Indeed he does call himself "planetMitch" - but his real name is Mitch Aunger and he lives in St. Louis Missouri (USA). He's the main guy who runs planet5D. Over the last 5 years, planetMitch has become a leading authority in the world of HDSLR and in addition to covering cameras, he co-produced the film "Incident On Marmont Avenue." planetMitch has written over 2,400 articles and blog posts covering various advancements and news regarding the latest cameras, software, filming breakthroughs, and more for his blog at planet5D.com. planet5D has become the ultimate resource for insider industry information, educating hundreds of thousands every month, and Mitch is the orchestrator of this wealth of valuable information. planetMitch sources his information straight from the top industry professionals, and has interviewed over 40 of the most successful names in DSLR production, including Vincent Laforet, Shane Hurlbut, Rodney Charters, Gale Tattersall, Lisa Bettany, Barry Andersson, Richard Harrington, and Catherine Hall. Mitch has perfected his ability to share the lessons he absorbs from the experts with filmmakers, as he facilitates forums, writes articles, and has been featured on roughly 100 podcasts over the last few years. For Mitch's full bio, click here. Full Bio »
Learn directly from Mitch Aunger, a leading authority in the world of HDSLR from planet5D!
In today's increasingly digital world the choices for cameras to capture your film or television project can be overwhelming. Whether you are shooting your first project or you are preparing for your latest feature and thinking about changing your equipment, how can you possibly understand everything there is to know about what's on the market?
It's rare that "in the can" exists on set, so how do you decipher between the new digital age - HDSLRs, RED, Blackmagic, GoPro, EOS and everything in between? Technology has evolved and so has the equipment. Who has time to understand the features and benefits of each of the different cameras? Mitch Aunger of planet5D does. He is one of the most knowledgeable resources of cameras and equipment.
Join Mitch Aunger as he discusses digital filmmaking history and the cameras that go along with it. Mitch has written over 2,500 blogs about all different types of cameras and equipment to help filmmakers and directors discover what will be the best choice for their project.
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
"Just wanna put out an 'appreciation' shout Mitch. I'm a commercial photographer in London UK and always find your postings of interest. it has pushed/inspired me though to get motion-skilled up....and thanks to a few good peeps like yourself that's a whole lot easier." - Jim
"You know you've reached the big leagues when a company like B&H loans you a 12k DSLR for your review. Much deserved in my opinion for the greatest website in the universe!" - Craig
"I wanted to thank you for this website and your podcasts. You are my favorite source for DSLR and Mirrorless camera recording info. You ROCK!!!!" - Melissa
Learn directly from Tim Moshansky, a 20 year location scout who has worked on hundreds of films and TV shows including The Revenant, Twilight Saga: New Moon, Fifty Shades of Grey, and Aliens vs. Predator: Requiem! There are two things that a production starts doing as soon as they have the “green light” - casting for actors and scouting for locations. In a way, a location scout is like a casting director for locations. Unless a film is shot entirely in a studio with sets or green screen, locations are integral to how the film will look. Anyone can become a location scout, but to become a GREAT scout that people call again and again takes a keen eye, good people and photography skills, and on-the-ground experience. In this webinar Tim Moshansky will guide you through the entire process of scouting - from the moment you get the script or storyboards, to when they call “Action!” on set. Tim will offer you tips and insights from his nearly 20 years of scouting experience. Whether you are someone considering a career as a scout, or a filmmaker looking for ways to increase your production value and anticipate potential location problems, this is the webinar that will help you learn the basics about scouting. This webinar includes FREE bonus materials for download!: Locations Release Location Agreement Location Breakdown Script Breakdown
Often entertainment immigration seminars focus on actors, but what about everyone else who works on a film or TV project? Directors, producers, screenwriters, crew members, editors, sound designers, costumers, creative advertising directors, production specialists and all other creatives and professionals need the pertinent information as it applies to Visas and Green Card information. Understanding all Visa possibilities, which one is right for you, the eligibility requirements, and how to assure your applications and petitions have all the pertinent information needed to push through the system will have you in the best position to be approved quickly so you can begin working in the U.S. There is a threshold that the U.S. Immigration Office has set before they will approve a Visa application. It's called "Extraordinary" and your information must meet the standards to earn that status. But for many, knowing the criteria that can push your application and petition to this high level is nebulous at best and often extremely confusing. We're here to clear it all up for you. Your hosts, Lorraine D'Alessio and Liz Profumo are partners at D'Alessio Law Group. Their practice specializes in immigration and nationality law and concentrates on temporary and permanent business and employment related visas for investors, artists, and entertainers. They have has assisted hundreds of artists, performers, and other industry professionals to realize their dreams of living in the United States. Ms. D'Alessio combines her unique, firsthand knowledge of the entertainment business with immigration law. This year she also won the Century City Bar Association's "Lawyer of the Year" Award. Exclusively for Stage 32, Lorraine and Liz will take away all the confusion, anxiety and fear associated with understanding the Visa landscape and submitting an application and petition. They will start by presenting a detailed explanation of the various type of Visas so you can understand and identify, with confidence, which Visa is right for you. They will dive into the U.S. Immigration Office's threshold for obtaining "extraordinary" status and how you can prove that you fit the criteria. They will help you identify who should be your petitioner and how to best build his or her resume to assure they're credible in the eyes of the reviewing officer. They will teach you what to say and what not to say when you reach the border. And they will dive into other legalities and contracts you should be aware of and how to identify and avoid immigration scams. This is a fully comprehensive overview and directional guide on how to understand the Visa process, submit a thorough and complete application, and best position yourself to obtain a Visa to begin working in film & TV in the U.S. Praise for Lorraine and Liz "The Webinar was simply amazing. Great clarity!" - Ranadeep B. "Tremendously informative." - Arhynn D. "Easy to follow and to understand. So helpful." - Elizabeth K. "The best I've seen on this subject. Filled with gratitude." - Sunil P.
