ON-DEMAND COMING SOON!
This webinar had a live screening session recently and has not yet been converted into a video format.
Doug recently served as Line Producer and Production Manager overseeing extensive re-shoots on IM Global's "Fifty Shades of Black". Curtis also served as Executive Producer and Unit Production Manager on Relativity Media's "Shark Night". He was also Executive Producer on a number of New Line Cinema Feature films including: "Shoot 'Em Up", "Cellular", "Freddy vs. Jason", "Friday After Next", "All About the Benjamins" and "Next Friday". Douglas Curtis' extensive career in the entertainment industry covers a wide variety of genres ranging from science fiction to horror to comedy to action films. Curtis was co-producer and Unit Production Manager on Zide-Perry Entertainment's "Repli-Kate", MTV/Paramount Pictures,' "The Wood" and HBO's "Shadow of Doubt". He also worked as a co-producer/Line Producer on Paramount Picture's "Save the Last Dance". As a producer, his credits include MGM/Rysher Entertainment's "The Eighteenth Angel", "Gunfighters Moon" and "Judicial Consent". For Trimark Entertainment Curtis produced "The Philadelphia Experiment II". For New World Pictures he produced "The Philadelphia Experiment", "Black Moon Rising" and "Nice Girls Don't Explode". He both produced and directed "The Sleeping Car" and "The Hazing". He has also served as 2nd unit director on a number of his films including "Black Moon Rising" and "Judicial Consent". Among Curtis' other credits are "Madame Claude 2", "The Night the Lights Went Out in Georgia" and "Take This Job and Shove It on which he served as a production supervisor for Avco Embassy Pictures. Curtis currently serves as CEO-Founder of Quarter Town Films (QTF) a Los Angeles based development and production company where he is developing a number of feature film projects including "The Money Cave", a family film, in the vein of Goonies and Stand by Me, which was written by and will be directed by Thomas Koveleskie, his partner at QTF. Born in Dodge City, Kansas, Curtis graduated from the University of Kansas with a degree in Theater and Film. He began his career in TV commercials where he produced and directed nearly 200 national and regional commercials and a number of award winning documentaries and corporate image films. In 1992 Curtis formed Prelude Pictures, a joint venture with Neufeld-Rheme Production in association with Paramount Pictures, where he developed a wide slate of feature films including New Line Cinema's "Lost In Space". Curtis also has a consulting website; dougcurtisfilmconsultant.com, through which he consults on a wide variety of feature film related issues including; budgeting, scheduling, film incentives, locations, unions and guilds (SAG, DGA, WGA and IATSE) and many more. Full Bio »
This Halloween, take a peak behind the scenes of one of the most successful horror films of all time Freddy vs. Jason, which was made for $30MM and has grossed over $114M worldwide.
We’re bringing in the Executive Producer of Freddy vs. Jason, Douglas Curtis, to teach you about how FvJ came together, what made it so successful and how you can apply it to your own horror film. If you love horror films, you don’t want to miss this webinar!
Doug will go over the making of Freddy vs. Jason and in each section will tell you how you can apply the same principles to your own horror film!
Hiring key crew
Practical vs Digital effects
Special Effects Makeup
Slash of the Titans
Q&A with Doug
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
Doug Curtis can boast that the films he's been involved with have earned nearly a half billion dollars at the global box office. Over the past 20 years, Doug has had a hand as a director, producer or line producer in over two dozen features (including Save the Last Dance, Freddy vs. Jason, Next Friday, Cellular, Shoot em Up and Sorority Row) and over 200 commercials. Think about that. He's been on the set of over 250 projects! Needless to say he's learned a thing or two. And now he's thrilled, as are we, to pass his extensive knowledge on to you in this exclusive Stage 32 Webinar. Doug is a firm believer that the success or failure of any film is mostly tied to actions taken during pre-production. From properly budgeting, pulling together a reasonable, yet tight production schedule, hiring the best crew and other tips, tricks and golden rules he's amassed through the last 2 decades, Doug will teach you everything you need to know to assure your production runs smoothly from start to wrap. Doug has worked on the studio level (Paramount, Fox), with the independents (New World, New Line) and even with the premium networks (HBO), so no matter what kind of material you are working with, no matter what budget, no matter what targets you're positioning yourself to hit, Doug will have you ready and armed to head into battle.
