On Demand Webinar - Available for immediate viewing and unlimited access.
On Demand Webinar - Available for immediate viewing and unlimited access.
Jordan Yale Levine, President, Yale Productions Named as one of Variety's 10 Producers to Watch in 2016, a member of the Producers Guild of America, and the President of Yale Productions, Jordan Yale Levine has made a strong name for himself in the entertainment industry. Jordan has garnered a substantial list of film credits, as well as currently having several projects in various stages of production and development. Jordan is responsible for the producing, financing and/or distribution of over twenty-five feature films. These films include the recently released IFC title, King Cobra, starring James Franco, Christian Slater, Garrett Clayton & Keegan Allen, which premiered at the Tribeca Film Festival in 2016, and Jack Goes Home, released through eOne, starring Rory Culkin, Britt Robertson & Lin Shaye, which premiered at SXSW in 2016. Additional films include Petunia, starring Brittany Snow, Thora Birch, and Eddie Kaye Thomas; Addiction: A 60's Love Story, starring Ian Harding, Evanna Lynch, and Carol Kane; Black Limousine, starring David Arquette, Bijou Phillips and Vivica A. Fox; Wreckage, starring Aaron Paul, Scoot McNairy and Cameron Richardson; He's Way More Famous Than You, starring Michael Urie, Jesse Eisenberg, and Ben Stiller; and more. Upcoming releases that Jordan produced include Welcome The Stranger, starring Riley Keough, Abbey Lee, and Caleb Landry Jones, which is Jordan's second collaboration with writer/director Justin Kelly, and Welcome to Willits, starring Bill Sage, Thomas Dekker, and Chris Zylka. Most recently, Jordan produced Pretenders, which was written by Josh Boone, directed by James Franco, and stars Jack Kilmer, Shameik Moore, Jane Levy, Juno Temple, Brian Cox, and more. Matthew Helderman, CEO, Bondit Media Capital Matthew Helderman founded Buffalo 8 Productions in 2012, as a feature film & commercial production company growing to deliver projects to clients such as Sony and Lionsgate. Under Helderman’s leadership, Buffalo 8 has built a full library of content – touting 4 premieres at the 2016 Sundance Festival – a roster of commercial directors, a talent management division and a full post-production facility. In 2013, Helderman co-founded BondIt Media Capital to solve the multitude of financing difficulties found in the entertainment & media business — by 2017 BondIt had participated in the financing over 200 feature film projects ranging from low budgets to studio level productions. Helderman graduated with a B.A. in Philosophy with a minor in English from Lake Forest College. Helderman has been a featured speaker at the Cannes, London, and Bahamas Film Festivals as well as guest speaker at the Chinese US Business Summit. Full Bio »

This is the 2nd installment of the Stage 32 + Bondit Media Capital Masterclass featuring Matthew Helderman (CEO of Bondit Media Capital) and Jordan Yale Levine (President, Yale Productions).Please note this webinar is audio only.


Your Stage 32 + Bondit Film Finance Master Class host, Matthew Helderman, leads a discussion with Jordan Yale Levine, President of Yale Productions, about film financing today. In this exclusive Master Class they go over common traits of producers and financiers that allow them continued success. Matthew and Jordan go over the process of creating a brand to help you create project after project. They talk about a case study of working together with James Franco on the film King Cobra and how that model has helped them continue producing successful features. They discuss the common thread for attaching name talent and modern packaging. They also talk about the need to be on set as a producer and what it takes from the crew to make a successful film. Together they go through various case studies on low-budget to mid-budget films they have worked on together.
Q&A with Jordan
Jordan Yale Levine
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9 Film Finance Experts. 3 FREE Panels. 1 Spectacular Day. Discuss the State of The Film Finance Industry Exclusively Through Stage 32 One of the biggest pieces needed to put together your film always comes down to the financing. When the pandemic disrupted our industry, this piece became even more of a challenge…and a big question mark. Understanding how studios have found ways to shift the risk, the changes in budgets made to cover COVID-19 health and safety protocols, and how film funds have changed is important if you want to know how to finance your next project. While our industry took a big hit, it’s not dead—there are still lots of movies and series being made, and demand is high. So where does everything currently sit? How can you get your next film financed? No need to speculate any longer! We're bringing in filmmakers and bona fide experts in the world of film finance to give you the lowdown as part of our FREE Film Finance Forum. Over one jam-packed morning, we're hosting three unique panels and Q&As where YOU can ask experts the questions you have on film finance and what directions the industry is taking right now. And when we say experts, we mean experts. Our panelists have collectively put together countless high profile films including MANCHESTER BY THE SEA, GOOD WILL HUNTING, CHEAPER BY THE DOZEN, THE CATCHER WAS A SPY, LOVING VINCENT, and CHICK FIGHT and continue to actively produce and finance new films as we move into this new era of our industry. If you're feeling stuck, if your film project has been on hold for too long, if you want to find the way forward to get your film MADE, spend a few hours with us on Saturday the 28th. Hear directly from the source and learn the state of the industry so you can best navigate your own projects.
