A graduate of the University of Michigan, Lee Stobby is a literary manager and producer who has learned from some of Hollywood’s greatest minds at Misher Films, Double Feature Films, Industry Entertainment, Innovative Artists and Caliber Media; the lattermost is where he began representing literary clients in 2011. A champion of strong, independent voices and quality cinema, Lee just started his own shingle, Lee Stobby Entertainment, and his clients include: Lindsay Stidham who wrote Sundance hits Douchbag and Spooner; Kate Trefry whose script Pure O made The Black List 2013; Greg Sullivan whose script Erin’s Voice made The Black List 2014; Isaac Adamson who is the author of Tokyo Scukerpunch and other books in the Billy Chaka series published by HarperCollins; and Rodney Ascher whose documentary Room 237 was the talk of Sundance and Cannes and his second feature, The Nightmare, just premiered at Sundance 2015. Full Bio »
Stage 32 is here to give you an honest, no B.S. look at how managers actually approach signing writers, straight from the mouth of a respected Hollywood manager himself. If you’re looking for a sugarcoated opinion on why you haven’t been signed yet, this webinar isn’t for you, but if you’re serious about wanting to take your career to the next level and can handle the blunt and honest truth, buckle up and get ready to learn!
In this Stage 32 Next Level Webinar, host Lee Stobby will provide insight into how he as a manager looks for material and clients. He will discuss the most common turn offs and red flags that kill his interest, even if he liked your script or writing (such as not in LA, “bad” personality, not having a script that is ready to go, or soft concepts). He will then go over ways to overcome these things and accent your strengths. You will learn what types of scripts play best on script hosting websites, how to utilize coverage services, how to get executives to read your script and subsequently refer to reps, how to write scripts that get attention in contests, other ways to get attention on your script, and why being in the relentless search of representation may not be the best use of your time. You will leave with a clear understanding of the mistakes you’ve been unknowingly making and directions on how to avoid continuing to make them, giving yourself a better chance of finally getting signed!
Your host Lee Stobby has learned from some of Hollywood’s greatest minds at Misher Films, Double Feature Films, Industry Entertainment, Innovative Artists and Caliber Media; the lattermost is where he began representing literary clients in 2011. Lee is a champion of strong, independent voices and has a knack for finding some of the most in-demand spec scripts on the market. Lee just started his own shingle, Lee Stobby Entertainment, where his clients include writers on films that have premiered at Sundance and Cannes, as well as a stable of multiple writers on the Black List. Lee knows what makes a great client / writer and is here exclusively for Stage 32 to partake some of his knowledge, energy and passion to help writers increase their chances of finally getting representation.
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
“Excellent: great practical pointers on the re-write process and an honest, uncensored perspective on the industry. Thanks for a truly useful and insightful seminar!” – Terrance T.
“Being a new writer, it's so hard to find someone in the industry who is objective about the writing process…I learned a sheer ton [and] liked that you didn't sugarcoat things and spent the time expanding beyond just the rewriting process and what the expectations are of a new writer. It makes such a difference, and I had no idea about a majority of those things until I took your class! Thank you!” – Aarthi R.
“I think Lee's a great teacher. He touched on some important subjects, like what he looks for in a pitch and how to query. His managerial strength is in how he recognizes great scripts through outstanding characters and dialogue.” - Nicole E.
“Lee Stobby,: the BEST EVER…He was so generous with his comments…Thank you Stage 32 for introducing Lee to us. He was amaziing... Lee definitely knows what he's doing!” – Sylvia L.
4 part class taught by Lee Stobby, literary manager and founder of Lee Stobby Entertainment! AVAILABLE ON DEMAND! Executives are busy. On average, a production company will have 10-30 projects in various stages of development and production. That's why the first 10-15 pages of your script are the most crucial. They must grab the executives attention, or lose it forever... most won't read past page 15 if they aren't sold on the story. Most writers don't have the tools to strengthen their beginning, and their scripts wind up getting overlooked... don't let this happen to you! Stage 32 Happy Writers is excited to bring you the previously-recorded 4 part class: How to Hook the Executive in the First 15 Pages taught by Lee Stobby literary manager and founder of Lee Stobby Entertainment. This class will give you the much needed tools to craft a killer opening to keep the executive engaged and excited about your script! Purchasing gives you access to the previously-recorded live class.Although Lee is no longer reviewing the assignments, we still encourage all listeners to participate!
