It's Introduce Yourself Weekend at Stage 32! Head over to the Introduce Yourself section of the Stage 32 Lounge and let everyone know who you are, what you're working on, your dreams and aspirations. And be sure to peruse other member's threads. You never know when you're going to make a connection that changes your life!
Stacia Crawford is a Director/Producer/Writer/Actress currently splitting time between Atlanta and Los Angeles. In 2018, she directed two thriller feature films (premieres on Netflix and Lifetime), and is slated to direct two feature films in 2019. As a producer she has helmed five feature films with Mar Vista Entertainment (premieres on Hallmark, Lifetime, CMT), in addition to several independent feature films. In television, Stacia co-directed/produced various unscripted series for NBC/Esquire, The History Channel, A&E, AMC, Spike, Logo, Pivot, Blaze TV, MTV. She also produced several web content shows, most notably for My Space. Prior to directing/producing, Stacia started her career as an actress/writer and can be seen in several feature films, including cameo roles in films that she’s directed. As a writer, she has written two novels (Kit Ten, The Space Between) and co-created four original dramatic television series, (Driving Under The Influence, Wildcatters, American Caesar, Senescent) all currently in development. Full Bio »
With the ability to film being more accessible, there are more opportunities than ever to be a director. To help you on your directing journey, we've brought in Stacia Crawford. In 2018 she directed two films that premiered on Netflix and Lifetime and with their success she is now signed on to direct two more. She started her career as a producer and actress in feature films and television which led to her love for directing and becoming a professional Storyteller.
In this exclusive Stage 32 Next Level Webinar, attendees will walk away with general information on what a Director’s responsibilities are through pre-production, physical production and post. Since Stacia has also produced, you will get the added benefit of general production information, as well as tips on working with actors. The more well-rounded a director is, the better the final product will be.
Q&A with Stacia!
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
Back by popular demand, Kristy Clabaugh and John Thomas from Element CPAs are going to be breaking down advanced level production accounting for film & television to Producers, Investors, Line Producers, Production Managers & Coordinators, and anyone else involved in accounting for film and television projects. In this exclusive webinar they’ll go over advanced level financial reporting requirements, production accounting, after you wrap, tax preparation and incentive reporting. Together, John and Kristy have serviced hundreds of clients in the industry - there isn't much they haven't seen, so bring your questions! John carries a Master of Accountancy and a Master of Business Administration and has more than 15 years experience navigating his clients through the complexity of the film tax credit audit process and advising on the project set up from development, pre, and post. Kristy serves on the executive board of directors as Treasurer for both the Georgia Production Partnership and Women in Film & Television Atlanta.
With more and more content being created, the theatrical distribution market is changing. But, there still IS an opportunity for a film to be distributed to the US market in theaters. We've brought in veteran acquisitions executive, Jason Resnick, from Aviron Pictures to talk about what makes an independent film stand out for theatrical distribution in today's market. Jason was formerly the GM of Worldwide Acquisitions for the Universal Pictures Group and in charge of all acquisitions for Universal, Focus Features, Rogue Pictures and Universal Home Entertainment. Now, he'll go over what the US theatrical market looks like for film acquisitions. And, it's more accessible than you think!
In this DIY filmmaking world it's easier than ever to just start shooting your project. And, especially if you want to control your own content, now you can pick up your equipment for a fraction of what it used to cost. If you're thinking of shooting your own content, we're bringing in award-winning filmmaker Barry Andersson who had directed 5 feature films that have been theatrically released, with his last film being distributed by Lionsgate. Best of all? Barry's figured out the best and most cost effective equipment you need to make great content. Join Barry in exploring his soup to nuts equipment list where he'll show you what he uses and why. After testing hundreds of things over the years, he’ll walk you through everything he has learned and what now has become his essential gear for "one man band" productions. He’ll walk you through every piece of gear he owns and uses, how to pack it and the different combinations he uses based on what job to film. This is a must-attend webinar if you're looking into your point of entry into shooting equipment.
