Mike Mitchell is a director, producer, actor and former animator best known for his work on THE LEGO MOVIE 2: THE SECOND PART, SHREK, TROLLS, PENGUINS OF MADAGASCAR, THE SPONGEBOB MOVIE: SPONGE OUT OF WATER and more. Conrad Vernon is a director, writer, storyboard artist and voice over artist best known for his work on SHREK, THE ADDAMS FAMILY, MADAGASCAR 3, SAUSAGE PARTY, MONSTERS VS. ALIENS and more. Harland Williams is a comedian and actor best known for his work on SAUSAGE PARTY, THE ADDAMS FAMILY, Disney’s PUPPY DOG PALS, Netflix’s SKYLANDERS ACADEMY and more. Your Moderator: Amanda Toney, Managing Director, Stage 32 Amanda is a producer best known for WHAT LIES AHEAD starring Rumer Willis and Emma Dumont and METAPHORMS, a Hungarian production which premiered at the Raindance Film Festival. She recently sold an unscripted TV show to a major US network. Full Bio »
Our Stage 32 Managing Director Amanda Toney will host this incredible panel. You will hear from top industry professionals that can offer thorough points of view from multiple facets of the animation business:
Top Animation Filmmakers
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, yo
Robert McKee returns to Stage 32 with The Secret to Writing Compelling Characters - a rare online teaching appearance exclusive to Stage 32! Since 1984, more than 100,000 students have taken McKee’s courses in various cities around the world and now, exclusively for the 3rd time on Stage 32, Robert McKee is back and better than ever with a Masters of Craft webinar teaching you The Secret to Writing Compelling Characters. McKee’s former students include over 60 Academy Award Winners, 200 Emmy Award Winners, 1,000 Emmy Award Nominees, 100 WGA (Writers Guild of America) Award Winners, 250 WGA Award Nominees, 50 DGA (Directors Guild of America) Award Winners, and 100 DGA Award Nominees. In this exclusive Stage 32 Masters of Craft webinar, Robert McKee teaches the principles of character creation and dimension, characterization and the secret to writing complex protagonists, providing you the tools needed to construct compelling characters that will fascinate your audience. Robert McKee, a Fulbright Scholar and member of the Hollywood Hall of Fame, is the most sought after writing lecturer around the globe. He has dedicated the last 35 years to educating and mentoring screenwriters, novelists, playwrights, poets, documentary makers, producers, and directors internationally. Those who have learned from McKee have called him “the Aristotle of our time” (Quincy Jones, Ed Saxon, Steve Pressfield to name a few) because of his insight into the substance, structure, style, and principles of the grand art of story. Peter Jackson (writer/director THE LORD OF THE RINGS, THEY SHALL NOT GROW OLD) lauds him as “The Guru of Gurus.” For the creatives at Pixar (TOY STORY, FINDING NEMO, UP, INSIDE OUT), McKee’s Story Seminar is a rite of passage.
So you’ve finally fleshed out your ideas for your next TV project and you’re off to the races developing your next screenplay. While working on your pilot, you’re constantly reminded of the one thing that every executive looks for: CHARACTER CHARACTER CHARACTER. Every executive says they want to read compelling characters. But what exactly does that mean? And how do you accomplish this? Literary Manager Conrad Sun represents TV writers in all genres for shows such as Blindspot, Two Broke Girls and Bojack Horseman and is a master at building character in scripts. In this top rated Stage 32 Next Level Webinar Conrad will teach you how to bring your characters to life and go from good to GREAT. You will learn empathy vs. sympathy and how the best characters invoke both feelings from your audience. Conrad will breakdown real-life examples from characters on shows such as Fargo, Orange is the New Black, Breaking Bad, The Sopranos and more. And, most importantly, you'll walk away learning how to apply character development to your own writing. This webinar is vital to help you strengthen your TV pilot!
ONE DAY ONLY! Live Online Webinar - September 12, 2017 In a rare online appearance and for the 2nd time Stage 32 is proud to bring back the award winning author and teacher Quincy Jones calls "Aristotle of our time" Robert McKee. Now, for the first time online with Stage 32 he'll be going over concepts from his latest book, STORYNOMICS! "You just don't get Robert McKee like this for this kind of price. Kudos to Stage 32 and thank you Mr. McKee" - Burton B.
