from pre-campaign, launch, during the campaign and after it's complete. I'll discuss incentives that will work for your investors and your film.
Distribution and recoupment
We’ll go over self distribution vs. traditional distribution and what your investors can expect, as well as responsibilities on the investor model vs. a crowdfund model.
Q&A with JT
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
"My film was shot under $1MM, premiered at Sundance, sold to a major distributor and had a theatrical release. I will impart the wisdom I acquired along the way." - Writer/Director JT Mollner Testimonials "I loved it!" - Romina Schwedler "It was great to hear many sides of a situation and how to make the most difficult scenarios work. Thanks!" - Sindy Jeffrey "This webinar was a GREAT way to prep me for what's ahead. I have no delusions about the tough road on which I embark, but knowing some of the pitfalls will certainly help avoid them. Thank you for taking the time to share what you've learned." -Arial Burnz
While every writer dreams of finding a producer or network to finance his/her episodic series, most of us are not that lucky. However, that does not have to be the end of Your creative journey nor means a story doesn’t have an audience. This webinar will help empower storytellers and give them the knowledge and tools to circumvent the gatekeepers and create a successful short form series that can even make money. Award winning Indie writer/producer Caytha Jentis, the creator of the hit comedy series The Other F Word that stars Judy Gold and Steve Guttenberg and streams on Amazon, will share the secrets of her success on how she took an episodic concept and turned it into a top short form series that has reached over 1M viewers and has generated revenue and work for her. See more of Caytha's journey by clicking here.
This intensive 3-session master class will go over the nuts and bolts of documentary film production. Taught by producer/director Lisa Vangellow (currently working on a documentary film centered on actor James Franco) will share step by step instruction on how to produce a commercially viable documentary film from idea to post-production. Even if you have little to no experience or if you have narrative film experience and are looking to try documentaries, Lisa will guide you towards the goal of completing a documentary film. Lisa will offer her experience from the trenches to help filmmakers over the course of her 3-week class. First, she’ll focus on the selection of subject matter and how to gauge its commercial viability. Lisa will take you through pre-production for a documentary film hitting on areas such as how to create a budget, hire your crew, get financing and explaining why you may want a lawyer to handle the nitty gritty. From there you’ll get an overview of different documentary styles and insight on how to create your story through the use of specific examples. Finally, Lisa will explain how to survive the post-production of your film to bring the entire project together and discuss your options for distribution. Filmmakers will leave with an overall understanding of the documentary filmmaking process, an idea of what makes a good documentary, and how to execute these lessons in the real world. Lisa even shows you equipment you should consider and provides you with templates, Notice of Filming documents and a Film Funds resource sheet!
Part 1 - Writing, Budgeting & Pre-Production How to write an effective short script The brainstorming process Utilizing real life experiences, what are memorable moments in your life that stick out to you? Moments in a friend’s life? Creating characters: What topics do you uniquely understand? What jobs have you held? What did your parents do for a living? Where did you grow up? Writing in proper format What is the difference between writing “is working” and “works” in a screenplay and why does verbiage matter when writing action? Should I put my WGA and copyright notices on the title page? The business of making a short film What do I need to do to protect myself? Creating an LLC and lawyering up for the right reasons. How much is this really going to cost? Evaluating SAG Short Film Agreements, cost of renting equipment, everything from lighting to locations, and looking forward to release and distributions, what are the costs beyond the actual production of a film? Logistically, how will I be able to execute all the elements? How do I handle room and board for out of town talent? Is there a local film commission I can work with, and if so, what exactly is their role in helping me execute my vision? Part 2 - Directing, Marketing & Distributing Your Film Preparing to direct and the production process What do I need to do before I get to set? What is the purpose of having location walkthroughs? When and how to I make the shot list and how many shots do I really need? How do I make my vision clear to crewmembers while still being collaborative in the process? How do I work with an actor for the first time? How much say should they have in the script and changing the character? Should I allow an actor to change my lines? How do I follow their emotional journey over the course of shooting a film that is totally out of order so it makes sense in the final product? When problems arise on set, how do I respond? What