About Your Instructor, John Keedwell GBCT: John Keedwell has been a film maker for over 30 years, who has worked in over 65 countries and had a wide range of different experiences. In that time he has crossed the Sahara desert twice, worked in temperatures between -35C (-31F) and +50C (122F), worked with royalty, politicians, been on extensive tours with rock bands, interviewed many huge musicians and celebrities, and has shot on multiple formats from Super 8 film, 16mm , 35mm, digital stills and video, to highly specialist digital high speed cameras. With a very wide ranging knowledge of the trends for cinema, he has been writing for over 10 years for the British Cinematographer magazine, covering International movie making techniques, and has been advising trade bodies on standards for photography and video. He is the author of the award winning book Get The Message Now?!? - a look at how video can best communicate to your audience, and how changing only a few small factors when recording can massively increase the deliverability of your video message. Praise and testimonial in his book has come from Chris Menges. BSC He is also the founder of the Epics Academy, teaching film makers, photographers and corporations the many skills and techniques for conveying your message using cinematography and film making techniques. He is a Board member of the GBCT, the Guild of British Camera Technicians and a voting member for BAFTA. Full Bio »
Learn directly from John Keedwell, a 30+ year filmmaker who has worked in over 65 countries!
Many here on Stage 32 like the idea of producing and shooting your own movies, and often you may have a very limited or no budget available. You will therefore often need to compromise and work around obstacles and challenges.
In this webinar I examine both the benefits of shooting on DSLR's and I also take a look at some of the challenges they often throw up for the filmmaker. Shooting a movie on a DSLR often requires different additional accessories and lenses to turn it from a stills camera into a camera capable of consistently recording high quality moving images. I take a look at some well-known movies where a DSLR has been used, and examine how they have been used there.
DSLR's don't work exactly like a moving picture camera. It is a stills camera that happens to have a feature to record a sequence of video. As a stills camera they work really well and make great images, yet when it comes to shooting anything more than a few movie clips they all have flaws in operation. While these limitations are not impossible to overcome, they can become significant tiresome issues when shooting for extended periods. I examine the ergonomics and functions of DSLR cameras and how they can often hinder the smooth operation and camera movement possibilities for the filmmaker.
It’s better to know and examine this now than before you get on set shooting.
There are cameras available now that are less expensive and do a much better job of helping filmmakers, they still have the large sensor cinema "look," yet have better ergonomics, monitoring, lens choice, better dynamic range and resolution, and have more functions to support filmmakers. We’ll explore that as well.
DSLR's have been used on many movies and TV:
Canon 5D Mark III has become synonymous with independent film makers, now C300, C500 and Now 4K Canon EOS-1D C with Log gamma, Panasonic GH4, and more
Factors to be aware of when shooting on a DSLR. Some areas need to be looked at closely and taken into consideration.
Monitoring and operating
Sound and data recording
Rolling shutter potential in CMOS sensors
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The more production savvy we are, the better filmmakers we become. As directors, it is our job to know every heartbeat of our story; the preparation needed for executing our vision; and the intricacies of bringing it to its final conclusion, in a way that will illicit an emotional response from our audience. That means that we must not take our foot off the pedal once we wrap. Being present, aware, in control, and maintaining our focus during post-production is vital. Sometimes our film is made (or lost) in the edit. The technical steps of post production can seem overwhelming, especially coming off the heights (or lows) of wrapping a picture. But if we don’t have a good understanding of the post production steps, it could be challenging to bring our vision to a strong finish, and ultimately to a wider audience. Stacia Crawford is a Director/Producer/Writer/Actress who, last year alone, directed two feature films which premiered on Netflix and Lifetime. As a producer she has helmed five feature films with Mar Vista Entertainment (premieres on Hallmark, Lifetime, CMT), in addition to several independent feature films. In television, Stacia co-directed/produced various unscripted series for NBC/Esquire, The History Channel, A&E, AMC, Spike, Logo, Pivot, Blaze TV, MTV. She also produced several web content shows, most notably for My Space. Prior to directing/producing, Stacia started her career as an actress/writer and can be seen in several feature films, including cameo roles in films that she’s directed. As a writer, she has written two novels (KIT TEN, THE SPACE BETWEEN) and co-created four original dramatic television series, (DRIVING UNDER THE INFLUENCE, WILDCATTERS, AMERICAN CAESAR, and SENESCENT) all currently in development. In a clear, expansive, yet easy to digest presentation, Stacia will help all filmmakers understand exactly how to handle and navigate the post-production process. She will begin by teaching you what to look for when hiring your entire post-production team. From there, she'll discuss the difference between all the post production positions - some sound quite similar, but do completely different jobs - and...do you need them all? Stacia will then dive into scheduling including the level of cuts for the film, and how long each part of the process (sound, coloring, etc) should take. She will discuss pick up shoots, fixing lighting and audio mistakes, and how to protect for footage errors. She'll even get into key art and what to include in your trailer! This is a comprehensive webinar designed to keep you deeply immersed in the post-production process carrying with you the knowledge that will keep your team on board with finalizing your vision. Praise for Stacia from her previous Stage 32 Next Level Webinar: She explained what is the Director's job was very very well and broke it down step by step! -Sharlene R. Stacia did a great job. She was great! -Tracey A If you are thinking of going into the industry it was amazing, hit all the points, and she went above and beyond when she expanded on a lot of her points...like making sure you get your insert shots (which I've been a victim of.). Overall she was great, clear and to the point. -Ryan H. Stacia was great. A lot of good information in a clear and concise manner. -Angel N. Great information! -Liz H. It was interesting to hear from other filmmakers' perspective. I learned a lot about the Director's position, as it relates to Film & TV. I came into this webinar because of my interest in knowing more about the producing/directing side of the industry, and man Stacia really did go in and cover a lot. My mind was soaking up information left and right. Another great webinar! -Shayne W.
Stage 32 is committed to bringing you entertainment, education, and community from the comfort and safety of your own home. Our Script Services Coordinator, Nick Assunto, has procured an amazing slate of talented and funny actors and Stage 32 members to read his pilot The Conspiracists, a half-hour sci-fi comedy. During this exciting virtual event, you will get an exclusive look behind the scenes of a professional television table read. Watch as the actors make the script come alive for the very first time. This is a rare opportunity to peel back the curtain go behind the scenes to watch and see a script workshopped directly with professionals. Our fearless leader, Richard "RB" Botto kicked off a night of hanging out virtually. You'll get a chance to laugh along courtesy of some Stage 32 members who are incredible actors from your favorite tv shows and improv theaters including The Upright Citizens Brigade, Second City, and The Pack. Cindy Chu - playing Helena Francois (New Girl, Hawaii Five-0, MacGyver) Angela Cristantello - playing Beatrix Baker (Agent Carter, 9-1-1) Nican Robinson - playing Greg Shepherd (13 Reasons Why, Thunder Road) Carolyn Deskin - playing Mee Moo and Super Professional Sue (Water's Edge, Sorrow) Rama Vallury - playing Turkey Hemingway, Sweaty Phil, Nervous Intern, Boss Man and Bus Drive (Happy Ending, AOK) Ramona Apthorp - playing Pickle Frost PLUS! after the table read we did a Q&A with the actors, writer Nick Assunto, our fearless leader Richard Botto and our Director of Script Services, Jason Mirch moderated by our Managing Director Amanda Toney so you will get the perspective from everyone involved about the table read! What a great way to have fun and learn! Mark your Calendar! LIVE Online Table Read of the Comedy Pilot "The Conspiracists" Friday, March 27th at 7 pm PST Please help support your fellow Stage 32ers by sharing this on social. Check out the social media buttons at the top to share on Instagram @stage32online , Twitter @stage32 , Facebook @stage32 , and LinkedIn @stage-32 .
