Jason Roberts is a DGA Assistant Director with over 30 years of experience, who has FIVE movies opening up this year alone including; Downsizing (Directed by Alexander Payne starring Matt Damon, Kristen Wiig and Christoph Waltz), Ghost In The Shell (Directed by Rupert Sanders starring Scarlett Johansson), American Made (Directed by Doug Liman, starring Tom Cruise), Transformers 5: The Last Knight (Directed by Michael Bay, starring Mark Wahlberg and Anthony Hopkins) and First They Killed My Father (Directed by Angelina Jolie). Over the years Jason has worked on a myriad of different kinds of projects. Some of the notable bigger budget films have been: Heat, Saving Private Ryan, 2Fast 2Furious, Collateral, Team America, Almost Famous, Mission Impossible 4: Ghost Protocol and Jurassic World amongst others. Jason has also worked in the independent community on such notable films as: The Call, No Good Deed, The Good Doctor, Shrink, The Pool, Fun Size and Killing Zoe. Jason has hand a hand in several TV series ranging from: The original Melrose Place, Baywatch to Party of Five, and more recently: Better Off Ted, Dexter, Chicago Fire, Criminal Minds Suspect Behavior, Gang Related and Empire. Jason has five movies opening up this year (2017): Ghost In The Shell, Downsizing, American Made, Transformers 5 The Last Knight and First They Killed My Father. Currently Jason is working with Seth MacFarlane on his new TV series for Fox called Orville. Jason was born and raised in Los Angeles. He started his career working with and being an assistant to: John Ritter, Jamie Lee Curtis, Richard Donner, Joel Silver and Ian Bryce. He worked as a PA on several movies and was accepted into the DGA Trainee Program in the class of 1993. He’s been a member of the Directors Guild since 1995. Jason has taught a variety of seminars in film production and working with background for: Central Casting, Chapman University, UCLA and USC. He is looking forward to sharing his many years of knowledge and expertise in the field of Production. Full Bio »
"Jason was and is wonderfully inspiring!" Watch for FREE here:
Want to join Jason's 2-part AD class April 8 & April 15? Register here!
Stage 32 is excited to have locked in one of the top DGA Assistant Directors working in the industry today to do an exclusive Q&A with the Stage 32 community!
We brought in Jason Roberts, legendary AD, who has FIVE movies opening up this year alone including; Downsizing (Directed by Alexander Payne starring Matt Damon, Kristen Wiig and Christoph Waltz), Ghost In The Shell (Directed by Rupert Sanders starring Scarlett Johansson), American Made (Directed by Doug Liman, starring Tom Cruise), Transformers 5: The Last Knight (Directed by Michael Bay, starring Mark Wahlberg and Anthony Hopkins) and First They Killed My Father (Directed by Angelina Jolie).
In this 60 minute Q&A session, Jason was live at the Stage 32 office to talk about the state of the industry and the importance of having a good AD running your set. PLUS he took questions from you, the Stage 32 community!
"Jason's webinar was fantastic. I really enjoyed it. That's why he's where he is today."
"Just chiming in to say what a great job Jason did."
"Always a pleasure to hear passionate committed professionals discuss their work."
"Major bonus points that he so clearly "pays it forward" by encouraging and providing guidance and apprenticeship to up'n comers."
"Jason was and is wonderfully inspiring!"
"It was fascinating to hear Jason's perspective from his vast experience!"
"I thought it was great. There's never enough time when someone like Jason is on, but for the limited time we did have, it was well handled and very much appreciated."
"I really appreciate how gracious, authentic and generous Jason was with his time and in how he answered all the questions. He was specific, thoughtful and straightforward."
"Jason was extremely helpful, a great orator, and very pleasant. It was wonderful to hear him speak and participate!"
"Hope to see Jason again!"
"It was great hearing about his personal experience and tips, and think there are a few pointers (especially with his personal philosophy) I can definitely apply moving ahead!"
"Very informative. Thanks. It's interesting to get the AD's perspective."
"I thought it went great!"
"I was very inspired."
"It was extremely helpful to understand more about the inner workings of the industry, Jason's process and story, the importance of mentorship, and understanding more about different positions and their importance on set."
"First of it's kind for me in the 'behind the scene' look at his life in the business.. Quite fascinating. I'm sure he has many many stories to tell. Boy, that was a fast hour."
"I really enjoyed hearing insight and answers from a working professional."
"Even though directing isn't really my department, it was such a pleasure to hear the wonderful stories Jason has, and he has really provided me with some great insight even from a production point of view."
