Pete Goldfinger is an incredibly successful feature and television writer in Hollywood, perhaps best known for penning the two newest features in the SAW horror universe, including JIGSAW, which grossed over $100 million, and SPIRAL, starring Samuel L. Jackson and Chris Rock, which debuted at number one at the box office this year. Other credits of Peter’s include SORORITY ROW, PIRANHA 3D and TV shows like TEENAGE MUTANT NINJA TURTLES and AVATAR: THE LAST AIRBENDER. When he’s not writing for the screen, Pete is running and hosting his own screenwriting retreats, in-person workshops, and Zoom classes. Students of Pete’s classes learn how to turn their projects into marketable, saleable products, and he’s going to deliver these same principles to Stage 32’s community. Full Bio »
Learn how to pitch remotely from the writer of JIGSAW and SPIRAL (Number one movie at the box office this year)
Includes a live pitch demonstration and an exclusive pitch workshop with 5 volunteers!
As Zoom pitches continue to be our “new norm,” it’s important to know how to deliver the most effective virtual pitches, because let’s face it, it’s not the same as pitching in person. The energy is different, and you need to make sure you keep the energy high and engaging. How do you keep producers interested through a computer screen? Now, more than ever, you have to be quick, clear, and concise. Structure is key, but so is knowing how to handle small talk. Pitching is as much about selling your project as it is about selling yourself. Armed with the right tools, conversation, and materials, your chances are as good as anyone else’s.
Pete Goldfinger is an incredibly successful feature and television writer in Hollywood, perhaps best known for penning the two newest features in the SAW horror universe, including JIGSAW, which grossed over $100 million, and SPIRAL, starring Samuel L. Jackson and Chris Rock, which debuted at number one at the box office this year. He’s going to teach you how to quickly hook producers and showrunners with the most valuable and authentic pitch. Pete will share his years of experience handling everything from small talk to delivering strong loglines with pitch decks so that you’ll have all the tools to feel confident in your next virtual pitch.
To demonstrate a live Zoom pitch and being quick on your feet with your pitches, Pete will deliver one of his own pitches, and then give you the opportunity to practice your own one-minute pitches and provide you with feedback. This is an amazing opportunity to fine tune and get advice on nailing your pitch from someone who knows just how to do that.
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Learn how to pitch remotely from the writer of JIGSAW and SPIRAL (Number one movie at the box office this year) Includes a live pitch demonstration and an exclusive pitch workshop where YOU can practice your Zoom pitch and receive notes! Pitching films and series has changed DRASTICALLY over the past year, as we’ve moved from traditional in-person pitches between writers and producers to remote ones. And even as we continue on our path to a stronger semblance of “normal”, all signs point to Zoom pitches sticking around and remaining a consistent aspect of the industry. Zoom has become the norm for eager writers, and if you’ve never pitched before, having the right tools, tips, and materials at your fingertips can really make your pitch shine. If you’ve never pitched to an executive or showrunner before, you may not know what it takes to deliver. Now, more than ever, you must be quick, concise, and clear. To avoid aimless rambling or unnecessary detail and conversation, structure is key. And once that structure is in place, your well-developed pitch can take you to the next level. What are the elements you need to pitch to a development executive or producer to get you to that next level? If you don’t know how to pitch efficiently while keeping your concept clear, the virtual call you’ve waited weeks to have could come to an abrupt end. Those who don’t take the time to practice and think they can roll through on the fly quickly, discover they’ve missed out on an incredible opportunity. But armed with the right tools, conversation, and materials, your chances are as good as anyone else’s. Pete Goldfinger knows what those tools are. Pete is an incredibly successful feature and television writer in Hollywood, perhaps best known for penning the two newest features in the SAW horror universe, including JIGSAW, which grossed over $100 million, and SPIRAL, starring Samuel L. Jackson and Chris Rock, which debuted at number one at the box office this year. Other credits of Peter’s include SORORITY ROW, PIRANHA 3D and TV shows like TEENAGE MUTANT NINJA TURTLES and AVATAR: THE LAST AIRBENDER. When he’s not writing for the screen, Pete is running and hosting his own screenwriting retreats, in-person workshops, and Zoom classes. Students of Pete’s classes learn how to turn their projects into marketable, saleable products, and he’s going to deliver these same principles to Stage 32’s community. During this timely and much-needed webinar, Pete will show you how to deliver the most valuable and authentic pitch possible by discussing the elements that need to go into a pitch so that you hook producers and showrunners quickly. From handling (sometimes) awkward small talk to delivering strong loglines with pitch decks, Pete will share his years of experience so that you leave feeling confident about your next (or first!) virtual pitch. After passing on his golden nuggets of wisdom, Pete will deliver a live pitch demonstration, who will take attendees’ ideas on what to pitch and then deliver his pitch on the spot to give you a feel of what Zoom pitching and thinking on your feet is really like. Pete will even offer an invaluable pitch workshop after his presentation, opening the floor to volunteers who will practice giving pitches and then receive valuable notes from Pete!
