Jonathan Siebel is the Director of Budgeting & Estimation for Paramount Network. Prior to joining Paramount Network and working on their slate of television projects, he also worked in budgeting and accounting on Berlin Station, produced by Anonymous Content on Epix, and on The Unknown starring Dominic Monaghan for Crackle. He began his career working in accounting on major studio films such as Bridesmaids, Django Unchained, Thor and more. In addition to working on the studio level, Jonathan also works in the independent space, having written, directed and crowdfunded his own independent film BREAK THE WILL. Full Bio »
Jonathan Will Be Taking You Through the Ins and Outs of Movie Magic Budgeting in This Webinar Including:
Pattern & Amort, vs. All-in-One Budgets
Q&A with Jonathan
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Creating your own original digital series is a great calling card for your talent, a potential incubator for a larger TV series and a way to become an influencer that attracts brands. In this era of DIY content creation, now is your time to shine by creating a web or digital series, which will also serve as valuable IP (intellectual property) for you and your brand as a creative. We've seen digital series become hits TV shows like High Maintenance on HBO or Drunk History and Broad City on Comedy Central. With so many factors to consider to create a season for your digital series, where do you even begin? How do you not break the bank creating and filming it? And how do you assure your story is fine tuned to keep your budget down and make certain your scheduling, casting and locations make sense financially? You don’t have to overthink or overestimate the budget of your series. In fact, most webseries can be done for as little as $500 an episode. Yes, you heard that right, $500 per episode! Keith Powell has taken everything he’s learned as an actor on high-budget episodic productions (such as 30 Rock, This Is Us, Grace and Frankie, The Newsroom), modified it, and applied it to creating a successful micro-budget web series. And he did all this without breaking the bank and while keeping his sanity intact (well, kind of). And being the kind of guy he is, now Keith wants to share this knowledge with you. Keith will teach you the building blocks toward creating an artistically successful series without stretching your budget. You will walk away with all the tools necessary to help you during development, pre-production, production, post-production and even distribution. Most importantly, you will learn how - even with the glut of web series available online and within the market - you can make a product that stands out above the noise (and there definitely is noise!) Creating a web or digital series is something YOU can control and that can open doors to help launch your creative career. Keith will provide you with the tools to get started and establish the brand of your content and the brand of you! PRAISE FOR KEITH'S TEACHINGS: "Keith's no-nonsense approach (i.e. to the point, quick and efficient) provides a great overview of not only the things to consider when putting together a web series but also ensures he covered a lot of ground. Thanks Keith! We're putting together a web series right and some of your tips will save us ten-fold on the cost of this webinar!" - Dave P
When you think of storyboarding you may think that it's just for big budget productions, but the truth is that storyboards are MORE important for lower budget independent projects. A storyboard helps conceptualize the director's vision of the script and creates a blueprint for all the departments on set to prepare and work from. When your indie film is shooting on shorter timeframes with little wiggle room for mistakes, storyboarding can help save your production time and money. If you've never storyboarded before there are a lot of things to think of and plan for when planning out your scenes. Or, if you have storyboarded, it's good to refresh your knowledge and make sure you're maximizing your boards effectively. You have to know when you should start storyboarding and who gets involved. You need to know how the boards get used with the cast and crew from pre-production all the way into post-production. And, most importantly you need to know how storyboards can help find mistakes in the script that could derail on-set production. And, when we wanted to provide storyboarding education to the Stage 32 community, we had to bring in the best… Mark Simon, the “Godfather of Storyboarding”, has over 30 years in entertainment, amassing over 5,000 production credits, including STRANGER THINGS, THE WALKING DEAD, DEXTER, BLACK LIGHTNING, WOODY WOODPECKER and DOOM PATROL. He is also the animation producer for the HOW HIGH 2, LITTLE RASCALS and TOOTH FAIRY 2 features. Mark is now bringing his expertise to our Stage 32 community! In this webinar, you’ll walk away knowing exactly how to incorporate storyboards into your project and the importance of how it can help your production run smoothly! By the end of this webinar, you’ll be running off to storyboard your next production!
