Intro to Shooting on DSLR

Examine What You Need to Know Before You Shoot
Hosted by John Keedwell

$49

On Demand Webinar - For immediate download. Unlimited access for 1 year.

Rating   | Read reviews

Start Learning

Please make sure you use the same email address as the one you use to sign in to Stage 32, otherwise you won't have access to your webinar.
apply Your coupon will be applied after you agree to terms below.

- or -

$49.00
TOTAL PRICE:
Overlay Icon

This Next Level Education webinar has a 94% user satisfaction rate.

John Keedwell

Webinar hosted by: John Keedwell

Filmmaker

About Your Instructor, John Keedwell GBCT: John Keedwell has been a film maker for over 30 years, who has worked in over 65 countries and had a wide range of different experiences. In that time he has crossed the Sahara desert twice, worked in temperatures between -35C (-31F) and +50C (122F), worked with royalty, politicians, been on extensive tours with rock bands, interviewed many huge musicians and celebrities, and has shot on multiple formats from Super 8 film, 16mm , 35mm, digital stills and video, to highly specialist digital high speed cameras. With a very wide ranging knowledge of the trends for cinema, he has been writing for over 10 years for the British Cinematographer magazine, covering International movie making techniques, and has been advising trade bodies on standards for photography and video. He is the author of the award winning book Get The Message Now?!? - a look at how video can best communicate to your audience, and how changing only a few small factors when recording can massively increase the deliverability of your video message. Praise and testimonial in his book has come from Chris Menges. BSC He is also the founder of the Epics Academy, teaching film makers, photographers and corporations the many skills and techniques for conveying your message using cinematography and film making techniques. He is a Board member of the GBCT, the Guild of British Camera Technicians and a voting member for BAFTA. Full Bio »

Webinar Summary

Learn directly from John Keedwell, a 30+ year filmmaker who has worked in over 65 countries!

Many here on Stage 32 like the idea of producing and shooting your own movies, and often you may have a very limited or no budget available. You will therefore often need to compromise and work around obstacles and challenges.

In this webinar I examine both the benefits of shooting on DSLR's and I also take a look at some of the challenges they often throw up for the filmmaker. Shooting a movie on a DSLR often requires different additional accessories and lenses to turn it from a stills camera into a camera capable of consistently recording high quality moving images. I take a look at some well-known movies where a DSLR has been used, and examine how they have been used there.

DSLR's don't work exactly like a moving picture camera. It is a stills camera that happens to have a feature to record a sequence of video. As a stills camera they work really well and make great images, yet when it comes to shooting anything more than a few movie clips they all have flaws in operation. While these limitations are not impossible to overcome, they can become significant tiresome issues when shooting for extended periods. I examine the ergonomics and functions of DSLR cameras and how they can often hinder the smooth operation and camera movement possibilities for the filmmaker.

It’s better to know and examine this now than before you get on set shooting.

There are cameras available now that are less expensive and do a much better job of helping filmmakers, they still have the large sensor cinema "look," yet have better ergonomics, monitoring, lens choice, better dynamic range and resolution, and have more functions to support filmmakers. We’ll explore that as well.

At the end if the webinar you will be able to:

  1. Know why a cine lens differs to a stills lens, and if it will affect your production
  2. The best way to record sound with your DSLR-It may not be what you think
  3. How to control your focus and depth of focus
  4. How to monitor your output for consistent results
  5. Know many of the benefits and potential pitfalls to avoid of shooting with a DSLR.

What You'll Learn

  • Why use a DSLR?
  • What are you going to do with the camera?
  • Is it the right tool for the job, or just what you have available?
  • Is it a commercial, documentary or a movie cinema projection?
  • Benefits -
    • Cost, size, availability,
    • Good low light performance ISO 100-25,600
    • Large range of low priced and good quality lenses.
    • Large sensor, low noise
    • Low d.o.f - cinematic "look" and feel.
    • Can blend with a crowd- doesn’t draw attention.
    • Has grid overlay if needed, and electronic level.
    • Small for use with sliders-camera movement.
    • Compression 4:2:2 only with HDMI-needs external recorder.

DSLR's have been used on many movies and TV:

  • I take a look at how they were used on some major movies :
    • Indiana Jones and the Temple of Doom
    • Matrix - Bullet time
    • 127 Hours
    • Slumdog Millionaire
    • Captain America
    • House
  • Is it the right tool for the job, or is there better out there now?
  • Let's take a look

Canon 5D Mark III has become synonymous with independent film makers, now C300, C500 and Now 4K Canon EOS-1D C with Log gamma, Panasonic GH4, and more

Factors to be aware of when shooting on a DSLR. Some areas need to be looked at closely and taken into consideration.

