Indeed he does call himself "planetMitch" - but his real name is Mitch Aunger and he lives in St. Louis Missouri (USA). He's the main guy who runs planet5D. Over the last 5 years, planetMitch has become a leading authority in the world of HDSLR and in addition to covering cameras, he co-produced the film "Incident On Marmont Avenue." planetMitch has written over 2,400 articles and blog posts covering various advancements and news regarding the latest cameras, software, filming breakthroughs, and more for his blog at planet5D.com. planet5D has become the ultimate resource for insider industry information, educating hundreds of thousands every month, and Mitch is the orchestrator of this wealth of valuable information. planetMitch sources his information straight from the top industry professionals, and has interviewed over 40 of the most successful names in DSLR production, including Vincent Laforet, Shane Hurlbut, Rodney Charters, Gale Tattersall, Lisa Bettany, Barry Andersson, Richard Harrington, and Catherine Hall. Mitch has perfected his ability to share the lessons he absorbs from the experts with filmmakers, as he facilitates forums, writes articles, and has been featured on roughly 100 podcasts over the last few years. For Mitch's full bio, click here. Full Bio »
Learn directly from Mitch Aunger, a leading authority in the world of HDSLR from planet5D!
In today's increasingly digital world the choices for cameras to capture your film or television project can be overwhelming. Whether you are shooting your first project or you are preparing for your latest feature and thinking about changing your equipment, how can you possibly understand everything there is to know about what's on the market?
It's rare that "in the can" exists on set, so how do you decipher between the new digital age - HDSLRs, RED, Blackmagic, GoPro, EOS and everything in between? Technology has evolved and so has the equipment. Who has time to understand the features and benefits of each of the different cameras? Mitch Aunger of planet5D does. He is one of the most knowledgeable resources of cameras and equipment.
Join Mitch Aunger as he discusses digital filmmaking history and the cameras that go along with it. Mitch has written over 2,500 blogs about all different types of cameras and equipment to help filmmakers and directors discover what will be the best choice for their project.
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
"Just wanna put out an 'appreciation' shout Mitch. I'm a commercial photographer in London UK and always find your postings of interest. it has pushed/inspired me though to get motion-skilled up....and thanks to a few good peeps like yourself that's a whole lot easier." - Jim
"You know you've reached the big leagues when a company like B&H loans you a 12k DSLR for your review. Much deserved in my opinion for the greatest website in the universe!" - Craig
"I wanted to thank you for this website and your podcasts. You are my favorite source for DSLR and Mirrorless camera recording info. You ROCK!!!!" - Melissa
What's going on, Creative Army? It's been a moment since we last had the time to interact in a live setting. Let's remedy that with another AMA (Ask Me Anything), pre-Cannes style. We got together for another inspiring, motivating and energy-packed question and answer session. For 2 hours I left you with tips, tricks and actionable information to help you move forward with your 2019 (and beyond) goals. Remember, no matter what your discipline, skill level, geographical location, etc, this AMA is for ALL! As always, registering for my AMA is completely free. Spreading some positive vibes. Cheers! RB
Learn directly from David Landau, 30 year Lighting director and Director of Photography. The story could be the greatest in the world, but if the lighting is poor viewers will assume it’s amateurish and not take it seriously. Good lighting makes things look real, while real lighting often makes things look fake. Good lighting supports the emotional moment of the scene, contributes to the atmosphere of the story and can augment an artistic style. So, no matter how good a script, how good a director, how good the actors – the lighting needs to be as good if not better. The fact is, we can’t usually make good pictures without good lighting, no matter how good the newest cameras are. Yes, we can sometimes get lucky. But while shooting under available light gives exposure, it often lacks depth, contrast, contour, atmosphere and often separation. Well-crafted lighting helps establish the illusion of reality that is necessary for the viewer to forget they are watching a screen and get lost in the story. In this Stage 32 Next Level Webinar, host David Landau will go over the ten things all filmmakers need to know about lighting, sharing some of the techniques to artistic and effective lighting that he has learned both from working with a wide range of cinematographers and through his own career as a Lighting Director and Director of Photography. David will demonstrate live from the Fairleigh Dickinson University sound stage lighting techniques that will make your images shine like a Hollywood feature without a big Hollywood budget. David Landau has over thirty years of professional lighting experience working on feature films, TV shows, sit-coms, game shows, commercials, documentaries, industrial films, music videos and direct-to-consumer DVDs. David worked as one of the gaffers on the TV series Project Runway and is a five-time Telly Award winner for lighting and cinematography. He is a member of IATSE Local 52 (gaffer) and the University Film & Video Association and Media Communications Association International. He also is the author of the new book Lighting for Cinematography: A Practical Guide To The Art And Craft Of Lighting For The Moving Image from Bloomsbury Press.
