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Everyone loves a good thrill! In this webcast we will break down what makes Horror, Thriller and other genre scripts so appealing - and why they continue to dominate box offices around the world. Full Bio »
Everyone loves a good thrill! In this webcast we will break down what makes Horror, Thriller and other genre scripts so appealing - and why they continue to dominate box offices around the world.
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"Thanks Jason!! Great Presentation!" - Jennifer W.
"Thank you so much Jason! This was Tremendous!" -Petula M.
"Brilliant, Jason! Thanks a lot!" -Suzanne L.
Toph Eggers is a screenwriter and author with 15 years of experience as a working writer. He's had scripts optioned by Montecito Picture Company for Paramount Pictures. He is also the screenwriter of the Fox Searchlight project, "THE THREE NIGHT STAND".
We take a look at how writers use cutaways to drive home punchlines in Family Guy and Brooklyn Nine-Nine, explain big ideas in The Big Short, give historical context in Narcos, and frame stories in The Princess Bride.
Whether musical biopics like Rocketman, historical dramas like Extremely Wicked, Shockingly Evil and Vile or The Irishman from Netflix, or films loosely based on historic events like 1917 or Once Upon a Time in Hollywood... audiences are fascinated by true stories. During this super-sized 90-minute webcast, we explore films and series including Chernobyl, The Social Network, Munich, Molly's Game, Charlie Wilson's War, and more to find out what makes a good script based on true events or real people work.
If you hang a gun on the wall in the first act, it better go off. In this webast, we took a look at the "Chekhov's guns" in the Winchester of Shaun of the Dead, the rock hammer in Shawshank, the coins in In Bruge, and more!
During this hour-long webcast, Jason explores the uses of this technique to drive plot, reveal character and deliver exposition using some of our favorite films and television series including "Fleabag", Deadpool, Spaceballs, "House of Cards", Fight Club, The Big Short and more to find out how these projects break the fourth wall without throwing us out of the narrative. We discuss the how screenwriters weave this storytelling device into scripts and Jason gives you specific types of wall breaks to consider when writing as well as tips on how to write them!