Spain attracts filmmakers from all over the world and has, especially, for the last decade, because of its popularity as a country for film production. Movies like MISSION IMPOSSIBLE II and FAST AND FURIOUS, as well as the series GAME OF THRONES and THE WITCHER, are just a few examples of productions shot in and around Spain. Not only is it brimming with talented actors and crew members, but the countryside alone is a candy store for creatives looking for beautiful locations and backdrops. Thanks to equally attractive tax incentives, a strong distribution base, and the presence of HBO and Netflix in the country, Spain is now on the map as an international film production hub. If filming abroad has been on your mind, producing in Spain may be more cost effective than you initially thought. But if you’re not familiar with the production territory, tax incentives, or how to go about preparing for a production in a foreign country, you could be missing out on collaborative opportunities that can take your film further both financially and globally. Navigating requirements, rebates, and the foreign market can be intimidating. But international film production doesn’t have to be overwhelming when you have the right information at your fingertips. David Zannoni is an international business specialist and consultant for Fintage House in the US, Europe, Canada and Latin America territories, and knows what it takes to produce or co-produce in Spain. Fintage House is the world's most respected company for revenue and rights protection for industry professionals and companies. David makes deals and speaks at international film markets, festivals, and conferences, including: the Cannes Film Festival, the European Film Market (EFM) in Berlin, the American Film Market (AFM), Ventana Sur, the Bogota Audiovisual Market (BAM), and the Toronto International Film Festival (TIFF), and travels regularly to the United States, the Netherlands, Europe, and all over Latin America. David will enlighten you on the many benefits of shooting and distributing your film in Spain. David will kick off the 90 minute webinar by sharing his knowledge on the industry there, then moving attendees into the many benefits of shooting and distributing your product in Spain. Smaller, Independent films upwards to larger productions can benefit from foreign production shares. There are regional requirements and national requirements, and David will break those down with ease. He’ll also explain what co-producing in Spain means, and how it just might be the secret ingredient your production needs to be seen by other producers and distributors. Praise for David's Previous Stage 32 Webinars: "David is incredible and lovely and clearly knows his stuff." - Cynthia P. "Eye-opening information. A no-brainer approach that wouldn't be so obvious to the uninitiated." - Gary O. "By far, the best class I've seen on the subject." Kirk K. "David is a fantastic teacher. And what a voice! I could listen to him all day. More importantly, I learned so very much!" - Isabella T.
Learn from an Academy Award-nominated director who's worked with Sydney Pollack, the Coen Brothers, George Clooney, and more. Do you want to know how to produce a horror movie from scratch? There is an art to the craft of making a great horror movie and if you understand all the tricks or the trade it will allow you turn your nightmares on the page into a career launching dream of a movie. In this exclusive Stage 32 on-demand class, you’ll learn what it takes to make a horror film from the script through post-production and delivery. Whether you’re a writer, director, or producer, understanding the scope of the process in this detailed four-session class will help you see the way to make your dream film into a reality that audiences can watch. Walking you through the making of your frightening feature is Jonathan Heap. He’s an Academy Award-nominated director, writer, and producer with a dozen feature, television, and short credits, including an award-winning horror film now playing on Amazon and Tubi. He’s also worked with major studios like Warner Bros., where he developed a project for Sydney Pollack that became the Coen Brothers’ SUBURBICON, directed by George Clooney. First, you’ll develop your script. By analyzing successful scary movies to see what works, you’ll strengthen your concept and your approach to producing it. You’ll then dive into pre-production, one of the most crucial steps in filmmaking, as you set up your crew and schedule. In production, the fun really begins. You’ll learn to look for creative opportunities on set to heighten every frame through design, lighting, camera movement, costumes, makeup, and special effects, as they all work in tandem to tell a thrilling story. You have your last chance to raise the stakes and scares as you enter post-production. You’ll look at a variety of examples to see different techniques that you can use with music, effects, coloring, and more to create a fearsome film. Jonathan will use his vast experience to teach you how to develop and produce a great horror movie from scratch. By the end of this class, you’ll have what you need to make your horror film and thrill audiences all around the world. Praise for John's Teaching: I liked Jonathan and his presentation. He offered very practical and sound advice, which is always appreciated. - John G. Very meticulous & methodical. Great instructor! - Jefferson Covered all aspects of production. I found his homemade film very suspenseful. Horror with dread and a supernatural disappearing figure plus the music and lighting. - Arthur B.
