Amanda headed up production and development at NYC production shingle, Animal Kingdom before she became a professional writer. There she co-produced Destin Daniel Cretton’s Short Term 12, which won both the Grand Jury Prize and the Audience Award at SXSW 2013. She's also been an incremental part of seeing films like David Robert Mitchell's It Follows, Justin Tipping's Kicks, and Joachim Trier's Louder Than Bombs (Jesse Eisenberg) move into production - and actively worked on building Animal Kingdom's development slate. Amanda has also worked with Luca Guadagnino (I Am Love) on his short film Here for Starwood hotels. Prior to working at Animal Kingdom, Amanda was Director of Development at Locomotive, where she worked closely on Jennifer Westfeldt’s Friends With Kids. She has helped shepherd all of these movies to the festival stage, as well as films such as Brian Crano's A Bag Of Hammers and Carrie Preston's That’s What She Said. Full Bio »
Film festivals. They are one of the best ways to network, market your film, get feedback from judges and audiences, and most importantly, get your work seen. Even better, winning awards at festivals can help you gain major recognition and momentum as a filmmaker. But, if you haven’t submitted a film or attended a festival before, it can be a daunting task to try to get your film into a major festival such as Sundance or South by Southwest.
What festival do you choose? How do you submit your film? What happens once you make it into the festival? How soon should you be booking accommodation? Questions like these often prohibit filmmakers from entering the ever-important film festivals. But fear not – we’re here to give you a breakdown of the process of getting your film into a major festival, what to expect once you’re there, and how to give yourself the best chance of making a good impression.
In this Stage 32 Next Level Webinar, Amanda Johnson-Zetterstrom will guide you through the navigation of getting your film into a major festival. Amanda spent years heading up production and development at NYC production shingle Animal Kingdom. Having co-produced Destin Daniel Cretton’s film Short Term 12, which won both the Grand Jury Prize and the Audience Award at SXSW 2013, as well as shepherding over 7 films into major festivals, Amanda knows the ins and outs of what it takes to get into a major film festival and what to do once you’re there.
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
"Loved it!" - Jeff N.
"Thank you Amanda! It was great" - Florin M.
"Great info... As I am about to start filming for a doc - and my main goal is getting into festivals." - Terran B.
"Fantastic" - Richard M.
Learn directly from Amanda Johnson-Zetterstrom, Producer and Independent Filmmaker (Short Term 12, Friends With Kids, It Follows)! In this Stage 32 Next Level Webinar you will learn the answer to one of the most asked questions there is in regards to film: how to get a paying job. Whether you’re new to the industry, trying a different line of work, or getting back into the industry after a hiatus, it can feel like walking on to a minefield – it’s tough to know where to begin, how to get your foot in the door and how to get away from unpaid positions. Your host Amanda Johnson-Zetterstrom is here to explain how she got her start in the business, how she worked her way up to a Development Executive position, and give you detailed advice about how to navigate getting a paying job in the industry. You will leave the webinar knowing: If it makes sense for you to get an internship or not. What different jobs exist in the industry - and if they'll still be around in 5 years. How to get a paying job in the film industry rather than unpaid positions. How to write a great resume and cover letter. How much money you can expect to realistically make in different jobs - so you know how much to ask for. What makes the most sense for you, your interests, and your lifestyle when pursuing paid work in the film industry. Your host Amanda Johnson-Zetterstrom has spent the past 7 years working in the independent film industry in New York. She’s headed up development and production at Animal Kingdom, where she co-produced the multi-award winning Short Term 12 – and worked closely on projects like It Follows. She understands how to get a job – and is working exclusively with Stage 32 to share her know-how with you.