"Jason was and is wonderfully inspiring!" Watch for FREE here: Want to join Jason's 2-part AD class April 8 & April 15? Register here!
In very little time, drone photography has become widely—perhaps too widely—used in countless films, television shows, commercials, and other media projects. And along with this wide adoption of drones has come a demand for those who can successfully and artfully operate them. This presents a potentially lucrative and rewarding opportunity for cinematographers looking to expand their reach and build their skill set. Yet with the clear overuse of drone photography in media today, each to varying effects, it’s evident that not all drone shots are created equal, and standing out requires a deeper level of skills. Adding drone cinematography to your film, TV or new media project can breathe new life into shots that may, in the past, have cost your budget heavily. But finding success with drones requires more than knowing simply how to pilot one; a cinematographer needs to understand how to properly use the tool and work with clients and artists to get those perfect shots. The truth is, for as often as drone camerawork is used in film, television and new media today, you can still stand out as a cinematographer in a big way by using drones smartly, artfully, and effectively. But what turns drone photography from mediocre to great? And how can you use this tool to stand out and not only enhance your current project but also help you get more work in the future? Chris Tangey is one of the most sought after drone cinematographers in the world. His impressive career as a cinematographer has him working for Netflix, Warner Bros. Columbia Tristar, BBC, National Geographic, Discovery, Lonely Plant and more. He recently won "Best Aerial Cinematography" in the European Cinematography Awards, and both "Best Drone" and "Best Scenography" In the New York International Film Awards. He was also awarded a Jury Commendation in the World Drone Awards in Siena Italy and has 2 Gold and 4 silver awards from the Australian Cinematographers Society. Chris has quickly become a leader in the field of aerial imagery and is ready to share what he knows exclusively with the Stage 32 community. Chris will continue his drone cinematography education by expanding into the more intermediate and advanced elements of creating a great drone shot and using your work to help you get work. He will begin by going over the nuts and bolts of operating a drone, including preparation and safety checks, proper thumb and finger placement, and what the 180 degree shutter rule is. He’ll also explain how to maintain the shutter rule with ND and PL filters and teach you how to properly take off and land. He will also give you tips of how to eliminate variables and trip points when planning your flight and will show you how to continue to improve. Next Chris will break down the anatomy of a good drone shot. He will explain when drones are useful and when they should actually replace a jib or dolly shot. He’ll talk about the importance of getting the shot you’re after and how to tell if you’re overshooting. Next Chris will discuss different types of cinematic drone shots, including landscape shots, dolly shots, and lift shots. Then he’ll go more in depth of when you SHOULD use a drone and when you SHOULDN’T, including questions you should ask yourself before using the drone, how best to plan your shot, and what situations are most effective for drones. Finally, Chris will go over how drones work in the industry and how this particular skill set fits in. He’ll teach you the best ways to show off your talent and get noticed and give you tips on pathways to find work, including networks and communities, forums and drones for hire databases, and how that intersects with representation. Chris will leave you with a lot more context, skills, strategies, and knowledge to start using drones for your project and stand out from the pack while doing it. This is Part 2 of Chris Tangey's Drone Cinematography Webinar Series. To check out Part 1, now available on demand, click here. "My career as a cinematographer has been “elevated" greatly by incorporating drones and knowing how to use them properly to get the best possible shot. I'm so excited to share my experiences with the Stage 32 community and give everyone the knowledge to use this powerful tool to their creative and financial advantage" -Chris Tangey
Walking onto a film set for the first time can be intimidating and overwhelming. Wires, lights, cameras. People everywhere. Places you should be. Places you shouldn’t. Times you need to be quiet, times you need to speak up. The film set is a place where everyone needs to know what they’re doing and where they’re going, and it’s a place where everyone will expect the same of you. Yet if you’ve never worked on a set like this before, that can be a tall order. Whether you’re a PA on your first film, the director helming the production yourself, or anything in between, having a firm understanding of the expected etiquette on set—or “setiquette”—is crucial and lends itself to how much trust others will put on you. A film set might look like chaos from the outside, but it is often just the opposite—a well-oiled machine where everyone has a role and everyone knows where they should be and what they should be doing. If you are unsure of your own role on set, you can very well stick out like a sore thumb and contribute to slowdowns and frustrations. On the other hand, if you are confident, competent, and helpful on set, people will notice, which will lead to new opportunities and a team who will want to work with you time and time again. This is why it’s so important to walk onto your first set with a good idea of how everything works. Jonathan Kesselman is an award-winning writer and director who has worked on projects for companies like Fox, Paramount, Nickelodeon, Disney, Sony, Blue Sky Animation, MTV, Comedy Central studios, Funny or Die, WWE, Nintendo, and many more. His first feature film