Kirill Baru is a sitcom writer and executive producer who’s staffed on and sold a variety of live-action and animated comedy shows. He’s written in the adult space, where he’s produced series like Freeform’s BABY DADDY and the critically acclaimed animated show DAN VS. on the HUB. He’s also written and produced several series in the kids space, from Disney’s SYDNEY TO THE MAX to Cartoon Network’s MAD: THE ANIMATED SERIES. When Kirill isn’t staffing on shows, he’s developing projects with networks such as Disney and Netflix. He attributes his career to writing comedy that finds a way to have a lot of edge without ever losing any of its heart. Full Bio »
If you've watched Netflix regularly, you are familiar with their top 10 list - and if you watched Netflix in the past few months, you've more than likely noticed that kids TV content like COCOMELON, CARMEN SANDIEGO and HENRY DANGER consistently dominate the platform. The truth is there's never been a better time to get involved in kids' TV, especially since networks and streamers are actively looking for new content. Yet in order to write successfully in this space or find success with your own show, you have to know who you are writing for in order to do it well. When writing for kids, you need to be just as knowledgeable and intentional on your approach as you would with any other audience. Just like adults, there are certain aspects to master on how to craft a good and engaging story that younger audiences will latch on to.
When writing for kids, you may feel limited in the elements you can include in the story. However, it’s important to remember that when you are writing for kids, you are really writing for a family experience. Kids often watch television with their parents, therefore, it is important to get an understanding of how to write engaging stories that will appeal to all viewers. In order to do this, you need to know what kids are looking for, and how your story aligns with the market’s demand. You not only need to have a compelling story that connects but the tools to pitch and sell your story to producers to get them interested in bringing your project to life. We have the tools and strategies to help you venture across this bridge.
Kirill Baru is a sitcom writer and executive producer who’s staffed on and sold a variety of live-action and animated comedy shows and has written in the adult space, where he’s produced series like Freeform’s BABY DADDY and the critically acclaimed animated show DAN VS. on the HUB. He’s also written and produced several series in the kids space, from Disney’s SYDNEY TO THE MAX to Cartoon Network’s MAD: THE ANIMATED SERIES. When Kirill isn’t staffing on shows, he’s developing projects with networks such as Disney and Netflix. He attributes his career to writing comedy that finds a way to have a lot of edge without ever losing any of its heart.
Kirill will provide you with a wealth of knowledge and resources on how to successfully craft your TV series for Kids. Kirill will give you an overview of Kids Comedy series and where your series fits in today’s market and discuss some unforeseen obstacles you may face. He will also give you tips on writing for Kids TV such as what kids are drawn to, how not to talk down to them, the difference between Nickelodeon and Disney, how to use POV to your advantage and much more. In addition, Kirill will also teach important aspects of pitching and selling your Kids TV - what makes it different from pitching adult TV, how to create something that kids have never seen before but that is familiar, and the power of co-viewing. Once you have completed this webinar, you will feel much more confident about writing and packaging your Kids TV series and making it market ready.
Kirill will walk you through the pitch document he created for his show EAGLETON ESTATES that he successfully sold to Netflix Kids and provide you with homework of what your next steps should be to sell your own project.
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
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A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
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Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the recording, which you can view as many times as you'd like for a whole year!
