Jim Uhls is the screenwriter behind FIGHT CLUB (directed by David Fincher, starring Brad Pitt and Edward Norton, based off of the critically acclaimed Chuck Palahniuk novel) as well as the Doug Liman film JUMPER, which has grossed over $222 million worldwide. Next up, Jim is the screenwriter for the new Shane Black film, THE DESTROYER, and THE LEVIATHAN at 20th Century FOX. Full Bio »
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
Learn directly from Danny Manus, an in-demand script consultant and CEO of No BullScript Consulting! You’ve written a killer script. Great. But now you’ve got to get someone to read it. Success in Hollywood is often about making great first impressions. Your loglines and query letters are the first and sometimes only things an executive or agent is going to read of your work. So it’s critical that your logline and query letter are attention grabbing, tell them something of substance, make you look good, and most of all—make them want to read more. Have you sent out hundreds of queries but haven’t gotten many script requests? Are you the type of writer who has no problem writing 120 page script but gets totally stumped by writing a 30 word logline? Have no fear – I’m here to help! As a development executive, producer, and script consultant, I have read thousands of query letters and countless loglines. I have taken over 3,000 pitches, and I’ve helped thousands of writers craft their project’s logline to help them standout and stand above the rest! In this Stage 32 Next Level Webinar, I will show you specific, proven, easy-to-use formulas and tips to construct tight, professional loglines, engaging query letters, and visual one-sheets. We will go over what to include and what not to include in each, the difference between loglines and taglines, words to use that will make your loglines pop, what executives are looking for, how to query for representation and TV, and how and where to send queries to actually get them read. We’ll also go over loglines for some of Hollywood’s hottest movies, one-sheets that made me request the script, and I’ll share with you some of the best and worst queries I’ve ever received so you don’t make the same mistakes. Plus, Q&A. And as a special BONUS, if you register for the LIVE Webinar, you will also be able to submit your logline to me for a critique and fix after the Webinar (details below). If you’re trying to get professionals to notice your project, if you’re trying to submit your script anywhere, or even if you’ve posted or wanted to post your loglines in the Stage 32 Lounges and Forums, this Webinar is for you! Whether you are a screenwriter, novelist, producer, director or exec, your project deserves to make the right first impression. Let me show how. **Please note that the free logline critique Danny mentions in the webinar is not available for On-Demand. It was only available for members who attended the live webinar.**
Learn directly from Morgan Long, TV Literary Department for a “Big Six” Agency This lab is designed for beginner and intermediate screenwriters looking to build a pilot from scratch or expand on an existing idea. With the TV market exploding right now, one of the most in demand formats is the 1-hour TV drama pilot. Many, if not all, managers and agents are looking for writers that can write in this space, and with more and more production companies heading into TV, knowing how to write a strong 1-hour TV drama pilot will give you a competitive advantage and help you find success as a TV writer! Due to popular demand, Stage 32 is thrilled to bring back our 8 Week Intensive TV Drama Pilot Writing Lab taught by Morgan Long, a TV development coordinator at a “Big Six” Agency! This hands-on intensive lab will guide you through picking a concept, creating engaging characters, structuring and outlining your pilot and writing the first draft! The main objective of this 8-week lab will be to have a first draft of your script. You will meet online with Morgan for 2 hours a week in a class setting, plus have phone consultations during some of the weeks when you don't have an online class. This will be accompanied by weekly homework assignments to guide you on your way to creating a marketable, unique pilot that will grab the industry's attention. Payment plans are available - please contact firstname.lastname@example.org for more information. This Lab is Limited to 20 People. Please Note: Participating in this lab does not mean you are writing for or pitching to Morgan or her company. PRE-CLASS PREP - Read your syllabus and plan out your writing ideas. Begin to think about 1-2 ideas that might be a good idea for your drama pilot. Start to prepare for your pilot pitch.
Can you tell your whole story in just six sentences? This month, we're challenging you to use Pixar's dead-simple approach to outlining to breakdown your story or help you come up with something completely new!
Part 1 - The Industry & Genre Kelly dives into what the industry is looking for in the genre, the recent success of faith based films and how to reach a large audience. He also looks at examples of faith based I/A films throughout history and show why they have worked and what makes them continue to work. Part 2 - Faith Based Kelly looks at what it means to be a faith based film, for example: based on a bible story, a church, a specific religion, other religions beyond Christianity, becoming a pastor, priest or nun. He discusses how churches become involved in the marketing and how studios can find religious meanings in a variety of films. Finally, he covers stories from the bible, how to write them as period or modern day as well as parables. Part 3 - Inspirational & Aspirational Kelly looks over a number of “I/A” films: 42, Lincoln, Million Dollar Arm and War Horse. He covers the sub-genre of Disney, both live action and animated, and what their brand means to the business and to you. Other topics covered include sports films, holiday movies, bio pics, true stories and documentaries, their relevance and what is being sold in the marketplace. Part 4 - Networks & Faith Discussion centers on how faith works on television, how it's portrayed by the networks and it's relevance in the marketplace.
Devon got his start as a Development Exec at Ideate Entertainment before launching the management company, First Friday Entertainment, last year with Krista Sipp. We discuss what makes a writer stand out to reps, trends in film and TV, writer voice and standing out, & more, plus a live Q&A!