A craft service veteran with 30 years’ experience on 82 productions including Legends of the Fall, The Ford Mustang Super Bowl commercial, Clan of the Cave Bear, The Sea Wolf, Rocky IV, April Fools Day, The X-Files 2nd unit, Dr Who, Backfire, Sleepwalkers, Ticket Out, and The Highlander to name a few. Her experience includes high budget features and student films, as well as commercials and TV series. Restaurant owner, head chef, food truck vendor, and nutrition expert, she is a walking encyclopedia of Food Services. Youngest of 7 sisters, she was born on a farm on the Saskatchewan prairie. Her younger brother made up the family of ten at the table for every meal. The home kitchen ran like a well-oiled machine overseen by her mother. Self-sufficient pioneers for grandparents set the standard of food quality, preparation, and storage of “made from scratch” feasts as a day to day fact of life. Moving to the interior of British Columbia after school, she started cooking in a neighbourhood pub, which led to cooking in bush camps for 100 or more people. Her experience includes four years as the A chef at night for the Keg Restaurant, owner/operator of food vending trucks,and consulting for large crowd world class events. It was during the time she lived on Apex Alpine Ski Resort that the film production Clan of the Cave Bear arrived at the mountain. The craft service technician on that film hired her to assist in the craft department. In those days, craft was basically coffee and donuts. Lauren revolutionized the daily menu to include fresh fruits, vegetables, and healthy snacks to suit all diets including meat lovers, vegetarians, vegans, and diabetics. The crew showed their appreciation by voting her into the IATSE (International Alliance of theater and Stage Employees), and encouraged her to work on the next productions with them. It is the passion for good healthy FRESH food that has made her famous behind the camera. Today, as President of her company LL Services, she is consulting for film companies to hire and train craft service technicians. She has written an instructional manual detailing the work of craft service enriched with colorful day to day life on set stories. Full Bio »
Learn directly from 30 year veteran Lauren “Fluff” Lindsay, Key Craft Service on Legends Of The Fall (Brad Pitt, Anthony Hopkins), Rocky IV (Sylvester Stallone, Dolph Lundgren), and Sleepwalkers (Charlize Theron, Woody Harrelson)!
In this Stage 32 Next Level Webinar, your host Lauren Lindsay, will walk you through the details specific to managing and executing the job of providing nourishment to a working film crew in full production. In film, television, live theater or video production, Craft Service is a dynamic position which provides tray service around set, and buffet style foods and beverages to the other departments suitable to the environment on any given day or night.
Drawing from her vast experience on 82 productions, you will learn all the steps involved from getting hired, and knowing what is expected of you, to being successful working in this department. Her passion for fresh and healthy foods, which promotes a happy and productive crew, has made her famous behind the camera.
Lauren "Fluff" Lindsay
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Learn what the role of a Script Supervisor exactly entails and why you need one on all of your projects with Brenda Wachel, esteemed Script Supervisor who has worked on countless blockbuster films such as CAPTAIN AMERICA: THE FIRST AVENGER, COLLATERAL, BRIGHT, JURASSIC PARK 3, OCTOBER SKY, I AM SAM, the upcoming Apple series CHIEF OF WAR starring Jason Momoa, and more! PLUS! You'll receive The Art of Script Supervising checklist and a Guide to Observing as a Script Supervisor! Making a film is an adventure like no other. Many artistic people come together in this beautiful format, with one common goal: to tell a story that moves and entertains an audience. Every person and department on a film set is vital to the success of the project, but the positions are often misunderstood or unnoticed, and it’s particularly true of a Script Supervisor. Commonly referred to as “the glue of the film set,” the Script Supervisor is the in charge of continuity on set and the bridge between filming and post production. You may have a great script, a spectacular director and cast, a talented cinematographer, production designer, and gorgeous costumes, but if you don't have a strong Script Supervisor you will never end up with the result that you ultimately want. Many people are unaware of all the responsibilities of the Script Supervisor. The title is mysterious, as is the quiet and invisible nature of the work. What is the role of a script supervisor? How can this person help a film? How does a script supervisor work with the entire creative team and what does a script supervisor do for a director, cinematographer, the crew and the actors on set? In this exclusive Stage 32 webinar, you