**Learn the art of TV joke writing from long time TV comedy writer Kirill Baru and participate in an actual episode punch up room, working to improve scenes from a notable TV comedy.** Spots Limited- Sign Up Now A successful TV comedy needs to have a great premise, great characters, and a compelling story engine that will keep viewers tuning in episode to episode. But it also needs JOKES. Otherwise, it’s not much of a comedy, is it? It can sometimes get lost in the shuffle, but joke construction is a critical and challenging aspect of TV comedy writing that truly separates great sitcoms from the mediocre. Jokes don’t just come out of nowhere, and their success is completely reliant on the medium. Things that are funny in conversation or in front of an audience might not be funny on a television show. This is why being “naturally funny” just isn’t enough to make a funny series with great jokes. It takes an understanding of the medium and insight into the types of jokes that work on television. It also usually takes a team of people in a punch up room setting, utilizing multiple perspectives and senses of humor to arrive at the best joke for each situation. Understanding how to find the best jokes in an episode script and learning how to operate successfully in a punch up room setting will help make your own comedy pilot funnier and can give you the tools to be a more desirable member of any TV comedy writers room. Kirill Baru is a sitcom writer and executive producer who has staffed on and sold a variety of live-action and animated comedy shows like Freeform’s BABY DADDY and the critically acclaimed animated show DAN VS. on the HUB. He’s also written and produced several comedies in the kids space, from Disney’s SYDNEY TO THE MAX to Cartoon Network’s MAD: THE ANIMATED SERIES. When Kirill isn’t staffing on shows, he’s developing projects with networks such as Disney and Netflix. He attributes his career to writing comedy that finds a way to have a lot of edge without ever losing any of its heart. Kirill is very familiar with punching up TV scripts, finding ways to make them funnier and finding success in a TV punch up room. In this special extended workshop, Kirill will teach you how to craft effective jokes for any TV comedy. He’ll break down where good jokes come from and the elements needed to make a joke work. Kirill will also lay out the main types of TV jokes you can draw from and walk you through important comedy terminology that’s used in every writers’ room and punch up room. He’ll also go through how to make jokes work with an eye towards scene construction and explain what makes a great punch up room for any TV comedy. Kirill will then lead a TV comedy punch up room, similar to how real TV comedies run them. Everyone who signs up will be able to participate in this room and work with the group to add jokes, fill in pitches, and create alt docs for two scenes of an episode of an actual notable TV comedy. Kirill will provide feedback and analysis or all of the joke pitches. If you’re interested in breaking into TV comedy, it’s so important that you know how to craft great jokes in this specific medium. This workshop is the perfect way to help you get there.
Networking is the key to success in any industry, but in the entertainment business, it is a NECESSITY if you want to break in. And now in this increasingly online and virtual world, a large part of networking takes place in virtual settings, namely on apps and online platforms. This landscape is constantly changing, and while it can be hard to keep up with, it can also be incredibly lucrative. It is not uncommon now for writers to be discovered because of a viral post on Twitter, for friendships to be formed on Clubhouse, or for a script to be optioned right here on Stage 32. All of this just while sitting at home on your computer or phone. It’s clear that these tools are too powerful of a tool to ignore, but it’s important you know how to use these tools correctly. The world of virtual networking can seem overwhelming and foreign, especially when you’re more accustomed to traditional networking and in-person events. Yet success on these platforms is not just reserved for Gen-Z and “influencers”; creatives of all ages and background are finding success and getting discovered through these tools. Yet the key is knowing how to use these apps the right way. Just like for in-person events and old-school networking, you can use these opportunities to build your connections, or you can leave others with a bad impression. It often just comes down to understanding the rules and expectations on each platform, and understanding how to contribute and make yourself part of the community. So what are the apps where the real opportunities are forged? How can you stand out (in a good way)? With the right strategies and approach, you’ll be able to build your network and meet people who can be your cheerleaders along the way. Kristen Lucas and Tara Gore are powerhouse networkers in the entertainment industry. Kristen Lucas is a talent manager at Bohemia Group, specializing in actors and filmmakers in film and television. Her clients have appeared in films such as Netflix's I CARE A LOT and THE HONEST THIEF alongside Liam Neeson, and on television such as Netflix's THE GOOD COP and THE HAUNTING OF HILL HOUSE, Hulu's CASTLE ROCK, AMC's BETTER CALL SAUL and many others. Tara Gore has produced over 300 live shows and original content for MLB including Avicii, Billy Joel, Demi Lovato, Zac Brown Band, One Republic, Elton John, John Legend, Jason Aldean, Ziggy Marley and many more. Kristen and Tara attribute their success to hustling to find opportunity where others find dead ends. Their long history of creative networking has built them a vast network of contacts across all areas of entertainment and business and allowed them to ensure the success of their clients and projects. Working together, Kristen and Tara will outline the six main apps and platforms they use to network and find connections and clients: Clubhouse, Instagram, Twitter, Stage 32, IMDB, and LinkedIn. For each they will lay out how the app works, how you can best operate within it, and the mistakes to avoid. Along the way they'll dive into success stories each platform has provided and why they worked, as well as horror stories and how you can avoid similar fates. Online networking doesn’t need to be scary and it's something you can master no matter what your background is. Expect to leave this with a bunch of ideas, real world examples, and inspiration to master these apps, continue meeting new people online, and finding your place in this industry.
