Stage 32 Presents: COVID-19 - A Conversation with Industry Professionals of the Current State of the Entertainment Industry

Hosted by Top Producers, Attorneys, Financiars & Talent Professionals

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Top Producers, Attorneys, Financiars & Talent Professionals

Webinar hosted by: Top Producers, Attorneys, Financiars & Talent Professionals

Meet the Panelists: Elsa Ramo, Attorney, Ramo Law Recently named to Variety’s 2019 “Dealmakers List,” Elsa Ramo has represented over 100 films and 50 television scripted and unscripted series in 2019 alone, including Emmy award-winning shows and films which debuted at the 2020 Sundance Film Festival. Elsa provides comprehensive legal services to producers, financiers, creators, and owners of film, television and digital content and projects across a range of budgets and production levels. She established her own law firm to enable up-and-coming filmmakers and producers to bring their stories to life. Her clients include Imagine Entertainment, Fox, Balboa Productions (Sylvester Stallone’s production company), Scout Productions (creators and EPs of “Queer Eye”), Boardwalk Pictures (EPs for “Chefs Table”), LOL (Kevin Hart’s production company), The Jim Henson Company, and Skydance. Elsa’s leadership within the legal and entertainment communities extends beyond her successful Beverly Hills firm. She dedicates substantial time to mentoring women through various organizations, and she has become a go-to commentator and instructor on legal issues related to film financing and the entertainment market. Elsa Ramo founded the firm in 2005 on the Universal Studios backlot after several clients approached her to handle their independent productions. Now as managing partner to the firm, she handles client matters as well as manages the firm’s attorneys and packaging and sales department. Andrew Fried, Producer  Andrew Fried is the founder and President of Boardwalk Pictures, producers of premium non-fiction content for multiple networks and distributors including Netflix, Showtime, Quibi, YouTube and many others. A recipient of multiple awards and 3 Emmy nominations, Fried and Boardwalk strive to elevate and expand the idea of documentary television across an ever-growing unscripted landscape. Boardwalk is best known for its award-winning Netflix series Chef’s Table. Now entering its 7th season, Chef’s Table has received 8 Emmy nominations, has won 3 James Beard Awards and the IDA Award for Best Documentary Series. Boardwalk’s other recent credits include the Netflix series 7 Days Out, Street Food and Last Chance U (now in it’s 4th season), the Showtime series Action and YouTube’s Best Shot. Carolyn Hunt, Attorney, Barnes & Thornburg Carolyn has extensive experience with advising investors in virtually all aspects of their film, television, interactive gaming and other finance and distribution matters. Having been involved in the financings for hundreds of entertainment projects, including many award-winning films, she represents domestic and international financial institutions, senior, mezzanine and equity venture and production funds, high net worth individuals and media and entertainment companies in their finance, corporate, intellectual property, distribution and other entertainment-related transactions. Carolyn routinely counsels clients on the legal and business issues of entertainment financing transactions, including single-project financing transactions, capital raises, slate transactions, lines of credit, first and second lien financings, co-productions, print and advertising financing, securitizations and domestic and foreign incentivized financing structures, as well as distressed debt and restructuring transactions. Her vast experience also includes output agreements and other transactions for the acquisition and disposition of film and media content. She has extensive experience successfully guiding secured creditors through the unique issues surrounding entertainment and media assets in bankruptcy. In the past year, her work in the television and video industry has seen an uptick given the rapid changes of consumer expectations and usage habits in this age of video-on-demand and mobile media consumption. Her financier clients are increasingly providing capital to OTT projects, and she represents content providers who are more and more frequently focusing their attentions toward streaming and other alternative media transactions. Active in the community, Carolyn has served for several years as a board member of the Museum of Contemporary Art 'Contemporaries' and the Hammer Museum's Kids Art Museum Project. She is actively involved with the Board of Governors of Cedars Sinai and is on the board of the Heartland Film Festival. Carolyn has consistently been named a top dealmaker, a top entertainment attorney and one of the most influential women in entertainment by Variety and included