Christopher Mack is Director, Creative Talent Investment & Development for Netflix International Originals. He was previously Senior Vice President of Scripted Content for Stage 13, overseeing all of the brand’s original scripted series and development slates across multiple genres, including Emmy nominated Netflix series’ SPECIAL and IT'S BRUNO. Before Stage 13, Chris headed the Warner Bros. Workshop, the writing and directing program for professionals looking to start and/or further their careers in television. Over a period of 10 years in this role, Chris curated a roster of close to 100 writers and 50 directors representing the breakthrough emerging voices working on high-profile television shows today. In addition to these responsibilities, Chris has covered hit shows such as TWO AND A HALF MEN and SMALLVILLE for the Current Programs department. Prior to joining Warner Bros., Chris spent seven years writing on various one-hour dramas including ER, THE PRACTICE and THE NEW TWILIGHT ZONE. After graduating from Loyola Law School, Chris got his start in television at NBC Studios as an associate and he quickly rose to becoming an executive. During his time at the newly created NBC Studios, he oversaw a varied list of shows including: THE FRESH PRINCE OF BEL AIR and IN THE HOUSE, among others. Full Bio »
Stage 32 + Netflix join forces to bring you an exclusive television pitch workshop
Learn best practices to make your pitch work and what your pitching document should look like
You do NOT want to miss this!
For many, the holy grail of television has become Netflix. It’s a titan in the industry, and with over 200 million subscribers worldwide, no one can put out content quite like them. Just look at the recent hit show BRIDGERTON, which has already been seen by a massive 80 million households (!!) since its release. If you’re a writer or creator, getting your series onto Netflix’s platform can spell success in a big way. But first there’s the matter of getting your series in front of them and pitching it effectively.
It should be a comfort to know that you’re not the only one who wants your series on Netflix. Netflix wants that too! Netflix execs are constantly on the lookout for exciting new voices and new series to fill their slate. Yet it takes more than just a good series or a good pilot script to get on Netflix’s radar; you need to be able to communicate it well and pitch it in a way that will get their team excited. This certainly takes some work, but it’s absolutely achievable. If you’re interested in getting your show on Netflix, it’s time to learn directly from the source what it will take to make that happen.
In an effort to reach more writers and find more content, Netflix has joined forces with Stage 32 to present a FREE and invaluable workshop on what it is that they’re looking for in new shows and how you can best pitch your series to their executives. In Stage 32's continued effort to help level the playing field for content creators worldwide, we felt it's important that we help you get tools you need to be able to make sure that you can pitch effectively.
Kicking off the workshop will be Stage 32 CEO, Richard "RB" Botto (@rbwalksintoabar), and hosting this presentation will be Stage 32's Managing Director Amanda Toney with Netflix’s Director of Creative Talent Investment and Development for International Originals Christopher Mack. Christopher was previously Senior Vice President of Scripted Content for Stage 13, overseeing all of the brand’s original scripted series and development slates across multiple genres, including Emmy nominated Netflix series’ SPECIAL and IT'S BRUNO. Before Stage 13, Chris headed the Warner Bros. Workshop, the writing and directing program for professionals looking to start and/or further their careers in television. Over a period of 10 years in this role, Chris curated a roster of close to 100 writers and 50 directors representing the breakthrough emerging voices working on high-profile television shows today. In addition to these responsibilities, Chris has covered hit shows such as TWO AND A HALF MEN and SMALLVILLE for the Current Programs department.
Prior to joining Warner Bros., Chris spent seven years writing on various one-hour dramas including ER, THE PRACTICE and THE NEW TWILIGHT ZONE. After graduating from Loyola Law School, Chris got his start in television at NBC Studios as an associate and he quickly rose to becoming an executive. During his time at the newly created NBC Studios, he oversaw a varied list of shows including: THE FRESH PRINCE OF BEL AIR and IN THE HOUSE, among others.
