The Executive Hour with Nikita S. Adams

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The Executive Hour

Webinar hosted by: The Executive Hour

Nikita S. Adams is a highly accomplished senior-level executive with a remarkable career spanning more than 25 years in both television and film. She oversaw the development and production of HBO's LIFE SUPPORT starring Queen Latifah, developed and sold a fantasy drama to Amazon and an IP-based drama to MAX, and sold an IP-based feature to Paramount. She most recently served as Head of Television Development at Folding Chair Productions, a multimedia production company with an overall deal at Warner Bros Television. A proud graduate of Howard University, where she studied Television and Film Production and Business Administration, Nikita began her career at BET before working at New Line Cinema, 20th Century Fox Television, and The Hallmark Channel. She went on to become Head of Production and Development for Jamie Foxx's Foxx/King Entertainment—where she developed a police drama for Viola Davis, a crime drama written and directed by Jamie Foxx, and a buddy crime pilot starring Jamie Foxx—followed by a role as development executive at Forest Whitaker's Junto Films, where she developed five features and produced SHARON 1, 2, 3. Nikita later transitioned to representation as a literary and talent agent at Paradigm Talent Agency and A3 Artist Agency, where she represented production companies, talent, and brands, including the NBA Players' Association, Bishop T.D. Jakes, The Ruff Ryders, Shaun Robinson, Conveyor Media, RTR Media, and Kronicle Media. After two decades championing writers, Nikita remains deeply passionate about discovering storytellers who create worlds, languages, and characters that captivate audiences: "My passion and fandom for writers goes back to when I was a child. I was then, and still am, awed and overjoyed by how a writer creates worlds and people with curiosity, weaknesses, and drive in a way that keeps viewers' attention for 30, 60, or 90+ minutes. It simply blows me away. Comedy, drama, fantasy—it all pulls me in and, when done right, is like a healing salve. My job isn't to 'develop' the writer's voice off the page, but to help the writer craft the best story possible so that it pops off the page and deep into the reader's soul." Full Bio »

Webinar Summary

The latest edition of The Executive Hour didn’t just pull back the curtain; it handed viewers a backstage pass to what agents actually look for when signing writers. Drawing from her time at Paradigm Talent Agency and A3 Artists Agency, Nikita S. Adams broke it down with refreshing clarity: agents weren’t chasing perfection, they were chasing perspective. Writers who stood out had a distinct voice, a clear point of view, and the confidence to own it. One takeaway, it was this: originality wasn’t optional; it was the entire point. With more than 25 years in television and film, overseeing the development and production of HBO’s Life Support, starring Queen Latifah, developing and selling a fantasy drama to Amazon, and an IP-based dramas & features to HBO Max & Paramount, Nikita's insights were invaluable!

Nikita emphasized the importance of, as a storyteller, what kinds of stories you tell, why you tell them, and what makes you the only person who could, making it easy for an agent to champion you in rooms that matter. The writers who sparked interest were the ones who came prepared—not just with a great script, but with a sense of career direction and the ability to talk about their work like professionals. Nikita shared that the clients who got signed were already doing the work: writing consistently, generating new ideas, and demonstrating they were in it for the long haul. By the end of the session, attendees didn’t just understand what agents wanted—they understood how to position themselves as the kind of writer agents couldn’t ignore.

What You'll Learn

What a top industry professional looks for in a client, and how, as a storyteller, what kinds of stories you tell, why you tell them, and what makes you the only person who could, making it easy for an agent to champion you in rooms that matter. 

About Your Instructor

Nikita S. Adams is a highly accomplished senior-level executive with a remarkable career spanning more than 25 years in both television and film. She oversaw the development and production of HBO's LIFE SUPPORT starring Queen Latifah, developed and sold a fantasy drama to Amazon and an IP-based drama to MAX, and sold an IP-based feature to Paramount. She most recently served as Head of Television Development at Folding Chair Productions, a multimedia production company with an overall deal at Warner Bros Television. A proud graduate of Howard University, where she studied Television and Film Production and Business Administration, Nikita began her career at BET before working at New Line Cinema, 20th Century Fox Television, and The Hallmark Channel. She went on to become Head of Production and Development for Jamie Foxx's Foxx/King Entertainment—where she developed a police drama for Viola Davis, a crime drama written and directed by Jamie Foxx, and a buddy crime pilot starring Jamie Foxx—followed by a role as development executive at Forest Whitaker's Junto Films, where she developed five features and produced SHARON 1, 2, 3.

Nikita later transitioned to representation as a literary and talent agent at Paradigm Talent Agency and A3 Artist Agency, where she represented production companies, talent, and brands, including the NBA Players' Association, Bishop T.D. Jakes, The Ruff Ryders, Shaun Robinson, Conveyor Media, RTR Media, and Kronicle Media.

After two decades championing writers, Nikita remains deeply passionate about discovering storytellers who create worlds, languages, and characters that captivate audiences: "My passion and fandom for writers goes back to when I was a child. I was then, and still am, awed and overjoyed by how a writer creates worlds and people with curiosity, weaknesses, and drive in a way that keeps viewers' attention for 30, 60, or 90+ minutes. It simply blows me away. Comedy, drama, fantasy—it all pulls me in and, when done right, is like a healing salve. My job isn't to 'develop' the writer's voice off the page, but to help the writer craft the best story possible so that it pops off the page and deep into the reader's soul."

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