in the Daily Journal’s “Top Women Lawyers” list. She is listed in Chambers & Partners as a ranked Media & Entertainment: Transactional lawyer. Carolyn earned her J.D. from the Georgetown University Law Center. In law school, she was a staff writer for the International Law and Policy Journal. Viviana Zarragoitia, Financier, Three Point Capital Viviana Zarragoitia began her career in the entertainment industry working in production accounting at Millennium Films and Bold Films. She then spent 5 years at Lionsgate, where she started working in the accounting department and segued into the finance division, specifically, profit participation. While working in profit participation, she oversaw the preparation of multi-million dollar film and television distribution deals. She was then promoted to the group's audit division, where she managed film and television royalty audits of producers’ profit participation statements. In 2013, she joined Three Point Capital, a boutique firm that specializes in senior lending on film and television projects. While at Three Point Capital, Viviana has been involved in the financing of over 70 independent films and worked with such producers as Cassian Elwes, Rob Barnum, Anthony Bregman, James Schamus, Aaron Gilbert, Kimberly Steward, Nicolas Chartier, and Kevin Frakes, among others. As Vice President, Viviana closes the financing on every film that the company is involved in, as well as manage the company's operations in its satellite offices (Ohio, Kentucky, and Louisiana). Viviana has received over a dozen Executive Producers credits on titles she has financed. She graduated Cum Laude with a double-major in Business and English from Loyola Marymount University.   Tracy Christian, Agent, TCA Management Tracy Christian is a veteran talent agent with more than twenty years in the industry working in both the literary as well as talent space. Past clients include Oscar winners Melissa Leo, Octavia Spencer, Mo’Nique, Emmy and Golden Globe winner Elizabeth Moss. Within the lit space she’s personally responsible for more than 1,000 hours of on air primetime programing. In 2011, she opened TCA, a Los Angeles based boutique talent agency representing trained character actors, writers, and producers. Early on I remember discovering an agency called IFA. Just five agents representing a list of top tier talent. Until then I didn’t know that it could be done. I thought that as I grew my client’s careers that I’d have to move with them to larger agencies. Eventually I had to free myself from the banality of department meetings and bring the focus back to the client. That’s why I created TCA. We’re doing something special at TCA; we’re repping talent that we’re insanely passionate about and keeping the list intentionally small so we can give the same attention as a manager with the aggressiveness, access, and deal making skills usually found at larger agencies. Today, Christian doesn’t just find opportunities for actors in film and television or sell successful programming. Through their production imprint, Black Leather Jacket, TCA is also a content creator. Jeremiah Terminator LeRoy is the first film from the imprint and stars Laura Dern and Kristen Stewart. The film was chosen to close the 2018 Toronto International Film Festival and is was released by Universal Pictures in 2019. Your Host Amanda Toney, Managing Director, Stage 32 As Managing Director for Stage 32, Amanda oversees operations and business development for the global business. She has curated over 1,200 hours of online education created exclusively for Stage 32, and works with hundreds of entertainment industry executives from around the world to serve as educators and mentors. She has spearheaded partnerships with such prestigious organizations as the Cannes Film Festival Marché du Film, American Film Market, SXSW, Austin Film Festival, Raindance Film Festival, Hollyshorts Film Festival, PGA, WGA and DGA, as well as brands such as AT&T, Peerspace, Pond5, Mandy, Bondit Media Capital and her personal favorite partnership, Tito’s Handmade Vodka, which is the official vodka of Stage 32.As a producer, Amanda has worked on the psychological thriller What Lies Ahead starring Rumer Willis and Emma Dumont; Chick Fight, starring Malin Akerman, Alec Baldwin and Bella Thorne, Metaphorms, a Hungarian film, which premiered at the Raindance Film Festival and Dolphin Girl, an entire Stage 32 production in conjunction with the St. Petersburg Film Commission. She is an Executive Producer on Vagic, produced by Amy Baer at Gidden Media. She recently sold an unscripted show to a major US network .Amanda has spoken all over the world at the Cannes Film Festival (France), Hollyshorts Film Festival (US), Raindance Film Festival (UK), Hamburg Film Fest (Germany), Trinidad & Tobago Film Commission (Trinidad), Fest Festival (Portugal) and Harvard (US) on the business of the entertainment industry.   Full Bio »

