Jason Roberts is a DGA Assistant Director with over 30 years of experience, who has FIVE movies opening up this year alone including; Downsizing (Directed by Alexander Payne starring Matt Damon, Kristen Wiig and Christoph Waltz), Ghost In The Shell (Directed by Rupert Sanders starring Scarlett Johansson), American Made (Directed by Doug Liman, starring Tom Cruise), Transformers 5: The Last Knight (Directed by Michael Bay, starring Mark Wahlberg and Anthony Hopkins) and First They Killed My Father (Directed by Angelina Jolie). Over the years Jason has worked on a myriad of different kinds of projects. Some of the notable bigger budget films have been: Heat, Saving Private Ryan, 2Fast 2Furious, Collateral, Team America, Almost Famous, Mission Impossible 4: Ghost Protocol and Jurassic World amongst others. Jason has also worked in the independent community on such notable films as: The Call, No Good Deed, The Good Doctor, Shrink, The Pool, Fun Size and Killing Zoe. Jason has hand a hand in several TV series ranging from: The original Melrose Place, Baywatch to Party of Five, and more recently: Better Off Ted, Dexter, Chicago Fire, Criminal Minds Suspect Behavior, Gang Related and Empire. Jason has five movies opening up this year (2017): Ghost In The Shell, Downsizing, American Made, Transformers 5 The Last Knight and First They Killed My Father. Currently Jason is working with Seth MacFarlane on his new TV series for Fox called Orville. Jason was born and raised in Los Angeles. He started his career working with and being an assistant to: John Ritter, Jamie Lee Curtis, Richard Donner, Joel Silver and Ian Bryce. He worked as a PA on several movies and was accepted into the DGA Trainee Program in the class of 1993. He’s been a member of the Directors Guild since 1995. Jason has taught a variety of seminars in film production and working with background for: Central Casting, Chapman University, UCLA and USC. He is looking forward to sharing his many years of knowledge and expertise in the field of Production. Full Bio »
"Jason was and is wonderfully inspiring!" Watch for FREE here:
Want to join Jason's 2-part AD class April 8 & April 15? Register here!
Stage 32 is excited to have locked in one of the top DGA Assistant Directors working in the industry today to do an exclusive Q&A with the Stage 32 community!
We brought in Jason Roberts, legendary AD, who has FIVE movies opening up this year alone including; Downsizing (Directed by Alexander Payne starring Matt Damon, Kristen Wiig and Christoph Waltz), Ghost In The Shell (Directed by Rupert Sanders starring Scarlett Johansson), American Made (Directed by Doug Liman, starring Tom Cruise), Transformers 5: The Last Knight (Directed by Michael Bay, starring Mark Wahlberg and Anthony Hopkins) and First They Killed My Father (Directed by Angelina Jolie).
In this 60 minute Q&A session, Jason was live at the Stage 32 office to talk about the state of the industry and the importance of having a good AD running your set. PLUS he took questions from you, the Stage 32 community!
"Jason's webinar was fantastic. I really enjoyed it. That's why he's where he is today."
"Just chiming in to say what a great job Jason did."
"Always a pleasure to hear passionate committed professionals discuss their work."
"Major bonus points that he so clearly "pays it forward" by encouraging and providing guidance and apprenticeship to up'n comers."
"Jason was and is wonderfully inspiring!"
"It was fascinating to hear Jason's perspective from his vast experience!"
"I thought it was great. There's never enough time when someone like Jason is on, but for the limited time we did have, it was well handled and very much appreciated."
"I really appreciate how gracious, authentic and generous Jason was with his time and in how he answered all the questions. He was specific, thoughtful and straightforward."
"Jason was extremely helpful, a great orator, and very pleasant. It was wonderful to hear him speak and participate!"
"Hope to see Jason again!"
"It was great hearing about his personal experience and tips, and think there are a few pointers (especially with his personal philosophy) I can definitely apply moving ahead!"
"Very informative. Thanks. It's interesting to get the AD's perspective."
"I thought it went great!"
"I was very inspired."
"It was extremely helpful to understand more about the inner workings of the industry, Jason's process and story, the importance of mentorship, and understanding more about different positions and their importance on set."