In this exclusive Stage 32 workshop, Christopher will delve into what exactly makes a television pitch work at Netflix. He’ll discuss the essentials you’ll need to catch Netflix’s eye and will zero in on how to write an effective pitch document. He’ll pose questions you be able to answer and communicate for your series and give you ideas on how best to communicate your show’s overview, world, tone, and characters. Christopher will then discuss how season summaries should be built and give you ideas on how to think about and present potential episodes. Finally, you will have the invaluable opportunity to ask Christopher your own questions. You will leave this presentation with the understanding of how to structure and present your series, not in theory, but directly from the source.
We will be referencing BREAKING BAD and UNORTHODOX, please familiarize yourself with these pilots and shows.
Want to see the other webcasts in this exclusive Stage 32 + Netflix Creating Television Content for a Global Marketplace series?
Christopher Mack
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**This video presentation contains English closed captions. To view the webinar without captions, click here. Stage 32 + Netflix join forces to bring you an exclusive television pitch workshop Learn best practices to make your pitch work and what your pitching document should look like You do NOT want to miss this! For many, the holy grail of television has become Netflix. It’s a titan in the industry, and with over 200 million subscribers worldwide, no one can put out content quite like them. Just look at the recent hit show BRIDGERTON, which has already been seen by a massive 80 million households (!!) since its release. If you’re a writer or creator, getting your series onto Netflix’s platform can spell success in a big way. But first there’s the matter of getting your series in front of them and pitching it effectively. It should be a comfort to know that you’re not the only one who wants your series on Netflix. Netflix wants that too! Netflix execs are constantly on the lookout for exciting new voices and new series to fill their slate. Yet it takes more than just a good series or a good pilot script to get on Netflix’s radar; you need to be able to communicate it well and pitch it in a way that will get their team excited. This certainly takes some work, but it’s absolutely achievable. If you’re interested in getting your show on Netflix, it’s time to learn directly from the source what it will take to make that happen. In an effort to reach more writers and find more content, Netflix has joined forces with Stage 32 to present a FREE and invaluable workshop on what it is that they’re looking for in new shows and how you can best pitch your series to their executives. In Stage 32's continued effort to help level the playing field for content creators worldwide, we felt it's important that we help you get tools you need to be able to make sure that you can pitch effectively. Kicking off the workshop will be Stage 32 CEO, Richard "RB" Botto (@rbwalksintoabar), and hosting this presentation will be Stage 32's Managing Director Amanda Toney with Netflix’s Director of Creative Talent Investment and Development for International Originals Christopher Mack. Christopher was previously Senior Vice President of Scripted Content for Stage 13, overseeing all of the brand’s original scripted series and development slates across multiple genres, including Emmy nominated Netflix series’ SPECIAL and IT'S BRUNO. Before Stage 13, Chris headed the Warner Bros. Workshop, the writing and directing program for professionals looking to start and/or further their careers in television. Over a period of 10 years in this role, Chris curated a roster of close to 100 writers and 50 directors representing the breakthrough emerging voices working on high-profile television shows today. In addition to these responsibilities, Chris has covered hit shows such as TWO AND A HALF MEN and SMALLVILLE for the Current Programs department. Prior to joining Warner Bros., Chris spent seven years writing on various one-hour dramas including ER, THE PRACTICE and THE NEW TWILIGHT ZONE. After graduating from Loyola Law School, Chris got his start in television at NBC Studios as an associate and he quickly rose to becoming an executive. During his time at the newly created NBC Studios, he oversaw a varied list of shows including: THE FRESH PRINCE OF BEL AIR and IN THE HOUSE, among others. In this exclusive Stage 32 workshop, Christopher will delve into what exactly makes a television pitch work at Netflix. He’ll discuss the essentials you’ll need to catch Netflix’s eye and will zero in on how to write an effective pitch document. He’ll pose questions you be able to answer and communicate for your series and give you ideas on how best to communicate your show’s overview, world, tone, and characters. Christopher will then discuss how season summaries should be built and give you ideas on how to think about and present potential episodes. Finally, you will have the invaluable opportunity to ask Christopher your own questions. You will leave this presentation with the understanding of how to structure and present your series, not in theory, but directly from the source.