Welcome to the final Writers' Room webcast of 2019! The last broadcast of the year was the Write Now Challenge: Plot Twists! This month you were challenged to write a scene in 3-5 pages that tells a story with a major plot twist. This is no easy feat and perhaps the most difficult challenge we have faced to date! There is also a special question and answer session during the broadcast, where members asked me anything about the industry, the craft, the business, your screenwriting career or any other burning questions you may have!
It’s the dream of almost every filmmaker to one day get nominated for and win an Academy Award. It’s the gold standard that everyone strives for—from burgeoning film students to Leonardo DiCaprio. Yet this goal can also feel utterly unattainable. It’s The Oscars after all. Awards go to Meryl Streep and Martin Scorsese, not to me. Believe it or not, you absolutely have a path to the Oscars. It’s more possible than you think, and countless talented independent filmmakers find their way through the nomination process without big money, without big celebrities, and without big studio backing, but instead with just a really fantastic project. Don’t throw that dream away. There’s a road to the Oscars that you can take. Finding your way into the Oscars Ceremony is possible, but that doesn’t mean it’s easy or just happens organically. The Academy Awards are a competition, and like any competition, they come with rules and regulations, procedures, and strategies to win. If you want to one day see Oscar gold, you need to make a fantastic film, but you also have to understand the ins and outs of the awards, the politics that surround it, and where you can best fit in. Let’s explore. Daniel Sol is the co-founder and co-director of the Oscar-qualifying Hollyshorts Film Festival and has helped multiple filmmakers through the Oscar qualification process, including the short film SKIN which won the Academy Award after premiering and qualifying at his festival. Daniel was formerly a theatrical sales executive before he founded HollyShorts as a response to seeing that young filmmakers had little access to industry professionals and few options for screening their films. Now in its 17th year, HollyShorts has quickly become the most influential short film festival in Los Angeles, with Daniel guiding it as Festival Director and lead programmer for the festival. Daniel is also the co founder of the premium Roku, Amazon Fire TV, and Apple TV content channel BITPIX. Daniel’s long experience at the helm of an Academy-qualifying film festival has given him a unique perspective on what it actually takes for filmmakers to find their way to an Oscar nomination. Exclusively for Stage 32, Daniel is going to break down exactly what it takes to qualify your film for an Academy Award and the steps you can take to score a nomination or even become an Oscar winner. He’ll lay out how the Academy nomination process works and will dive into current trends, explaining what sort of themes and genres are more likely to ultimately get nominated. He will then break down the qualification process and the different ways you can get your own project qualified, including through qualifying festivals and other avenues. Daniel will finally talk about steps you can take and what to expect after your film is qualified, including strategies to better your chances of hopefully getting nominated. Becoming an Oscar-nominated filmmaker is not as out of reach as you may think, and Daniel will break down what you can do to better make this dream a reality.
Animated television is currently experiencing a boom like we’ve never seen before. Since it’s possible for the bulk of the work to be completed from home or while socially distanced, animation has been flourishing as more players are turning to this format. New shows like SOLAR OPPOSITES on Hulu, CLOSE ENOUGH on HBO Max, FINAL SPACE on TBS and BLOOD OF ZEUS on Netflix are hugely popular, and this is just the beginning. Scores of upcoming animated shows are in the pipeline and just around the corner. Considering this appetite, it doesn’t look like this trend is fading any time soon. And more interest in animation means there are more opportunities for your own project to get noticed and get picked up. The opportunities may be extra plentiful right now, but you still need to do your homework and understand the animated TV industry and what they’re looking for if you want to be noticed. This means nailing down a great concept, a fantastic pitch deck, and a strategic and effective pitch. And all of these elements don’t need to just be good; they all need to lend themselves to the format and industry that is animated TV. But if you can ace all of these elements, you may have just found your way in and the piece of material that will fire you off the launch pad. Brad Graeber is the CEO and co-founder of Powerhouse Animation Studios, recognized as a leading producer of action animation for its work on Netflix original series like CASTLEVANIA and SEIS MANOS, as well as a multitude of video game cinemas, trailers, and commercials. Through Powerhouse, he has also produced several shows in the children’s space including Nickelodeon's THE ADVENTURES OF KID DANGER and Disney's IT'S A SMALL WORLD: THE ANIMATED SERIES. Based in Austin, TX, Brad is currently overseeing the highly anticipated upcoming Netflix series MASTERS OF THE UNIVERSE: REVELATION, based on the HE-MAN cartoons from the 1980s and produced by Kevin Smith. Few people know better than Brad what it takes to turn an idea into a successful animated show, and he’s going to share his knowledge with the Stage 32 community. Brad will draw from his deep experience in the world of animated TV to break down how to best develop your animated series and pitch and sell it to a streamer or other network. He’ll first teach you what animated TV looks like today, what networks are looking for and where we’re headed. Next he’ll dive into what you should do to get your own animated series market-ready. He’ll address the three questions you NEED to answer before you try to sell your show, and will give you for shaping your character descriptions, plot outlines, structural elements and unique viewpoint. Brad will also talk about how to get the meeting with an interested network or studio. Next Brad will go into crafting your pitch documents including an effective pitch deck and accompanying artwork. He will also go through the 8 biggest mistakes he sees writers make when putting together their animated shows and give you tips on how you can avoid these pitfalls. Brad will even share the pitch deck he used for his original series SEIS MANOS that got it picked up by Netflix and will break down the process of developing the show and getting the streaming giant on board. If you are working on an animated show, you’re going to want to hear what Brad has to say.
