ON-DEMAND COMING SOON!
This webinar had a live screening session recently and has not yet been converted into a video format.
This event takes place in::
The Film Center, Actors Connection.
Full address:
630 9th Ave #1410, New York, NY 10036
Elliot Grove founded Raindance Film Festival in 1993, the British Independent Film Awards in 1998, and Raindance.TV in 2007. He has produced over 150 short films, and 5 feature films. His first feature film, TABLE 5 was shot on 35mm and completed for a total of £278.38. He teaches writers and producers in the UK, Europe. Japan and America. He has written three books which have become industry standards: RAINDANCE WRITERS LAB 2nd Edition (Focal Press 2008), RAINDANCE PRODUCERS LAB (Focal Press 2004) and 130 PROJECTS TO GET YOU INTO FILMMAKING (Barrons 2009). Open University awarded Elliot and Honourary Doctorate for services to film education in 2009. Full Bio »
We all know that America is bursting with talented filmmakers.
Are you an independent filmmaker, cinema or digital media student, D-I-Y filmmaker or videographer? Do you have great ideas, a few skills and few filmmaking friends? Maybe you can shoot a short movie, but can you finance one, find an audience to watch it, or promote and sell it?
Raindance Film Festival Founder and social media maverick Elliot Grove comes to New York to bring a fresh look at breaking into the film industry to get your movie made and seen by others. Elliot has produced over 700 short films, 6 features and trained thousands of new and emerging filmmakers around the world. Discover how to use the Raindance method and social media to build audiences, source financing and screen films.
CHARGE YOUR SMARTPHONES! Join @stage32 and @RaindanceNYC and #IndieFilmNYC for this information-packed one-day seminar. DOORS OPEN at 9:15 am.
Have an idea for a movie? Elliot Grove explains the basic principles of writing screenplays and demonstrate the powerful storytelling tools used by the pros.
Can you pitch a clever log line in 140 characters or less? We’re going to tweet out your pitch to the world and find out!
Making movies is not complicated. But it’s hard work. Elliot Grove explains how today, everyone must act like a producer. There will be a tonne of RAW TALENT in this seminar, enough to finance and crew up a movie! In this segment, get producing tools & shooting tips to save you money and make it easier to get your movie made.
1-hr film challenge: Can you put together a creative team? Network during lunch and create a production team. Tweet your team photo.
Why is it that everyone wants to direct, but no one ever takes the time to learn how?
Elliot will outline the principle basics of directing, and how to get the actors and crew to do what you want.
If you would like to start setting up your own profile as a bonafide filmmaker, this is the segment for you. Elliot Grove will explain how to prepare your profile as a writer, producer, director.
Stage 32's very own Founder & CEO will be broadcast to the group from Hollywood for part of the class!
TWEET @RaindanceNYC we’ll send you a great sample Press Kit!
Now are you ready to make a movie? We top off the day and go to a nearby pub for refreshment and to network and start a collaborative project!
Elliot Grove
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I am still absorbing the useful information I learned today at Saturday Film School. I gained an insightful glimpse into the different stages of the film-making process that will be useful to my current project. And I’m sure if you’re an inspiring actor or a screenwriter or director, you will be inspired to start or continue your own projects as well. A useful tip if you plan on attending a session: BRING A BUSINESS CARD! You will meet like-minded individuals who are seeking directors, cinematographers, sound editors, actors, etc to collaborate with and you will need to be able to provide your information quickly. Trust me on this, you have to stick around for the mixer after the program. If you’re the type of person who has been working independently on your craft but need a team to get your project off the ground, here’s where you make your connections! It’s worth every penny.
– Iman,
Elliot Grove made himself entirely accessible to everyone before, during and after the event — and I came away with my head and notepad absolutely jammed with education and inspiration, from practical considerations for production… to all kinds of creative ideas on how to make a film with what you already have, even with a low — or no — budget… the message throughout the day was ‘there are people right here who can help you get your film made … we have everything & everyone we need to make a film here in this room. Highly recommended! – Lis S.