"First of it's kind for me in the 'behind the scene' look at his life in the business.. Quite fascinating. I'm sure he has many many stories to tell. Boy, that was a fast hour."
"I really enjoyed hearing insight and answers from a working professional."
"Even though directing isn't really my department, it was such a pleasure to hear the wonderful stories Jason has, and he has really provided me with some great insight even from a production point of view."
"For me as a Director in Colombia, understanding and hearing about how movies are made in the states really give me the approach to get closer to the dream of working with big studios in USA"
Take an epic Master Class online with one of the top DGA AD's in the business: Jason Roberts who's worked with Michael Bay, Doug Liman, Alexander Payne, Angelina Jolie and more! Jason will be calling upon his 30+ years of experience to teach the mechanics of an AD’s role - including prep, shooting, working relationships with the director, producers, cinematographer, actors, and all tools you need (learn more below!). Plus, Jason will: Break down 6 pages of the Jurassic World shooting script Leave you with an AD Production Packet - templates that you can use on your own projects: Script Pages, Call Sheet, Production Report, Story Boards, Partial One-Line & Shooting Schedule See Jason's "60 Minutes With" Q&A here: "Jason's webinar was fantastic. I really enjoyed it. I loved his work ethic. That's why he's where he is today." "Jason was and is wonderfully inspiring!" "It was fascinating to hear Jason's perspective from his vast experience!" "I thought it was great. There's never enough time when someone like Jason is on, but for the limited time we did have, it was well handled and very much appreciated." **see more below!
Can you use long dialogue blocks effectively? Sure you can! We'll break down the rousing sales rally in THE WOLF OF WALL STREET, the chilling call in TAKEN, the desperate video message in "Breaking Bad", and the moving speech from HIDDEN FIGURES.
A MASTERS OF CRAFT WEBINAR - ONLY ON STAGE 32! It takes a special person to be a screenwriter. It takes a lion's heart, discipline, patience and perseverance. It also takes a willingness to learn from those who came before, found success in their craft and developed the skills necessary to navigate the business. FIGHT CLUB. Need we say more? OK. How about JUMPER? Or the in development THE DESTROYER to be directed by Shane Black. And, of course, any number of scripts for which this legendary screenwriter has collected hefty paychecks on and which never have seen the light of day. (Oh, he'll be teaching about that as well.) Jim Uhls knows what's what. For over 30 years, Jim has been a working writer in the industry. He was there during bull market for screenwriters, through the independent movement, through the studio resurgence, and into the here and now of the indie renaissance and the dawn of digital and the streamers. Now Jim is bringing his extensive knowledge of the craft and the business to teach exclusively for Stage 32 and our Masters of Craft series. In this meticulous step-by-step presentation, Jim is going to show you how you can mine for great ideas and bring them to maturity. He will teach you how to bring unparalleled depth to your characters. He'll show you how to write by seeing the trailer in your mind. How to use stream of consciousness as a tool to outline your script and find your beats. How to use emotional logic to power your work and much more. How to make sure your material is as attractive as possible to managers, agents, talent, producers, and financiers. He's even going to show you how to adopt a book, using FIGHT CLUB as an example! Most of all Jim is going to show you how to channel the passion and remove the cynicism and blocks that were not present when you first started. "I've never quite met anyone like Jim. His skills are undeniable and revered in the business. But it's his approach, his consistency, his way in to the material and the characters and his ability to see the entire landscape in a clear, calm matter that sets him apart. He's a true original and an inspiration to so many including yours truly. I've learned so much from him." -Richard "RB" Botto - CEO Stage 32, Screenwriter This is a masterclass you will not want to miss. Jim will leave you laughing, full of energy, and ready to write!