As a working actor, some of the best roles you can land are guest star roles for TV series. The money is good and it's an opportunity to become much more visible and have a lot more people see what you can do. Plus guest star roles give you invaluable experience working on a large and professional set. And landing guest star roles aren't just a fantasy; it's something you can actually achieve with the right preparation and understanding. You have to prepare quality reels, rehearse auditions and continuously study and improve your craft. Yet this is only half the battle. The second part of the actor’s journey is knowing how to maintain that trajectory of success after you’ve gotten the job. You need to know how to navigate the industry after you've gotten your foot in the door - so that door of opportunity does not close on you. There is a lot of information out there on the audition process for actors, but very little on how to actually do a good job once you're on set. If you're on your first guest star role, there's a lot you need to know to be successful. You want to make sure you perform well and that the cast and crew enjoy working with you so you can build your reputation and discover more roles. You want to make sure that your presence is a present to those around you. It isn't always easy making a good first impression on set but actors who accomplish this are able to secure more longevity in their careers. We’ll show you how to attain this same success. Maddie Corman is an award winning actor and writer who has guest starred on over 35 television series including all three LAW & ORDERs, CURB YOUR ENTHUSIASM, and THE GOOD WIFE and has had recurring roles in recent shows like YOUNGER and MADAME SECRETARY. Maddie has also been featured as a series regular on MR. PRESIDENT, starring George C. Scott, ALL AMERICAN GIRL, and ALMOST THERE. Maddie is also a writer and director. Her short film HOW WAS YOUR DAY was selected by Tribeca Film Festival and her first full length play ACCIDENTLY BRAVE was produced by the Tony Award winning Daryl Roth (KINKY BOOTS, INDECENT), which had a critically acclaimed run and also won the Off Broadway Alliance award for best solo performance. Maddie has decades of experience finding work as a guest star on countless acclaimed series and knows better than most what it takes to find success in this way. Maddie will provide invaluable guidance and tools on how to land guest star roles on TV series and how to make a good impression on set so you can keep on finding more work. Maddie will show you her own reel to use as inspiration and how to properly prepare for a great audition from wardrobe to improvisation to cues. She will also teach you key specifics around auditioning such as what they are looking for, how to continue prepping while you are waiting, and tips on small talk when you first walk into the room. Maddie will also prepare you for all types of auditions whether in-person, over zoom, or self-tapped, provide you with unique advice on how what to do after booking the role, and how to act on set like how to read your call sheet, nail your blocking, and what to do when you’re not needed on set. Maddie is tremendously excited to share her infinite wealth of knowledge and expertise with the Stage 32 community.
If you’re tired of your soul-sucking job or you have your own entrepreneurial venture but need to make more money now (because you’re tired of stealing your neighbors car and living off of Ramen Noodles), this webinar was built for you. During this jam-packed 90 minute teaching, you’ll learn how to find paid speaking, teaching, and writing opportunities that you didn’t even know existed. The best part is, you can start finding them right away and making more bankroll almost immediately. These opportunities not only bring in more money for you, they allow you to live your life on your terms and your timeline so that you can focus on building your career as a writer, actor, director, producer, fill in the creative blank. The fun doesn’t end there. If you sell a product or service, but find people are constantly trying to undercut you or get you to do it for mere pennies, we’re going to talk about what you can say and do to turn that around. You’re done giving yourself away. You deserve to be paid what you’re worth. Aside from my time on the streets of Syracuse chasing criminals and crooked politicians (as a reporter, people, mind out of the gutter), I’ve had the pleasure of speaking on stages, hosting masterminds and workshops, and putting up live events for the past fifteen years. As a writer, I ghostwrite blog posts, books, and other content marketing pieces for other Creatives. In this webinar, you’ll learn how to find these kinds of opportunities, too. The best part? You don’t need prior writing experience. I’ve discovered that these multiple streams of income are the answer to creating a lifestyle that affords me the time and space I need to write my own scripts and take off for auditions or roles I’ve been cast in. If you’re tired of the crap job, you want to watch this. If you’re struggling to get your own small business off the ground, you want to watch this. But most of all, if you want to learn what it takes to create multiple steams of income that give you the time, money, and space you need to stay true to your talents, you really, really want to watch this.