Learn directly from Anne Marie Gillen, who has over 20 years of experience with independent film financing and has raised over $100M worldwide! There is no getting around it. If you want to make your own project, if you want to control your own career, you will need financing. In order to secure that financing you will need the necessary tools, language and know-how. Equity is King – and finding and closing it is the key component to funding every project no matter what the budget! This webinar will address 5 key strategies regarding financing that most filmmakers do not know. Are you stressed & overwhelmed with the thought of finding money for your film? Do you know how to talk the language of an equity investor? Entertainment is a high risk investment. Do you know how to mitigate that risk to get investors to a "Yes!" PRAISE FOR ANNE'S TEACHINGS: "Although I have extensive experience as a Line Producer on studio films, Anne Marie Gillen gave me the map of how to successfully negotiate the strange land of independent film production. She showed me which doors to knock on and how to get them to open. In three months, I went from being a clueless indie neophyte to negotiating with foreign sales agents bolstered by the confidence that comes with knowledge." - Robert Latham Brown - S.W.A.T., Charlie's Angels, Spider-Man "Anne Marie Gillen's captivating personality and unquestionable knowledge of financing films in the digital age were key in providing the vital tools to the Puerto Rico film industry." - Puerto Rico Film Commission "Anne Marie Gillen is exceptionally knowledgeable about independent producing and film finance. Her seminar on the principles and practices of successful producers is extremely lucid, helpful, and keenly observed, drawing from her many years' experience as an industry professional and broad base of relationships. Her sessions on business plans and financing tools are invaluable for the serious independent content creator: inside information with very current details and examples from the ever-changing funding and distribution marketplace. Spend time with her in one of these seminars if you can!" - Executive Director, NALIP (National Association of Latino Independent Producers) "In show business, everyone is in love with the show, but it's the business of making significant money that turns on the big boys and girls inside the tent. Learn what they already know..." - Steve Eccelsine - Independent Producer (12 films & over 700 TV episodes) "Your insight cleared up my eyesight... What a great seminar! The information you provide on the business principles and practices of the entertainment industry is an invaluable tool for producers." - Karen T. Bolt - Development Executive, Carrie Productions (Danny Glover) "Anne Marie's workshop was the best eight hours I spent for getting comprehensive and practical information. She not only shared a wealth of knowledge but actual documents and worksheets for real-world application. And to top it off, she made the day fun, lively and collaborative. I walked away completely satisfied and, more importantly, energized and enthused about producing my film." - Debra Weeks - TV Producer
A 4-Part On-Demand Class Exclusively On Stage 32! Learn from international line producer Jess Weiss, who's worked with Netflix, Amazon Prime, and Paramount+, and discover how you can manage your project's money and excel in this vital production role. PLUS! You'll receive exclusive handouts, including budget, schedule, and expense report templates. You have the script. You have the director. You have an idea for the cast. Now, how do you bring it all together and make your project a reality? So how do you make your film in a way that matches your creative vision while not going over time or budget? The answer: you need to have - or to be - a great line producer. In this four-part on-demand class exclusively on Stage 32, you will learn the tried-and-true industry standards and best practices for every production to properly budget, schedule, and manage your film to completion. The line producer oversees your film's money before you even have a penny as they build out the budget used to help sell your project to financiers. They also ensure the money you have is spent in the most responsible way so that you achieve the film you desire. That includes hiring the crew, creating the production schedule, and managing funds throughout the production. You’ll cover all of this over and more while receiving exclusive templates to use on your own productions, including a script breakdown, budget, schedule, and expense report templates. Plus, you’ll be taught by one of the best line producers in the business, Jess Weiss. Jess is an international line producer, film producer, and member of the Producer's Guild of America. She’s a master of budgeting and finding creative ways to make a project happen. Jess has produced projects for Netflix, Amazon Prime, Paramount+, Showtime, and more, throughout the U.S., Latin America, and Europe. Her films have been selected for international festivals worldwide, with recent screenings at Tribeca, SXSW, and Camerimage. Her recent producing credits include THE HONEYMOON PHASE, starring François Chau and Tara Westwood; THE SUBJECT starring Jason Biggs, Aunjanue Ellis, and Anabelle Acosta; and AMERICAN INSURRECTION, starring Nadine Malouf, Michael Raymond James, and Toby Leonard Moore, which was voted a top 5 action movie to watch by the New York Times. She's worked with top-tier Hollywood talent, including Jane Campion, Kirsten Dunst, Javier Bardem, Common, Maggie Gyllenhaal, and countless others. Jess will show you the tips and tricks she’s learned from over 10 years of production experience. PLUS! as an added bonus - you'll get: a script breakdown a sample budget a sample schedule expense report templates for your own projects By the end of this class, you’ll have the tools you need to make and manage your film's finances until your project is complete on time and on budget. This class is now available on-demand and we highly recommend doing the assignments between each session to get the most out of the educational experience. "It's a huge responsibility and rewarding, getting people back to work and getting their paychecks again, and being able to actually lessen their anxiety and have people tell me that they feel safe because I’m there." -- Jess Weiss
Writing action isn't easy! It takes nuance and skill. We’ll break down the action on the page for the heavy-hitting JOHN WICK, the action-comedy THE NICE GUYS, and the slow-building action of HELL OR HIGH WATER.
