It's Introduce Yourself Weekend at Stage 32! Head over to the Introduce Yourself section of the Stage 32 Lounge and let everyone know who you are, what you're working on, your dreams and aspirations. And be sure to peruse other member's threads. You never know when you're going to make a connection that changes your life!
About Your Instructor, John Keedwell GBCT: John Keedwell has been a film maker for over 30 years, who has worked in over 65 countries and had a wide range of different experiences. In that time he has crossed the Sahara desert twice, worked in temperatures between -35C (-31F) and +50C (122F), worked with royalty, politicians, been on extensive tours with rock bands, interviewed many huge musicians and celebrities, and has shot on multiple formats from Super 8 film, 16mm , 35mm, digital stills and video, to highly specialist digital high speed cameras. With a very wide ranging knowledge of the trends for cinema, he has been writing for over 10 years for the British Cinematographer magazine, covering International movie making techniques, and has been advising trade bodies on standards for photography and video. He is the author of the award winning book Get The Message Now?!? - a look at how video can best communicate to your audience, and how changing only a few small factors when recording can massively increase the deliverability of your video message. Praise and testimonial in his book has come from Chris Menges. BSC He is also the founder of the Epics Academy, teaching film makers, photographers and corporations the many skills and techniques for conveying your message using cinematography and film making techniques. He is a Board member of the GBCT, the Guild of British Camera Technicians and a voting member for BAFTA. Full Bio »
Learn directly from John Keedwell, a 30+ year filmmaker who has worked in over 65 countries!
Many here on Stage 32 like the idea of producing and shooting your own movies, and often you may have a very limited or no budget available. You will therefore often need to compromise and work around obstacles and challenges.
In this webinar I examine both the benefits of shooting on DSLR's and I also take a look at some of the challenges they often throw up for the filmmaker. Shooting a movie on a DSLR often requires different additional accessories and lenses to turn it from a stills camera into a camera capable of consistently recording high quality moving images. I take a look at some well-known movies where a DSLR has been used, and examine how they have been used there.
DSLR's don't work exactly like a moving picture camera. It is a stills camera that happens to have a feature to record a sequence of video. As a stills camera they work really well and make great images, yet when it comes to shooting anything more than a few movie clips they all have flaws in operation. While these limitations are not impossible to overcome, they can become significant tiresome issues when shooting for extended periods. I examine the ergonomics and functions of DSLR cameras and how they can often hinder the smooth operation and camera movement possibilities for the filmmaker.
It’s better to know and examine this now than before you get on set shooting.
There are cameras available now that are less expensive and do a much better job of helping filmmakers, they still have the large sensor cinema "look," yet have better ergonomics, monitoring, lens choice, better dynamic range and resolution, and have more functions to support filmmakers. We’ll explore that as well.
DSLR's have been used on many movies and TV:
Canon 5D Mark III has become synonymous with independent film makers, now C300, C500 and Now 4K Canon EOS-1D C with Log gamma, Panasonic GH4, and more
Factors to be aware of when shooting on a DSLR. Some areas need to be looked at closely and taken into consideration.
Monitoring and operating
Sound and data recording
Rolling shutter potential in CMOS sensors
The job of the Cinematographer is to bring the Director’s vision to life. As a DP, your work is silent, but can speak volumes. You are both craftsman and technician - needing to have a keen eye as well as a sharp understanding of your tools. Few tools are more important to the Cinematographer than Pre-Production. It’s an often overlooked and underutilized process that can save your production immense amounts of heart ache, heartache, and money. In this Stage 32 Next Level Webinar, LA-based Director of Photography, Jonathan Pope, will guide you through the Cinematographer’s vital role in Pre-Production. He'll discuss a variety of processes within pre-production, including compiling a lookbook, choosing your camera, location scouting, creating a shot list and overheads, and much more. You'll get a breakdown of the basics and discuss tips and tricks on how the Director of Photography can help the production avoid some common (and sometimes very costly) pitfalls from Jonathan's own experience. He will use documents and case studies from his most recent projects to give you an inside look at the preparation it takes to ensure you get that cinematic look on any budget. Whether you're shooting your first feature film, your passion-project short film, your tenth music video, or you're just branching into the commercial world, this webinar will benefit both indie Directors and Cinematographers. ***All attendees will receive examples of lookbooks, shot lists and camera/lighting overheads so you will be able to create your own!