Webinar Summary

Founded in 2011 by Richard "RB" Botto, Stage 32 is the world's largest online platform connecting and educating film, TV and new media creatives and professionals worldwide. Stage 32 works with over five hundred industry professionals and executives who provide education, instruction and professional opportunities for members of the platform. Stage 32 currently has over 1,200 hours of exclusive film, television and digital craft and business education in its library. Stage 32 members use the platform daily to build their network, take online webinars, classes and labs, find work and cast and crew their projects. Stage 32 members range from students to Emmy, BAFTA and Academy Award Winners.

Over the last few weeks, we have been working tirelessly to ensure that you know that Stage 32 is your online home to stay connected with over 600,000 creatives and professionals from across the globe. Now, we are looking forward to bringing you another virtual event to help you stay up-to-date about the state of the entertainment industry featuring some of the top professionals in the business.

In this special event webcast we presented a virtual panel featuring some of the top minds in the Stage 32 community to discuss the current state of the entertainment industry as we are all faced with the COVID-19 pandemic. 

Our Stage 32 Managing Director, Amanda Toney, hosted this incredible lineup, where you will hear the point of view of a production company (Andrew Fried of Boardwalk Pictures), a lender (Viviana Zarragoitia of Three Point Capital), lender counsel (Carolyn Hunt of Barnes & Thornburg LLP), a talent representative (Tracy Christian of TCA Management), all moderated by producer and production company counsel (Elsa Ramo of Ramo Law PC).

Stage 32 is proud to be putting the "social" in #SocialDistancing. Please share this event on your social media and tag @stage32 on Twitter and @stage32online on Instagram. 


 

What You'll Learn

Tune in now for this panel discussion on how the COVID-19 pandemic is affecting all aspects of the entertainment industry. Producers, lenders, talent, and distributors are all adapting to the current shutdown. This panel will discuss how they are operating under the current shutdown, how existing and future productions are being handled, and most importantly, how we can strategically plan and learn for the future during this uncertain period.

Our Stage 32 Managing Director Amanda Toney hosted this incredible panel and kicked off the conversation. You will hear from top industry professionals that can offer thorough points of view from multiple facets of the entertainment business:

  • Elsa Ramo - Ramo Law (Recently named to Variety’s 2019 “Dealmakers List,” Elsa Ramo has represented over 100 films and 50 television scripted and unscripted series in 2019 alone, including Emmy award-winning shows and films which debuted at the 2020 Sundance Film Festival.)
  • Andrew Fried - Producer at Boardwalk Pictures (Netflix's CHEER, Gwyneth Paltrow's THE GOOP LAB, CHEF'S TABLE)
  • Carolyn Hunt - Barnes & Thornburg LLP (Carolyn routinely counsels clients on the legal and business issues of entertainment financing transactions, including single-project financing transactions, capital raises, slate transactions, lines of credit, co-productions and domestic and foreign incentivized financing structures.)
  • Viviana Zaragoitia - VP at Three Point Capital (While at Three Point Capital, Viviana has been involved in the financing of over 70 independent films and worked with such producers as Cassian Elwes, Rob Barnum, Anthony Bregman, James Schamus, Aaron Gilbert, Kimberly Steward, Nicolas Chartier, and Kevin Frakes, among others.)
  • Tracy Christian - Agent, TCA Management ( Past clients include Oscar winners Melissa Leo, Octavia Spencer, Mo’Nique, Emmy and Golden Globe winner Elizabeth Moss. Within the lit space she’s personally responsible for more than 1,000 hours of on air primetime programming.)

About Your Instructor

Meet the Panelists:

Elsa Ramo, Attorney, Ramo Law

Special Event this Friday Covid19 A Conversation of the State of the Entertainment Industry

Recently named to Variety’s 2019 “Dealmakers List,” Elsa Ramo has represented over 100 films and 50 television scripted and unscripted series in 2019 alone, including Emmy award-winning shows and films which debuted at the 2020 Sundance Film Festival.