Learn directly from Jason Mirch, a 10-year film and TV producer and former Head of Feature and Television Development and Production at Image Nation Abu Dhabi (The Help, The Best Exotic Marigold Hotel, Contagion and 100 Foot Journey)! Raising financing for a feature film project can be one of the most daunting aspects of independent filmmaking. Many independent writers, directors, and producers simply do not know where to begin when seeking funding for their projects. With studios producing and releasing fewer films every year, independent filmmakers must rely on non-traditional financing models to fund projects. Where can you find the funds to get your project made? How can you best mitigate downside risk while maximizing upside potential? What options are available in terms of equity, soft money and pre-sales to get you to your financing goal? In this On-Demand Stage 32 Next Level Webinar, Jason Mirch navigates you through the Risk Mitigation Model of independent film financing, which utilizes foreign pre-sales, soft money, and equity to finance feature film projects. Drawing from his 10 years of experience financing both independent and studio films, Jason teaches you some traditional and non-traditional financing models so you can choose the right model for your specific project and gives you strategies to put these models into action. He then covers what international sales companies look for when evaluating potential projects and gives advice on how to position your projects when pitching to these companies. You will leave this on-demand webinar with a comprehensive understanding of not only the world of independent film financing, but how to get your project funded and breaking even before its release!
While every writer dreams of finding a producer or network to finance his/her episodic series, most of us are not that lucky. However, that does not have to be the end of Your creative journey nor means a story doesn’t have an audience. This webinar will help empower storytellers and give them the knowledge and tools to circumvent the gatekeepers and create a successful short form series that can even make money. Award winning Indie writer/producer Caytha Jentis, the creator of the hit comedy series The Other F Word that stars Judy Gold and Steve Guttenberg and streams on Amazon, will share the secrets of her success on how she took an episodic concept and turned it into a top short form series that has reached over 1M viewers and has generated revenue and work for her. See more of Caytha's journey by clicking here.
PRE-CLASS PREP - Read your syllabus and plan out your writing ideas. Begin to think about 1-2 ideas that might be a good idea for your drama pilot. Start to prepare for your pilot pitch. WEEK #1 – Introduction, Pitch Docs, Character This week we will cover the syllabus, your instructor's background and experience, your goals for this eight-week lab and launch into a discussion on creating strong characters for your pilot. We will discuss the types of drama pilots and how they differ from network to network. We will go over how to create effective loglines and pitch documents. Then we will delve into character – what makes for strong characters and weak ones. The assignment for this week will be to create a pitch document and write a detailed description (around half a page) on each of your series regular characters. WEEK #2 – Pilot Outline and Series Bible This week we will break down pilot structure, plot and subplots. Pilot structure varies depending on the type of drama pilot (procedural or serial) and the network (broadcast, cable, streaming, digital, etc.) We will identify what kind of network to target for your story idea and structure the pilot accordingly. We will also discuss the function of your series bible and what it needs to include to support your pilot. The assignment for the week is to complete a pilot outline and start work on your bible. WEEK #3 – Pilot Outline (One on One Consultations – No Online Class) This week will consist of one-on-one consultations regarding pilot structure. Each writer will send in their pilot outline in advance and will have a 10-minute call to discuss what works and what doesn’t. The assignment for the week is to address any notes given on the outline before proceeding with next week’s class and to continue working on your series bible. WEEK #4– Scenes, Beats, Dialogue, This week we will address the qualities of effective (and ineffective) scenes, story beats, and dialogue. The assignment for the week will be to write three complete scenes from your outline: the teaser/opening scene, a scene with heavy dialogue, and a strong character scene. WEEK #5– Acts 1 and 2 We will discuss both the four-act and five-act structure. You will decide which works best for the pilot that you are developing. This week we will go over all the necessary story beats that exist in acts 1 and 2 of a drama pilot, including exposition, number of scenes per act, traditional page count, inciting incidents, acts 1 and 2 breaks, etc. The assignment this week will be to complete Acts 1 and 2 of your pilot. WEEK #6– Acts 3, 4 and 5 Similarly to last week, we will cover the necessary story beats that traditionally exist in acts 3 and 4 of a drama pilot. If your pilot structure has five or more, as some broadcast network shows do, there will be time allotted for further instruction on how to proceed. The assignment this week is to complete the first draft of the entire pilot and to turn in your series bible. WEEK #7–Consultation for Revision (No Online Class) This week will consist of one-on-one consultations. Please turn in your pilot at least 24 hours before your scheduled call, and each writer will have a 10-minute call to go over notes. Your assignment this week is to address any notes. WEEK #8– One-on-one Feedback and Polish (No Online Class) This week will consist of 10-minute one-on-one phone calls as well. Please submit your revised pilot at least 24 hours before your scheduled call. Final notes and next steps for your pilot will be given. Payment plans are available - please contact firstname.lastname@example.org for more information.