Aerial images go back to when hot air balloons first went up in the 1700s, but the use of aerial images has exploded in the 21st century with the now ubiquitous Unmanned Aerial Vehicles, better known as drones. In very little time, drone photography has become widely—perhaps too widely—used in countless films, television shows, commercials, and other media projects. And along with this wide adoption of drones has come a demand for those who can successfully and artfully operate them. This presents a potentially lucrative and rewarding opportunity for cinematographers looking to expand their reach and build their skill set. Yet with the clear overuse of drone photography in media today, each to varying effects, it’s evident that not all drone shots are created equal, and standing out requires a deeper level of skills. Adding drone cinematography to your film, tv or new media project can breathe new life into shots that may, in the past, have cost your budget heavily to rent the necessary equipment to get. In the same way, finding success with drones requires more than knowing simply how to pilot one; a cinematographer needs to have the eye and well-developed instincts and they need to understand how to work with clients and artists to get those perfect shots. It's important to know that the term ‘drone operator’ is often used for those that use these vehicles to capture video or images, but just as cinematographers are never simply referred to as ‘tripod operators’, neither should anyone simply be seen as a ‘drone operator’. A drone is just a new way to place the camera in incredibly exciting places, a tool in a tool belt. Better understanding the steps that can take you to this point can prove exciting and promising for a cinematographer’s career. Chris Tangey is one of the most sought after drone cinematographers in the world. His impressive career as a cinematographer has him working for Netflix, Warner Bros. Columbia Tristar, BBC, National Geographic, Discovery, Lonely Plant and more. He recently won "Best Aerial Cinematography" in the European Cinematography Awards, and both "Best Drone" and "Best Scenography" In the New York International Film Awards. He was also awarded a Jury Commendation in the World Drone Awards in Siena Italy. He has 2 Gold and 4 silver awards from the Australian Cinematographers Society. Chris has quickly become a leader in the field of aerial imagery and is ready to share what he knows exclusively with the Stage 32 community. Chris will give you the knowledge and tools to get you started to becoming a successful aerial cinematographer. He’ll begin by giving a brief introduction on drone photography, offering a history and understanding of what exactly drones, as well as how they have affected the current state of helicopter-based cinematography. He’ll explain the benefits and exciting potential of drone cinematography and how that has come into play in media today. He’ll lay out how drones and drone photographers work within small and large productions and their crews. Next Chris will give a rundown of how drones work, what the main types of drones are, what the main drone manufacturers are, and what the notable parts of a drone are. He’ll explain what features are offered for different drones and what features are needed for different types of projects. He’ll also give tips on where to buy your own drone as well as how to obtain a licence to legally operate them. Chris will then outline the safety and legal aspects of operating drones. He will teach you the governmental rules and regulations in most countries, including vertical separation rules and how both controlled and uncontrolled aerodromes are treated. He’ll give you tips on how to navigate these rules while still working with your clients and how to understand what your licence gives you the right to do. He’ll also provide strategies to work within the confines and limits to still get the shots you need as well as strategies to keep yourself and your crew safe. Chris will go over how to break into the industry as an aerial cinematographer. He’ll explain the current marketplace and help outline what level of the marketplace you should be targeting. He’ll give you tips on how to build a reel and display your ability to find opportunities and will teach you how to find and stick to your rate, including ways to not undercut the market, manage value-added rates, and offset licence rights against day rates. Chris will even offer case studies from his own career to demonstrate how best to work with clients and get the shots you’re after. Expect to leave with the knowledge and confidence you need to kick start your own aerial cinematography career. "My career as a cinematographer has been “elevated" greatly by incorporating drones and knowing how to use them properly to get the best possible shot. I'm so excited to share my experiences with the Stage 32 community and give everyone the knowledge to use this powerful tool to their creative and financial advantage" -Chris Tangey
Learn directly from Mitch Aunger, a leading authority in the world of HDSLR from planet5D! In today's increasingly digital world the choices for cameras to capture your film or television project can be overwhelming. Whether you are shooting your first project or you are preparing for your latest feature and thinking about changing your equipment, how can you possibly understand everything there is to know about what's on the market? It's rare that "in the can" exists on set, so how do you decipher between the new digital age - HDSLRs, RED, Blackmagic, GoPro, EOS and everything in between? Technology has evolved and so has the equipment. Who has time to understand the features and benefits of each of the different cameras? Mitch Aunger of planet5D does. He is one of the most knowledgeable resources of cameras and equipment. Join Mitch Aunger as he discusses digital filmmaking history and the cameras that go along with it. Mitch has written over 2,500 blogs about all different types of cameras and equipment to help filmmakers and directors discover what will be the best choice for their project.