will learn not only what the role of a Script Supervisor entails, but also why the position is crucial to any film or television production and how you can best utilize a Script Supervisor on your next project. Teaching you everything you need to know about the role and importance of Script Supervisors is Brenda Wachel, an accomplished feature film script supervisor who has worked with critically acclaimed directors across the globe. Some of Brenda’s notable credits include CAPTAIN AMERICA: THE FIRST AVENGER, COLLATERAL, BRIGHT, JURASSIC PARK 3, OCTOBER SKY, I AM SAM, the upcoming Apple series CHIEF OF WAR starring Jason Momoa, and more! Over an information-packed 90 minutes, Brenda will teach you the role of a Script Supervisor and how this role affects the experience on set, in the editing room, and the final completed picture. A good Script Supervisor helps a director and the whole crew avoid continuity missteps, assures they have cinematic choices in the editing room, and becomes their narrative storytelling accomplice. It all comes down to understanding and communication. Nurturing the vital relationships between a Director, a cinematographer, the actors and key crew members, the right Script Supervisor will lead you to a much more promising result in post production. You will walk away from this webinar with a solid understanding of the role of Script Supervisor and how invaluable a Script Supervisor can be to a director’s creative goals and implementing their vision. You will learn how you can best work with, and utilize, a Script Supervisor to elevate your next project! PLUS! Brenda will provide you with exclusive handouts to help you make the most out of a Script Supervisor. Downloads include: The Art of Script Supervising - A Checklist Matching - A Guide to Observing
A New Exclusive Webinar! One of the industry's top independent film producers spills his secrets on how to overcome one of the biggest strategic dilemmas producers face - should you try to cast talent or raise money first for your feature film? You're facing one of the dreaded catch-22s of our industry... what should you try to secure first for your feature film - your cast or your financing? It can feel like you cannot have one without the other, yet you have to start somewhere. Surely, having a great name attached to your project is bound to attract investors' attention, right? At the same time, with investor funding secured, agents' attention is much easier to grab, which will help land A-list talent for your project. Having the best of both worlds is not easy... but it's entirely possible! In this exclusive Stage 32 webinar, producer Eric Gozlan will teach you the exact strategies you need to navigate this critical scenario. Eric brings 15 years of experience as an industry insider, producer, and business developer. He will walk you through the nitty-gritty of creating a bulletproof strategy for your feature film. His 2022 film BANDIT, starring Josh Duhamel, Elisha Cuthbert and Mel Gibson is currently available on Amazon Prime, Hulu and more. Eric will teach you how to make the key decisions that set the tone for your entire project. You will learn how to properly assess a piece of talent's value, what investors are really looking for and what casting decisions can move your project ahead. Eric will share tried and true tips and tricks when it comes to pitching investors and attracting the right talent for your feature. You will explore the pros and cons of pursuing a cast before funding and vice-versa. But what if you were to pursue both at the same time? Eric will explore that scenario too! Don't miss out on this exclusive chance to learn from one of the industry’s top independent film producers and walk away with a clear, actionable plan that will jumpstart your feature film project! Want to have both a great cast and financing for you film in hand? Join the webinar to discover how! PRAISE FROM ERIC'S TEACHINGS: "Eric is a world-class producer and a great communicator. There's nobody I'd rather work with when putting an independent film together." - Sam W
The post-production phase is the most critical one throughout the entire film production process… and editing, in particular, is a pivotal moment where as a filmmaker you should be able to understand that you are writing the final version and destiny of your movie. Some of the greatest, most iconic filmmakers of all times (like Scorsese, Hitchcock, Kubrick, Tarantino, Coppola, Lynch, Fellini, Gilliam and many others) used to spend hours, days and sometimes months into the dark secrecy of the editing room, sitting next to their faithful editor, enjoying the guilty pleasure of reshaping – over and over again – a world of their own. Editing is not just a simple matter of pace, rhythm, and mere image composition: editing pertains to the core of storytelling itself. Every professional filmmaker knows that a closeup placed in the right place, at the right moment, can definitely