Diego Cantu, Emmy Award Winning Screenwriter and Producer - With more than 17 years Entertainment and Marketing Experience, working with various Fortune 500 clients and Film and TV Studios, Diego made a name for himself in the cut-throat world of advertising, winning prestigious awards as Cannes, Clios and Emmy's. In 2005 he left the world of advertising and became the Head of Content and Marketing for Panamax Latin America where he developed and produced movies like LA MUJER DE ME HERMANO and SALVANDO AL SOLDADO PEREZ.In 2015 he partnered up with Alex García and together they created the TV Division for AG Studios, producing shows like SENOR AVILA for HBO Latin America and DIOS INC for Cinemax. In 2017 he joined Greg Grunberg (STAR WARS, HEROES) and Brad Savage (Universal Studios Vice President of Theatrical Creative) to create production company Bandwagon.Cantu is a member of the PGA Diversity Fellowship and a member of the Pacific Council on International Policy, his scripts have been showcased on the Blacklist and he has won numerous screenplay competitions including TIFF and Morbido Film Fest. David Zannoni, International Business Specialist, Fintage House David Zannoni is an international business specialist for Fintage House in the US, Europe, Canada and Latin America territories. Fintage House, the world's most respected company for revenue and rights protection for industry professionals and companies. David negotiates agreements for films and television series and is involved in business development and relationship management globally on hundreds of productions. David is continuously present to make deals and speak at international film markets, festivals and conferences, including: the Cannes Film Festival, the European Film Market (EFM) in Berlin, the American Film Market (AFM), Ventana Sur, the Bogota Audiovisual Market (BAM), and the Toronto International Film Festival (TIFF), and travels regularly to the United States, the Netherlands, Europe, and all over Latin America. Guillermo Olivo, Director and Documentarian Guillermo Olivo is an accomplished, results driven, award-winning director with over 20 years of experience producing television specials for the biggest hispanic TV networks in the U.S. With an eye for original content, he has recently branched out into documentary filmmaking. Currently Emmy award nominated, some of Guillermo's recent projects include the "Nuestra Navidad" Musical TV special at Rockefeller Center, 'Plastic Crack' - a documentary series on Amazon Video about what triggers adults to become toy collectors, and Take A Ride: Miami Edition - a documentary which is slated for release in early 2022. With a proven track record in directing, film and TV broadcast productions, documentaries, live entertainment, broadcast operations, production management, promotional content development and execution. Full Bio »
For Hispanic Heritage Month (or Latinx Heritage Month), it's important to reflect on the contributions made by the Latinx community, consider the progress made and the work that still needs to be done to empower and raise up Latinx voices. This is especially true for the film and TV industry. Incredible work has been done in front of and behind the camera recently that showcases Latinx talent and culture, including films like COCO, ROMA and IN THE HEIGHTS and shows like VIDA, ON MY BLOCK, and more. And as the industry strives for more inclusiveness and equity, this is the time for more Latinx talent to share their voices and their stories around the world.
But more than just celebrating accomplishments, it's important we take stock of where we are today. To continue creating change in the industry, we must review what representation exists and what is lacking, what is being made and watched, both in America and in Spanish-speaking countries, and how Latinx creatives can best find their foot in the door.
Therefore, in honor of Latinx Heritage Month, Stage 32 has partnered with some of the industry's top leaders from both the U.S. and Latin markets who are dedicated to elevating the voices of the next generation of Latinos in entertainment. Together, we will be hosting a FREE no-holds-barred panel and discussion where our experts will discuss trends in the Spanish-speaking market, opportunities for bilingual content, language barriers in the U.S. and how to overcome them, and how to shorten your path to success.
Plus we'll have an exclusive Q&A where YOU will have the opportunity to ask any questions you'd like.
We'll see you there!
Diego Cantu, Emmy Award Winning Screenwriter and Producer
Guillermo Olivo, Director and Documentarian
David Zannoni, International Business Specialist, Fintage House
Top Latinx Leaders in Film and TV
Q: What is the format of the Hispanic Heritage Panel & Conversation?