Founded in 2011 by Richard "RB" Botto, Stage 32 is the world's largest online platform connecting and educating film, TV and new media creatives and professionals worldwide. Stage 32 works with over five hundred industry professionals and executives who provide education, instruction and professional opportunities for members of the platform. Stage 32 currently has over 1,200 hours of exclusive film, television and digital craft and business education in its library. Stage 32 members use the platform daily to build their network, take online webinars, classes and labs, find work and cast and crew their projects. Stage 32 members range from students to Emmy, BAFTA and Academy Award Winners. We work tirelessly to ensure that you know that Stage 32 is your online home to stay connected with over 600,000 creatives and professionals from across the globe. Now, we are excited to present a virtual panel featuring some of the top minds in the Stage 32 community to discuss the current state of animation, as the industry adapts to a new development and production landscape after the COVID-19 pandemic. In this panel discussion you will hear the point of view of top animation minds including Mike Mitchell (THE LEGO MOVIE: 2, TROLLS, THE SPONGEBOB MOVIE: SPONGE OUT OF WATER), Conrad Vernon (THE ADDAMS FAMILY, SAUSAGE PARTY, SHREK) and Harland Williams (Disney's PUPPY DOG PALS, Netflix's SKYLANDERS ACADEMY), all moderated by producer, and Stage 32 Managing Director, Amanda Toney. Stage 32 is proud to be putting the "social" in #SocialDistancing. Please share this event on your social media and tag @stage32 on Twitter and @stage32online on Instagram.
"Lisa is honest, raw with truth and very real with her knowledge. I appreciated how candid she was with the entire documentary filmmaking process. She was so incredibly detailed in each and every section. This was by far a master class on documentary filmmaking. Thank you Stage 32 and Lisa." - Tiffany F. Learn the steps you need to make a successful documentary hosted by Lisa Vangellow, Executive Producer of DISNEY +'s recent documentary World War Shoe produced with David Beckham. It's a great time to be a documentary filmmaker. The biggest distributors are hungry for documentary material to fill the pipeline. So what the principles that make a good idea for a documentary into a great finished product? How do successful documentarians create their films from start to finish? What are traps along the way you can avoid? And how do you ultimately get your film watched? In addition to her work with Disney +, Lisa Vangellow is an independent producer and director who has a project with actor James Franco. Lisa was previously Vice President of Development and Production at Arsenal, where she worked on projects including Push, Che: Part 2, and Let Me In. Over the course of three sessions, Lisa will offer her experience from the trenches to help filmmakers master the nuts and bolts of documentary film production and share step by step instruction on how you can produce a commercially viable film from idea to post-production. First, she’ll focus on the selection of subject matter and how to gauge its commercial viability. Lisa will take you through pre-production for a documentary film hitting on areas such as how to create a budget, hire your crew, get financing and explaining why you may want a lawyer to handle the nitty gritty. From there you’ll get an overview of different documentary styles and insight on how to create your story through the use of specific examples. Finally, Lisa will explain how to survive the post-production of your film to bring the entire project together and discuss your options for distribution. You will leave with an overall understanding of the documentary filmmaking process, an idea of what makes a good documentary, and how to execute these lessons in the real world. Even if you have little to no experience or if you have narrative film experience and are looking to try documentaries, Lisa will guide you towards the goal of completing a documentary film. PLUS! YOU WILL RECEIVE THESE DOWNLOADS: Budget Template Notice of Filming Template Documentarian Ethical Truths Guide Film Funds Resources