Elsa provides comprehensive legal services to producers, financiers, creators, and owners of film, television and digital content and projects across a range of budgets and production levels. She established her own law firm to enable up-and-coming filmmakers and producers to bring their stories to life. Her clients include Imagine Entertainment, Fox, Balboa Productions (Sylvester Stallone’s production company), Scout Productions (creators and EPs of “Queer Eye”), Boardwalk Pictures (EPs for “Chefs Table”), LOL (Kevin Hart’s production company), The Jim Henson Company, and Skydance.

Elsa’s leadership within the legal and entertainment communities extends beyond her successful Beverly Hills firm. She dedicates substantial time to mentoring women through various organizations, and she has become a go-to commentator and instructor on legal issues related to film financing and the entertainment market.

Elsa Ramo founded the firm in 2005 on the Universal Studios backlot after several clients approached her to handle their independent productions. Now as managing partner to the firm, she handles client matters as well as manages the firm’s attorneys and packaging and sales department.

Andrew Fried, Producer 

Andrew Fried is the founder and President of Boardwalk Pictures, producers of premium non-fiction content for multiple networks and distributors including Netflix, Showtime, Quibi, YouTube and many others. A recipient of multiple awards and 3 Emmy nominations, Fried and Boardwalk strive to elevate and expand the idea of documentary television across an ever-growing unscripted landscape.

Boardwalk is best known for its award-winning Netflix series Chef’s Table. Now entering its 7th season, Chef’s Table has received 8 Emmy nominations, has won 3 James Beard Awards and the IDA Award for Best Documentary Series.

Boardwalk’s other recent credits include the Netflix series 7 Days Out, Street Food and Last Chance U (now in it’s 4th season), the Showtime series Action and YouTube’s Best Shot.

Carolyn Hunt, Attorney, Barnes & Thornburg

Special Event this Friday Covid19 A Conversation of the State of the Entertainment Industry

Carolyn has extensive experience with advising investors in virtually all aspects of their film, television, interactive gaming and other finance and distribution matters. Having been involved in the financings for hundreds of entertainment projects, including many award-winning films, she represents domestic and international financial institutions, senior, mezzanine and equity venture and production funds, high net worth individuals and media and entertainment companies in their finance, corporate, intellectual property, distribution and other entertainment-related transactions. Carolyn routinely counsels clients on the legal and business issues of entertainment financing transactions, including single-project financing transactions, capital raises, slate transactions, lines of credit, first and second lien financings, co-productions, print and advertising financing, securitizations and domestic and foreign incentivized financing structures, as well as distressed debt and restructuring transactions. Her vast experience also includes output agreements and other transactions for the acquisition and disposition of film and media content.

She has extensive experience successfully guiding secured creditors through the unique issues surrounding entertainment and media assets in bankruptcy. In the past year, her work in the television and video industry has seen an uptick given the rapid changes of consumer expectations and usage habits in this age of video-on-demand and mobile media consumption. Her financier clients are increasingly providing capital to OTT projects, and she represents content providers who are more and more frequently focusing their attentions toward streaming and other alternative media transactions.

Active in the community, Carolyn has served for several years as a board member of the Museum of Contemporary Art 'Contemporaries' and the Hammer Museum's Kids Art Museum Project. She is actively involved with the Board of Governors of Cedars Sinai and is on the board of the Heartland Film Festival.

Carolyn has consistently been named a top dealmaker, a top entertainment attorney and one of the most influential women in entertainment by Variety and included in the Daily Journal’s “Top Women Lawyers” list. She is listed in Chambers & Partners as a ranked Media & Entertainment: Transactional lawyer.

Carolyn earned her J.D. from the Georgetown University Law Center. In law school, she was a staff writer for the International Law and Policy Journal.

Viviana Zarragoitia, Financier, Three Point Capital

Special Event this Friday Covid19 A Conversation of the State of the Entertainment Industry

Viviana Zarragoitia began her career in the entertainment industry working in production accounting at Millennium Films and Bold Films.

She then spent 5 years at Lionsgate, where she started working in the accounting department and segued into the finance division, specifically, profit participation. While working in profit participation, she oversaw the preparation of multi-million dollar film and television distribution deals. She was then promoted to the group's audit division, where she managed film and television royalty audits of producers’ profit participation statements.