A: Stage 32's Hispanic Heritage Panel will be a 75 minute panel with three panelists who will answer questions from the audience. This will take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend live, you will be able to communicate directly with the panelists during their panels.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live panel?
A: If you cannot attend the panel live, you will have access to the entire recorded broadcast after the fact, including the Q&A.
Q: Will I have access to the panel afterward to re-watch?
A: Yes! After signing up for the summit, you will have on-demand access to the full recording, which you can view as many times as you'd like for a whole year!
Learn directly from Marty Lang, award winning producer of over 20 films! Making an independent film is hard, no matter where you're doing it. But there's great news – no matter where you film, there are treasure troves of resources available to you, if you know where to look. In any community, there are people, government agencies, and organizations that are looking to help people just like you. The smart filmmaker will find them, engage them, and work with them to create a much better film than they had, at first, imagined. This type of filmmaking is called place-based filmmaking, and it can be done in any big city, small town, county or state. If you think about how to engage your local community from the moment you start thinking about your film, you will be able to better capture the authenticity of where you are in your work, as well as open yourself up to resources you may not have had before. Marty Lang is a an award winning producer of over 20 films, best known for his feature romantic dramedy, Rising Star, in which he implemented place-based filmmaking and engaged his community’s resources from production to distribution. This film went on to win awards at various film festivals and was featured in Filmmaker Magazine, Film Threat and Film Courage. In this Stage 32 Next Level Webinar, Marty will teach you how to create a successful place-based film. Using examples of place-based filmmaking from his own resume, Marty will show you how place-based filmmaking will help you develop your story more organically, and how it will help you solve many problems before you even get into production.
The backbone of the entertainment industry was shaken to the core after the trades announced one of the major festivals - SXSW was going to cancel its in-person festival. Shortly after festival after festival had to adapt to a new way of doing things - should they present their festival live and take a chance of it being cancelled? Or, should they present their festival virtually bringing on a new slew of challenges? Navigating this "new normal" has rocked the industry and has left many filmmakers scratching their heads about what it all means. Should you release your film in this new format? Or should you hold onto it and wait it out, with the fear of another year going by without it seeing the light of day? Despite the ongoing shift to a virtual, watch-from-home and hybrid model, film festivals continue to serve as an important platform for your film to make its debut. Your film can continue to find attention, distribution and other successes from participating, yet there are new questions and considerations you should factor into evaluating which festivals to submit to. The current spirit of cooperation and collaboration between festivals during the pandemic has radically changed, creating lots of new and exciting ways you can benefit from the circuit. But, with the excitement, there is also a lot of confusion about premiere status, virtual screenings vs online screenings, and more. Outside of getting your film into a festival, there are things you can learn from what the successful festival films are seeing that you can apply to your own film and its release. Whether you are a feature filmmaker or a short filmmaker you need to understand and embrace the new practices emerging among festivals presenting virtual and hybrid events. It’s time you take stock of the situation. Kimberley Browning is an independent filmmaker, the Associate Short Film Programmer at the Tribeca Film Festival and the founder of the long-running short film screening series Hollywood Shorts. Kimberley is also the Executive Producer of HBO ACCESS Directors Fellowship, the network's program developing and launching underrepresented voices into episodic television. Formerly a short film programmer for both the Los Angeles Film Festival and Guadalajara International Film Festival Los Angeles, Kimberley has a long history of working with film festivals and continues to serve as a festival consultant for many independent filmmakers. Kimberley has built her storied career around elevating new voices and empowering them to get their projects out into