Hello, Creative Army. It's been a busy few months around the Stage 32 offices and for yours truly as it relates to my personal projects. I'm excited to share with you what I'm hearing, what I've learned, and what I've experienced since we last got together. As always, my AMA's are always free! Watch as many times as you'd like. Cheers! RB
Exclusive opportunity only available on Stage 32! Stage 32 Masters of Craft Series Presents: Paul Watling, Head of Story for Oscar-Winning SPIDER-MAN: INTO THE SPIDER-VERSE and Conrad Vernon, Director of Oscar-Nominated SHREK 2. Animation is one of the most in-demand genres of film and television with a wide audience appeal. Whether it's billion dollar box office hits like THE LION KING, ZOOTOPIA, MINIONS or FROZEN or Emmy-winning television like THE SIMPSONS, BOB'S BURGERS or RICK AND MORTY, there is always a need for fun, fantastic and unique storytelling through animation. Animation as a medium is much different than its live action counterpart and requires a unique series of skills. One of the most important among them is pitching. A good pitch stands between you and your greenlight. Pitching animation is unlike any other storytelling. First, you are in charge of not only nailing a perfect pitch complete with character and story arcs, but you are also in charge of helping your audience visualize something that doesn't exist yet. Being able to do both and succeed can be challenging. You have to know how to map out your story, how to lay out your storyboards and how to verbally hone in on a perfect pitch. Missing a key element can mean you will get a pass. To make sure you put your best foot forward, Stage 32 is thrilled to bring you an exclusive Masters of Craft webinar with Paul Watling, Head of Story for Oscar-Winning SPIDER-MAN: INTO THE SPIDER-VERSE and Conrad Vernon, Director of Oscar-Nominated SHREK 2. Paul Watling has orbited the animation industry for the past two decades, honing his skills as a director, story artist and designer, joining Nickelodeon. He was head of story on Sony Pictures Animation’s Academy award winning feature, SPIDER-MAN INTO THE SPIDER VERSE and contributed to numerous television and feature productions most recently, as a director on Craig McCracken's Netflix series KID COSMIC. He served as a story artist on several other Sony Pictures Animation films, including SMURFS: THE LOST VILLAGE and HOTEL TRANSYLVANIA 2, along with a multitude of feature development projects. Paul relocated to Los Angeles from Toronto, Ontario where he worked as a storyboard artist, designer and director on a variety of television productions, such as GROJBAND, SIDEKICK, TOTAL DRAMA ISLAND, YIN YANG YO, ATOMIC BETTY and ED, EDD N EDDY. Conrad Vernon is an American director, writer, storyboard artist and voice over artist best known for his work on the DreamWorks Oscar-Nominated animated film series SHREK as well as other films such as MONSTERS VS. ALIENS, MADAGASCAR 3: EUROPE'S MOST WANTED AND PENGUINS OF MADAGASCAR. He also co-directed the adult animated film SAUSAGE PARTY and the newest release of the animated movie THE ADDAMS FAMILY. Conrad is now tapped to direct an animated movie version of THE JETSONS for Warner Bros. In this exclusive Stage 32 Masters of Craft Webinar Paul and Conrad will go over what a story pitch is for animation and how it can affect your story board. They will teach you how to prepare for a story pitch and how to plan a pitch story board. They will share from their decades of experience things that work well and things that do NOT work well in a pitch. And, exclusively to Stage 32, you will see video of the actual in-room pitch Conrad did for SHREK 2 - complete with the live pitch, the story boards and the final product! Paul will even do a live pitch to the class. You will get to see how the top pros pitch! Join us for an exclusive behind-the-scenes look at how two of the top people in animation today pitch - you'll walk away with creative ideas on how to apply it to your future pitches! "Conrad teaching is like a master class in animation." - Miguel V. "Wit, wisdom and no bull-sh*t. Conrad was clear in what it takes to work in animation. Bring him back please!" - Tiffany F. "Conrad is a terrific instructor who I learned a tremendous amount from. I especially like how thorough he is in explaining technical details." - Paul I.