In 2013, she joined Three Point Capital, a boutique firm that specializes in senior lending on film and television projects. While at Three Point Capital, Viviana has been involved in the financing of over 70 independent films and worked with such producers as Cassian Elwes, Rob Barnum, Anthony Bregman, James Schamus, Aaron Gilbert, Kimberly Steward, Nicolas Chartier, and Kevin Frakes, among others. As Vice President, Viviana closes the financing on every film that the company is involved in, as well as manage the company's operations in its satellite offices (Ohio, Kentucky, and Louisiana). Viviana has received over a dozen Executive Producers credits on titles she has financed.

She graduated Cum Laude with a double-major in Business and English from Loyola Marymount University.

 

Tracy Christian, Agent, TCA Management

Tracy Christian is a veteran talent agent with more than twenty years in the industry working in both the literary as well as talent space. Past clients include Oscar winners Melissa Leo, Octavia Spencer, Mo’Nique, Emmy and Golden Globe winner Elizabeth Moss. Within the lit space she’s personally responsible for more than 1,000 hours of on air primetime programing.

In 2011, she opened TCA, a Los Angeles based boutique talent agency representing trained character actors, writers, and producers.

Early on I remember discovering an agency called IFA. Just five agents representing a list of top tier talent. Until then I didn’t know that it could be done. I thought that as I grew my client’s careers that I’d have to move with them to larger agencies. Eventually I had to free myself from the banality of department meetings and bring the focus back to the client. That’s why I created TCA. We’re doing something special at TCA; we’re repping talent that we’re insanely passionate about and keeping the list intentionally small so we can give the same attention as a manager with the aggressiveness, access, and deal making skills usually found at larger agencies.

Today, Christian doesn’t just find opportunities for actors in film and television or sell successful programming. Through their production imprint, Black Leather Jacket, TCA is also a content creator. Jeremiah Terminator LeRoy is the first film from the imprint and stars Laura Dern and Kristen Stewart. The film was chosen to close the 2018 Toronto International Film Festival and is was released by Universal Pictures in 2019.


Your Host

Amanda Toney, Managing Director, Stage 32

As Managing Director for Stage 32, Amanda oversees operations and business development for the global business. She has curated over 1,200 hours of online education created exclusively for Stage 32, and works with hundreds of entertainment industry executives from around the world to serve as educators and mentors. She has spearheaded partnerships with such prestigious organizations as the Cannes Film Festival Marché du Film, American Film Market, SXSW, Austin Film Festival, Raindance Film Festival, Hollyshorts Film Festival, PGA, WGA and DGA, as well as brands such as AT&T, Peerspace, Pond5, Mandy, Bondit Media Capital and her personal favorite partnership, Tito’s Handmade Vodka, which is the official vodka of Stage 32.

As a producer, Amanda has worked on the psychological thriller What Lies Ahead starring Rumer Willis and Emma Dumont; Chick Fight, starring Malin Akerman, Alec Baldwin and Bella Thorne, Metaphorms, a Hungarian film, which premiered at the Raindance Film Festival and Dolphin Girl, an entire Stage 32 production in conjunction with the St. Petersburg Film Commission. She is an Executive Producer on Vagic, produced by Amy Baer at Gidden Media. She recently sold an unscripted show to a major US network .

Amanda has spoken all over the world at the Cannes Film Festival (France), Hollyshorts Film Festival (US), Raindance Film Festival (UK), Hamburg Film Fest (Germany), Trinidad & Tobago Film Commission (Trinidad), Fest Festival (Portugal) and Harvard (US) on the business of the entertainment industry.