  • Cine is about movement and seamless transitions to lead the viewer to the next scene - consistency in many different areas. Color consistency (Matrix example), Pull aperture, T stops and click stops, lens focus markings.
  • Lenses - Cine lenses are made to a different standard and have different features - as they need to be able to do different things.
  • Focusing- A lens needs to Smooth zoom and keep focus when zooming - tells the cinema audience where to look as a technique. Stills lenses not capable of this.
  • If a lens shows its flaws in focusing and zooming it isn't seamless and the viewer will notice the technique, and by then they have lost the story.
  • Normal stills lenses - Auto focus doesn't work- manual defaults in live view.
  • Using prime lenses

Monitoring and operating

  • DSLR Mirror flaps up when shooting video and disables the eyepiece,
  • Have to monitor another way
  • Eyepiece - is it accurate?
  • You are viewing the scene and the movie through that, how accurate it the scene you are seeing? 100% of frame? Consistency.

Ergonomics

  • Not really designed for extended use and using eyepiece.
  • Harder to hand hold as the weight is on the front, so have to add lots of gear and weight.
  • Add a rig with follow focus etc
  • Flash cards
  • Battery
  • Lens changing

Sound and data recording

  • Sound Inputs not pro XLR -
  • Sound recording best off camera.
  • Need a box on base or external recorder.
  • Synchronising

Rolling shutter potential in CMOS sensors

  • Why does it happen?
  • How to eliminate it
  • Needs Magic Lantern to make it work like a film camera.

Data rates

  • Massive so Flash cards-can be limiting
  • Ideally an external recorder.

About Your Instructor

About Your Instructor, John Keedwell GBCT:

John Keedwell has been a film maker for over 30 years, who has worked in over 65 countries and had a wide range of different experiences. In that time he has crossed the Sahara desert twice, worked in temperatures between -35C (-31F) and +50C (122F), worked with royalty, politicians, been on extensive tours with rock bands, interviewed many huge musicians and celebrities, and has shot on multiple formats from Super 8 film, 16mm , 35mm, digital stills and video, to highly specialist digital high speed cameras.

With a very wide ranging knowledge of the trends for cinema, he has been writing for over 10 years for the British Cinematographer magazine, covering International movie making techniques, and has been advising trade bodies on standards for photography and video.

He is the author of the award winning book Get The Message Now?!? - a look at how video can best communicate to your audience, and how changing only a few small factors when recording can massively increase the deliverability of your video message. Praise and testimonial in his book has come from Chris Menges. BSC

He is also the founder of the Epics Academy, teaching film makers, photographers and corporations the many skills and techniques for conveying your message using cinematography and film making techniques.

He is a Board member of the GBCT, the Guild of British Camera Technicians and a voting member for BAFTA.

FAQs

Q: What is the format of a webinar? 
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.

Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.

Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer 

Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A. 

Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year! 

Questions?

If you have a generic question about Stage 32 education you can take a look at our frequently asked questions section on our help page, or feel free to contact support with any other inquiries you might have.
 

Reviews Average Rating: 4.5 out of 5

Other education that may be of interest to you:

Breaking in and Building a Career in Premium Unscripted TV

As you are aware, unscripted television is BOOMING. All the streamers have jumped into the mix and now more and more networks, premium cable channels and even short form platforms like Quibi are diving in with both feet. Creating compelling non-fiction TV requires more than just vision. It involves a gameplan. And it can't hurt to have multiple ideas in reserve or even multiple paths for the same show. This will allow you to not only launch one show, but perhaps lay the groundwork for many shows, essentially building brand recognition for you and for your production company. There is a path to building a scalable business in reality and unscripted and that path is wider than ever. And there's no better person to send you on that path than a guy who has built an empire with his company through producing such shows as Netflix's CHEER and CHEF'S TABLE and many others for streamers and networks around the world. We all have a desire to tell stories. In an era when technology is rapidly developing and there are increasingly lower barriers to actually creating unscripted content. But an idea is just the start. Often times what we fail to do is understand how to get from an idea, or a series of ideas, to having viable content that a more commercial marketplace is actually looking for. By doing a deep dive into the history, shows and business of the prolific reality production company Boardwalk Pictures, we can better understand how to establish our creative voice and brand in a crowded landscape and determine how best to bring our value to a variety of projects and partners. Andrew Fried is the Founder and President of Boardwalk Pictures, producers of premium non-fiction content for multiple networks and distributors including Netflix, Showtime, Quibi, YouTube and many others. A recipient of multiple awards and 3 Emmy nominations, Fried and Boardwalk strive to elevate and expand the idea of documentary television across an ever-growing unscripted landscape. Boardwalk has been responsible for some of the most prestigious unscripted series of the last few years. CHEF'S TABLE, now entering its 7th season, has received 8 Emmy nominations, has won 3 James Beard Awards and the IDA Award for Best Documentary Series. CHEER, also on Netflix, has proven to be one of the platform's biggest successes. Other huge commercial hits include Gwyneth Paltrow's THE GOOP LAB, 7 DAYS OUT, STREET FOOD and LAST CHANCE U (now in it’s 4th season), the Showtime series ACTION and YouTube’s BEST SHOT. Andrew will teach you how to stake your claim in the unscripted marketplace and also how to build an empire in the space. By diving into his journey and the paths Boardwalk Picture shows have taken from concept to screen, Andrew will show you the do's and don'ts of unscripted from the creative and business sides to assure you shorten your path to success. He will speak to the companies origin stories and how Chef's Table became Netflix's first unscripted original series. He will explain how to judge quantity vs. quality, explain the "8th Grade Assembly" test, describe what it means to be storyteller led, and how to identify a void that needs to be filled. He will dive into how to develop your creative brand, define what stories it is you want to tell, and how to approach meetings and networking opportunities to help get your vision to air. He will describe how to add value to just about every situation - so important in unscripted where you're likely to have partners and how to best position yourself to where people not only want to work with you, but will be anxious to hear your next idea and the one after that.   Praise for Andrew's Stage 32 Webinar   "Fabulous, authentic insights into what makes a successful producer of premium unscripted content!" -John P.   "Loved it! I especially appreciated his positivity! I’m feeling inspired and I know I’m on the “write” track to creating something wonderful!" -Edie F.   "Andrew was really great - a total professional who gave a lot of insight into "the business" and what attracts the green light." -Pooky A.   "Excellent. Honest. Thoughtful. Insightful." -Tim O.    

Special Stage 32 Virtual Happy Hour: Live Table Read Plus Cast Q&A

Stage 32 is committed to bringing you entertainment, education, and community from the comfort and safety of your own home. Our Script Services Coordinator, Nick Assunto, has procured an amazing slate of talented and funny actors and Stage 32 members to read his pilot The Conspiracists, a half-hour sci-fi comedy. During this exciting virtual event, you will get an exclusive look behind the scenes of a professional television table read. Watch as the actors make the script come alive for the very first time. This is a rare opportunity to peel back the curtain go behind the scenes to watch and see a script workshopped directly with professionals. Our fearless leader, Richard "RB" Botto kicked off a night of hanging out virtually. You'll get a chance to laugh along courtesy of some Stage 32 members who are incredible actors from your favorite tv shows and improv theaters including The Upright Citizens Brigade, Second City, and The Pack. Cindy Chu - playing Helena Francois (New Girl, Hawaii Five-0, MacGyver) Angela Cristantello - playing Beatrix Baker (Agent Carter, 9-1-1) Nican Robinson - playing Greg Shepherd (13 Reasons Why, Thunder Road) Carolyn Deskin - playing Mee Moo and Super Professional Sue (Water's Edge, Sorrow) Rama Vallury - playing Turkey Hemingway, Sweaty Phil, Nervous Intern, Boss Man and Bus Drive (Happy Ending, AOK) Ramona Apthorp - playing Pickle Frost   PLUS! after the table read we did a Q&A with the actors, writer Nick Assunto, our fearless leader Richard Botto and our Director of Script Services, Jason Mirch moderated by our Managing Director Amanda Toney so you will get the perspective from everyone involved about the table read! What a great way to have fun and learn!       Mark your Calendar! LIVE Online Table Read of the Comedy Pilot "The Conspiracists" Friday, March 27th at 7 pm PST   Please help support your fellow Stage 32ers by sharing this on social. Check out the social media buttons at the top to share on Instagram @stage32online , Twitter @stage32 , Facebook @stage32 , and LinkedIn @stage-32 .