The art of the pitch. In many ways, outside of honing your craft, your ability to pitch may just be the most important skill you can learn as a creative. At its core, pitching is storytelling. But the ability to be a clear, concise storyteller, and, as a result, be someone who can deliver a memorable and winning pitch is something that takes time, knowledge, a clear strategy, and repetition. Understanding how to pitch any person or audience will give you a clear and tremendous advantage in any situation or room. You will stand out from the hundreds if not thousands of pitches a gatekeeper or decision maker hears in a given year. But further, learning how to pitch will help you build confidence, a huge variable in winning over those looking to work with you, buy your material or invest in your project. The bottom line: Whether you're a screenwriter, filmmaker, producer, or any creative or industry professional looking to gain representation, sell their material, attract talent, raise financing, or simply looking to find work, you WILL have to pitch. Further, you WILL be in competition with others pitching as well. You've put so much time and effort into your work and building your reputation, you don't want to have it all undermined with a terrible pitch. And the truth of the matter is that most people that pitch make the same fatal mistakes over and over. They don't know how to tell a concise, riveting story. They don't know what to put in, what to leave out, and what elements really and truly sell someone on their story. But not you. Not anymore. You're about to become a pitching ace. Jared Iacino is a film and television executive who has heard literally thousands of pitches. As the Senior Vice President and Head of Films and Television Production at Panay Films, Jared has overseen the development and production of such films as Hit & Run, Hot Tub Time Machine I and II, Earth to Echo, Mastermind, CHiPS, and numerous television productions in conjunction with Relativity Television. Prior to his time at Panay, Jared worked on such films as The Wedding Crashers, Juno, The Devil Wears Prada, Hairspray, The Bucket List, A Raisin in the Sun, The Proposal, The Muppets, Serendipity, Van Wilder and many more. As Jared can tell you, many of these projects and hundreds more he's see get moved through the pipeline, began with a well crafted pitch. Now, exclusively for Stage 32, Jared is going to teach you everything you need to know to become a pitching ace. He will demystify the pitching process by showing you how to form and outline your pitch in practical, repeatable and memorable terms. He will identify from a studio/network/producer's perspective, the common and fatal mistakes writers, filmmakers, producers and other film creatives make when pitching their projects. He will show you the secret formula he's used when pitching and selling projects to high level executives, gatekeepers and decision makers at independent film companies, studios and networks. He will teach you the 3 most important elements every pitch should have. He will show you how to cater your pitch to different audiences and why this is such an important skill to lear. He will show you how to identify projects worthy of pitching and teach you the secret ingredient that appears in every great pitch. Jared will give you the blueprint to not only craft a memorable and winning pitch, but teach you how to deliver it in a manner that has you finding the success your work and projects deserve! "Great hearing from someone who's actually in the trenches like us. You have great energy and broke the presentation down very well; easily digestible and understandable." - Tom Z. "Terrific webinar thank you Jared. You were clear, concise and most importantly efficient! I learned a ton and I am about to use what I learned in a pitch at 2:30. I am excited to see what happens!" - Maggie G. "Thanks for being incredibly generous with your experience and expertise. I feel way more able to take on creating the brilliant pitch that reflects the story I wrote." - John T.
You’ve heard that the opening pages of your pilot script are the most important – hook your audience early and they’ll be invested in your show, fall short and producers, managers and executives might not even finish reading your script. At many companies, your script will be handed off to a member of the development team whose job is to just read the first act, then decide whether to pass or flag your script for further consideration. Having a great first act isn’t just a good way to get your pilot noticed; it might be the only way. When you watch a pilot, though, whether on Netflix, HBO or ABC, it can feel like every show is so different, it’s hard to see a pathway to success. Or even if you master one aspect of your opening act, somehow it can still feel like you’ve not done enough. In a TV pilot, that crucial first act is the most challenging because there is so much you have to do really well, really quickly: you have to introduce your characters, set up your world, and launch your story. What’s more, the first act sets your pilot on solid footing – nail this section and the rest of the pilot seems to develop and flow easily. Get stuck on how to start, and you might never finish writing the pilot that could launch your career. You’ve probably watched outstanding pilots where 10-15 minutes in you’re already making plans to