Only 12 Spots Available Punch Up Your Animation Pilot Script with a Animation Professional and Veteran with 25+ Years of Experience Work and Support Fellow Writers As You All Work Together To Hone Your Scripts Animated television is currently experiencing a boom like we’ve never seen before. Since it’s possible for the bulk of the work to be completed from home or while socially distanced, animation has been flourishing as more players are turning to this format. New shows like SOLAR OPPOSITES on Hulu, CLOSE ENOUGH on HBO Max, FINAL SPACE on TBS and BLOOD OF ZEUS on Netflix are hugely popular, and this is just the beginning. Scores of upcoming animated shows are in the pipeline and just around the corner. Considering this appetite, it doesn’t look like this trend is fading any time soon. And more interest in animation means there are more opportunities for your own project to get noticed and get picked up. The opportunities may be extra plentiful right now, but you still need to have a dynamite pilot script to present if you want to be noticed, and that means more than a workable first draft. The old adage that writing is rewriting is especially true for animation and comedy scripts that need to be tight, punchy, and effective in every sense. And since television writing is almost always a collaborative process, a necessary step to making your project successful is to bring in different perspectives, different senses of humor, and some expertise to get the script fine-tuned and to the point where it’s truly special. We have just the person to help with this. Mike Disa is an accomplished director, producer, writer, and artist who produced and directed on shows like THE SIMPSONS and the hit Netflix series PARADISE PD and has been in the animation industry for over twenty-five years. Mike found success working with studios such as Dreamworks, Disney, Warner Bros., Paramount, and many others. Over a fascinating career, Mike has worked with some of the greatest and most infamous people in Hollywood including Steven Spielberg, Eric Goldberg, Ralph Bakshi, Glenn Close, Steve Oedekerk, David Tennant, Amy Poehler, Adam Sandler, Jeffery Katzenberg and Roy Disney. A favorite and fixture among the Stage 32 community, Mike is deeply entrenched in the world of animated TV and knows better than most what it takes to get an animated show off the ground. Mike will lead an intimate and valuable writers’ workshop with a small group of students to help rewrite and fine tune each writer’s animation pilot script, line by line. Each session, Mike will focus on 1-2 scripts and work with the group to punch up and improve each. Not only will you receive extended and personalized attention from an expert in the field to improve your own work, but you will also have the opportunity to support other writers with their own projects and learn valuable lessons from the process that you can take back to your own work. Expect to leave this unique program with a much-improved pilot script, a set of tools you can take with you to better improve and rewrite other projects, and a supportive group of like-minded writers from around the world. Note: Because this is a rewrite class, you must already have at least a fully written first draft of a 30-minute animated pilot script in order to participate in this workshop WHAT TO EXPECT By the end of this 6-session writing lab, you will have a fully re-written and fine tuned animation pilot script Sessions will consist of 2-hour group classes through Zoom Meetings. You will be held accountable to take the lessons from each week and move your work forward. Plus, to keep you connected, you will have access to a private, dedicated Stage 32 Lounge where you can communicate with your fellow classmates throughout the writing process. To see the full writing lab schedule, see below under "What You Will Learn". PLEASE NOTE: This exclusive Stage 32 lab is limited to 12 writers and will be booked on a first come, first served basis. The opportunity to work this closely and for this long with an animation veteran and an expert in the field is an incredibly unique and valuable opportunity. If you are interested, please do book quickly. Once the spots are gone, they’re gone for good. Payment plans are available - please contact Harrison at h.glaser@stage32.com for more information This lab is limited to 12 people This lab is designed for beginner, intermediate and advanced screenwriters looking to rewrite and improve their already existing 30 minute animated pilot script Because this is a rewrite class, you must already have at least a fully written first draft of a 30-minute animated pilot script in order to participate in this workshop.
