For nearly three decades, the Konwiser Brothers have made innovative entertainment of the highest quality, and demonstrated prescience for entertainment and cultural trends. Their dozens of credits across feature films, TV series, documentaries, interactive multimedia, live events, and music & dance projects have garnered multiple prime time Emmys and festival awards worldwide. The Konwisers have collaborated and partnered with luminaries such as Kenny Ortega, Quincy Jones, Peter Guber, David Falk, Magic Johnson, the Grateful Dead, Carlos Santana, Herbie Hancock, Chuck D, Oliver Stone, Darren Aronofsky, Laurence Fishburne, among many others. With a broad skill set as both senior management business executives and creative artists, the Konwisers have helped to raise the profile of many of the world’s top brands in entertainment, sports and music, including Legendary Pictures, Blizzard Entertainment, NIKE, Burton Snowboards, Gatorade, TapouT, And 1, General Electric, Mandalay Sports Entertainment, and the estates of Roy Rogers and Duke Ellington, to name just a few. The Konwiser Brothers have earned an impressive array of industry awards and honors along the way, including the Prime Time Emmy Award for Best Picture on two separate occasions, the NAACP Image Award, the Humanitas Prize, the Producer’s Guild of America’s Producer of the Year Award. They have earned Best Picture, Audience Award or Grand Jury Prizes at many of the nation’s top festivals including AFI Fest, the New York Festival, Cinevegas Film Festival, Newport Beach Film Festival, Napa Valley Film Festival, Worldfest Houston, Chinese American Film Festival, Golden Rooster Awards, CINE Gold Eagle, and many others. Whether designing the underlying foundation of new business ventures for international corporate brands, building debt and equity financing for entertainment properties, or producing and directing award winning film & TV content, the Konwiser Brothers continue to prove themselves as renaissance men of the entertainment world. Full Bio »
I was born for this. Started on street corners tap dancing, doing comedy, telling stories & holding an audience until they pay me J A Masters Degree from USC Film School and three decades later there hasn’t been a day when I wasn’t writing, directing, producing or managing as an executive a feature film, television, documentary, live event and/or new media program.
I’ve been blessed to learn from and collaborate with some of the luminaries of sports and entertainment producing and business management. For these efforts, I picked up a shelf full of awards & trophies, maintained an upward financial trajectory and learned to enjoy the ride.
A few of the collaborations in my career include: Netflix, YouTube, NBC, CBS, ABC, Univision, HBO, Showtime, TNT, MTV, VH-1, Sony Pictures, Paramount Pictures, 20th Century Fox, Lionsgate Studios, Legendary Pictures, Blizzard Entertainment The Grateful Dead, Quincy Jones, Michael Jordan & David Falk, Phil Knight/NIKE, Magic Johnson, Peter Guber/Mandalay, Dr. Dre, Snoop & Eminem, Arthur Miller, Michael Bloomberg, Laurence Fishburne, the NFL, MLB and NBA, and most of the financing entities in Hollywood. I’ve established tax incentives that spark states into profitable production while structuring large scale financing. Easier said than done, trust me!
Now, I’m thrilled to join with Stage 32 to talk about my journey and share my experiences from over the years. I love to give back to up and coming filmmakers and I’ll be holding an online Q&A to talk with you, the Stage 32 community, and tell you about the things I’ve learned along the way.
If you’re in the middle of your filmmaking journey, now, no matter where you live in the world, I’ll be taking questions from you live, so ask away!
So relax, this opportunity to not give up on your daydream just got a lot closer.
Clint Eastwood, Kip & Kern Konwiser
Kip & Virginia Madsen
Kenny Ortega (director/choreographer), Jim Belushi, William Levy, Emilio Estefan
Kip, Ron Shelton (director/writer), Pete Rose, Kurt Soderling (DP)
Pre-production at Legendary Studios
"The Konwiser Bros." Kern & Kip Konwiser
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
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A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
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Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
We've brought in the Producer of the Emmy-nominated HBO show, "Ballers" to teach you how to master the art of your TV pitch. Who better to teach you than someone who's in the TV trenches every single day? Bret works alongside incredible talent such as Stephen Levinson (Entourage, Boardwalk Empire), Mark Wahlberg, Russell Crowe, Dwayne "The Rock" Johnson, Ryan Phillippe, Catherine Zeta-Jones and more. So, you have a great idea for a show, now what? How do you get it to the right people? What to do/how to present it to them? What most people don’t understand, is that once they’re in the door they need to think about the other side of the table. Who they’re pitching to, how many pitches that person reads/hears and how best to position themselves to stand out. Just the right amount. Busy producers and executives get pitched all the time. They can tell an experienced pitcher from a novice immediately. Whether oral, written or Skype, you basically have 30 seconds or the first paragraph to keep them interested. And for both, the format matters! Don’t let your great idea fall on deaf ears or eyes! If you’re a writer or someone who works with writers, you need to know how to orchestrate a good pitch.
Jon got his start with CAA, before moving to Broad Green Pictures and then striking out on his own with Housefire Management. We discuss screenplay structure, boutique management, industry trends, & more, plus a live Q&A!
Art/Work Entertainment Manager, Spencer Robinson joins our panel as we listen and read your pitches live to help educate the Writers' Room screenwriters on what is and isn't working in their pitch.
"Jason was and is wonderfully inspiring!" Watch for FREE here: Want to join Jason's 2-part AD class April 8 & April 15? Register here!
To see a video sample of the class, see below! 3 part class taught by Lee Stobby, Manager and Founder of Lee Stobby Management! One of the most challenging parts as a writer is getting your story, ideas and dialogue into a script that is a respectable length. When you're looking at a completed draft that is facing a rewrite, how do you know what to cut? Many times you may think nothing can go without killing the story, but keeping the length is not always a good thing. A development executive's job role varies day to day and with a constant barrage of responsibility, longer scripts usually end up drowning to the bottom of the "to-read" pile. The truth is that executives sometimes even ask how long a script is before committing to read it. As a writer you will lose the battle if turning a page ends up being a struggle for any industry professional. Which brings up the very important question: what can be cut without sacrificing the heart of the script? Stage 32 Happy Writers is excited to bring you the previously-recorded 3 part class: The Rewrite Process – What Do I Cut? taught by Lee Stobby, literary manager and founder of Lee Stobby Entertainment. Purchasing gives you access to the previously-recorded live class.Although Lee is no longer reviewing the assignments, we still encourage all listeners to participate!
Subtext in your dialogue and in your story can be the difference between a studio picking up your script or passing on it. Subtext adds layers to your story and depth to your characters. Mastering the art of subtext is not only preferable for writers, it is absolutely essential. The writers and creators of Film Noir were experts at the use of subtext because, due to the restrictions of the Production Code, their films could not have been made without it. The makers of Film Noir mastered the art of not saying what you’re trying to say, and saying it in a way that sounds like you’re saying something completely different. That subtext allowed the audience to fill in the blanks and become more active participants in the story, and that is why subtext is so important. It gets your audience more involved in the story. Film Noir and the Art of Subtext will show you how to apply the use of subtext in your own scripts in order to add that depth, further engage the audience and take your script to the next level by using examples from some of the great films of that style. After reading well over 1,000 screenplays over the course of my career, from both professionals and amateurs, I can tell you that I can recognize good subtext. Also, as someone who has been a professional reader, I can show you through a reader’s eyes where subtext is needed, and how subtext can be used to prevent you and your script from getting the dreaded PASS on coverage notes.