chance the course of a narrative process. Editing includes re-defining the story, reconstructing the characters, reshaping the very structure to the point of even changing and re-dubbing the dialogue in a totally different way from the original script… all for the sake of beauty. In this Stage 32 Next Level Webinar, international director/editor, Max Leonida will use his years of experience to give you a more profound knowledge of the artistic nature of the editing process, together with a clear, up-to-date and technical expertise about the most important digital editing systems on the market. Max will use clips as case studies from some of his most recent films. This webinar will give you all these necessary tools to truly understand your process when going in to edit your film. PRAISE FOR MAX'S TEACHINGS: “I love editing. I think I like it more than any other phase of filmmaking. If I wanted to be frivolous, I might say that everything that precedes editing is merely a way of producing film to edit.” -Stanley Kubrick “Without question Max Leonida’s work has been met with audience approval, critical praise and media exposure – all of which serve to substantiate his amazing ability. He has truly emerged as one of the field’s most influential filmmakers." - Jamie Weissenborn, Senior Vice President Sony Picture Television)
In this world of DIY filmmaking, it has become easier than ever to just pick up a camera and start making your project. You don’t always need much money, a big crew, corporate backing, or other resources; you can just get up and go. But this certainly doesn’t mean your project is automatically going to look good. Even on a budget, even as a guerrilla filmmaker, it’s critical to have the tools you need to make something look professional and of high quality. You don’t necessarily need the top-of-the-line camera and all of the expensive specialty equipment found on a massive set, but there are things you’re always going to need with you, a kit that will have you covered in any situation. The challenge is determining what exactly this kit should look like. If you’re a DP, director, or a one-person-band doing all of the jobs at once, preparation is key. But if you go to any camera or equipment store or website you’ll notice just how many options there are. Tools for every occasion. Every type of lens. Every type of stand. Every type of light. Every type of microphone. It can be overwhelming to even look at. How can you distill all of these options into exactly what you need, a collection of tools that you can get on a budget and pack into one bag? Is that even possible? Your instructor Barry Andersson knows that it is. There are just some important things you need to know first. Barry Andersson is an award-winning director and cinematographer. He has directed 5 feature films, many of which were released in theaters—his most recent film is being distributed by Lionsgate. Barry’s career as a cinematographer includes several television pilots, acclaimed short films, numerous commercials, and countless commercials and corporate videos. Barry is also the author of the DSLR Filmmakers Handbook. Through his extensive experience, Barry has figured out the best and most cost effective equipment you need to make great content. Barry will share with you his time-tested soup-to-nuts equipment list and will show you, piece by piece on camera, what he uses and why. He’ll begin by walking you through the strategy of putting together your own kit and aspects you need to keep in mind when assembling the perfect collection of equipment. He’ll discuss the types of lenses to carry with you and what to get even if you don’t know anything about lenses. He’ll also delve into choosing the right case and strategies to efficiently pack everything you need. For filmmakers on the go, Barry will share how he packs everything he needs for travel without spending extra on baggage fees. Barry will share exactly what gear is essential for every type of project, including standard filming, talking heads, and B-roll. He will next discuss audio and the types of microphones, stands, poles, and extras you need to effectively capture audio on the go. Barry will walk you through the life-saving essentials he takes with him wherever he goes—seemingly miscellaneous items that no one ever says you should have. He’ll also tell you what things you don’t really need, even if people say you do. Barry will give you a resource list of 11 must-have items for your equipment kit and where you can find the best deal to purchase them. Praise for Barry’s Webinar: “Great insight. Very practical and actionable advice.” -Martin R. “This was so straightforward and practical. No theory, no filler, just exactly what I needed to know. Thank you” -Harold B. “Barry’s advice was so helpful. I feel a lot less overwhelmed about buying new equipment now” -Sandy C. “I NEVER find webinars that are this straightforward and useful. This was such a gem.” -Roger F.