binge the season. What do all those pilots have in common? What techniques do experienced show creators use to give them that early edge? And what exactly do producers, managers development execs and other professionals expect to see in a first act? We have the answers to those questions and much more. Anna Henry is a Producer and Development Executive who has worked at CBS, ABC, Nickelodeon, and multiple production companies, as well as a manager at Andrea Simon Entertainment. Her clients have worked on shows such as THE DEUCE, POWER, IN CONTEMPT, TOMMY, VIDA, SEVEN SECONDS, HUNG, CHICAGO FIRE, FEAR THE WALKING DEAD, THIS IS US, and THE FLASH, and have set up projects at AMC, Amazon, Starz, HBO, Sony, Fox, EOne, ITV America, OddLot Entertainment, Corus, and others. Anna has projects currently in development around the world and is incredibly familiar with what goes into a great television pilot. Anna will analyze pilots more deeply so you can see the tools successful writers use to set their show on the right path from the start. She’ll discuss the ingredients of a pilot in general, including the basic structure, identifying the type or genre of your show, meta-themes, and crafting characters to serve as the audience's entry point. Anna will then delve into the key elements of a first act, as well as a great teaser or cold open, including using framing devices, and a strong out. She will go over tips to writing memorable character descriptions, using physical descriptions, elements of identity, and putting thought into how you name each character. She'll next focus on introduction scenes and using them to generate interest in your characters, using dialogue to establish their voices, and introducing relationships. A vital aspect of a pilot's first act is creating character moments, and Anna will go over effective examples of many different types of these moments, including meeting heroes, meeting villains, meeting supporting characters, establishing the right amount of backstory, and the benefits of having your characters argue. She will then discuss how to create exposition and communicate your world effectively, crafting a mystery and building the rules of your universe, as well as how to avoid overused crutches. Anna will then offer her take on implementing and incorporating tone and themes into the script and how to sneak them in subtly through details and character moments. She will finally lay out how to best use your first act to bring the audience into your story and world, where exactly your story should start, and how to launch your 'A' story and introduce your 'B' and 'C' stories. Examples will be used from one-hour and half-hour shows on network, cable and streaming platforms, PLUS! you will receive pilots for each after the class: THIS IS US - NBC ONE DAY AT A TIME - Netflix / Pop MARVELOUS MRS. MAISEL - Amazon ATLANTA - FX KILLING EVE - AMC THE EXPANSE - Syfy / Amazon Praise for Anna's Stage 32 webinar: "The webinar was fantastic. I am writing my first one hour drama pilot so this webinar was packed with the exact information that I will be immediately putting to use in my rewrite. The slides were clear, concise and informative. The speaker was excellent at conveying the information I needed." -Bobby C. "It was really great information. Anna was a terrific host, very knowledgeable and shared a lot of information and tips." -Marla H. "Comprehensive, insightful. Combined a lot of material I had heard snippets of on character, world dev, etc. but artfully stitched together in one presentation." -James F. "It was amazing, enlightening - completely. I learned soooo much - especially as a feature writer who's been asked to turn a feature script into a pilot!! Thank you soooooo much." -Kristin G.
Learn directly from Anne Marie Gillen, who has over 20 years of experience with independent film financing and has raised over $100M worldwide! Joining Anne Marie are 2 special guests: Gene Massey, CEO of MediaShares and an expert in marketing crowdfunded online stock offerings. Lou Bevilacqua who is the founding member of Bevilacqua PLLC, a boutique transactional corporate and securities law firm. He is also co-founder, President and General Counsel of Digital Offering LLC, a FINRA registered investment bank. There are approximately 9 million officially accredited investors in the United States alone - you can now legally solicit all of them to finance your project. This exclusive Stage 32 Next Level Webinar, How to Finance Your Project with Equity Investors Using the Internet will explain how. Recent legislation has created an opportunity for equity-based crowdfunding as a financing model for indie producers of film, documentaries, series, games, and other creative endeavors. Get INVESTMENTS in your film instead of just DONATIONS. This is NOT another Kickstarter / IndieGoGo webinar! Whether you are a veteran producer or a film student - you need financing! This is a webinar for all level filmmakers, given by experts in the new methods of online film finance, who will show how you can create a powerful online presentation and legally market your project to investors on the Internet. You will walk away with a clear understanding of the new SEC rules and regulations that allow you to raise equity funding online. You will learn from 3 of the industry's top financing and legal experts how to raise equity funding for your own project.