Learn what the role of a Script Supervisor exactly entails and why you need one on all of your projects with Brenda Wachel, esteemed Script Supervisor who has worked on countless blockbuster films such as CAPTAIN AMERICA: THE FIRST AVENGER, COLLATERAL, BRIGHT, JURASSIC PARK 3, OCTOBER SKY, I AM SAM, the upcoming Apple series CHIEF OF WAR starring Jason Momoa, and more! PLUS! You'll receive The Art of Script Supervising checklist and a Guide to Observing as a Script Supervisor! Making a film is an adventure like no other. Many artistic people come together in this beautiful format, with one common goal: to tell a story that moves and entertains an audience. Every person and department on a film set is vital to the success of the project, but the positions are often misunderstood or unnoticed, and it’s particularly true of a Script Supervisor. Commonly referred to as “the glue of the film set,” the Script Supervisor is the in charge of continuity on set and the bridge between filming and post production. You may have a great script, a spectacular director and cast, a talented cinematographer, production designer, and gorgeous costumes, but if you don't have a strong Script Supervisor you will never end up with the result that you ultimately want. Many people are unaware of all the responsibilities of the Script Supervisor. The title is mysterious, as is the quiet and invisible nature of the work. What is the role of a script supervisor? How can this person help a film? How does a script supervisor work with the entire creative team and what does a script supervisor do for a director, cinematographer, the crew and the actors on set? In this exclusive Stage 32 webinar, you will learn not only what the role of a Script Supervisor entails, but also why the position is crucial to any film or television production and how you can best utilize a Script Supervisor on your next project. Teaching you everything you need to know about the role and importance of Script Supervisors is Brenda Wachel, an accomplished feature film script supervisor who has worked with critically acclaimed directors across the globe. Some of Brenda’s notable credits include CAPTAIN AMERICA: THE FIRST AVENGER, COLLATERAL, BRIGHT, JURASSIC PARK 3, OCTOBER SKY, I AM SAM, the upcoming Apple series CHIEF OF WAR starring Jason Momoa, and more! Over an information-packed 90 minutes, Brenda will teach you the role of a Script Supervisor and how this role affects the experience on set, in the editing room, and the final completed picture. A good Script Supervisor helps a director and the whole crew avoid continuity missteps, assures they have cinematic choices in the editing room, and becomes their narrative storytelling accomplice. It all comes down to understanding and communication. Nurturing the vital relationships between a Director, a cinematographer, the actors and key crew members, the right Script Supervisor will lead you to a much more promising result in post production. You will walk away from this webinar with a solid understanding of the role of Script Supervisor and how invaluable a Script Supervisor can be to a director’s creative goals and implementing their vision. You will learn how you can best work with, and utilize, a Script Supervisor to elevate your next project! PLUS! Brenda will provide you with exclusive handouts to help you make the most out of a Script Supervisor. Downloads include: The Art of Script Supervising - A Checklist Matching - A Guide to Observing
Learn directly from Steve Desmond, a filmmaker and screenwriter who completed a successful crowdfunding campaign and nearly doubled his initial raise! Steve has also worked on projects with Imagine Entertainment, Dreamworks Animation, The Disney Chanel, Level 1 Entertainment, Blacklight Transmedia, Preferred Film & TV and The Walt Becker Company! You have a great idea for a feature film, documentary, or short film. You’re tired of just writing stuff and want to make your dream project into a reality. But you don’t have the money to do it… Yet. In this exclusive Stage 32 Next Level Webinar, filmmaker and screenwriter Steve Desmond will help you build a killer crowdfunding plan so that you can raise the funds to get your dream project off the ground. Steve recently ran his own campaign to fund his short film on Kickstarter with a goal of raising $16K. He not only hit his goal, but blew by it raising a total of nearly $30K and his film is now in post-production! From his own experience, he’ll teach you how to craft a compelling pitch, build an online audience, and maximize your project’s potential. He’ll also go over the pros and cons of Kickstarter, Indiegogo, and other major crowdfunding sites, so that you can pick the one that’s best for you. From making your pitch video to writing the perfect funding email to marketing your project across all social networks, this will be a one-stop shop for how to successfully crowdfund your film. PRAISE FOR STEVE'S TEACHINGS: "Well presented and streamlined webinar. Informative, helpful and well worth the time spent to attend. Great price/value ratio" - Karynne S. "Really useful and well presented. Enjoyed it a lot. Thanks Steve!" - Dee C. "Steve was great I loved the way he presented things and his use of examples was very helpful. I wish I had him on speed dial!" - Rick H. "I thought he was very insightful and forthcoming with his knowledge. Very genuine" - Terry S. "Lots of information presented in a fun and charming way. Good examples which illustrated the points made. Thanks!" - Manina L."Very nicely presented with perfect timing to get across the information. He was organized and loaded with hands on knowledge. Thanks for a great webinar class experience." - J'hon W."Your points were well organized, easy to understand, and you used great examples for everything, which makes a HUGE difference." - Dale L."Really enjoyed this. Got a lot of guidance." - Tiffany M.