Learn directly from Amanda Toye, a producer who developed over 100 drama, comedy, and reality projects to network and cable! Many filmmakers and writers struggle with the question of whether to relocate to Los Angeles or New York to build their careers. But for many, the realities of that are very difficult with money, family, other jobs, and roots already formed in another home. For international filmmakers, it can be an even more difficult transition. The good news is that because of the shifting landscape of the Hollywood system, it has never been more accessible from anywhere in the world. The expanding of a global marketplace, and the door opening opportunities of the digital revolution have made it possible for anyone to become noticed by Hollywood and share their work with an appreciative audience. In this lecture we’ll cover everything you need to know to get noticed, and begin building the kind of career you weren’t sure you could have without making the sacrifice of moving to Hollywood. Having worked with International Studios evaluating and discovering content creators from all over the world, and specializing in bridging the gap between innovative digital practices of development, distribution, fan development and Hollywood, Amanda Toye has worked with filmmaker, writers, and content creators from all over the world from her office in Los Angeles. She currently splits her time between San Jose, Costa Rica and Los Angeles. PRAISE FOR AMANDA'S TEACHINGS: “It was so good, Amanda is great!” – Rodrigo A. “The information she's willing to share is really helpful” – Nicholas K. “Very helpful, a lot of good information.” – Joshua C. “Overall outstanding!” – Rich S. “She's making me a better writer regardless of whether I get a show on the air.” – Dan N. “Excellent!” – Steve W.
It’s no secret that being an actor is one of the hardest jobs there is. Facing frequent rejection, navigating high levels of competition, constantly looking for new opportunities, all while honing your craft and remaining open and vulnerable in what can be a difficult and cold industry—pursuing this career is not for the weak of heart. There are countless challenges to building an acting career, but when we put undue pressure on ourselves we may not even realize that the biggest obstacle to overcome may just be our own psyches and self-destructive strategies. It's time to change course. There’s so much information out there for actors about improving your craft, changing your auditioning chops, working with your agent, staying on top of trends, making connections, and more. It’s easy to forget that a big part of the craft simply comes down to mindset and confidence. Taking away the doubt that so often comes with performing and replacing it with swagger and confidence will help you not only win over every room, but also make smart, strategic decisions that will lead to a long and prosperous acting career. This, of course, is easier said than done, but a good first step is to learn the best tips, tricks, and traits of the most successful working actors. Jack Plotnick has been a working actor for over 20 years and has amassed over 100 IMDB acting credits in the process including SILICON VALLEY, MEET THE FOCKERS, THE MENTALIST, RENO 911 and BUFFY THE VAMPIRE SLAYER. He's also parlayed this success into a directing career with SPACE STATION 76 for Sony Pictures Worldwide. He has used his experience to serve as the go-to teacher for many successful film, television and voice actors including Zachary Quinto, Liv Tyler, Alyson Hannigan, and Ryan Potter to name a few. Jack has built a successful acting career for himself by adopting a mindset that has allowed him to win over the room and consistently get parts. In 10 simple and applicable steps you can return to again and again, Jack will show you how to eliminate fear, doubt, negativity and how to cut out all those detrimental voices so damaging to an actor's psyche. He will give you the tools that will provide a persistent positive mindset that will have you brimming with confidence. He will teach you how to crush every audition and put yourself in position to win every room. He will show you how to be a better actor and why you are versatile enough to handle comedy and drama roles. He will teach you how to keep your mind and spirit healthy and book more work. Expect to leave this webinar with a newfound confidence, enthusiasm, and a set of tools to take with you to start landing more roles and improving your craft. PRAISE FOR JACK'S TEACHINGS: "Jack has an innate ability to communicate a sense of freedom. Our work together has allowed me to more reliably get out of my own way and connect to the material and situation at hand." - Zachary Quinto (Star Trek, Heroes, American Horror Story) "(Jack) taught me things that were so fucking brilliant. They are things that have stuck with me and helped me as a human being in this world." - Liv Tyler (The Leftovers, The Strangers, The Lord of the Rings) "I seriously couldn’t have done it without him. His words of wisdom are always with me." - Alyson Hannigan (How I Met Your Mother, Buffy the Vampire Slayer, American Pie) "I've printed out every page of Jack Plotnick's website and made an "acting Bible" for myself." - Wendi McLendon-Covey (The Goldbergs, Bridesmaids) "Right now I'm working mainly with Jack Plotnick, who's just the best acting coach ever." - Ryan Potter (voice of Hiro in Big Hero 6)
