Qasim Basir is an award-winning filmmaker whose first feature MOOZ-LUM was nominated for the NAACP Image Award. MOOZ-LUM stars Nia Long, Evan Ross & Danny Glover and is a coming-of-age tale about a Muslim boy going to college around the September 11 attacks. The film was released theatrically in 2011 and on additional platforms via Starz, Netflix and Amazon. The film gained international recognition, opening in over 25 countries. Basir wrote and directed DESTINED, starring Cory Hardrict, Jesse Metcalfe, Margot Bingham, Hill Harper, Zulay Henao and La La Anthony. DESTINED premiered at the 2016 LA Film Festival, and has garnered numerous accolades including Best Director and Actor at the 2016 American Black Film Festival and Best Narrative Feature at Urbanworld that same year. DESTINED was released theatrically in the Fall of 2017 and on VOD platforms early 2018. Basir recently directed and co-wrote A BOY. A GIRL. A DREAM, starring Omari Hardwick and Meagan Good. The film will have its world premiere at the 2018 Sundance Film Festival. A BOY. A GIRL. A DREAM follows two people who meet on the night of the 2016 Presidential election and share feelings of panic, despair, anger, and hope in the face of a radically changing nation. Full Bio »
Director Qasim Basir exploded onto the Sundance scene with his film A BOY. A GIRL A DREAM with a standing ovation and a whirlwind resulting in a theatrical debut. With a film that not only takes place in once location, but a single shot, Qasim proved that he is a talent to be reckoned with. Prior to his Sundance debut, he was nominated for the NAACP Image Award for his film MOOZ-LUM, starring Nia Long, Evan Ross & Danny Glover, and premiered at the LA Film Festival with his film DESTINED starring Jesse Metcalf, Cory Hardrict and Margot Bingham.
He's chosen theatrical and VOD releases and has learned a lot along the way.
There are many different ways to become a director, from film school to being self-taught. In this exclusive Stage 32 Next Level Webinar, we will dive into Qasim's own journey of becoming a director and discuss how you can figure out the best route for yours. People will tell you many different things in this business, but none is better than when you find what's actually right for you.
A Boy, A Girl, A Dream written and directed by Qasim which premiered at Sundance and stars Omari Hardwick and Meagan Goode with cameos by Kenya Barris and Jay Ellis which Samuel Goldwyn just acquired. The story begins on the night of the 2016 Presidential election, when An LA club promoter (Omari Hardwick) falls for a woman who challenges him (Meagan Good) to revisit his broken dreams while he pushes her to discover hers. To see the trailer, click here.
Qasim’s follow-up to his feature film directorial debut "Mooz-Lum”, “Destined” tells the parallel stories of Sheed and Rasheed the same actor played by (Cory Hardrict) as they explore the idea of destiny as well as how the smallest incident can manifest itself into a life changing event. Premiering at LA Film Festival in June 2016, the film went on to the American Black Film Festival immediately after where it won Qasim a Best Director award and Best Actor for Cory Hardrict. It has since won 4 more awards, for a total of 6 and continues its festival run.
"Shampoo” meets “Medicine for Melancholy” (or “Before Sunrise”) in Qasim Basir's two-hander “A Boy. A Girl. A Dream” - Variety
"A visually sensuous, dreamlike film" - Sundance Institute
"Intoxicating" - Hollywood Reporter
"One-shot film of great beauty" - Birth Movies Death
"Anchored by nuanced, natural, absolutely beautiful lead performances" - Paste Magazine
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
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Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
Part 1 - Budgets & Cash Flows Maura teaches you how to create a realistic plan for your film and make sure there is always money in the bank for what you need. You'll learn how to figure how much money you really need, and how to put together a proper film budget. Part 2 - Cost Reports, Film Infrastructure, & Tax Incentives Maura discusses setting up a film's infrastructure (from setting up an LLC to finding a lawyer) and various accounting options. She details cost reports, and how to analyze what you've spent and what you need to spend. Lastly, she discusses tax incentives before hosting a Q&A session. Purchasing gives you access to the previously-recorded live class. Although Maura is no longer reviewing the assignments, we still encourage all filmmakers to participate.
Learn directly from Paul Barry, top Los Angeles-based Australian acting coach with 20 years of worldwide audition, memorization, and on-screen teaching experience (current and former clients are represented by WME, CAA, Paradigm, and UTA, and have secured work with CBS, NBC, ABC, Netflix, Starz, Disney and many others)! For a set to run smoothly, the actor-director relationship must be a symbiotic one. Too often directors struggle to effectively communicate their ideas to actors, and actors feel confused by generalized direction. If the actors and director aren’t speaking a common language, they will begin to separate from each other and diminish the desired results for the shot. Whether you’re an actor or director, knowing how to effectively communicate with a common vocabulary, regardless of your training, is a must for understanding what is wanted and needed from one another. This will take the subjectivity and guesswork out of the equation, allowing both sides of the creative process to break down the barriers that often separate them. In this exclusive Stage 32 Next Level Webinar, host Paul Barry will teach you 3 very specific techniques that will eradicate the guesswork when it comes to the communication process between actors and directors. Drawing from his 20 years of experience as an acting and directing coach, as well as a professional reader, he will teach you how to translate generalized direction into specific action, harness the power of counter-intuition and create real drama in your scenes by defining the “rules” you both can play by. This webinar is essential for both actors and directors, and you will leave understanding how to create a clearer, stronger form of communication on set that will allow you to elevate the performance every time.