are best practices to maintaining authority without creating conflict? How do I ensure that everyone is getting the proper attention they need so I can avoid problems? What happens if I find out we didn’t shoot something we needed? How do I work with footage or sound that didn’t come out the way I expected? How long should my final product be so I can be successful at film festivals? Marketing your film What can I do to promote my film before we ever start filming? When is the appropriate time to start promoting? What kind of promotion looks and feels professional versus amateur? Is there such a thing as oversharing information on social networks? During production, how can I use my cast and crew to promote the project? What parameters should I set to not give away plot points? What is the role of a still photographer on set and how can I leverage the still photographer for publicity? How do I reach out to press outlets to promote my film? How do I find out what press outlets are the right ones for my film, and how do I even get a journalist interested in covering it? What makes an effective versus ineffective pitch letter? Releasing your film What makes an effective trailer? How can I best prepare and present the trailer and still photos for promotional purposes? Should I create a Facebook page for my film and a website and a Twitter and an Instagram, etc.? How do I get into Sundance? If I don’t get into Sundance, is my career finished? There are entirely too many film festivals, how do I begin to figure out which ones are good and which ones are bad? What are effective ways of meeting, then following up, with producers and gatekeepers that I meet at these events? What kind of communication does an executive find annoying? Should I sell my film or give it away for free? If I give it away for free, how will I be able to pay myself back? How do I quantify if my film was a success? How do I use the short film to get myself ready for my next project? What if the film didn’t come out the way I wanted, am I completely done as a filmmaker? How do I use the lessons I learned to make my next project better? Now that I’ve made my first short film and loved it, how do I make this my full time job and become a professional filmmaker?
Stage 32 is honored to bring in Brad Hibbs Wyman, producer of the highly acclaimed film, Monster starring Charlize Theron in her Oscar-winning role, to teach for Next Level Education on the Basic Principles of Financing a Film Between $1MM-$3MM. Having produced over 40 films at all budget ranges (including Freeway starring Oscar-winner Reese Witherspoon and actor Steve Buscemi's directorial debut, Trees Lounge), Brad has learned all aspects of financing and the elements that are needed for a successful raise. Brad will teach the basic principles of motion picture financing for under 3 million dollar features which include: Rule #1 - “GET THE MONEY" Rule #2 - Always remember to “GET THE MONEY” Rule #3 - Never forget to always remember to “GET THE MONEY" Needless to say, the way you will learn will be fun and educational. We are excited to have the Stage 32 community learn from Brad who is such a prolific producer. A portion of Brad’s proceeds will be donated to an arts charity. "Brad was great. I loved his style and how frank he was. Really appreciate his demeanor." - Robert G. "It was one of the most amazing experiences. The most entertaining and true presenter I have ever come across." - Ranadeep B. "Awesome experience - great learning opportunity and very well organized. I look forward to more." - Brien Gorham
In this 5-session online master class, learn from leading producer Jason Mirch, and his special industry guests on how to take an idea for a short film from concept all the way to post-production. Every successful filmmaker has, at some point in their career, written, directed, and/or produced a short film. For filmmakers who are just starting out, a short film is the best calling card to showcase their unique talent and vision. It is important to remember that short filmmaking is different from feature filmmaking, with challenges unique to the process. Even so, producing a short film may seem daunting, but there are several key secrets to getting the most out of your project. This intensive 5-week course will give students the tools and techniques necessary to produce a world class short film. Each week will be dedicated to a different aspect of the short filmmaking process, including, concept development and writing of your short, budgeting and scheduling, understanding and drafting production agreements, pro-tips on directing actors, and how to get the most out of the post production process. You are strongly encouraged to come with ideas for a short film, which will be developed over the course of the 5 weeks, so by the conclusion of the class, you should have a screenplay ready for production! Every week your host, Jason Mirch, will be bringing in special guests to help teach you, including: Christina Snider - Casting Associate, Susan Edelman Casting (Melrose Place, Malcolm in the Middle, Drop Dead Diva, Wonder Years) Michael Carney - Director (Same Kind of Different As Me) Brian Swanson - editor and sound designer Abeer Abu Schmeiss - Marketing Director, Image Nation (He Named Me Malala, Flight,The Help, The Best Exotic Marigold Hotel)