Only 15 Spots Available! By popular demand, we're bringing in TV executive Anna Henry (who has 100% satisfaction with her webinars!) to teach a one-on-one TV pitch document writing lab! Need help with writing your TV series pitch document? Look no further! Anna's here to help. This is the golden age of television and the appetite for content has never been greater. What does everyone network and streamer want? Fresh, unique, authentic voices with never-been-told stories. While the door is open to new writers, the competition is fierce. Of course you need a very strong finished script, but before that will be read, you need to be able to communicate what makes your show stand out from the crowd, what will make people want to watch it for years and years, and why you are passionate about writing it. You need a blueprint of what the series will be beyond one episode. That's where a pitch document (aka bible, aka treatment) comes in. Whether you are selling your show verbally, sending the pitch to a potential producer, or applying for a fellowship, this document carries the weight of your imagined world with all its inhabitants and stories. That's a tall order! So where do you begin? How do you organize your ideas? What should be in a pitch? How detailed should you get? Should you start with a summary of the pilot? Should you have ideas for future episodes? What should you say about your characters? In this lab we will delve deep into writing an effective pitch for your scripted television idea - one that will clearly communicate your intentions, excite the reader, and convey your voice and your passion. Most writers need help with switching gears and selling their story in addition to telling it - which is the purpose of this lab. Anna has spent her career developing television projects with writers and selling those show ideas as a development executive, manager and producer. What she has found is that most screenwriters have taken classes that helped them learn about story structure, writing scenes, dialogue, etc. but writing a pitch is entirely different. She will not on ly teach you how to write your document, but work one-on-one with you to make sure it's the best it can be to go to market. Testimonials from Anna's previous lab: "I thought it was a great course and really helped me understand the format. Anna is knowledgeable and quickly cuts through to what can help your story better. Her notes on my script were insightful and really demonstrated her thorough experience." - Lee L. "Anna’s class was by far the most thorough, well put together, and organized screenwriting class I’ve ever taken. I have an MFA in filmmaking and, after graduating, I still felt as if I didn’t fully understand the structure of pilot writing. Anna’s class laid it out step by step and she went through every piece in detail. She was also extremely available to her students. During our one-on-one sessions, I expected to have a quick 15 minute call with her but she ended up speaking extensively with me about my story from outline through script stages. She really, truly cares for her students and is there to answer any questions, which, given her abundant experience in the industry, is a priceless piece of her labs. Thank you, Anna!" - Jacqueline D. "Anna was concise, and detailed. I've been working on log-lines/treatments/synopsis for 2 years for my scripts and never had it nailed like Anna was able to do. She rocks!" - Cheryl Lynn S. WHAT TO EXPECT This lab is designed for intermediate writers and producers looking to get their individual television project pitch document ready. This is an in-depth, practical, and detailed lab with one-on-one time with the instructor and significantly more content than a standard 90-minute webinar. ***Only 15 Spots Available. No exceptions.