It's Introduce Yourself Weekend at Stage 32! Head over to the Introduce Yourself section of the Stage 32 Lounge and let everyone know who you are, what you're working on, your dreams and aspirations. And be sure to peruse other member's threads. You never know when you're going to make a connection that changes your life!
Jim Uhls is the screenwriter behind FIGHT CLUB (directed by David Fincher, starring Brad Pitt and Edward Norton, based off of the critically acclaimed Chuck Palahniuk novel) as well as the Doug Liman film JUMPER, which has grossed over $222 million worldwide. Next up, Jim is the screenwriter for the new Shane Black film, THE DESTROYER, and THE LEVIATHAN at 20th Century FOX. Full Bio »
The first rule of a Q&A with Jim Uhls is you DO talk about a Q&A with Jim Uhls.
Join Stage 32's Founder Richard "RB" Botto as he talks with legendary scribe Jim Uhls, screenwriter of the Academy Award nominated film FIGHT CLUB, JUMPER, and the upcoming Shane Black film THE DESTROYER and 20th Century FOX's THE LEVIATHAN.
Afterwards we'll open it up for questions from you, the Stage 32 community. Now, no matter where you live in the world you can tune in and ask Jim questions online exclusively through Stage 32!
Q: What is the format of a webinar?
EXCLUSIVE ON STAGE 32! What can we say about Jim Uhls? We all know he's a legend in the business. Not only is he the acclaimed screenwriter of the brilliant classic, Fight Club, as well as Jumper and the upcoming Shane Black directed, The Destroyer, but he's also one of the nicest human beings on the planet. And now he's here exclusively on Stage 32 for a Masters of Craft Class. It takes a special person to be a screenwriter. It takes a lion's heart as well as patience and perseverance. Through a meticulous step-by-step presentation, Jim is going to show you how you can find ideas, bring them to maturity, bring unparalleled depth to your characters, write by seeing the trailer in your mind, and much, much more, all designed to give you the skills to produce the best material possible and to assure it's attractive to producers, investors, managers, agents and talent. Most of all Jim is going to show you how to channel the passion and remove the cynicism and blocks that were not present when you first started. Our CEO, Richard "RB" Botto, a screenwriter himself, says, "I've never quite met anyone like Jim. His skills are undeniable and revered in the business. But it's his approach, his consistency, his way in to the material and the characters and his ability to see the entire landscape in a clear, calm matter that sets him apart. He's a true original and an inspiration to so many including yours truly. I've learned so much from him." This is a masterclass you will not want to miss. Jim will leave you laughing, full of energy and ready to write.
Every successful filmmaker has, at some point in their career, written, directed, and/or produced a short film. For filmmakers who are just starting out, a short film is the best calling card to showcase their unique talent and vision. It is important to remember that short filmmaking is different from feature filmmaking, with challenges unique to the process. Even so, producing a short film may seem daunting, but there are several key secrets to getting the most out of your project. This intensive 5-week course will give students the tools and techniques necessary to produce a world class short film. Each week will be dedicated to a different aspect of the short filmmaking process, including, concept development and writing of your short, budgeting and scheduling, understanding and drafting production agreements, pro-tips on directing actors, and how to get the most out of the post production process. Students are strongly encouraged to come with ideas for a short film, which will be developed over the course of the 4 weeks, so by the conclusion of the class, the should have a screenplay ready for production.
To see a video sample of the class, see below! 3 part class taught by Lee Stobby, Manager and Founder of Lee Stobby Management! One of the most challenging parts as a writer is getting your story, ideas and dialogue into a script that is a respectable length. When you're looking at a completed draft that is facing a rewrite, how do you know what to cut? Many times you may think nothing can go without killing the story, but keeping the length is not always a good thing. A development executive's job role varies day to day and with a constant barrage of responsibility, longer scripts usually end up drowning to the bottom of the "to-read" pile. The truth is that executives sometimes even ask how long a script is before committing to read it. As a writer you will lose the battle if turning a page ends up being a struggle for any industry professional. Which brings up the very important question: what can be cut without sacrificing the heart of the script? Stage 32 Happy Writers is excited to bring you the previously-recorded 3 part class: The Rewrite Process – What Do I Cut? taught by Lee Stobby, literary manager and founder of Lee Stobby Entertainment. Purchasing gives you access to the previously-recorded live class.Although Lee is no longer reviewing the assignments, we still encourage all listeners to participate!
Learn directly from Adam Matalon, award winning executive producer, show runner, director and creator who's worked on over 20 projects on cable and network television. The unscripted and reality genres are becoming more and more fragmented and producers are forced into more and more niche areas of expertise. This is creating a vacuum in which producers wanting to step into showrunner roles are unable to do so because they lack the overview expertise. In this Next Level Webinar, Adam Matalon challenges that notion and investigates the role of the showrunner in today's current climate of television. As more and more networks and production companies are struggling with staffing their leader, there are fewer and fewer opportunities. We will discuss the reasons for this and how storytellers, producers, writers, and directors can best prepare themselves for leadership roles in the fast evolving television and digital space. Adam will break down the process of taking a project from presentation, through production and on to delivery to the network; something that is vital for all aspiring showrunners both in the reality and unscripted space as well as a scripted space. Adam will also touch on the best ways for building an environment that will make you more employable, how ‘storytelling’ is utilized in a reality show and the various documents needed to accomplish the task of getting the 'greenlight.' This webinar includes a packet of supplemental materials such as templates and example production documents!
Somewhere between your logline and your full script lies your treatment. Treatments are extremely important sales tools for you as a writer. Access to executives and decision makers is easier than ever these days through The Stage 32 Happy Writers, so what happens when you've peaked the interest of an executive off your logline, but they're not quite ready to read your whole script? You need a comprehensive, well thought out treatment. Whether you’re a writer, producer or a manager/agent, it’s vital to know how to properly put the right elements in a treatment in order to sell your project. In this Stage 32 Next Level Webinar, Conrad Sun will share with you some of the effective ways to structure your treatment so that your reader will say “I Want To Read More” and will hopefully lead to the sale of your script. Whether you’re new to the writing game or a long time veteran, your project deserves to make the right first impression, and Stage 32 Next Level Webinars is here to show you how. Conrad Sun is currently working as a TV Lit Manager and Development Executive at Meridian Artists in Los Angeles and represents TV writers in both the comedy and drama space. Conrad has also worked in content development with companies like Epix, Hasbro Studios, Gran Via Productions (Breaking Bad), New Wave Entertainment and Motion Theory Films.
Part 1 - Overview of the Staffing Process Amanda discusses the strategy and steps of the staffing process from the studio, network and production company perspective. You will gain incite into what producers are looking for from a staffing sample and how to improve your chances of standing out in crowd. Part 2 - Tips for Writing an Original Pilot A discussion on the creation of a strong, unique and memorable original pilot; Choosing the right concept to display your original voice, crafting characters who can last for seasons and improving dialogue skills. Part 3 - Pilot Format, Structure and Plotting Amanda details structure and formatting techniques, for drama and comedy, as well as the importance of a strong, steady plot and why you need to keep the reader engaged with big plot moments every few pages in a staffing sample. Part 4 - Spec Scripts & Next Career Steps Amanda answers why it’s important to have a spec script to send as a follow up to your original pilot, and how to write a spec script through copying an existing show’s voices and format. She also covers reaching out to agents, managers, and studio training initiatives with your writing samples. Purchasing gives you access to the previously-recorded live class.Although Amanda is no longer handing out or reviewing the assignments, we still encourage all listeners to participate!