"For me as a Director in Colombia, understanding and hearing about how movies are made in the states really give me the approach to get closer to the dream of working with big studios in USA"
CLASS 1 Section I: THE OVERVIEW 1. Introduction to Jason 2. Creative Aspects of the Job Prep – Breakdown & Scheduling from Script to Game Plan Shooting – Set Management & Directing Background Differences between Film&TV; Day & Night; Stage & Location Working Relationship between the AD and Director, Producer, DP & Actors 3. Why We Do It What I’ve learned over the years We are a mix of; Traffic Cop, Bartender, Kindergarten Teacher, Cheerleader, Psychologist, Juggler & CEO Day to day Energy, Pace, Crew Moral and Motivation Tools of the job. Shoes and what to carry in your pockets The need for outside influences and a life away from the work Section II: PRACTICAL APPLICATIONS 1. Prep (In this section Jason will share his computer screen to show how to actually breakdown a script using two scenes from Jurassic World as an example. Inputting it into Movie Magic Scheduling and then using that material as a launching board for teaching call sheets and other paperwork) 1st AD – What is Expected (Schedule, Scout, Dept Meetings, Background and how to do it) 2nd AD – What is Expected (Assist 1st, Rehearsals, Fittings, Interface with Actors, Tech Scout, Background Casting) 2. Shooting 1st AD – What is Expected Run the Set, Move the Company Forward, Execute the Schedule 2nd AD – What is Expected Assist 1st, Set BG, Prep Next Day, Run 1st Team, Communication Liason with Office and Rest of World 3. Safety Meetings Legal Responsibility Knowing When to Say No, Knowing how to say no Know all the Equipment Know what it takes to get it done Trust in your Departments Live Q&A with Jason - bring your questions! CLASS 2 Section III: THE FUN PART - PAPERWORK 1. Paperwork Call Sheet Production Report Exhibit G “Sag” Sheet One-Line Schedule Shooting Schedule Cast Day Out Of Days Section IV: ON-SET STORIES & PRACTICAL APPLICATIONS Practical stories to show good and bad days of the job Live Q&A with Jason - bring your questions!
Learn directly from Liz Profumo, Managing Attorney of the Immigration Firm D'Alessio Law Group! "Lots of info provided and all questions were answered. Thank you so much, you've made the first step much easier! So glad this webinar came up as I was feeling pretty lost and confused on how to go about it. I'm trying not to 'self-diagnose' as you said, but it has made me realise I need to get more professional experience and put myself out there more, to give myself the best shot at getting the visa." – Jessamie K. "[They were] very informative and gave great advice…All in all, I left the webinar very pleased and more informed!" – Herschel A. In this Stage 32 Next Level Webinar, Managing Attorney Liz Profumo and her team at DLG Immigration will walk you through the O-1 ‘Artist of Extraordinary Ability' Visa. Liz will deconstruct the issues that foreign nationals encounter when crossing the border, applying for visas, finding employment in a new country and relocating. You will leave the webinar knowing: Exactly what the O-1 visa entails. How to construct the resume of the visa. How to getting letters of support. What other visa options exsit if the O-1 isn’t a good fit for you. What to do - and not to do - at the border. How to identify and avoid immigration scams. Your host Liz Profumo has been practicing immigration law exclusively since 2007. Her practice is limited to immigration and nationality law and concentrates on temporary and permanent business and employment related visas for investors, artists, and entertainers, and she has assisted hundreds of artists, performers, and other industry professionals to realize their dreams of living in the United States. The associates at DLG Immigration have personal experience in the immigration process and the entertainment industry, and understand your logistical requirements as well as your legal requirements. They understand the types of documentation you will have and what to ask you for and are here exclusively for Stage 32 to help our members around the world pursue their dreams of working in the U.S.