As filmmakers, having your film stand out amidst the throng of weekly releases is no easy task. Oftentimes, you find yourself competing against studio releases and the multitude of small-to-mid-level distributors dropping a plethora of titles. This creates an influx of news that can make it feel impossible for an indie film to be noticed. Since a film’s success hinges so vitally upon a good marketing campaign, there has to be a plan from day one. In order to stand out, there are three things that you need to think about from the very beginning of your project: the assets you can create, the timeline of how you unroll those assets, and how to keep the publicity train chugging along up to and well after your film’s release. Writers and editors of genre and horror websites receive anywhere between 100-400 emails a day. A lot of messages that hit their inbox are automatically deleted because they look like every other press release that they simply don’t care about, don’t have the time for, or they know that their audiences aren’t going to be interested in. Yet with proper planning, you can figure out how to offer websites content on your film that they will be eager to write about, as well as create a lasting relationship for future projects from then on forward. Jonathan Barkan served as the Editor-in-Chief of Dread Central, one of the internet’s leading horror websites, where he spotlighted and championed countless independent horror films. He also served as acquisitions ambassador for DREAD Presents, a genre-centric distribution label under the banner of Epic Pictures Group. Before Dread Central, Jonathan served as the Managing Editor of Bloody Disgusting, another leading horror website. More recently, Jonathan joined forces with Epic Pictures’ Shaked Berenson to form the Horror Collective, where he serves as Vice President of Acquisitions and Distribution and finds and acquires genre titles for North American distribution as well as foreign sales. An internet personality, he has appeared on multiple podcasts and news segments to discuss the social and cultural significance of horror and his writing has been featured on sites such as Rotten Tomatoes, WatchMojo, Atom Tickets, Phantastiqa, ComingSoon.Net, and Shudder’s weekly newsletter The Bite. Through his extensive background, Jonathan has become a bona fide expert on the horror film industry and how independent genre filmmakers find success. Jonathan will teach you how to operate the horror and genre website landscape in order to get your genre film featured and form relationships critical to the marketing and ultimate success of your project. First, Jonathan will walk you through the assets you need to have leading up to your marketing campaign. He’ll show you what content you can create cheaply and efficiently during all stages of production, how to make it look good, how to think outside the box, and what the dreaded “curse of knowledge” is. Next Jonathan will explain how to unroll these assets, including working with your distributor (or yourself) to create a marketing plan, what to unveil and when, who to offer exclusives to, and how to get your cast and crew involved. He will give you tips of what to consider when submitting to film festivals, what to use to promote your premieres when you get accepted and what to hold onto, and how to use festivals as further promotion of your film. Then Jonathan will delve into how to get onto major outlets. He will teach you how to find contact information for writers, how to write emails for the greatest chance of success, and how to maintain a relationship that you can always rely upon. Finally, he will walk you through what to do after your movie has been released. He’ll teach you how to keep interest high moving forward and how you can keep on unveiling content. Standing out and getting your film noticed is always hard, especially in the world of horror, but Jonathan will give you practical and actionable tools to find success and your project the attention it needs. Praise for Jonathan's Stage 32 Webinar "Really valuable and interesting content and told very clearly, concisely and just very open and down to earth, really enjoyed this webinar 5 stars!" -Jaye A. "Excellent and thorough presentation." -Christopher B. "Great host, very insightful webinar." -Matt D. "The webinar and host were both great - lots of useful info" -Matthew L.