The barrier of entry into filmmaking has never been lower, and the opportunities for distribution have never been higher. While the channels of distribution have never been more diverse and accessible, the education for filmmakers of how to best utilize those channels is often hard to navigate. Is theatrical or VOD your best bet? Will the film festival circuit help you? What can a distributor do for you? And how much money are indie films even making these days? With so many different opportunities and new platforms arising constantly, how do you choose the best path for YOUR film? Content still over-saturates the marketplace and standing out has become particularly difficult. Independent films that find success in this landscape do so by being creative, by approaching distribution in unconventional ways, and by uncovering platforms and strategies that others might not have considered. Creative distribution takes a good amount of work and forethought, but it’s also fully possible for any filmmaker who’s up for thinking outside the box. First, it will be important to have a better understanding of the free and paid opportunities to market your film, connect with distributors, build audiences, and team up with collaborators who will help amplify your efforts. Let us give you the tools you need. Liz Manashil was the manager of Sundance Institute's groundbreaking Creative Distribution Initiative and worked in impact distribution for many content creators during her time at Picture Motion. Prior to Sundance and Picture Motion, Liz spent several years as a film critic for the Hulu series JUST SEEN IT, which she also helped produce and direct. As a filmmaker, her debut feature, BREAD AND BUTTER, was released by The Orchard and can be seen on VOD nearly everywhere. Her second feature, SPEED OF LIFE, was released by Giant Pictures, can be seen on Showtime. Liz spends her time advocating for filmmakers to have healthy and productive relationships with their distribution partners. Liz will walk you the options you have to creatively distribute your film and strategies you can implement to build your audience and optimize your film’s release. She’ll begin by outlining the state of distribution today, how it’s changed in recent years, what success looks like now and what’s realistic or normal for independent films. She’ll then go into what ‘creative distribution’ means and how it can benefit you as an artist. She’ll teach you about film aggregators as an option for distribution, including how to find good ones, and red flags to watch out for. She’ll then discuss tips for finding traditional distributors. She’ll go over different types of distribution rights you might not have considered before and explain how to determine which distributors could be the right fit for your film. Liz will also talk about how to navigate distribution contracts and the main clauses and sections to look for. She’ll then teach you ways to market your distributed film to build your audience, with both free and paid strategies. Next, she’ll delve into impact distribution as an option for releasing your film. She’ll go over what it is and how to use this method to run a successful screening tour. Finally Liz will talk about how you should be adjusting your distribution goals post-COVID and use this time to your advantage. With the lessons and strategies Liz lays out, you’ll be armed with an large array of ideas and practices you can apply to your own independent film to give it a release and audience you might not have thought possible Distribution is constantly changing. Whether you are a first time filmmaker or a seasoned veteran, the landscape and the market are both constantly in flux. I'm so excited for you to join me in our session about alternative forms of distribution. I'll give you a bird's eye view of how to get your film out, how to build audiences, and how to make a difference with your movies. -Liz Manashil
Multi-camera sitcoms are becoming more popular. Live callbacks are becoming increasingly rare. Your only shot might be a digital recording of your first take. If you don’t know how to “crush it” in the frame and work with shot composition, your chances of booking the job decrease dramatically. There is a difference between auditioning for single & multi-camera comedies, and if you know the differences between the two, you give yourself an extra leg up on the competition and increase your chances of booking the job. There's not one simple trick to becoming an excellent auditioning actor. It takes practice and knowledge of how to interpret sides properly, scale your performance accurately and work with your sides with grace and confidence. But the single skill of being able to adjust how you perform for a single vs. multi-camera will help you “crush” that audition you’ve been practicing for. In this Stage 32 Next Level Webinar, Gunnar Todd Rohrbacher will explain the differences between auditioning for a single camera and a multi-camera sitcom clearly and help you practice the nuanced but extremely important distinction. You will learn how to incorporate the difference into your audition, how to avoid the most common mistakes actors make in the room and how to use the technical aspects of auditioning to blow your competition out of the water! Gunnar Todd Rohrbacher is one of Hollywood’s best-known acting coaches. He is the founder of Actors Comedy Studio, and is also a highly regarded writer, director, producer and actor within Hollywood’s comedy scene, earning acclaim and rave reviews for more than twenty years. Simply put, Gunnar’s credentials for teaching comedic acting are unmatched - learn from the best on Stage 32! PRAISE FOR GUNNAR'S TEACHINGS: "Gunnar Todd Rohrbacher’s class is for any actor searching for knowledge, confidence and a greater version of themselves." - Allie Grant (Weeds Series Regular, Suburgatory Series Regular) "Gunnar has the experience and the know how to teach you your own strengths. He gives you an edge in this industry by refining what you do best. This isn’t an “acting methodology.” It’s a training ground for brilliance." - Byrne Offutt (Castle, Law & Order: LA, Justified, Kickin’ It, The Young and the Restless, etc.) "Gunnar is one of the most gifted comedic actors, writers and teachers you can find anywhere. You have to be funny to teach funny and Gunnar is. I’ve never met a person more generous with his ideas and time." - Erin Ehrlich (Executive Producer/Director MTV’s Awkward)
There is a myth in the television industry right now: more channels mean it’s easier to sell a show, right? WRONG! The diversification of television and the dominance of streaming services over linear cable have made it HARDER to sell unscripted programming. Why? Because there are too many places for the audience to go. In order to get a hit, networks have to become specialized and truly define their brand in order to stand out. You can no longer just pitch IDEAS to networks. IDEAS are not STORIES and they’re not SERIES. There is a lot more work (research, interviews, and writing) that has to go into a pitch before you can take it to a network. Bomb a pitch and a network might not let you in the door again. Angela Molloy is one of the original unscripted executives having been in the game since 2001, when it was just getting started. She’s also one of the only executives who has been a network buyer, a production company development executive (seller), and an Executive Producer in the field. In this webinar you’ll learn get an overall sense of the reality landscape and concrete essential tips for how to develop and pitch into it. Sign up today to make sure you don’t get caught with your pants down during a pitch!