 

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Learn from a former Pixar story manager turned full time screenwriter and co-host of the podcast THE SCREENWRITING LIFE in this exclusive Stage 32 on-demand webinar It’s the dream of many to have a career as a writer for TV or film, to be able to make a living creating worlds and telling stories. It is no doubt an exciting career, but that doesn’t mean it’s easy. For as many people that find success in screenwriting, there are many others who don’t. This doesn’t just come down to talent, but also to a huge array of other aspects (not to mention a good amount of luck and circumstance). Ultimately if you want to write full time, it’s important not just to hone your writing skills, but also the skills needed to live a writer’s life. It’s common for people to jump into the world of screenwriting and strive to write full time without really considering what goes into this lifestyle beyond simply writing. But the life of a screenwriter isn’t exactly straightforward or easy. Even the most successful and in-demand writers face unique challenges and difficulties. After all, you’re not just writing; you’re constantly finding new opportunities, you’re developing your craft, you’re building your brand, and balancing all of it with your own personal life. Though of course, along with these obstacles come incredible opportunities to create, to inspire others, and to contribute to today’s culture. So what does it actually mean to write full time, what does that life look like, and how can you best shape your career and your day-to-day to make the most out of your screenwriting profession? Let’s dig in. Lorien McKenna is a full-time screenwriter as well as co-host of the popular podcast THE SCREENWRITING LIFE with her writing partner Meg LeFauve (INSIDE OUT, CAPTAIN MARVEL). Lorien was a former Pixar story manager who worked on such features as UP, BRAVE, INSIDE OUT, and THE GOOD DINOSAUR and served as a producer for Paramount Animation, where she oversaw development for the animated hit WONDER PARK. Lorien and Meg sold their romantic comedy anthology, THIS THING CALLED LOVE, to Hulu with Dan Lin producing; as well as a half hour sitcom, POOG, to NBC and WBTV. Lorien also wrote HOW TO SET A FIRE AND WHY, based on the book of the same name by Jesse Ball, for Straight Up Films. Previously, she served as the Co-EP for Hulu's CURIOUS GEORGE series, and has developed projects for Disney Jr., Funko, and Netflix. Lorien has found her path and road to success through screenwriting, and has learned a slew of lessons along the way. Now she’s excited to share her perspective and advice with the Stage 32 community. Lorien will dig into what it actually means to be a full-time screenwriter and offer strategies and advice for those starting out to find their footing and create a long-lasting career. Lorien will describe what a day, month, and a year in the life of a full-time writer looks like and how she’s navigated successes and setbacks along the way. She’ll offer tips into how to make ends meet as you get started and when you might be able to give up the side job. She’ll speak to finding the writing/living balance so you can stay connected. Next Lorien will go into advice into how to get your actual writing done, day in and day out and how to improve and learn along the way. She will discuss what she has done to build her brand and reputation and why she hates networking. Finally, Lorien will share the five most surprising things she’s learned in her writing career. Every person’s writing career is different, but Lorien will provide you with context, perspective and a collection of tools you can include in your own toolbox as you work to build your own path as a screenwriter. Praise For Lorien's Webinar: "What an amazing webinar. Lorien shared so much valuable information. I am newly emboldened to tackle my dream career as a writer" - Annabelle R. 

Creating the Best Festival Strategy for Your Film

With so many platforms and distributors in need of new content, it’s never been a better time for independent filmmakers to take their projects to a festival. However, submitting is only one step in the process of selling your film. You will learn the best strategies to raise your film’s chances of landing a film festival spot while debunking the myths and advice that actually work against your goals. You’ve heard countless stories of up-and-coming directors and producers who launched careers using an independent film on the festival circuit, but how did they do it? Getting into a festival is more than simply submitting. Each festival has a specific program style and schedule they’re filling, making the linear “one-size-fits-all” method a waste of your unique film’s potential. Save your budget and time with this Stage 32 exclusive webinar that shows you the steps successful filmmakers use to be accepted and even win big on the festival circuit. You’ll get a behind-the-scenes look at how film festivals operate to then understand how to assess your film so it’s programmable. This session shows you how to create an actionable plan, including budgeting, deliverables, knowing which plans are right for your film, looking for patterns in responses to your film, and more. And who better to show you how it’s done than the “Film Festival Doctor,” Dr. Rebekah Louisa Smith, who has helped thousands of filmmakers secure film festival screenings, win awards, and receive positive recognition within the film industry. Rebekah’s company has won over 1,000 awards for their clients, including an Oscar nomination, while supporting 850 creatives worldwide. Rebekah provides you with high-level information that she’s learned over her many years while working with creatives like you. She’ll show you how to assess your film and build a strategy that works for it instead of spending money on festivals that won’t help you get ahead. At the same time, she’ll show you all the bad advice that many promote, but you should avoid, to raise your submission success rate. In addition to this invaluable information, you’ll have a chance to ask Rebekah any questions about creating a film festival strategy and how you can use her knowledge to your benefit. You’ll leave this webinar with both a plan and the confidence to take your film to the next level as you hit the festival circuit. PRAISE FOR REBEKAH'S TEACHINGS: "Rebekah Smith seems knowledgeable. Would have liked her to write out some of the sites or companies that she recommended." -Carlton S.