**Please note - if you can't make the live sessions, don't worry! They will be recorded and you can watch on-demand at your convenience. CLASS 1 - APRIL 8, 2017 11am PDT - 1pm PDT Section I: THE OVERVIEW 1. Introduction to Jason 2. Creative Aspects of the Job Prep – Breakdown & Scheduling from Script to Game Plan Shooting – Set Management & Directing Background Differences between Film&TV; Day & Night; Stage & Location Working Relationship between the AD and Director, Producer, DP & Actors 3. Why We Do It What I’ve learned over the years We are a mix of; Traffic Cop, Bartender, Kindergarten Teacher, Cheerleader, Psychologist, Juggler & CEO Day to day Energy, Pace, Crew Moral and Motivation Tools of the job. Shoes and what to carry in your pockets The need for outside influences and a life away from the work Section II: PRACTICAL APPLICATIONS 1. Prep (In this section Jason will share his computer screen to show how to actually breakdown a script using two scenes from Jurassic World as an example. Inputting it into Movie Magic Scheduling and then using that material as a launching board for teaching call sheets and other paperwork) 1st AD – What is Expected (Schedule, Scout, Dept Meetings, Background and how to do it) 2nd AD – What is Expected (Assist 1st, Rehearsals, Fittings, Interface with Actors, Tech Scout, Background Casting) 2. Shooting 1st AD – What is Expected Run the Set, Move the Company Forward, Execute the Schedule 2nd AD – What is Expected Assist 1st, Set BG, Prep Next Day, Run 1st Team, Communication Liason with Office and Rest of World 3. Safety Meetings Legal Responsibility Knowing When to Say No, Knowing how to say no Know all the Equipment Know what it takes to get it done Trust in your Departments Live Q&A with Jason - bring your questions! CLASS 2 - 1 HOUR, APRIL 8, 2017 11am PDT - 1pm PDT Section III: THE FUN PART - PAPERWORK 1. Paperwork Call Sheet Production Report Exhibit G “Sag” Sheet One-Line Schedule Shooting Schedule Cast Day Out Of Days Section IV: ON-SET STORIES & PRACTICAL APPLICATIONS Practical stories to show good and bad days of the job Live Q&A with Jason - bring your questions!
Getting a job in Hollywood can seem hard...but it doesn’t have to be. If you feel like every job application you send in is a shot in the dark, you may want to rethink your process. Luckily, there are many tangible strategies that can make the job search more efficient. Ultimately, the key is to find a way to stand out in the pack. And we’re here to help you do just that. During this 90 minute session, you’ll learn how to build a robust network, job search tactics that will get your resume into the right hands, how to craft effective resumes and cover letters, and tips to help you ace any job interview. Whether you’re just starting out or are hoping to transition into a new position that will move you closer to your goals, this course is for you. We are professional resume writers, dedicated to helping Hollywood hopefuls find their dream jobs. But unlike most professional resume writers, we are not recruiters or HR executives. Instead, we have actually worked in and hired for entry-level positions across Hollywood. After conducting hundreds of interviews and weeding through even more resumes over the years, we've learned that many qualified candidates simply don't know how to pitch themselves for the Hollywood jobs they want. And, in an industry where most jobs are filled through internal referrals, it’s crucial to impress not only the recruiters, but those in the actual departments that are hiring -- and we know what they’re looking for because we’ve worked in those departments ourselves. We’re excited teach you the proven networking strategies, resume and cover letter writing techniques, and and interview skills that we have used to succeed in our own careers and watched countless others use to succeed in theirs.