CLASS 1 Section I: THE OVERVIEW 1. Introduction to Jason 2. Creative Aspects of the Job Prep – Breakdown & Scheduling from Script to Game Plan Shooting – Set Management & Directing Background Differences between Film&TV; Day & Night; Stage & Location Working Relationship between the AD and Director, Producer, DP & Actors 3. Why We Do It What I’ve learned over the years We are a mix of; Traffic Cop, Bartender, Kindergarten Teacher, Cheerleader, Psychologist, Juggler & CEO Day to day Energy, Pace, Crew Moral and Motivation Tools of the job. Shoes and what to carry in your pockets The need for outside influences and a life away from the work Section II: PRACTICAL APPLICATIONS 1. Prep (In this section Jason will share his computer screen to show how to actually breakdown a script using two scenes from Jurassic World as an example. Inputting it into Movie Magic Scheduling and then using that material as a launching board for teaching call sheets and other paperwork) 1st AD – What is Expected (Schedule, Scout, Dept Meetings, Background and how to do it) 2nd AD – What is Expected (Assist 1st, Rehearsals, Fittings, Interface with Actors, Tech Scout, Background Casting) 2. Shooting 1st AD – What is Expected Run the Set, Move the Company Forward, Execute the Schedule 2nd AD – What is Expected Assist 1st, Set BG, Prep Next Day, Run 1st Team, Communication Liason with Office and Rest of World 3. Safety Meetings Legal Responsibility Knowing When to Say No, Knowing how to say no Know all the Equipment Know what it takes to get it done Trust in your Departments Live Q&A with Jason - bring your questions! CLASS 2 Section III: THE FUN PART - PAPERWORK 1. Paperwork Call Sheet Production Report Exhibit G “Sag” Sheet One-Line Schedule Shooting Schedule Cast Day Out Of Days Section IV: ON-SET STORIES & PRACTICAL APPLICATIONS Practical stories to show good and bad days of the job Live Q&A with Jason - bring your questions!
***Please note: There are audio issues with this webinar so the price has been reduced. If purchased you are acknowledging this fact.*** Learn directly from Tatiana Kelly and Jim Young, independent producers who have worked with actors such as Bradley Cooper, Zoë Saldana, JK Simmons, Jeremy Irons, Dennis Quaid, Olivia Wilde, Amanda Seyfried, Peter Sarsgaard, Sharon Stone, James Franco, Lily Tomilin, Cuba Gooding JR, Dev Patel and Jeremy Irons! In order to raise financing for any independent film, most investors these days will be savvy enough to be utilizing the foreign sales-driven model of selling a film based on a director and talent. Attaching “valuable” talent to a film as early as possible is extremely beneficial for filmmakers looking to get a green light on their film. However agents receive so many financial offers for their clients on a daily basis that those that are on an unfinanced film and without a monetary offer will likely go to the bottom of the pile. With an independent budget, how can you make your film stand out as an attractive offer to talent reps? How can you get top talent excited about your project without using money as an incentive? If you don’t already have connections to casting directors, what options are available to get in touch with A-list actors? Stage 32 Next Level Webinars is thrilled to bring back Tatiana Kelly and Jim Young to teach you how to attach talent to your independent film! Having worked with various A-list actors on independent films such as Lovelace, The Words, Life of a King and Wristcutters: A Love Story, they will teach you how to break through an actor’s fortress and get them interested in your project. You will learn how to determine what to offer talent based on your budget, how to be strategic about what agencies you’re making offers to, what to keep in mind at the script stage and early in the casting process and how to get past the dilemma of getting talent without money and getting money without talent. You will leave this webinar not only knowing how to attach talent to your project on an independent budget but how to get actors excited about working with you!
So, you want to make a short film - how do you finance it? We're bringing in Sundance director JT Mollner who launched his career making short films - all while learning how to finance them from outside sources. In this exclusive Stage 32 Next Level Webinar, JT will teach you everything you need to know to finance your short film to make your creative dream a reality! Included - you'll receive a Pitch Deck from JT's film OUTLAWS AND ANGELS which started as a short film proof of concept, and went on to be made as a feature, being selected as an Official Selection at Sundance and selling to Orion films!