Your Step by Step Guide to Getting Distribution for Your Film

Learn How To Secure Distribution For Your Independent Film From A Producer Guild of America Member Who Has Worked On Over 25 Films   If you’re making a movie, the ultimate goal is getting it distributed. And, in today's current climate there are more distribution options than ever with theatrical, streaming, AVOD and SVOD - it's important that you set yourself up for success so you can get a return on the investment for your film. Not only does that make your film a financial success but it allows your investors, and others, to have confidence to invest in your future projects. In an exclusive 4-session Stage 32 on-demand class, you will learn how to find distributors and sales companies, where to find them, who in the company to contact and what to say.And, when your offers come pouring in, you'll know what to look for in contracts, what to expect in cash flow and charges, and how to prepare yourself and your project for this most critical part of the filmmaking process... distribution. To guide you on this journey is a top PGA Producer (Producers Guild of America) who's worked on 25 independent films, Michelle Alexandria. Over the course of four information-packed sessions, Michelle will show you how to harness your determination and make a clear plan of action. She will teach you how to take strong steps to create relationships, get distribution, make money, and have fun doing it from anywhere in the world. You will get a clear plan of action and learn how to take strong steps to create relationships, secure distribution for your film, make money, and have fun doing it from anywhere in the world. TESTIMONIALS FROM PREVIOUS EDUCATION FROM MICHELLE: "Sure, everyone thinks their film is the next My Big Fat Greek Wedding or some other independent blockbuster. Sure, everyone believes that they have THE idea that is going to get them the money. Michelle just gave me the map as to HOW to get the money by being REAL. I can't wait to get started and to bounce ideas off my team. This was so much fun. Thank you!" - Denise P.

How To Complete Your Movie On Time And On Budget While Achieving Your Creative Goals

Learn how to "make your day" on time and on budget while achieving your creative vision from a director who has made over 25 feature films and has screened at Sundance, South by Southwest, and more! PLUS! You will receive exclusive handouts including Director Duties, Shot List Components, and a Director's Reading List to help you on your next project!   The number one expense facing all filmmakers (indie or otherwise) will always be... time. Falling behind just one day quickly leads to another, and another…and a domino effect! You suddenly have a runaway production. It doesn’t matter how creative or inspired you are, if you can’t get it “in the can” on time and on budget, you’re going to have a difficult career. This is especially true in the indie space, where your budget limitations are often quite rigid and not at all conducive to any directorial hesitancy or indecision. Thankfully there’s a proven method to keep you on track, while still allowing for spontaneous inspiration and experimentation on set. It also happens to be the industry standard, and applies to any level of filmmaking - from student short to studio feature. You don’t have to toss the creative baby out with the budgetary bathwater, contrary to popular belief. In this exclusive Stage 32 webinar, you will learn where to put the emphasis in your pre-production process and a specific method for planning shots and scenes (shot lists, top down lighting plots) optimized for making your day without turning you into a budgetary bean-counter. This course also serves as a strong “trouble-shooting” guide applicable to the vast majority of scheduling issues that seem to always arise on set. You will gain a confidence in the time management necessary to focus on what really matters - performance and “the visuals.” Here to guide you through all the considerations you should take to best make your day while maintaining your creative process is Clay Liford, a graduate of the University of Texas film program who now teaches all aspects of film production at his alma mater. Clay has made over 25 feature films that have garnered numerous accolades and screened at Sundance Film Festival, South by Southwest, and more. Clay is excited to share his plethora of knowledge and experience with the Stage 32 community so your next project will be a success! PLUS! Clay will provide you with exclusive handouts to help you on your next project. Downloads include: Director's Duties Shot List Components Director's Reading List You no longer have to choose between being “fast” or “good.” In fact, you’ll quickly learn that those two elements are actually intrinsically tied together, rather than mutually exclusive!   Praise For Clay's Webinar: "Clay had great energy and pace. He was able to explain things in different ways and with excellent examples." --Magi A. "Clay didn't sugar coat anything - keeping the short within a tight budget and length is smart strategy & practical. I appreciated his honesty." --Shaan D.    