Learn directly from Anne Marie Gillen, who has over 20 years of experience with independent film financing and has raised over $100M worldwide! There is no getting around it. If you want to make your own project, if you want to control your own career, you will need financing. In order to secure that financing you will need the necessary tools, language and know-how. Equity is King – and finding and closing it is the key component to funding every project no matter what the budget! This webinar will address 5 key strategies regarding financing that most filmmakers do not know. Are you stressed & overwhelmed with the thought of finding money for your film? Do you know how to talk the language of an equity investor? Entertainment is a high risk investment. Do you know how to mitigate that risk to get investors to a "Yes!"
Working in the entertainment industry means you’ll inevitably come across all different types of people – most of whom are passionate, opinionated and sometimes very stubborn. This will inevitably produce confusion, tension, drama, and tough choices all along the way. What to do when faced with the notorious “difficult” personality? What to do when you learn YOU’RE the one labeled as such? In this Stage 32 Next Level Webinar, you’ll learn how to spot the troublesome ones, be less troublesome yourself, and generally learn some important tools of the trade when faced with the difficult personality. Your teacher, Adrienne Biddle, has worked as a studio executive and independent producer producing dozens of movies, most recently Stephanie with Blumhouse Productions. The goal is to teach all different types of creative people how to work better together so your project doesn’t fall apart in these moments of crisis.
CLASS 1 Section I: THE OVERVIEW 1. Introduction to Jason 2. Creative Aspects of the Job Prep – Breakdown & Scheduling from Script to Game Plan Shooting – Set Management & Directing Background Differences between Film&TV; Day & Night; Stage & Location Working Relationship between the AD and Director, Producer, DP & Actors 3. Why We Do It What I’ve learned over the years We are a mix of; Traffic Cop, Bartender, Kindergarten Teacher, Cheerleader, Psychologist, Juggler & CEO Day to day Energy, Pace, Crew Moral and Motivation Tools of the job. Shoes and what to carry in your pockets The need for outside influences and a life away from the work Section II: PRACTICAL APPLICATIONS 1. Prep (In this section Jason will share his computer screen to show how to actually breakdown a script using two scenes from Jurassic World as an example. Inputting it into Movie Magic Scheduling and then using that material as a launching board for teaching call sheets and other paperwork) 1st AD – What is Expected (Schedule, Scout, Dept Meetings, Background and how to do it) 2nd AD – What is Expected (Assist 1st, Rehearsals, Fittings, Interface with Actors, Tech Scout, Background Casting) 2. Shooting 1st AD – What is Expected Run the Set, Move the Company Forward, Execute the Schedule 2nd AD – What is Expected Assist 1st, Set BG, Prep Next Day, Run 1st Team, Communication Liason with Office and Rest of World 3. Safety Meetings Legal Responsibility Knowing When to Say No, Knowing how to say no Know all the Equipment Know what it takes to get it done Trust in your Departments Live Q&A with Jason - bring your questions! CLASS 2 Section III: THE FUN PART - PAPERWORK 1. Paperwork Call Sheet Production Report Exhibit G “Sag” Sheet One-Line Schedule Shooting Schedule Cast Day Out Of Days Section IV: ON-SET STORIES & PRACTICAL APPLICATIONS Practical stories to show good and bad days of the job Live Q&A with Jason - bring your questions!
This is the 2nd installment of the Stage 32 + Bondit Media Capital Masterclass featuring Matthew Helderman (CEO of Bondit Media Capital) and Jordan Yale Levine (President, Yale Productions).Please note this webinar is audio only.
2 part class taught by Joe Bohn, Assistant Director who was worked with the Russo Brothers, David Fincher, Miley Cyrus, Justin Timberlake and more! AVAILABLE ON DEMAND! Are you interested in being the point person on a film set responsible for how the day runs and coordinating the structure and workflow of the day? Do you have a drive to shoulder the responsibility of keeping a production on track, ensuring clear and concise communication between the higher ups and the below the line team and being the directors right hand for any and all needs? Welcome to being a 1st AD. Stage 32 is excited to bring you the previously-recorded 2 part class: Pictures Up! Thought, Theory and Practice of Being a 1st AD taught by Joe Bohn, Assistant Director with over 50 IMDB credits! This intensive class will give you an in-depth and thorough examination of the 1st AD position, supplemented with exercises that simulate real world responsibilities. Purchasing gives you access to the previously-recorded live class. Although Joe is no longer reviewing the assignments, we still encourage all listeners to participate.