*** (10 Spots Remain!) You will be given exclusive and confidential handouts that will accompany the lessons and that you will be able to hold onto after the lab ends. This lab will consist of six sessions occurring twice weekly for three weeks, each roughly 90 minutes in duration. In addition to the lessons where Raquelle teaches the class, you will have the opportunity to ask her questions during each session as well as multiple chances to speak with her directly about your specific project. Plus, to stay motivated and inspired, you will have access to a private, dedicated Stage 32 Lounge where you can communicate with your fellow classmates throughout the TV project development process. To see the full TV project development lab schedule, see below under "What You Will Learn". PLEASE NOTE: This exclusive Stage 32 lab is limited to 15 writers and will be booked on a first come, first served basis. The opportunity to work this closely and for this long with a manager and an expert in the field is an incredibly unique and valuable opportunity. If you are interested, please book quickly. Once the spots are gone, they’re gone for good. Payment plans are available - please contact Amanda at edu@stage32.com for more information
Learn how you can transition to a creative career from an Academy Award winner who began his filmmaking career at age 63! Hollywood is overwhelming for anyone trying to break in. The politics are difficult to track, the gatekeepers are challenging to get past, and there’s no clear blueprint for how to “make it.” It’s hard to know where to start, how to make inroads, and how to build a career. And these challenges can feel even steeper for those trying to transition to a creative career from a different industry or later in life. This doesn’t need to be the case. With a strong understanding of the industry and the right tools, this transition is absolutely achievable. Because, no matter what anyone tells you, this industry doesn't have an expiration age for people trying to break in. In this exclusive Stage 32 on-demand webinar, you’ll see how your unique life experiences can inform your creative work so that your age actually works in your favor and makes you an asset in this industry. Frank Stiefel began making films at age 63 and then won an Academy Award at age 70. Formerly a TV commercial executive in New York, Frank decided later in life to pursue filmmaking. His directorial debut, the documentary short INGELORE, played in national festivals and was later broadcast on HBO. His film HEAVEN IS A TRAFFIC JAM ON THE 405 went on to win the Jury and Audience prizes at the Austin Film Festival and earned Frank the Oscar at the 90th Academy Awards. Frank has found incredible success transitioning to a creative career later in life and is excited to reveal what he’s learned on his journey exclusively with the Stage 32 community. Using his own story and path to success, Frank will discuss how he made the jump to filmmaking later in life, what he learned along the journey, and what lessons you can take along with you as you make your own transition. Frank will use his first short film INGELORE as a case study to explain how to do research and take notes in the trenches. He’ll give you ideas of how to make something of your own on the cheap and what resources are available to you. Frank also helps you prepare to transition to a new creative career. He’ll go over questions you should ask yourself before making the switch and how to form your plan. He will talk about how to better afford the transition and other advice you should consider before making the leap. He’ll also explain the most important thing he learned while making the transition. Frank will then use HEAVEN as an example to demonstrate how you can use your unique personal background to inform your project and take criticism along the way. Frank will also discuss what he’s learned from his multiple festival runs and how he’s used it to win an Oscar, and what comes next after winning. Finally, Frank will break down how to make your own age and experience work in your favor while breaking in. Finding success in Hollywood is difficult, but Frank has done so by carving his own path. He will give you perspective, inspiration, and strategies so that you can do the same. Praise for Frank's Stage 32 Webinar "Extremely inspirational. Great words of wisdom for mature people who want to break into the business." - Karen B. "It was awesome and encouraging to have Frank Stiefel talk to people in their 50s, 60s and 70s that its never too late. Thank you Stage 32 for bringing this programming." - Ann K. "I thought the candor with which Frank spoke was amazing." -Kerry B. "Perfect seminar. I shy away from signing up for these when it's someone who is just 'in the biz.' Frank had a very real take on how to be successful in the industry and I appreciated that. Dedicated filmmaker with years of experience in other aspects of art and storytelling. It made for a very engaging and emotional webinar." - Anthony N.