Join A Prolific Producer Of Movies Based On Books Including THE CATCHER WAS A SPY and THE MAN WHO KNEW INFINITY Some of the most well regarded recent feature films and television shows were based on books, including the Oscar-nominated Little Women, JoJo Rabbit, The Two Popes, The Irishman and the Emmy-nominated Game of Thrones, Chernobyl, Fosse/Verdon, Sharp Objects and many more. Authors spend months, if not years, formulating characters and worlds that make it onto the printed page. This creativity serves as great source material that would translate greatly to the big or small screen. If you're an author who's written a novel and are looking to get it adapted, a screenwriter that's written a script based off a book you have (or would like to obtain) the rights to, or a producer or financier who has the rights or are circling securing the rights to a property you believe would make a great film or TV show, you need to understand the steps to take to obtain the rights, protect yourself legally, and make the development process a smooth and enjoyable ride. Discovering an adaptation-worthy story can be as simple as stumbling across an interesting book or article at a bookstore, library or newsstand. Understanding how to obtain the rights and develop that material effectively is the harder part. It takes meticulous planning and approach to be able to get the rights to the desired intellectual property and successfully adapt and develop the material. Many factors go into getting an adaptation to the screen including negotiations, legal hurdles and making sure you're staying authentic to the source material. Once misstep and it could derail an amazing project. You need to be prepared. Jim Young has produced films adapted off of books and intellectual property such as The Catcher Was a Spy (starring Paul Rudd), Lovelace (starring James Franco, Sharon Stone, and Amanda Seyfried) and The Man Who Knew Infinity (starring Dev Patel, Jeremy Irons, Toby Jones, and Stephen Fry) and Life of King (starring Cuba Gooding Jr.). He's had his films premiere at Sundance, Tribeca, SXSW and has earned himself a reputation of being an expert in adaptations. Through years of working with authors, publishers, talent, financiers and distributors Jim knows how to adapt a book into a film and TV series from start to finish. Jim will teach you how to acquire the rights to a book you're interested and go over where to look for title, how to approach the author and publisher and how to close the deal. He'll give advice on the story development process and how to engage the author during that time, as well as tips on how to avoid liability. You'll learn two essential people you must have in your pre-production phase and how to work with the cast, crew and author on set. You will get insider tips on what to do before your film or TV show hits the screen to gain momentum for your project. And, finally, Jim will give you six legal elements to have in place prior to your project's release. PRAISE FOR JIM'S TEACHINGS: "Thanks Jim, your insight was invaluable" --Michele E. "I listened to this from the perspective of a comercially published author. I learned so much. Many Thanks" -- Lucy S.
Having a great idea for a television series or movie is one piece of the writing process. But introducing characters into your world, characters with layers and depth and nuances and flaws, is a huge piece of the writing process that often missed. Whether you're a new writer or someone that's more experienced, creating grounded and believable characters can always be challenging. Yet if you can clear this hurdle and paint fantastic characters, it’s no holds barred. There can be something very intimidating about creating people out of nothing and building your story's characters from scratch. In the real world, people are complicated, nuanced, and hard to fully nail down or encapsulate. Yet creating an incomplete representation of a person and a less-than developed character is instantly noticeable to the audience, and of course to decision makers and actors who might be considering your script. It's a process that would be a lot easier with a shortcut, and a spelled out guide for how to develop your own story's characters. Believe it or not, though, this writing hack already exists. Sara B Cooper is an accomplished and experienced TV writer and producer with over 30 years in the industry writing for standout shows like THE X-FILES, CHICAGO HOPE, HOUSE, and HOMICIDE: LIFE ON THE STREETS. Over her storied career, Sara has learned from and worked with TV icons like Chris Carter, David E. Kelley, Tom Fontana, David Mamet, and Eric Roth. Beginning her writing career on science fiction shows like STAR TREK: THE NEXT GENERATION, Sara has been able to pivot to other genres like police procedurals, medical dramas, and even feature films like LARA CROFT: TOMB RAIDER with Angelina Jolie. Sara continues to write and consult on many TV projects in both the U.S. and Canada and serves as a writing coach and mentors young writers through the WGA and WGC. Sara's deep experience writing characters, producing character-driven television shows and coaching newer writers to find their own voice has given her valuable knowledge in the art of character development, as well as useful tools and shortcuts any writer can apply to their own project. During this information packed webinar, Sara will show you a surprisingly effective strategy and shortcut to help build out your own characters and aid them in being three-dimensional, authentic and memorable. This method is based on the Enneagram, a model that explores nine personality types. Using the Enneagram as a guide, Sara will show you how to better define your characters, explore how they should interact with each other, and dig into more nuanced factors like speech patterns, reactions, behaviors. Sara will show you how to use this model not only for your TV or feature script, but also for your bible, character descriptions, and pitch. Leaning on notable examples and case studies to help, Sara will demonstrate how her Enneagram model may be the key you're missing to fully developing your own characters and making your project more desirable for execs, producers and other decision makers.