From epics like Annie Hall to classics like When Harry Met Sally and Pretty Woman to modern day movies like The Big Sick, Crazy Rich Asians and Last Christmas, romantic comedies have provided us with some of the most memorable films in cinema history. And now, especially thanks to streaming platforms like Netflix, Amazon, Hulu, Disney+ and more, rom-coms are not only back en vogue, but hotter than ever. And the demand for great rom-com scripts is at an all time high. If you have a rom-com or are thinking about writing one, you have to understand all the elements that make up the formula that has been so successful for the most profitable rom-coms that came before. We're here to help you achieve just that. You have a great love story you want to tell. You have a great setting, characters, plot and dialogue you know is going to pop off the page. And you also know that love is a universal language and that your idea will be appealing to romantics all over the world. But, did you know that almost all successful romantic comedies have 5 set up elements and 5 plot elements that are necessary to make it a winning formula? You need to know these 10 elements and how to apply them in order to make your script go from the shelf to being greenlit. Amanda Johnston-Zetterstrom is a writer on Netflix’s hit series, YOU – today’s most modern version of an obsessive dark love story. She was a producer on Brie Larson’s debut Short Term 12 and worked on Friends with Kids starring Jon Hamm, Adam Scott, Kristen Wiig and Maya Rudolph. She’s had a storied career taking love stories in complex worlds and bringing them to the screen. And, now, you can learn about her formula on what makes a good romantic comedy screenplay become a great romantic comedy screenplay. In this two part class (over 4 hours of instruction!) Amanda will go over the 10 crucial elements to write a good rom-com, what makes existing romantic comedies work, how to make your script stand out from the pack, what differentiates a good rom-com from a bad one, how to hone your own voice and how to originate a great idea/hook. You will get the tools you need to write a funny, heartfelt, PRODUCIBLE romantic comedy – so that you can see your name in lights (and let’s be real… get paid!) "Wow. This class was so comprehensive. Between the dozens of case studies and the practical tips and applications I can't imagine there is a better romantic comedy class anywhere in the world." - Gwen B. "Amanda is like a walking Encycolpedia of all things love and rom-com. It's amazing how she made writing this format so easy to understand. She gave me so much to think about when diving into my script. Thank you Amanda. I will definitely take any class you offer on Stage 32!" - Kaustubh P.
Whether you're controlling some valuable intellectual property, looking to secure IP, or simply have a valuable property in the form of a spec script, TV pilot, webseries, digital series, or other filmed material, you are likely going to be confronted with signing or distributing an option agreement. It is imperative that you understand the various types of option agreements and what information should be included to assure that you are not only protecting your material, but yourself legally as well. As the content gold rush grows, option agreements have become more and more commonplace. It is the vital piece of the paper trail that will ensure you are exercising and getting all your rights as your project gets made. These agreements are designed to protect both sides of a given deal, but can be complicated and sometimes include unnecessary language or clauses that could serve to hold up your content or payment. before you sign on the dotted line, you need to understand what exactly is an option agreement, who has creative control, how much money can be made and what you need to include to protect your rights up front. Lane Shefter Bishop is an Emmy award winning filmmaker and producer who has set up over two dozen book properties - many of them only on book proposals and early partials - with studios, networks and production companies throughout the entertainment industry. She is the CEO of Vast Entertainment, a book-to-screen company with numerous projects at both studios and networks, including feature films for Fox 2000, Silver Pictures, CBS Films & Lionsgate, and TV films for Lifetime, as well as TV series with Phoenix Pictures, Atlas Entertainment, The Donner Company, Storyline Entertainment and Universal Cable Productions. She has been on both sides of option agreements and knows the ins and outs of what you need to take into account for your own option agreement. Lane will provide you essential practical knowledge on the ins and outs of option agreements and break them down step-by-step and section-by-section. You will know what is included in a typical option, what purchase price can be expected, what royalties can be expected, what reserved rights are and how to handle publishers releases, notarized addendums and author assignments. This is vital for authors and screenwriters who currently have or