Screenwriters, Producers, Filmmakers - Get Smart, Get Legal, Get Protected - With 40-Page Downloadable Workbook!

"The workbook alone is worth 10 times what the webinar cost. I am in awe. Thank you, Gary." - Antonio T.   There's nothing worse than having a screenplay bought or a project with financing get placed on hold because of legal issues that could have been handled at the start. Too many projects have been shelved permanently and will never see the light of day because of conflicts and misunderstandings that could easily have been avoided.  Unfortunately, few screenwriters, filmmakers or producers know the right questions that need to be asked and answered in order to protect yourself and your project legally. It doesn't need to be this way, though. There are simple legal steps you can take from the beginning to assure a smooth and steady ride so your focus can be on making the best project possible. Especially for those in creative fields, navigating legal issues can feel overwhelming and confusing, maybe even unnecessary. Yet having a basic legal understanding of how to protect your work and property is incredibly crucial. You need to know how to legally incorporate everyone's input and notes into your script without worrying about losing authorship. You need to know how to set up a partnership for success and why so many people run into trouble when doing so. You need to know when it's okay to agree to work for free or 'on spec' and why it's still vital to have a written agreement. And you need to know when it's okay to talk business on your own behalf. The good news is you don't need to pass the bar in order to ensure you and your projects are in good legal shape. Instead, you just need a little guidance.  Producer and attorney Gary W. Goldstein, star of Netflix's The Movies That Made Us, has produced some of the biggest box office hits in film history and has served as a mentor to dozens of prestigious writers, producers, and filmmakers. His credits include PRETTY WOMAN, UNDER SIEGE, THE MOTHMAN PROPHECIES, and many more. He's also papered some of the biggest deals in film history. By working as both a producer and entertainment attorney, Gary's knowledge of deal memos and contracts is without peer. He knows all the do's and don'ts, the tips and tricks, and the side streets and alleyways toward making sure that you are not only protected, but getting the benefits and compensation you deserve for your efforts.  Now, exclusively for Stage 32, Gary will teach you: A complete "how to" in order to assure that you use a proven and smart approach to protecting yourself legally His 3 rules that should never be broken when entering into deals Whether you should use an agent or an attorney (or both) to negotiate your compensation and benefits on your behalf How to deal with release forms and option agreements  How to assure you get everything in writing so there are no surprises or disappointments down the road How to maintain a paper trail of all communication and why it's monumentally important to do so. The realities of maintaining creative control and how to handle the creative contributions of others as well as the pitfalls to avoid when receiving feedback. The qualities of finding a good creative or business partner and the essential questions to ask up front.  As if all this wasn't enough, Gary will provide a 40-page interactive workbook exclusive for those who take this webinar. This is an invaluable resource! PRAISE FOR GARY'S TEACHINGS: "Here’s some practical advice for those seeking a career in Hollywood, from someone who really knows what the hell he's talking about." - J.F. Lawton, Screenwriter (PRETTY WOMAN, UNDER SIEGE) "When I met Gary, I had nothing but talent and a drive to succeed. Nine months later, I had my first script option, my first studio writing assignment, and a Writers Guild card. The advice here is worth its weight in gold" - Allison Burnett, Screenwriter & Director (AUTUMN IN NEW YORK, FEAST OF LOVE, GONE AND UNDISCOVERED GYRL) "Again, Stage 32 outdoes itself. What a score landing Gary. He's a legend." Jason R. "Gary, you had me from minute one. Amazing information. And delivered with class and style. -Angela P.  

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