Learn directly from Tim Moshansky, a 20 year location scout who has worked on hundreds of films and TV shows including The Revenant, Twilight Saga: New Moon, Fifty Shades of Grey, and Aliens vs. Predator: Requiem! There are two things that a production starts doing as soon as they have the “green light” - casting for actors and scouting for locations. In a way, a location scout is like a casting director for locations. Unless a film is shot entirely in a studio with sets or green screen, locations are integral to how the film will look. Anyone can become a location scout, but to become a GREAT scout that people call again and again takes a keen eye, good people and photography skills, and on-the-ground experience. In this webinar Tim Moshansky will guide you through the entire process of scouting - from the moment you get the script or storyboards, to when they call “Action!” on set. Tim will offer you tips and insights from his nearly 20 years of scouting experience. Whether you are someone considering a career as a scout, or a filmmaker looking for ways to increase your production value and anticipate potential location problems, this is the webinar that will help you learn the basics about scouting. This webinar includes FREE bonus materials for download!: Locations Release Location Agreement Location Breakdown Script Breakdown
Learn directly from David Landau, 30 year Lighting director and Director of Photography. The story could be the greatest in the world, but if the lighting is poor viewers will assume it’s amateurish and not take it seriously. Good lighting makes things look real, while real lighting often makes things look fake. Good lighting supports the emotional moment of the scene, contributes to the atmosphere of the story and can augment an artistic style. So, no matter how good a script, how good a director, how good the actors – the lighting needs to be as good if not better. The fact is, we can’t usually make good pictures without good lighting, no matter how good the newest cameras are. Yes, we can sometimes get lucky. But while shooting under available light gives exposure, it often lacks depth, contrast, contour, atmosphere and often separation. Well-crafted lighting helps establish the illusion of reality that is necessary for the viewer to forget they are watching a screen and get lost in the story. In this Stage 32 Next Level Webinar, host David Landau will go over the ten things all filmmakers need to know about lighting, sharing some of the techniques to artistic and effective lighting that he has learned both from working with a wide range of cinematographers and through his own career as a Lighting Director and Director of Photography. David will demonstrate live from the Fairleigh Dickinson University sound stage lighting techniques that will make your images shine like a Hollywood feature without a big Hollywood budget. David Landau has over thirty years of professional lighting experience working on feature films, TV shows, sit-coms, game shows, commercials, documentaries, industrial films, music videos and direct-to-consumer DVDs. David worked as one of the gaffers on the TV series Project Runway and is a five-time Telly Award winner for lighting and cinematography. He is a member of IATSE Local 52 (gaffer) and the University Film & Video Association and Media Communications Association International. He also is the author of the new book Lighting for Cinematography: A Practical Guide To The Art And Craft Of Lighting For The Moving Image from Bloomsbury Press.
Learn the impact of film editing from international director/editor Max Leonida whose films have been screened and awarded at a range of festivals including the Sundance Film Festival, the Cannes Film Festival, the International Salerno Film Festival, the Columbia Gorge International Film Festival and the L.A. Short Films Festival, to name a few. “I love editing. I think I like it more than any other phase of filmmaking. If I wanted to be frivolous, I might say that everything that precedes editing is merely a way of producing film to edit.” (Stanley Kubrick) Some of the greatest, most iconic filmmakers of all times (like Scorsese, Hitchcock, Kubrick, Tarantino, Coppola, Lynch, Fellini, Gilliam and many others) used to spend hours, days and sometimes months into the dark secrecy of the editing room, sitting next to their faithful editor, enjoying the guilty pleasure of reshaping – over and over again – a world of their own. The post-production phase is the most critical one throughout the entire film production process… and editing, in particular, is a pivotal moment where as a filmmaker you should be able to understand that you are writing the final version and destiny of your movie. In this Stage 32 Next Level Webinar, international director/editor, Max Leonida will use his years of experience to give you a more profound knowledge of the artistic nature of the editing process, together with a clear, up-to-date and technical expertise about the most important digital editing systems on the market. Max's most recent films include Run (winner at 2013 MIFF and double winner at the 3D International Festival) and the feature film “What Separates Us”, Best Feature at the Machetanz Film Festival. Editing is not just a simple matter of pace, rhythm, and mere image composition: editing pertains to the core of storytelling itself. Every professional filmmaker knows that a closeup placed in the right place, at the right moment, can definitely chance the course of a narrative process. Editing includes re-defining the story, reconstructing the characters, reshaping the very structure to the point of even changing and re-dubbing the dialogue in a totally different way from the original script… all for the sake of beauty. And this webinar aims to give you these tools.