the world. Kimberley will delve into how filmmakers are finding success with their new films during the pandemic and how you can use film festivals as well as other practices to successfully release your own short or feature film. She’ll begin by explaining how you should be setting your gals and building your strategies to get your film out there. She’ll talk about new practices to build an audience, strategy essentials—with or without COVID—and how you should now be defining success and whether it needs to evolve due to the pandemic. Next Kimberley will focus on film festivals and show you what the new festival landscape and vocabulary looks like. She’ll explain what the best digital platforms festivals are utilizing and which to avoid. She’ll also teach you what ‘geocaching’ is and how to determine your geofencing options. She will go over DRM protections and how to keep your film safe when screening virtually and will talk about the difference between virtual screenings and online screenings. Next Kimberley will delve into the new film festival calendar, how the overall festival circuit is shifting due to date changes and postponements. She’ll give you the rundown of how to read small print before submitting to festivals to make sure you know what you need to know ahead of time. She’ll walk through how you should revamp your festival strategy to better navigate COVID and how you should now be communicating with a festival team. Kimberley will also talk about how to now navigate premiere status with festivals and explain how virtual festivals impact your film’s status and its ability to get distributor attention. She’ll also talk about how media and distributors are now navigating new rules in 2020 to find work with films. Next she will teach you how to navigate a virtual festival if your film is accepted, including how to promote your film to a virtual audience and how to build relationships and make connections without in-person events. Beyond festivals, Kimberley will give you strategies to promote and market your film to a general audience for its virtual release including if and how to work with publicists and new social media strategies to start employing. Kimberley will talk about other release strategies for your film beyond film festivals. She’ll give you tips on how to host your own independent online premiere. She’ll also give you a rundown of how to find distributors in a distanced world and how to operate long-standing marketplaces like AFM that are now turning virtual. Finally Kimberley will go over ways to self-distribute your film during quarantine, including if and how to work with aggregators to maximize your release. This is a tough time to release your film—rules and practices have changed across the board—but it’s still possible to find success and Kimberley will show you how to achieve this with your own film. Praise for Kimberley's Stage 32 Webinar "Kimberley was very engaging which isn't easy when there is no audience interaction. Her presentation hit the middle ground between newbies and more seasoned festival goers which was very helpful because we are all newbies in this virtual festival world...both presenters and filmmakers alike." -Laurie C. "Good perspective, useful advice." -Mick H. "It was great!" -Daniel G. "I loved how knowledgeable Kimberley was. She gave me so many ideas of how to move forward with my film" -Karen B.
I was born for this. Started on street corners tap dancing, doing comedy, telling stories & holding an audience until they pay me J A Masters Degree from USC Film School and three decades later there hasn’t been a day when I wasn’t writing, directing, producing or managing as an executive a feature film, television, documentary, live event and/or new media program. I’ve been blessed to learn from and collaborate with some of the luminaries of sports and entertainment producing and business management. For these efforts, I picked up a shelf full of awards & trophies, maintained an upward financial trajectory and learned to enjoy the ride. A few of the collaborations in my career include: Netflix, YouTube, NBC, CBS, ABC, Univision, HBO, Showtime, TNT, MTV, VH-1, Sony Pictures, Paramount Pictures, 20th Century Fox, Lionsgate Studios, Legendary Pictures, Blizzard Entertainment The Grateful Dead, Quincy Jones, Michael Jordan & David Falk, Phil Knight/NIKE, Magic Johnson, Peter Guber/Mandalay, Dr. Dre, Snoop & Eminem, Arthur Miller, Michael Bloomberg, Laurence Fishburne, the NFL, MLB and NBA, and most of the financing entities in Hollywood. I’ve established tax incentives that spark states into profitable production while structuring large scale financing. Easier said than done, trust me! Now, I’m thrilled to join with Stage 32 to talk about my journey and share my experiences from over the years. I love to give back to up and coming filmmakers and I’ll be holding an online Q&A to talk with you, the Stage 32 community, and tell you about the things I’ve learned along the way. If you’re in the middle of your filmmaking journey, now, no matter where you live in the world, I’ll be taking questions from you live, so ask away! So relax, this opportunity to not give up on your daydream just got a lot closer. Clint Eastwood, Kip & Kern Konwiser Kip & Virginia Madsen Kenny Ortega (director/choreographer), Jim Belushi, William Levy, Emilio Estefan Kip, Ron Shelton (director/writer), Pete Rose, Kurt Soderling (DP) Pre-production at Legendary Studios "The Konwiser Bros." Kern & Kip Konwiser