To see a video sample of the class, see below! 3 part class taught by Lee Stobby, Manager and Founder of Lee Stobby Management! One of the most challenging parts as a writer is getting your story, ideas and dialogue into a script that is a respectable length. When you're looking at a completed draft that is facing a rewrite, how do you know what to cut? Many times you may think nothing can go without killing the story, but keeping the length is not always a good thing. A development executive's job role varies day to day and with a constant barrage of responsibility, longer scripts usually end up drowning to the bottom of the "to-read" pile. The truth is that executives sometimes even ask how long a script is before committing to read it. As a writer you will lose the battle if turning a page ends up being a struggle for any industry professional. Which brings up the very important question: what can be cut without sacrificing the heart of the script? Stage 32 Happy Writers is excited to bring you the previously-recorded 3 part class: The Rewrite Process – What Do I Cut? taught by Lee Stobby, literary manager and founder of Lee Stobby Entertainment. Purchasing gives you access to the previously-recorded live class.Although Lee is no longer reviewing the assignments, we still encourage all listeners to participate!
The Cartel Manager Corey Ackerman joins our Panel as we listen and read your pitches live to help educate the Writers' Room screenwriters on what is and isn't working in their pitch.
“What’s your story about?” Having a perfect logline ready to answer that question can help give you the best chance of seizing the opportunity when you are asked. Your logline is your most important asset. It's invaluable for keeping you focused on what makes your story unique and for always making sure that you nail the first impression when someone asks you about your work. Having the perfect elevator pitch ready to go can make or break you when the opportunity presents itself. But, why do so many creatives struggle with coming up with that one-sentence? How do you get better at honing your logline? Stage 32 is here to help you. We have brought in Emmy-award winning producer Lane Shefter Bishop who has sold 30 PROPERTIES in the last 5 years - all from pitching just a logline. Plus, she is the author of the book Sell your Story in a Single Sentence; Advice from the Front Lines of Hollywood Touted as “The Logline Whisperer” Lane Shefter Bishop has the specific tools you need to help you know how to sell what you write! In this Stage 32 Next Level Webinar, Lane will give you insider information on how you can best position your project to sell your work to agents, editors, publishers and producers. Lane has successfully sold projects to various networks and studios, including NBC/Universal, ABC/Disney, CBS, Lifetime, Sony and 20th Century Fox. All of these projects have one thing in common – they began with a single sentence, a top-notch logline. After all, you can have the best material in the world but, if you get on the phone or in a room, you need to know how to sell it with your logline!
What's going on, Creative Army? It's been a moment since we last had the time to interact in a live setting. Let's remedy that with another AMA (Ask Me Anything), pre-Cannes style. We got together for another inspiring, motivating and energy-packed question and answer session. For 2 hours I left you with tips, tricks and actionable information to help you move forward with your 2019 (and beyond) goals. Remember, no matter what your discipline, skill level, geographical location, etc, this AMA is for ALL! As always, registering for my AMA is completely free. Spreading some positive vibes. Cheers! RB
Learn directly from Melissa Daykin Cassill, VP of Development and Production at State Street Pictures (Faster, Beauty Shop, Barbershop, Notorious, Nothing Like The Holidays)! You hear it again and again: “We’re looking for character driven drama/comedy/action/name your genre.” You may have a great plot, amazing action sequences, or the most hilarious idea for a comedy set piece but without great characters, you’ll be dead in the water. Why? Because everything should be motivated by your characters. What would The Godfather be without Michael’s change from the good man who served his country to a vengeful and tyrannical ruler? What would Star Wars be without the father son drama? Creating memorable characters is such an essential aspect of creating a compelling, sellable story, yet so many writers struggle with doing it correctly and fail to avoid the trap of stock characters that leave their scripts lifeless and weak. The Stage 32 Happy Writers is thrilled to bring you a 3-week online course Avoid Stock Characters: How To Create Memorable, Compelling Characters so you can learn how to create the memorable characters your story deserves. This class is taught by Melissa Daykin Cassill, VP of Development and Production at State Street Pictures, a production company with a first look deal at Fox 2000 Pictures. What Melissa loves most about her job is working with writers and developing exciting, compelling projects and she’s excited to be here teaching with Stage 32 to help you develop compelling characters in your story! In this class, you will learn how to set up a character arc so the character’s change is compelling, how to develop supporting characters who support the story and compliment your protagonists, how to avoid stock characters and scenes and how to adjust what you already have to make your work better. With interactive lectures and weekly homework assignments directly geared toward strengthening your characters, you will leave this class knowing exactly how to create memorable characters for your stories.