Tatiana Kelly's first film Wristcutters: A Love Story starred Patrick Fugit, Shannyn Sossamon, Will Arnett, John Hawkes, Shea Whigham, and Tom Waits. It premiered at Sundance in 2006, was released by Lionsgate, earned two Independent Spirit Award nominations, was screened in over thirty film festivals, and was an eight-time Best Feature festival winner. Subsequent productions were Happiness Runs starring Rutger Hauer, Andie MacDowell, Shiloh Fernandez, and Jesse Plemons, Smother starring Steven Bauer and Taryn Manning, and Dark Yellow, starring Melora Walters and John Hawkes. Recent theatrical releases include The Words, which was the Closing Night film in 2012 at Sundance starring Bradley Cooper, Jeremy Irons, Dennis Quaid, Zoe Saldana, and Olivia Wilde, and The Procession, written and directed by Academy Award-nominated writer Robert Festinger (In The Bedroom), starring Lily Tomlin, Jesse Tyler Ferguson, and Lucy Punch. Upcoming films include "Sunset Stories," which premiered at SXSW which starred Monique Curnen, Sung Kang, Joshua Leonard, Zosia Mamet with cameos by Jim Parsons and Kevin Bacon, "Amos' Wake" starring Shiloh Fernandez and Keisha Castle-Hughes, and "Perfection," based on the short film "Slice," which premiered at the Cannes Film Festival. The film was a participant in IFP's Independent Filmmaker Lab, and winner of the Adrienne Shelly Female Directing Grant. Upcoming theatrical releases include "Life of a King" which premiered at the LA Film Festival starring Cuba Gooding Jr. Kelly is also on pre-production on "Cut Throat City" which she is producing with Reggie Hudlin ("Django Unchained") and which is being directed by RZA from the Wu Tang Clan, "Catcher Was a Spy" based on the New York Times bestseller of the same name, directed by Ben Lewin ("The Sessions") and written by Academy Award-nominated writer Robert Rodat ("Saving Private Ryan", "The Patriot", "Thor 2"), and "House of Curl" based on the bestselling book by the same name starring Guy Pearce and Laura Linney. She is also in development on projects with Academy Award-nominated writer Tab Murphy ("Gorillas in the Mist"), Ernesto Foronda ("Better Luck Tomorrow"), and companies including Lynda Obst Productions, CBS Studios, and Tribeca Productions. Full Bio »
The barrier of entry for the micro-budget / DIY / indie filmmaker has never been lower, making the landscape of independent film more exciting than ever. With box office and VOD sales at an all time high and more distribution opportunities than ever, independent films are enjoying a resurgence. Throw into the mix that many studios and larger production companies are committed to producing numerous micro-budget films each year (see Paramount Insurge) and independent producers such as Jason Blum (Blumhouse) have made a living in the space, and the demand for films with micro-budgets has never been higher. Additionally, many creatives are taking matters into their own hands by making micro-budget films as a calling card for their talents.
Some examples of micro-budget films include Napoleon Dynamite, Halloween, Clerks, The Blair Witch Project, Mad Max, Eraserhead, Open Water, Catfish, Saw, Once, Pi.
Story and style win the day as a result of the passion and dedication put into micro-budget films. If you are a screenwriter, producer, filmmaker or any other creative that values control of your story and film and has decided to write, develop, shoot or distribute a film in the micro-budget space, this is the webinar for you.
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Learn directly from Host Tatiana Kelly, who has produced almost two dozen independent films including The Words (Bradley Cooper and Zoe Saldana), The Catcher was a Spy with Paul Rudd, Life of a King with Cuba Gooding Jr. and more! One of the most critical stages in filmmaking, once you have a script, is budgeting your film. The budget can cover everything from the inception of the project, such as writing fees and other development costs, all the way to the finished film and even film festival marketing. Whether the film is under $10,000 or over $10,000,000 the film budget must present a spending plan for every dollar to be expended on the production. You will need to have a budget that is detailed and accurate because it will serve as the road map and your bible for the project. It is also one of the key documents of your presentation that should be in place when seeking out investments. It is really the scope of the budget that will directly affect the amount of money needed to be raised. Creating a budget is not an easy task given that it can consist of hundreds of line items that have to be balanced across many different competing priorities. Both over and under estimating the budget can be disastrous in that you can either end up not having enough money to finish the film or you can have enough but it will be impossible for investors to recoup their financial investment. To help you on your way to understanding budget, we've brought in producer Tatiana Kelly. Tatiana has produced almost two dozen independent films including The Words (Bradley Cooper and Zoe Saldana), The Catcher was a Spy with Paul Rudd, Life of a King with Cuba Gooding Jr., Cut Throat City, produced with Reggie Hudlin (Django Unchained), directed by RZA from Wu Tang Clan, Indie darling Wristcutters: A Love Story, and many more. In this Stage 32 Next Level Webinar, Tatiana will present a straightforward method of developing a working budget. She will discuss what some of the key questions are as well as the decisions that need to be made prior to embarking on a budget. There are certain primary elements of the film and the screenplay that may be necessary such as stunts or locations or cast in order to secure financing for example, and which will help start to build out the budget. She will also cover budgeting basics and review what all of the line items represent.