International Women's Day: Stage 32 + Female Voices Rock Celebrate Women In Entertainment

In Stage 32's continued effort to shine the light on women in the entertainment industry we have partnered with Female Voices Rock for a thrilling virtual event. On March 8, International Women's Day, some of the industry's top leaders who are dedicated to empowering women will be coming together to host an inspiring webcast celebrating women in entertainment. The panel features five powerhouse female voices of entertainment, including: Carmen Carbana - Cinematographer, Marvel & Disney Plus Ms. Marvel; Hulu's High Fidelity; Lionsgate/Starz LatinX hit show Vida, Netflix's Narcos Robyn Watson - Director, WarnerMedia Distribution & Board President of Women in Film & Television, Atlanta (WIFTA) Kristi Shuton - Walt Disney Television, Creative Talent Development & Inclusion Amanda Toney - Stage 32, Managing Director Moderator: Catherine Delaloye - Female Voices Rock,Founder & Executive Director After our live panel, join us for an exciting networking happy hour! We will break off into smaller groups and meet and toast your fellow female filmmakers, actors, screenwriters, cinematographers, production designers, and entertainment creatives & professionals from all over the world.

Producing Projects in the New Normal with Oscar-Nominated Producer Chris Moore & Stage 32 CEO Richard "RB" Botto

The world is changing quickly and the phrase “new normal” is being bandied about with abandon. Even though filming is limited (at best), development continues to move forward and that means producers are busier than ever. In the entertainment industry, scripts continue to be optioned, projects continue to get developed, talent continues to find representation, and production is slowly starting to resume in LA and more so all over the world. So what does producing look like in this "new normal"? It’s definitely time for a check-in. So let's delve into the state of the industry today with Oscar-nominated producer Chris Moore and our fearless leader, and fellow producer, Richard "RB" Botto.  Chris Moore has done and seen it all. During a career spanning over 30 years, Chris has produced films that have had multiple Oscar nominations and wins such as Good Will Hunting and Manchester by the Sea, to studio blockbusters like American Pie andThe Adjustment Bureau, to independent darlings such as Waiting, to creating and starring in the critically acclaimed industry television shows Project Greenlight alongside Matt Damon and Ben Affleck and The Chair. One of the secrets of Chris' longevity in the business is a full understanding of the business. He's as plugged in as they come and he knows how to adjust quickly, swiftly, and successfully as the landscape changes - which seems to happen on a daily basis these days. Most importantly, Chris is known in the industry as a take-no-prisoners, no bullshit guy. He tells it like it is and pulls no punches, which, in this business, is welcome and refreshing.  Richard “RB” Botto is a producer whose films have played at dozens of festivals including the Sundance award-winning feature, Another Happy Day, starring Ellen Barkin, Demi Moore and Kate Bosworth, written & directed by Euphoria creator Sam Levinson, What Lies Ahead, starring Rumer Willis & Emma Dumont, the documentary Crutch and the upcoming Rain-Beau’s End starring Ed Asner and Sean Young. He is the Executive Producer on Vagic with Amy Baer at Gidden Media and My Clone’s an A-Hole with National Lampoon. He is also in active production on 3 more projects in various mediums. RB is also the Founder and CEO of Stage 32 (stage32.com). Stage 32 is the world’s largest online platform connecting and educating film, TV & digital creatives and executives worldwide. Through Stage 32 he has helped incubate Chick Fight, starring Malin Akerman and Alec Baldwin, produced by Yale Productions and Ramo Law, and 10-31, produced by Eli Roth and Orion Pictures. Additionally, RB’s book Crowdsourcing For Filmmakers: Indie Film and the Power of the Crowd, was published by Focal Press/Routledge under the American Film Market Presents banner and quickly became one of their best-selling titles. The paperback, kindle edition and audiobook have all hit #1 in 6 different film and business related categories on Amazon and Audible and the title has received over 100 5-star reviews across all platforms. In another FREE Stage 32 COVID-19 webinar, Chris and RB team up for an exclusive Q&A session where they’ll answer questions from the Stage 32 community about the state of the industry today and where they believe things are headed. Bring your questions about the craft and business. If you know anything about Chris and RB, you know you're in for a candid, no bullshit, straight through the heart conversation!  

Become an "Actor's Director" - How to Get the Performance and Win the Respect of Your Cast