Learn directly from David H. Lawrence XVII, VO and screen actor with over 50 film and TV credits, including Heroes, Lost, CSI, How I Met Your Mother, Men In Black III, Iron Man and more! This is information I am in need of and believe it or not, it's not taught by all coaches I have met. Please do more! - Steve L. Nice job. Easy to follow. Great anecdotal explanations. Arthur Godfrey, indeed! - Ryan C. In this Stage 32 Next Level Webinar, host David H. Lawrence XVII will take you through the most common category of voice over auditions and performance: radio and TV (and now, web) commercial copy. You will learn how the performance of this class of VO work has changed over the years, how to approach copy, how to create your commercial character, and how to connect with a listening and viewing audience on a visceral level. You will leave the webinar: Knowing how to take your execution of commercial VO to a deeper and more satisfying level! Prepared to approach professional voice over work for radio and TV commercials! After a 30 year career in radio, your host David H. Lawrence XVII moved to television, and has been seen (and heard) on ABC's epic series Lost, CBS' legendary CSI, How I Met Your Mother, The Mentalist and military thriller The Unit, NBC's spy comedy Chuck, Good Luck Charlie and ANT Farm on Disney, Bella and the Bulldogs on Nickelodeon, Touch and The Finder on FOX, and is best known as the creepy evil puppet master Eric Doyle on NBC's smash hit Heroes. His film career includes on-camera and VO work on Men in Black III, Pizza Man, The Changeling, The Hulk, Iron Man, Percy Jackson, Unstoppable, Too Big to Fail, A Special Relationship and countless others.
Learn directly from Morgan Long, TV Literary Department for a “Big Six” Agency This lab is designed for beginner and intermediate screenwriters looking to build a pilot from scratch or expand on an existing idea. With the TV market exploding right now, one of the most in demand formats is the 1-hour TV drama pilot. Many, if not all, managers and agents are looking for writers that can write in this space, and with more and more production companies heading into TV, knowing how to write a strong 1-hour TV drama pilot will give you a competitive advantage and help you find success as a TV writer! Due to popular demand, Stage 32 is thrilled to bring back our 8 Week Intensive TV Drama Pilot Writing Lab taught by Morgan Long, a TV development coordinator at a “Big Six” Agency! This hands-on intensive lab will guide you through picking a concept, creating engaging characters, structuring and outlining your pilot and writing the first draft! The main objective of this 8-week lab will be to have a first draft of your script. You will meet online with Morgan for 2 hours a week in a class setting, plus have phone consultations during some of the weeks when you don't have an online class. This will be accompanied by weekly homework assignments to guide you on your way to creating a marketable, unique pilot that will grab the industry's attention. Payment plans are available - please contact email@example.com for more information. This Lab is Limited to 20 People. Please Note: Participating in this lab does not mean you are writing for or pitching to Morgan or her company. PRE-CLASS PREP - Read your syllabus and plan out your writing ideas. Begin to think about 1-2 ideas that might be a good idea for your drama pilot. Start to prepare for your pilot pitch.
Agustine’s day-to-day role is to help develop screenplays and projects. Whether it’s shaping the story of a script in order to attract a director or actor, breaking down a script in an effort to maximize its marketability, or simply working with the writer to ensure that the script has the best chance of success, Augustine is hands on in every step of the creative process. But before Augustine, or any other executive, can get to work, he has to love and see the potential of the material. And that raises the question: What makes someone like Agustine interested in a script? Understanding every aspect of how and why a film goes from the page to the screen is crucial to being a professional in the film industry. It truly can make the difference between a “Pass” or a “Yes”. If you are a writer looking to learn what exactly gets a Development Executive interested in your material or if you are a producer and want to understand the mindset of a Development Executive as it relates to developing your project, look no further – you will learn the entire truth straight from someone working in the trenches every single day. This is material designed to give you a competitive advantage in a crowded marketplace! And as if that wasn’t enough, Agustine hosted a Q&A session as well!
Learn directly from Franco Sama, 15-year expert of film financing and distribution, specifically in the $250K-$2M range, with 25+ successful independent feature films to his name, including Guns, Girls and Gambling (Gary Oldman, Christian Slater and Dane Cook) and Petunia (Thora Birch, Brittany Snow and Academy Award winner Christine Lahti)! For many independent producers, approaching financing for your project is one of the biggest challenges in the entire filmmaking process. How do you build your team, bring in development funds, attach name talent and work with rebates, sales estimates & distributors all while mitigating your financial risk? The goal is to make your project financially attractive to investors. There is a “sweet spot” film budget that is most likely going to help you raise funds and get the ROI your investors require. In this Stage 32 Next Level Webinar, producer and financing expert Franco Sama will teach you how to approach your film from the “investor’s point of view” so you can not only get the money you need for your project, but how your investors can get that money back. You will learn how to build a team around your project and who is crucial for that team, how to approach investors and above all how to protect your investor’s money. Drawing from his 15-years of experience, Franco will teach you how he gets his dozens of projects financed, distributed and turning a profit, and why he stays in the “sweet spot” range between $250K-$2M. You will leave this webinar with a clear understanding of how to produce and finance your project!