One of the unsung heroes of any production is the line producer. Whether you’re putting together your own crew or are looking to work your way up the production ranks, it’s crucial to understand the role of this senior position. When you envision how your shoot will operate, do you see an easy flow or chaos? You don’t want chaos, but setbacks are inevitable. So, if the director is directing, and each crew member is busy providing their specific skill, who jumps in to handle the various issues that arise and impact multiple departments? The Line Producer. The line producer handles logistical issues on both the creative and business sides of filmmaking, making them crucial when the director and other producers are zeroed in on the shoot day. This is the job for someone who thrives under pressure, can think and plan ahead for the schedule, and be present in what’s needed on set today. They’re responsible for or involved with: Hiring the crew Keeping everyone safe on set Generating the budget and ensuring the film comes in on budget Supervising daily operations And countless other micro and macro logistics When the line producer isn’t on their game, the entire production can feel it since many of their tasks involve multiple departments and the budget. In this Stage 32 exclusive webinar, you’ll learn what it takes to make it as a line producer or look for when hiring one. Showing you the ropes is Tatiana Kelly, a producer whose first film premiered at Sundance before being released by Lionsgate, and nabbing two Independent Spirit Awards nominations, as well as being an eight-time Best Feature festival-winner. Tatiana has worked with A-listers, including Oscar winners Jeremy Irons and Cuba Gooding Jr., and Oscar nominees Ethan Hawke, Bradley Cooper, Robert Festinger, and Terrance Howard. And, she is currently in production on her next feature, THE PEOPLE VS. VEGAS DAVE. With her vast industry experience, Tatiana will show you how to determine your line producer’s fee and credit, set the budget, what the first and most important decisions you’ll have to make are, different options for handling COVID protocols, and how to prep for a shoot vs. post-production. You’ll also learn what a Wrap Binder is, its crucial role, and how to put one together. Whether you’re looking to grow your production career or are building your production team, by the end of this webinar, you’ll know the ins and outs of line producing and how to use this position to your advantage.
We are turning the spotlight - and the microphones - back over to you during the Write Now Challenge webcast!In this challenge, you were asked to write a scene (3 pages) in which a character anticipates the arrival of one character, but instead, an unexpected visitor shows up, and that visitor is the absolute most wrong person. Your main character then needs to come up with a creative lie to get rid of the unexpected visitor. Ask yourself, why is that person the most wrong person in that moment? What tactics does he or she use to try and get rid of the unexpected visitor? How does the tension escalate between characters? How are you conveying the differences in the characters' voices in your writing?
We've brought in Zeke Thomas, a VR producer who recently did the 360 experience for HAPPY DEATH DAY for Universal & Blumhouse and who's clients include: Paramount Pictures, Legendary Pictures, Nerdist Industries, VidCon, Youtube, Outside TV and more. Zeke will be breaking down the business of VR/360 in this exclusive Stage 32 Next Level Webinar. Billions of dollars have been poured into Virtual Reality & 360 spherical capture, but is there really a business for this form of storytelling? If you're already filming in VR/360 or are interested in pursuing this medium, it's important to understand not just the craft, but the business of it.
Do you ever feel like your great ideas go unnoticed by producers, directors, agents, and managers alike, and that you don’t get the shot you're looking for as a result? This isn’t because these decisionmakers don’t care; it’s because you may not have pitched or sold your ideas the right way. The reality is, successful screenwriters are as much storysellers as they are storytellers. Whether you like it or not, your primary goal as a writer must be to stand out in a sea of competing projects. The bottom line: Whether you're a screenwriter, filmmaker, producer, or any creative or industry professional looking to gain representation, sell their material, attract talent, raise financing, or simply looking to find work, you will have to pitch. Further, you will be in competition with others pitching as well. You've put so much time and effort into your work and building your reputation, you don't want to have it all undermined with a terrible pitch. And the truth of the matter is that most people that pitch make the same fatal mistakes over and over. They don't know how to tell a concise, riveting story. They don't know what to put in, what to leave out, and what elements really and truly sell someone on their story. This webinar will give you insight and tools to pitch better and get ahead of the pack. Will McCance is the Vice President of Production for Ian Bryce, producer of blockbusters like SAVING PRIVATE RYAN, ALMOST FAMOUS, the TRANSFORMERS franchise, and most recently Michael Bay's SIX UNDERGROUND for Netflix. At Ian Bryce Productions, Will oversees the company's entire development slate. Before working with Ian Bryce, Will worked in development at Original Film's TV department, working on hit shows such as THE BOYS (Amazon) and PREACHER (AMC), as well as on SWAT (CBS) and HAPPY! (Syfy). Independently, Will has produced films such as the upcoming LOLA JAMES, starring Nicola Peltz and Oscar-Nominee Virginia Madsen, BERNARD AND HUEY, starring Jim Rash, David Koechner, and Mae Whitman, as well as Belarus's 2018 Oscar selection for Best Foreign Film, CRYSTAL SWAN, along with Vice. Through his years working as an executive, Will has deep experience with working with writers and choosing to work with them or not based on their pitch, and is prepared to share what he’s learned with the Stage 32 community. In this exclusive webinar, Will will equip you with all the tools you'll need to elevate your next script to the top of the reading stack. He will discuss the various techniques of pitching, from finding the right words and unique style, to understanding which type of pitch to use and when. He will also analyze sample TV and feature film pitches and break down the hidden power of the perfectly-worded logline. He will teach you tactics, strategies, and even books that will make you a stronger storyseller, and in turn, a stronger storyteller. Will will even deliver a pitch of his own to use as an example and will share other film and TV pitches to analyze what works and what doesn’t. Through Will’s presentation, you will not only learn how to better understand and explain your story, but to also instill a newfound sense of confidence that you can take with you to your next meeting or pitch session.