Getting a job in Hollywood can seem hard...but it doesn’t have to be. If you feel like every job application you send in is a shot in the dark, you may want to rethink your process. Luckily, there are many tangible strategies that can make the job search more efficient. Ultimately, the key is to find a way to stand out in the pack. And we’re here to help you do just that. During this 90 minute session, you’ll learn how to build a robust network, job search tactics that will get your resume into the right hands, how to craft effective resumes and cover letters, and tips to help you ace any job interview. Whether you’re just starting out or are hoping to transition into a new position that will move you closer to your goals, this course is for you. We are professional resume writers, dedicated to helping Hollywood hopefuls find their dream jobs. But unlike most professional resume writers, we are not recruiters or HR executives. Instead, we have actually worked in and hired for entry-level positions across Hollywood. After conducting hundreds of interviews and weeding through even more resumes over the years, we've learned that many qualified candidates simply don't know how to pitch themselves for the Hollywood jobs they want. And, in an industry where most jobs are filled through internal referrals, it’s crucial to impress not only the recruiters, but those in the actual departments that are hiring -- and we know what they’re looking for because we’ve worked in those departments ourselves. We’re excited teach you the proven networking strategies, resume and cover letter writing techniques, and and interview skills that we have used to succeed in our own careers and watched countless others use to succeed in theirs.
Learn directly from John Keedwell, a 30+ year filmmaker who has worked in over 65 countries! Many here on Stage 32 like the idea of producing and shooting your own movies, and often you may have a very limited or no budget available. You will therefore often need to compromise and work around obstacles and challenges. In this webinar I examine both the benefits of shooting on DSLR's and I also take a look at some of the challenges they often throw up for the filmmaker. Shooting a movie on a DSLR often requires different additional accessories and lenses to turn it from a stills camera into a camera capable of consistently recording high quality moving images. I take a look at some well-known movies where a DSLR has been used, and examine how they have been used there. DSLR's don't work exactly like a moving picture camera. It is a stills camera that happens to have a feature to record a sequence of video. As a stills camera they work really well and make great images, yet when it comes to shooting anything more than a few movie clips they all have flaws in operation. While these limitations are not impossible to overcome, they can become significant tiresome issues when shooting for extended periods. I examine the ergonomics and functions of DSLR cameras and how they can often hinder the smooth operation and camera movement possibilities for the filmmaker. It’s better to know and examine this now than before you get on set shooting. There are cameras available now that are less expensive and do a much better job of helping filmmakers, they still have the large sensor cinema "look," yet have better ergonomics, monitoring, lens choice, better dynamic range and resolution, and have more functions to support filmmakers. We’ll explore that as well. At the end if the webinar you will be able to: Know why a cine lens differs to a stills lens, and if it will affect your production The best way to record sound with your DSLR-It may not be what you think How to control your focus and depth of focus How to monitor your output for consistent results Know many of the benefits and potential pitfalls to avoid of shooting with a DSLR.
The job of the Cinematographer is to bring the Director’s vision to life. As a DP, your work is silent, but can speak volumes. You are both craftsman and technician - needing to have a keen eye as well as a sharp understanding of your tools. Few tools are more important to the Cinematographer than Pre-Production. It’s an often overlooked and underutilized process that can save your production immense amounts of heart ache, heartache, and money. In this Stage 32 Next Level Webinar, LA-based Director of Photography, Jonathan Pope, will guide you through the Cinematographer’s vital role in Pre-Production. He'll discuss a variety of processes within pre-production, including compiling a lookbook, choosing your camera, location scouting, creating a shot list and overheads, and much more. You'll get a breakdown of the basics and discuss tips and tricks on how the Director of Photography can help the production avoid some common (and sometimes very costly) pitfalls from Jonathan's own experience. He will use documents and case studies from his most recent projects to give you an inside look at the preparation it takes to ensure you get that cinematic look on any budget. Whether you're shooting your first feature film, your passion-project short film, your tenth music video, or you're just branching into the commercial world, this webinar will benefit both indie Directors and Cinematographers. ***All attendees will receive examples of lookbooks, shot lists and camera/lighting overheads so you will be able to create your own!
A painful reality of low budget filmmaking or corporate video production is often times we are stuck with small, ugly and non-film friendly locations. You can’t always make the space you have look like high end movie sets, but there are tricks to be able to elevate your shot. If you're shooting your own content or working on a low budget film, we're bringing in award-winning filmmaker Barry Andersson who had directed 5 feature films that have been theatrically released, with his last film being distributed by Lionsgate. Over the course of his career he's found numerous ways to make most small or ugly locations as cinematic as possible. In this exclusive Stage 32 Next Level webinar Barry will teach you how to make ugly or small locations look cinematic. You'll walk away from this fun webinar knowing how to navigate any small space surprises once you get on set with your equipment.