Jason Resnick is the EVP of Acquisitions for Aviron Pictures. He has been a consultant and executive producer advising organizations and filmmakers on the opportunities for production, financing and distribution in the independent film marketplace. His current clients include MGM Studios; Proimagenes Colombia, the audiovisual arm of the government of Colombia; Seven Stars Film Studios, a Chinese production and distribution company; Twin, a Japanese distribution company; Score Revolution, a new film music company and the Riki Group, a Russian animation studio. He has previously worked with SkyItalia, an Italian TV channel; the Canadian Film Centre and Script East, an Eastern European script development program. From 1998 to 2008, Mr. Resnick served as an executive for Universal Pictures and Focus Features. His most recent title was Senior Vice President and General Manager, Worldwide Acquisitions for the Universal Pictures Group. Mr. Resnick was in charge of all acquisitions and co-productions for all of Universal's distribution platforms worldwide: Universal Pictures, Focus Features, Rogue Pictures and Universal Home Entertainment. His acquisitions for Focus included The Motorcycle Diaries, Lost in Translation, Swimming Pool, Brick, Mean Creek and My Summer of Love. His Rogue acquisitions included Jet Li’s Fearless, Dave Chappelle’s Block Party and Unleashed. For Universal his acquisitions included Ray, Drag Me to Hell, Step Up 2, Land of the Dead, Mulholland Drive, Brotherhood of the Wolf, Gosford Park and In the Bedroom. From 2005 to 2008, Mr. Resnick was also in charge of Universal's local language productions in Latin America and Asia. In Latin America, this included overseeing Universal's production deal in Brazil with Fernando Meirelles (The Constant Gardener, City of God); bringing in and overseeing Elite Squad, winner of the Golden Bear at the 2008 Berlin Film Festival and among the ten most successful Brazilian films of all time, and overseeing the production of the Mexican film, Sin Nombre, which won the Directing and Cinematography Awards at the 2009 Sundance Film Festival. In Asia this included two major Japanese productions, Dororo and Midnight Eagle, overseeing Universal's production deal with Hong Kong-based producer, Bill Kong, which yielded master fight choreographer, Yuen Wo Ping's martial arts epic: True Legend, and Universal's co-production with CJ Entertainment of Thirst, Korean director Park Chan-wook's vampire film which won the Jury Prize at the 2009 Cannes Film Festival. Mr. Resnick is fluent in French and Spanish, proficient in Italian and Portuguese and holds a Bachelor of Arts in English cum laude from the University of Pennsylvania. Full Bio »
With more and more content being created, the theatrical distribution market is changing. But, there still IS an opportunity for a film to be distributed to the US market in theaters.
We've brought in veteran acquisitions executive, Jason Resnick, from Aviron Pictures to talk about what makes an independent film stand out for theatrical distribution in today's market. Jason was formerly the GM of Worldwide Acquisitions for the Universal Pictures Group and in charge of all acquisitions for Universal, Focus Features, Rogue Pictures and Universal Home Entertainment. Now, he'll go over what the US theatrical market looks like for film acquisitions. And, it's more accessible than you think!
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
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Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
Part 1 - Budgets & Cash Flows Maura teaches you how to create a realistic plan for your film and make sure there is always money in the bank for what you need. You'll learn how to figure how much money you really need, and how to put together a proper film budget. Part 2 - Cost Reports, Film Infrastructure, & Tax Incentives Maura discusses setting up a film's infrastructure (from setting up an LLC to finding a lawyer) and various accounting options. She details cost reports, and how to analyze what you've spent and what you need to spend. Lastly, she discusses tax incentives before hosting a Q&A session. Purchasing gives you access to the previously-recorded live class. Although Maura is no longer reviewing the assignments, we still encourage all filmmakers to participate.
Exclusive to Stage 32! Oscar & BAFTA-winning teacher! We are bringing in Oscar & BAFTA-winner Christopher M. Anthony, the Senior Technical Director of Kayfabe Films, who has worked on Guardians of the Galaxy, the X-Men franchise, Harry Potter and who won an Oscar & a BAFTA for his work on Disney's The Jungle Book. Chris will teach an exclusive Stage 32 Next Level webinar to teach you everything you need to know about why you can't just fix it in post. He's worked not just in the studio realm, but also in the short film & indie feature realm and brings two decades of experience on post-production visual effects. Read more about your host Christopher in The Guardian Life Magazine and see his VFX showreel here.
