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We're back in the Writers' Room for The Executive Hour with Jimmy Cheng. Hailing from Guangzhou, China, Jimmy Cheng aims to discover, champion, and help navigate the careers of unique and diverse new voices.Jimmy is currently the Motion Picture Literary Coordinator of the Gersh Agency. Beyond servicing the entire client roster of the department at Gersh, Jimmy also represents emerging writers and filmmakers that came out of prestigious festivals, with clients’ feature films premiering at Tribeca Film Festival, Filmfest Munchen (Munich Film Festival), and Toronto International Film Festival. At the moment, Jimmy is selling a film out of Tribeca and packaging an American/Canadian Co-Production from an American filmmaker duo. Coming from the Development world, Jimmy has a keen eye for prestigious content with commercial viability. Before joining Gersh, he worked at Wavelets Entertainment, where he works in the development of Chinese hit series XIAO BAI’S CAT. Full Bio »
We’re back in the Writers’ Room for the Executive Hour with special guest Jimmy Cheng (Gersh). Prepare to delve into Jimmy’s captivating journey and wealth of experience, as he generously imparts invaluable advice, all while eagerly responding to the burning questions YOU bring to the table. Don't miss this exclusive opportunity to gain insights and inspiration from a seasoned professional in the industry!
The Executive Hour
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"THANK YOU JIMMY! Incredible insight into the industry" -Emily J.
We're back in the Writers' Room for the Executive Hour Webcast with Special Guest Casey Malone, Creative Executive behind FINCH, THE WITCHES, and PINOCCHIO! Casey was most recently the Creative Executive at ImageMovers the production company of feature film Writer/Director/Producer Robert Zemeckis. Most recently she's worked on FINCH with Tom Hanks for Amblin Partners, Warner Bros.'s THE WITCHES, NBC 's "MANIFEST", and Disney's live-action PINOCCHIO. She also has several original series and feature ideas in development. Casey meets with writers, directors, actors, producers, and is always searching for new and incredible stories to tell. And with a penchant for horror, she'll never say no to a good ghost story!Prior to working at ImageMovers, Casey worked in production and at CBS Television. She worked at "THE PRICE IS RIGHT" and then made the jump to scripted TV and film at ImageMovers. This was an amazing conversation with Casey sharing her wealth of knowledge!
We're back in the Writers' Room for the Executive Hour Webcast with HBO Max Drama Development Executive Ashlie Sapiro. Ashlie Sapiro is the manager of original content at HBOMax, focusing primarily on Drama series. A lover of all character dramas and stories that defy genre and type, she is currently working on the upcoming Lena Dunham produced series "GENERATION", the reboot of "PRETTY LITTLE LIARS" with Roberto Aguierre Sacasa, "DOOM PATROL" and "TITANS" from the DC Universe, and the pilot for the beloved book, "RULES OF MAGIC". Ashlie started her career working at CAA in the TV Literary department.
We're back in the Writers' Room for The Executive Hour Webcast with Jason Roberts! Jason Roberts has been working for the past decade as a Producer (PGA) setting up and handling a multitude of Productions in both Film and Television. Jason has recently been consulting on projects with Disney+, Hulu, Twentieth Television, Universal Pictures, Paramount Paramount, Netflix, AGBO, Roth/Kirschenbaum Films, Village Roadshow, Legendary Television & Lionsgate amongst others. Previous to that, he has been a DGA Assistant Director on over 100 plus major motion pictures and series both domestically and internationally. Ranging from big budget productions such as: Saving Private Ryan, Jurassic World, Mission Impossible: Ghost Protocol, Transformers: The Last Knight and American Made to independent films such as: First They Killed My Father, Killing Zoe, Shrink, The Pool and No Good Deed.
Our guest, Janet Jeffries, has worked as a professional screenwriting mentor, working with emerging screenwriters. As a development executive with Lawrence Bender Productions, Janet works closely with Mr. Bender to develop a wide variety of features in many genres such as the Peabody Award-winning animated short film COPS AND ROBBERS, the Academy Award-winning, live action short film TWO DISTANT STRANGERS, THE HARDER THEY FALL, GRETA, and Academy Award-winning and nominated films - HACKSAW RIDGE, GOOD WILL HUNTING, AN INCONVENIENT TRUTH, PULP FICTION, and INGLORIOUS BASTERDS! Working also with the company’s television arm, Bender/Brown Productions, Janet has worked on the docuseries, THE CHICANO SQUAD for A&E, the Netflix limited series SEVEN SECONDS, Starz limited series FLESH AND BONE, and the CW series ROSWELL, NEW MEXICO. Join in the educational fun right here at Stage 32!
We’re back in the Writers’ Room for the Executive Hour with special guest Nick Phillips (Producer and Stage 32 Exec Liasion). Prepare to meet and ask questions to Stage 32's very own Nick’s captivating journey and wealth of experience, as he generously imparts invaluable advice, all while eagerly responding to the burning questions YOU bring to the table. Don't miss this exclusive opportunity to gain insights and inspiration from a seasoned professional in the industry!
Stage 32’s ever-popular Executive Hour returned with a webcast full of insight, and viewers walked away with a clearer understanding of how to think globally about their careers. International producer Katharina Suckle shared practical strategies for navigating the international marketplace with intention, showing writers and filmmakers that success beyond their home country is not simply luck, but it’s the result of smart positioning, strategic partnerships, and a strong understanding of how the global industry operates. Drawing from her own production experience, Katharina broke down how projects actually travel across borders. She used her work on Radius-Trijya, which was picked up by MUBI and covered by Screen International, to demonstrate how the right festival exposure and distribution partner can elevate a project internationally. She also revealed how strategic announcements in trades like Variety can create industry momentum, citing her work setting up Once Upon a Crime in Borivali with Lotus Visual Productions. For viewers, the lesson was clear: visibility, timing, and industry relationships can dramatically influence a project’s global trajectory. Katharina also shared powerful lessons from her experience producing LOEV, which reached audiences in 180 countries through Netflix, and the international co-production The Road to Mandalay, which earned the Fedora Award at the Venice Film Festival and the Licorne d'Or in Amiens International Film Festival. Attendees learned that international co-productions thrive on cultural awareness, creative financing, and a smart festival strategy. Katharina also spoke about championing emerging voices by example with her recent Stage 32 pitch session, where she requested three scripts and scheduled eight meetings. Katharina offered insight into developing television globally through her work on The Big B for Disney+ Hotstar. By the end of the session, viewers had gained a practical roadmap for positioning their stories and their careers on the world stage.