Do you see yourself writing for a television show? 543 shows were broadcast last year and thousands were picked up for development. Now, more than ever, is the golden age of television and it’s your opportunity to be able to be staffed on a television show as a writer. But, how do you get there? We’re not going to lie, it’s difficult, but it’s not impossible if you understand the path it takes. In this Stage 32 Next Level Webinar you’ll learn how to make it happen by learning what type of education you need, how to stack the deck in your favor, how to get your scripts in order and how to seize your opportunity. By learning from Charlie Charbonneau, who’s worked in three television writers' rooms, you’ll be armed with what you need to know in order to break into your first writers' room. No matter your background or level of experience, you will come away with a deeper understanding of the obstacles and the many surprising solutions to getting and keeping a spot at that table in the television writers’ room. "I'm grateful for how generous he was with his knowledge and time. He was awesome." - Joanne L. "This was by far one of the better webinars I've attended on Stage 32. The information was relevant (which was of upmost importance) and Charlie was an enjoyable presenter." - Matthew M. "Charlie was outstanding. He was organized, helpful and extremely insightful." - Kimberly E.
Producer Development Exec Anna Henry joins our Panel as we listen and read your pitches live to help educate the Writers' Room screenwriters on what is and isn't working in their pitch.
Your host David H. Lawrence XVII received an overwhelming 100% satisfaction rate from Voicing Commercials - Part 1 and we are thrilled to have him back exclusively for Stage 32 to continue your education with Voicing Commercials - Part 2! Learn directly from David H. Lawrence XVII, VO and screen actor with over 50 film and TV credits, including Heroes, Lost, CSI, How I Met Your Mother, Men In Black III, Iron Man and more! "He certainly knows the business very well, I likes the way he breaks things down , it makes it easy to remember and therefore to apply to our work". - Nicolette M. "This was such an awesome webinar, especially for the price point - I learned a lot that I can take directly to my next auditions." - Stephanie M."Excellent info! Very clearly presented!" - Brad V. "This is information I am in need of and believe it or not, it's not taught by all coaches I have met. Please do more!" - Steve L. In this Stage 32 Next Level Webinar, you will continue your education on the most common category of voice over auditions and performance: radio and TV (and now web!) commercial copy. Using what you learned in Voicing Commercials - Part 1 about auditions, equipment and slating, you will dive into the structure of copy, looking at lists, setups, payoffs, dialogue reads, and endings. This webinar will round out your education on how to connect with a listening and viewing audience on a visceral level, taking your execution of commercial VO to a deeper and more satisfying level! You Will Leave This Webinar Knowing: How to keep your sentences tightly woven. How to perform excellent dialogue and couple reads. What are voicing lists and how to use them? Setups and payoffs in commercial VO. When to start acting and when to stop. Endings - conclusions, questions and wistfulness Plus much, much more! After a 30 year career in radio, your host David H. Lawrence XVII moved to television, and has been seen (and heard) on ABC's epic series Lost, CBS' legendary CSI, How I Met Your Mother, The Mentalist and military thriller The Unit, NBC's spy comedy Chuck, Good Luck Charlie and ANT Farm on Disney, Bella and the Bulldogs on Nickelodeon, Touch and The Finder on FOX, and is best known as the creepy evil puppet master Eric Doyle on NBC's smash hit Heroes. His film career includes on-camera and VO work on Men in Black III, Pizza Man, The Changeling, The Hulk, Iron Man, Percy Jackson, Unstoppable, Too Big to Fail, A Special Relationship and countless others. Lawrence has also voiced over 100 audiobooks. He is one of the top VO actors and instructors in the business, and we are thrilled to have him back to teach with Stage 32!