Learn directly from Laurie Cook, Producer and Head of Development at Bigscope Films, who's produced 6 feature films that have sold theatrically worldwide! With advances in modern technology across all facets of production, post and distribution, there is no better time to go and make a low-budget film and establish yourself in the industry. From Christopher Nolans' £4,000 Following to Eran Creevy's £100,000 Shifty to Jay Blakeson's £1 million Disappearance of Alice, there are different types of "low-budget" that have been proven successes in their own right, but more importantly a launching pad for the filmmakers. So what kind of film should you make? And how can you, regardless of how small your budget is, get the most for your money? Most importantly, how can you make sure that the right kind of people see your film once you have made it? In this exclusive stage 32 Next Level Webinar, host Laurie Cook will guide writers, directors and producers through his experience developing and producing for the UK low-budget market. Having produced 6 low-budget feature films in the past few years within the UK, which all received worldwide theatrical distribution, Laurie will teach you his tips and tricks for producing low-budget, high production value feature films and how to best utilize UK resources. From development ideas to sources of finance, production tips to the ever-changing distribution landscape, this will be your go-to guide for navigating the low-budget UK film market, with an open question and answer throughout the webinar for maximum interaction.
International co-productions, or “co-pros,” can be the perfect tool for bringing dream projects to life. But these ventures come with their own unique rules and requirements, which not everyone has experience with. In this webinar, attorneys Lorraine D’Alessio and Liz Profumo will deconstruct the co-pro process, sharing practical tips for launching a successful cross-border production. Participants will learn about key steps such as finding business partners, capitalizing on tax incentives, protecting creative rights, and securing work visas for foreign staff. The webinar will also explore the impact of current U.S. policies surrounding trade and immigration. Lorraine has practiced law since 2010, with a particular focus in entertainment immigration. She is the Founding Partner and CEO of D’Alessio Law Group, a global firm which has helped thousands of artists and entertainment professionals to launch careers in the U.S., Canada, and beyond. Born in Canada, Lorraine was a successful Ford model before turning her focus to law. Her entertainment background, as well her personal experience with immigration, allows her to deeply understand the legal and logistical needs of global artists. She is excited to partner with the Stage 32 community and help support its members in achieving their goals.
TV Movies are still very much alive and well, and if you’re a screenwriter or producer looking to break into this huge market niche, you’ve come to the right webinar. Despite the change in viewer habits with on-demand movies, the TV Movie and the Movie of the Week on Hallmark, Lifetime, and Disney, as well as many other channels are still extremely popular. To breakdown this landscape and share the truths behind the TV Movie model, Stage 32 has brought in MarVista’s former Acquisition and Co-Production executive, Justine Wentzell. Justine has worked on almost 100 different TV movies in MarVista’s core business. After she digs into what these networks are looking for, Julie will offer tips on writing a successful script for this niche. Stick around for a Q&A after the webinar to take an even deeper dive into other key elements of this form of storytelling.
As the Vice President of Three Point Capital, Viviana Zarragoitia is one of the most prolific financiers who routinely lend on tax incentives, both domestically and internationally, on independent films. She is aware of the rules and regulations of tax incentives in many jurisdictions, and have spoken on numerous panels about tax credits. In this exclusive webinar, Viviana will be teaching what producers should be aware of when working with tax incentives. Although there are minor details that change within each state/country, there are some overall issues that come up in each jurisdiction that producers should be aware of when taking advantage of tax incentives for their film/TV project. These include, but are not limited to, things such as: corporate structure of the company applying for the tax incentive, making sure that costs in-state are qualified spend, working with tax incentive offices during pre-production, production and post-production, submitting final costs in a timely fashion, working with production accountants/CPAs on tracking qualified spend, working with lenders and filing tax returns to claim the incentives.