As an independent filmmaker or producer, you likely start working on a new endeavor for creative reasons—the chance to tell an amazing story, build worlds, create something of cultural value. Yet this is of course not the only element of filmmaking. Like it or not, your independent film is not just a creative endeavor; it’s also a business. You’re sourcing financing and bringing in investors, building a team, and creating a property that will (hopefully) ultimately make money. In this way you’re not just a making a piece of art; you’re also running a business. To operate successfully in the world of independent film and continue to make films that you’re proud of, you need to be able to think like an entrepreneur and understand the dynamics and the relation between financing, distribution and recoupment of film investments. The business side of films is often especially difficult for filmmakers and creative producers, but it's doable. In fact, there’s a bit of a sweet spot for independent films in the $1MM range and a viable path to profitability for films of this level. The key is to intimately understand how money—both hard money and soft money—flows in and out of the project. Getting a handle on this flow puts you in a powerful position, because not only can you make your current film profitable; but you will also create a business model that you can apply to your future projects, and eventually a portfolio of profitable assets (or films) that will serve as an effective and undeniable calling card as you continue to grow in the industry. This entrepreneurial approach might not be second nature to creatives, but it’s something you can learn and something that will aid you tremendously. David Zannoni is consultant for Fintage House, the world's most respected company for revenue and rights protection for industry professionals and companies. He serves as the company's representative for the Americas. David negotiates agreements for films and television series and is involved in business development and relationship management specifically in the US, Latin America and Europe. As an international film business specialist David is continuously present to make deals and speak at international film markets, festivals and conferences, including: the Cannes Film Festival, the European Film Market (EFM) in Berlin, the American Film Market (AFM), Ventana Sur, the Bogota Audiovisual Market (BAM), and the Toronto International Film Festival (TIFF), and travels regularly to the United States, the Netherlands, Europe, and all over Latin America. David is intimately familiar with how independent films are financed and made profitable all over the world and will share what he knows exclusively with the Stage 32 community. David will focus on the US market and walk you through what you need to know to finance your independent film, $1MM or less, and leave profitable. He will begin by explaining what a $1MM or under budget looks like, whether it’s considered a small film or microbudget, and how it compares in the larger worldwide film market. He’ll delve into how to see your film as an asset and how to use this viewpoint to work with investors and provide profit. David will give you the tools to think like an entrepreneur and explain the relationship between financing, distribution, and recoupment of investment. David will then teach you how to take a business approach to a $1MM and under film project. He will discuss debt and equity financing and compare it to soft money, demonstrating both of their impacts on your recoupment. He’ll then go over how to finance your film through bank loans, tax credits, private lenders, equity investors, and family and friends. In doing so, he’ll demonstrate the differences between lenders and investors and demonstrate how to make—and keep—all of your investors happy. He’ll also go over ways to mitigate risks for yourself and your investors. Plus, David will show a case study of a real $1MM US film to illustrate how a film of this level can be profitable and exactly how the money flows through from beginning to end. He’ll show financing documents and spreadsheets to illustrate the financing structure, the role of the sales agent, and how he navigated the film’s distribution agreement. Through this detailed and practical demonstration, you will leave with strategies and a deep understanding of how to approach your own $1MM film as an entrepreneur and build a finance structure that will leave you and your investors profitable. Praise for David's Previous Stage 32 Webinars: "David is incredible and lovely and clearly knows his stuff." - Cynthia P. "Eye-opening information. A no-brainer approach that wouldn't be so obvious to the uninitiated." - Gary O. "By far, the best class I've seen on the subject." Kirk K. "David is a fantastic teacher. And what a voice! I could listen to him all day. More importantly, I learned so very much!" - Isabella T.