THE HEBREW HAMMER, starring Adam Goldberg, Judy Greer and Andy Dick, premiered at Sundance Film Festival before getting picked up by Comedy Central. THE HEBREW HAMMER has since become a holiday cult classic, voted among the top holiday movies by the New York Times, Vanity Fair, Boston Globe and Time Magazine. His next film JIMMY VESTVOOD: AMERIKAN HERO, starring Maz Jobrani, won both the Comedy Vanguard and Audience Award at the Austin Film Festival before being released on Showtime and Netflix. Jonathan also wrote and directed second Unit for Oscar-winning director Ang Lee on the film BILLY LYNN'S LONG HALFTIME WALK. He recently co-created the short form comedy series GANDER, streaming exclusively on Tubi. Through his long and varied history in film and television, Jonathan is no stranger to film sets and how to best work within them. Jonathan will break down how a professional film or television set works and everything you should know before stepping on set for the very first time. He will give a snapshot of how a film set generally looks and run before going through all of the different departments on set and their relationship to the director. Jonathan will spend time delving into the role of the assistant director, the beating heart of the set and will then explain what a day on set generally looks like, including a schedule breakdown and how the workflow normally looks. Next he will go through the importance of blocking rehearsals, the art of slating, and how to read a call sheet and shooting schedule. Jonathan will teach you how to find success on your first set, including how to hold yourself so you’re called back again. He will also go over how to find success as a director, how to delegate, motivate, and empower, in addition to staying on schedule. Jonathan will then show you five common mistakes to avoid making on set. Finally he will give you tips on how to break in and get experience on set, including where to find opportunities and what roles you should be looking for. "A film set can be a confusing and scary place, especially if it's your first time on one. I know how overwhelming it can feel, but I also know it's a lot more manageable if someone's able to walk you through it ahead of time. I've been on my fair share of film and TV sets and am excited to go through it with the Stage 32 community so you can leave feeling more confident." -Jonathan Kesselman
In this world of DIY filmmaking, it has become easier than ever to just pick up a camera and start making your project. You don’t always need much money, a big crew, corporate backing, or other resources; you can just get up and go. But this certainly doesn’t mean your project is automatically going to look good. Even on a budget, even as a guerrilla filmmaker, it’s critical to have the tools you need to make something look professional and of high quality. You don’t necessarily need the top-of-the-line camera and all of the expensive specialty equipment found on a massive set, but there are things you’re always going to need with you, a kit that will have you covered in any situation. The challenge is determining what exactly this kit should look like. If you’re a DP, director, or a one-person-band doing all of the jobs at once, preparation is key. But if you go to any camera or equipment store or website you’ll notice just how many options there are. Tools for every occasion. Every type of lens. Every type of stand. Every type of light. Every type of microphone. It can be overwhelming to even look at. How can you distill all of these options into exactly what you need, a collection of tools that you can get on a budget and pack into one bag? Is that even possible? Your instructor Barry Andersson knows that it is. There are just some important things you need to know first. Barry Andersson is an award-winning director and cinematographer. He has directed 5 feature films, many of which were released in theaters—his most recent film is being distributed by Lionsgate. Barry’s career as a cinematographer includes several television pilots, acclaimed short films, numerous commercials, and countless commercials and corporate videos. Barry is also the author of the DSLR Filmmakers Handbook. Through his extensive experience, Barry has figured out the best and most cost effective equipment you need to make great content. Barry will share with you his time-tested soup-to-nuts equipment list and will show you, piece by piece on camera, what he uses and why. He’ll begin by walking you through the strategy of putting together your own kit and aspects you need to keep in mind when assembling the perfect collection of equipment. He’ll discuss the types of lenses to carry with you and what to get even if you don’t know anything about lenses. He’ll also delve into choosing the right case and strategies to efficiently pack everything you need. For filmmakers on the go, Barry will share how he packs everything he needs for travel without spending extra on baggage fees. Barry will share exactly what gear is essential for every type of project, including standard filming, talking heads, and B-roll. He will next discuss audio and the types of microphones, stands, poles, and extras you need to effectively capture audio on the go. Barry will walk you through the life-saving essentials he takes with him wherever he goes—seemingly miscellaneous items that no one ever says you should have. He’ll also tell you what things you don’t really need, even if people say you do. Barry will give you a resource list of 11 must-have items for your equipment kit and where you can find the best deal to purchase them. Praise for Barry’s Webinar “Great insight. Very practical and actionable advice.” -Martin R. “This was so straightforward and practical. No theory, no filler, just exactly what I needed to know. Thank you” -Harold B. “Barry’s advice was so helpful. I feel a lot less overwhelmed about buying new equipment now” -Sandy C. “I NEVER find webinars that are this straightforward and useful. This was such a gem.” -Roger F.