If you’re a writer, producer or other aspiring creative with hopes of one day actually getting behind the camera and directing your own project, taking the first step can be daunting. Where do you even start? And how can you be sure you know what you need to in order to take that plunge? Now you can under the guidance of Oscar-nominated director/producer Rick Rosenthal. Over the course of 9 weeks, Rick will guide you through actually prepping, shooting and editing your first project as a director in a supportive and encouraging environment - best of all? You can do all of this in the comfort of your own home. Even better? You don’t need any special equipment to participate. All you need is a cell phone that records video, a computer, and editing software that you will download for free. You will leave this lab with real world, valuable practice in putting a project together, and the knowledge and skills to direct the next project on your own. Rick Rosenthal is an Oscar and Emmy nominated director/producer and the CEO of Whitewater Films, which is known for many feature film hits that have premiered at Sundance, Cannes, SXSW, and more. Through his film directing background, Rick has directed the likes of Joaquin Phoenix, Sean Penn, John Lithgow, and Jamie Lee Curtis. Along with his credits directing films, Rick has also worked as a producer on Amazon’s Emmy-winning series TRANSPARENT for the first three seasons, along with directing and producing credits on countless other shows. When Rick launched Whitewater Films as a production company, he committed to helping up-and-coming filmmakers and offering them the advice and assistance he never had. Furthering his drive to give back and educate burgeoning filmmakers, Rick also served as the chair of the Directing Program at the American Film Institute. Through his decades-long career Rick has become well versed in diverse genres of filmmaking and has specialized in educating and empowering new voices, which he is bringing directly to the Stage 32 community. Through this lab, you will have the opportunity to prep, shoot, and edit two scenes from a script that Rick will provide you. You will learn camera placement, camera movement, blocking a scene, all from different points of view--single character, multiple character, and omniscient. Rick will bring in a special guest editor to teach you the basics of editing a scene through the free software DaVinci Resolve, which is quickly becoming an industry standard. Through Rick's mentorship, you will walk away confident to take these skills and apply them to your own directing project, whether that's a short film, feature film, or web series. PLEASE NOTE: This exclusive Stage 32 lab is limited to 10 students and will be booked on a first come, first served basis. The opportunity to work this closely and for this long with a practiced director and expert in the field is an incredibly unique and valuable opportunity. If you are interested, please book quickly. Once the spots are gone, they’re gone for good. Payment plans are available - please contact Harrison at email@example.com for more information WHAT TO EXPECT This lab is designed for writers, producers, or other aspiring creatives interested in becoming a director and looking for actionable skills, practice, and guidance to make this transition. This is an in-depth, practical, and detailed lab with one-on-one time with the instructor and significantly more content than a standard 90-minute webinar. ***Only 10 Spots Available*** This class will consist of six weekly sessions. There will be an additional week where you will sign up for an extensive one-on-one mentoring session with Rick. In addition to the lessons where Rick teaches the class, you will have the opportunity to ask him questions during each session as well as multiple chances to speak with him directly about your specific project. Plus, to stay motivated and inspired, you will have access to a private, dedicated Stage 32 Lounge where you can communicate with your fellow classmates throughout the TV project development process. To see the full directing lab schedule, see below under "What You Will Learn".
Part 1 - Budgets & Cash Flows Maura teaches you how to create a realistic plan for your film and make sure there is always money in the bank for what you need. You'll learn how to figure how much money you really need, and how to put together a proper film budget. Part 2 - Cost Reports, Film Infrastructure, & Tax Incentives Maura discusses setting up a film's infrastructure (from setting up an LLC to finding a lawyer) and various accounting options. She details cost reports, and how to analyze what you've spent and what you need to spend. Lastly, she discusses tax incentives before hosting a Q&A session. Purchasing gives you access to the previously-recorded live class. Although Maura is no longer reviewing the assignments, we still encourage all filmmakers to participate.
Learn directly from Mike Stivala, 3 Time Emmy Award-winning Reality Show Producer, Director, and Editor (Friday Night Tykes, My Crazy Obsession, Best Week Ever, Ghost Stories)! In this Stage 32 Next Level Webinar, host Mike Stivala will reveal the strategies, techniques and workflows that reality/docu TV producers use every day that low/no budget / DIY filmmakers should be using to take their projects to higher levels of success. Filmmakers: stop complaining about reality TV and start learning from it! You will leave the webinar knowing: How to stretch your budget while making your film look and feel more professional. How to get a better cast on a small budget. How to generate buzz around your project. How to make the most of a small crew. How to make scenes look 'spontaneous'. How to use the reality TV shooting style to save you money. How to adopt a 'post-centric' workflow. Your host Mike Stivala is a three-time Emmy winning producer, director and editor. For the last ten years, much of Mike’s professional experience has been in reality/ docu television. Mike has produced, directed and edited reality projects for Esquire Network, Lifetime, Travel Channel, nuvoTV, VH1, HBO, History Channel, ABC, ESPN and many others. In addition, Mike is an award winning filmmaker, and his feature film, Rat Bastard, a film shot on 35mm for a budget of under $20,000, won several film festival awards and was picked up for distribution. Mike knows how reality TV producers create drama, comedy and narratives that are entertaining, at times compelling, while working with small budgets and tight time constraints, and is here exclusively for Stage 32 to pass on that knowledge to you