expect to have their own material optioned and want to know what monies they can expect to make, when, and how. But it is also highly beneficial for producers, directors, and talent looking to acquire their own underlying material for development- books, short stories, graphic novels, articles, etc. Lane will provide you with a comprehensive, but easy to understand deep dive on option agreements. She will remove the fear and anxiety which will allow you to clearly and decisively protect yourself and ask for the important items that need to be included in all your agreements. “Very impressed with Ms. Bishop, both her formal presentation and the Q & A that followed.” - Steve Weintz “The seminar was informative, insightful, well documented, entertaining, well thought out and delivered with a touch of humor. Wonderful!” - Katharine Carter
Learn directly from Mike Stivala, 3 Time Emmy Award-winning Reality Show Producer, Director, and Editor (Friday Night Tykes, My Crazy Obsession, Best Week Ever, Ghost Stories)! In this Stage 32 Next Level Webinar, host Mike Stivala will reveal the strategies, techniques and workflows that reality/docu TV producers use every day that low/no budget / DIY filmmakers should be using to take their projects to higher levels of success. Filmmakers: stop complaining about reality TV and start learning from it! You will leave the webinar knowing: How to stretch your budget while making your film look and feel more professional. How to get a better cast on a small budget. How to generate buzz around your project. How to make the most of a small crew. How to make scenes look 'spontaneous'. How to use the reality TV shooting style to save you money. How to adopt a 'post-centric' workflow. Your host Mike Stivala is a three-time Emmy winning producer, director and editor. For the last ten years, much of Mike’s professional experience has been in reality/ docu television. Mike has produced, directed and edited reality projects for Esquire Network, Lifetime, Travel Channel, nuvoTV, VH1, HBO, History Channel, ABC, ESPN and many others. In addition, Mike is an award winning filmmaker, and his feature film, Rat Bastard, a film shot on 35mm for a budget of under $20,000, won several film festival awards and was picked up for distribution. Mike knows how reality TV producers create drama, comedy and narratives that are entertaining, at times compelling, while working with small budgets and tight time constraints, and is here exclusively for Stage 32 to pass on that knowledge to you
Learn directly from David Landau, 30 year Lighting director and Director of Photography. The story could be the greatest in the world, but if the lighting is poor viewers will assume it’s amateurish and not take it seriously. Good lighting makes things look real, while real lighting often makes things look fake. Good lighting supports the emotional moment of the scene, contributes to the atmosphere of the story and can augment an artistic style. So, no matter how good a script, how good a director, how good the actors – the lighting needs to be as good if not better. The fact is, we can’t usually make good pictures without good lighting, no matter how good the newest cameras are. Yes, we can sometimes get lucky. But while shooting under available light gives exposure, it often lacks depth, contrast, contour, atmosphere and often separation. Well-crafted lighting helps establish the illusion of reality that is necessary for the viewer to forget they are watching a screen and get lost in the story. In this Stage 32 Next Level Webinar, host David Landau will go over the ten things all filmmakers need to know about lighting, sharing some of the techniques to artistic and effective lighting that he has learned both from working with a wide range of cinematographers and through his own career as a Lighting Director and Director of Photography. David will demonstrate live from the Fairleigh Dickinson University sound stage lighting techniques that will make your images shine like a Hollywood feature without a big Hollywood budget. David Landau has over thirty years of professional lighting experience working on feature films, TV shows, sit-coms, game shows, commercials, documentaries, industrial films, music videos and direct-to-consumer DVDs. David worked as one of the gaffers on the TV series Project Runway and is a five-time Telly Award winner for lighting and cinematography. He is a member of IATSE Local 52 (gaffer) and the University Film & Video Association and Media Communications Association International. He also is the author of the new book Lighting for Cinematography: A Practical Guide To The Art And Craft Of Lighting For The Moving Image from Bloomsbury Press.
We're excited to take a peak behind the curtain into the mind of a film festival director to talk about what they look for when programming a festival. We've brought in the co-founder and co-director of the Oscar-qualifying Hollyshorts Film Festival, Daniel Sol, to go over the everything you need to know when you are considering submitting your short film to a festival.