Learn directly from Tim Moshansky, a 20 year location scout who has worked on hundreds of films and TV shows including The Revenant, Twilight Saga: New Moon, Fifty Shades of Grey, and Aliens vs. Predator: Requiem! There are two things that a production starts doing as soon as they have the “green light” - casting for actors and scouting for locations. In a way, a location scout is like a casting director for locations. Unless a film is shot entirely in a studio with sets or green screen, locations are integral to how the film will look. Anyone can become a location scout, but to become a GREAT scout that people call again and again takes a keen eye, good people and photography skills, and on-the-ground experience. In this webinar Tim Moshansky will guide you through the entire process of scouting - from the moment you get the script or storyboards, to when they call “Action!” on set. Tim will offer you tips and insights from his nearly 20 years of scouting experience. Whether you are someone considering a career as a scout, or a filmmaker looking for ways to increase your production value and anticipate potential location problems, this is the webinar that will help you learn the basics about scouting. This webinar includes FREE bonus materials for download!: Locations Release Location Agreement Location Breakdown Script Breakdown
Walking onto a film set for the first time can be intimidating and overwhelming. Wires, lights, cameras. People everywhere. Places you should be. Places you shouldn’t. Times you need to be quiet, times you need to speak up. The film set is a place where everyone needs to know what they’re doing and where they’re going, and it’s a place where everyone will expect the same of you. Yet if you’ve never worked on a set like this before, that can be a tall order. Whether you’re a PA on your first film, the director helming the production yourself, or anything in between, having a firm understanding of the expected etiquette on set—or “setiquette”—is crucial and lends itself to how much trust others will put on you. A film set might look like chaos from the outside, but it is often just the opposite—a well-oiled machine where everyone has a role and everyone knows where they should be and what they should be doing. If you are unsure of your own role on set, you can very well stick out like a sore thumb and contribute to slowdowns and frustrations. On the other hand, if you are confident, competent, and helpful on set, people will notice, which will lead to new opportunities and a team who will want to work with you time and time again. This is why it’s so important to walk onto your first set with a good idea of how everything works. Jonathan Kesselman is an award-winning writer and director who has worked on projects for companies like Fox, Paramount, Nickelodeon, Disney, Sony, Blue Sky Animation, MTV, Comedy Central studios, Funny or Die, WWE, Nintendo, and many more. His first feature film THE HEBREW HAMMER, starring Adam Goldberg, Judy Greer and Andy Dick, premiered at Sundance Film Festival before getting picked up by Comedy Central. THE HEBREW HAMMER has since become a holiday cult classic, voted among the top holiday movies by the New York Times, Vanity Fair, Boston Globe and Time Magazine. His next film JIMMY VESTVOOD: AMERIKAN HERO, starring Maz Jobrani, won both the Comedy Vanguard and Audience Award at the Austin Film Festival before being released on Showtime and Netflix. Jonathan also wrote and directed second Unit for Oscar-winning director Ang Lee on the film BILLY LYNN'S LONG HALFTIME WALK. He recently co-created the short form comedy series GANDER, streaming exclusively on Tubi. Through his long and varied history in film and television, Jonathan is no stranger to film sets and how to best work within them. Jonathan will break down how a professional film or television set works and everything you should know before stepping on set for the very first time. He will give a snapshot of how a film set generally looks and run before going through all of the different departments on set and their relationship to the director. Jonathan will spend time delving into the role of the assistant director, the beating heart of the set and will then explain what a day on set generally looks like, including a schedule breakdown and how the workflow normally looks. Next he will go through the importance of blocking rehearsals, the art of slating, and how to read a call sheet and shooting schedule. Jonathan will teach you how to find success on your first set, including how to hold yourself so you’re called back again. He will also go over how to find success as a director, how to delegate, motivate, and empower, in addition to staying on schedule. Jonathan will then show you five common mistakes to avoid making on set. Finally he will give you tips on how to break in and get experience on set, including where to find opportunities and what roles you should be looking for. Praise for Jonathan's Stage 32 Webinar: "I enjoyed the thoroughness and detailed explanation, have no complains or negative comments, it was fantastic!" -Arlen G. "It was so broad, yet very detailed - perfect for a newbie like myself" -Kiri M. "Great information for me. Helps me to understand "Setiqutte" as I work towards getting my first TV show into the hands of a production company." -Gregory M.