As a director, one of your most important jobs is eliciting great performances from actors. Fail at that, and your film or series could crumble under the weight of bad acting. Although the best directors shape performances with a deftness that may seem effortless, it is not. In fact, becoming a great director of actors is hard work and takes years of disciplined practice. Like playing a violin, it is a skill that must be nurtured. But there is a place to start: Set the goal of becoming an “actor’s director.” You’ve heard the term before, but what does it really mean? Why does it matter? And how can you become one? An actor’s director is simply a director who respects actors, can read their wants and needs, understands the craft of acting, and knows how to optimize an actor’s performance with simple, short directions (or no apparent direction at all). While actors routinely compliment directors by bestowing this title upon them, becoming an actor’s director means far more than earning the respect of those in front of the camera. In truth, the best directors are actor’s directors by definition. The temperament and skillset of an actor’s director yields superior performances, and it leads to more fulfilling actor-director relationships. By studying the strategies, attitudes, knowledge base and habits of actor’s directors, you too will be on the path to better performances in your own films and series. And, who better to know what it takes to become an actor's director than Matthew McConaughey's teaching partner at University of Texas, Scott Rice. Scott is an Emmy Award-winning director who has directed projects for Sony Pictures, A&E, MTV Networks and more. His films have been distributed by Hulu, Showtime, Comedy Central and PBS.  After studying under world-renowned film scholar David Bordwell, Scott began his career as a 3D animator and art director for Activision. He scripted the groundbreaking hit game SOLDIER OF FORTUNE and has since written on assignment for Elizabeth Avellan (SPY KIDS) among others. Scott is also an ADDY award winner for his commercial work. His national commercial clients include Shell, Las Vegas, MasterCard and Sears.  As Scott explores how to become an “actor’s director,” he will share a volume of best practices and wisdom born of a rich 25-year career. Scott will begin by explaining what it means to be an “actor’s director” in general and will go over what you need to be familiar with ahead of time in order to be one yourself, including a basic rundown of the craft and challenges of acting and how to use empathy. He’ll illustrate what a strong actor-director collaboration looks like, how to harness the power of ‘yes’, and how to correctly ‘watch’ a performance while on set. Next Scott will delve into how best to prepare before production, including navigating scene work, the read-through and rehearsal process, dealing with shot listing, and creating a schedule while keeping your actors’ needs in mind. He’ll also discuss how best to handle walkthroughs and blocking and when to use stand-ins. Then Scott will teach you the best ways to interact with actors on set, including how to meet with them ahead of time, and how to hold yourself and speak while on set. He’ll spend time talking about the casting process and ways to serve as an “actor’s director” while auditioning and interviewing talent. Scott will then offer tips on how to work with non-actors, including children and animals, and share Steven Spielberg’s techniques for these challenges and how to use improvisation. He will delve into strategies for solving problems that occur on set, including how to identify a weak performance, getting out of a ‘black hole’, when to move on and circle back, and how to decide what you really need to move forward. Scott will share 8 things you should avoid while on set in order to be a better “actor’s director”. In the end, Scott will leave you with a thorough understanding of what it means to be an actor’s director and, more importantly, provide actionable advice for how to become one yourself. Scott will accompany his presentation with exclusive material from his nationally recognized film course which goes behind the scenes of Oscar-winning actor Matthew McConaughey’s latest films. Scott will illustrate successful actor-director relationships through anecdotes from McConaughey and notorious directors including Gary Ross (THE HUNGER GAMES), Jeff Nichols (LOVING), and Harmony Korine (SPRING BREAKERS).   Praise for Scott's Stage 32 Webinar   "Scott was a great choice for an instructor. Very knowledgeable and a good teacher" -Blake N.   "Scott was a fabulous presenter. He definitely brought his A-game today. Thanks, Scott!" -Paul T.   "It was terrific. Great instructor. I loved his insights and recommendations. He clearly stays on top of his profession and is always learning." -Crystal B.   "Just what I needed to hear" -James G.   "Great. I have been an actor for a long time. Loved Scott's approach to working with actors. Spot on" - Shelagh M.    

Location Scouting 101

Learn directly from Tim Moshansky, a 20 year location scout who has worked on hundreds of films and TV shows including The Revenant, Twilight Saga: New Moon, Fifty Shades of Grey, and Aliens vs. Predator: Requiem! There are two things that a production starts doing as soon as they have the “green light” - casting for actors and scouting for locations. In a way, a location scout is like a casting director for locations. Unless a film is shot entirely in a studio with sets or green screen, locations are integral to how the film will look. Anyone can become a location scout, but to become a GREAT scout that people call again and again takes a keen eye, good people and photography skills, and on-the-ground experience. In this webinar Tim Moshansky will guide you through the entire process of scouting - from the moment you get the script or storyboards, to when they call “Action!” on set. Tim will offer you tips and insights from his nearly 20 years of scouting experience. Whether you are someone considering a career as a scout, or a filmmaker looking for ways to increase your production value and anticipate potential location problems, this is the webinar that will help you learn the basics about scouting. This webinar includes FREE bonus materials for download!: Locations Release Location Agreement Location Breakdown Script Breakdown

register for stage 32 Register / Log In