Part 1 - Writing, Budgeting & Pre-Production How to write an effective short script The brainstorming process Utilizing real life experiences, what are memorable moments in your life that stick out to you? Moments in a friend’s life? Creating characters: What topics do you uniquely understand? What jobs have you held? What did your parents do for a living? Where did you grow up? Writing in proper format What is the difference between writing “is working” and “works” in a screenplay and why does verbiage matter when writing action? Should I put my WGA and copyright notices on the title page? The business of making a short film What do I need to do to protect myself? Creating an LLC and lawyering up for the right reasons. How much is this really going to cost? Evaluating SAG Short Film Agreements, cost of renting equipment, everything from lighting to locations, and looking forward to release and distributions, what are the costs beyond the actual production of a film? Logistically, how will I be able to execute all the elements? How do I handle room and board for out of town talent? Is there a local film commission I can work with, and if so, what exactly is their role in helping me execute my vision? Part 2 - Directing, Marketing & Distributing Your Film Preparing to direct and the production process What do I need to do before I get to set? What is the purpose of having location walkthroughs? When and how to I make the shot list and how many shots do I really need? How do I make my vision clear to crewmembers while still being collaborative in the process? How do I work with an actor for the first time? How much say should they have in the script and changing the character? Should I allow an actor to change my lines? How do I follow their emotional journey over the course of shooting a film that is totally out of order so it makes sense in the final product? When problems arise on set, how do I respond? What are best practices to maintaining authority without creating conflict? How do I ensure that everyone is getting the proper attention they need so I can avoid problems? What happens if I find out we didn’t shoot something we needed? How do I work with footage or sound that didn’t come out the way I expected? How long should my final product be so I can be successful at film festivals? Marketing your film What can I do to promote my film before we ever start filming? When is the appropriate time to start promoting? What kind of promotion looks and feels professional versus amateur? Is there such a thing as oversharing information on social networks? During production, how can I use my cast and crew to promote the project? What parameters should I set to not give away plot points? What is the role of a still photographer on set and how can I leverage the still photographer for publicity? How do I reach out to press outlets to promote my film? How do I find out what press outlets are the right ones for my film, and how do I even get a journalist interested in covering it? What makes an effective versus ineffective pitch letter? Releasing your film What makes an effective trailer? How can I best prepare and present the trailer and still photos for promotional purposes? Should I create a Facebook page for my film and a website and a Twitter and an Instagram, etc.? How do I get into Sundance? If I don’t get into Sundance, is my career finished? There are entirely too many film festivals, how do I begin to figure out which ones are good and which ones are bad? What are effective ways of meeting, then following up, with producers and gatekeepers that I meet at these events? What kind of communication does an executive find annoying? Should I sell my film or give it away for free? If I give it away for free, how will I be able to pay myself back? How do I quantify if my film was a success? How do I use the short film to get myself ready for my next project? What if the film didn’t come out the way I wanted, am I completely done as a filmmaker? How do I use the lessons I learned to make my next project better? Now that I’ve made my first short film and loved it, how do I make this my full time job and become a professional filmmaker?
If you're thinking about attending some of the major film markets - including Cannes, TIFF, AFM or EFM - it's important to understand how to navigate the commerce of the markets. We're bringing in international producer Alexia Melocchi, who has over a decade of experience at the markets to go over each of the markets and how you can get the most out of attending!
If you’re reading this and you’re an aspiring storyteller, you’re probably well aware that no path in this business follows a straight line. There’s no recognizable ladder to climb. No standardized “five-year” plan. There are so many questions – How do I get my start? How do I tell stories that inspire me? What’s the right story to tell? How do I find an audience? How do I get recognized? So many questions and no hard and fast “right” answer. With the rise of digital technology, storytellers now have access to a new and incredibly valuable set of tools to help sell their ideas. Shooting a compelling short film, web series, or proof of concept has never been easier – and it is one of the most effective ways to practice your craft, showcase your voice and set your work apart from the rest of the pack. But there’s a catch – the increased accessibility of these tools has lead to a dramatic increase in the amount of content created and it has become much harder to cut through the noise and really stand out. We've brought in studio director, writer & producer Tyler Gillet to share his own path and how utilizing these tools helped him move from directing zero-budget digital shorts to directing and producing feature films and TV. Along the way, we’ll discuss how to conceptualize and create low-budget, high-quality short-form content that will wow financiers and producers and help you sell yourself and your ideas to a larger audience.
This intensive 3-session master class will go over the nuts and bolts of documentary film production. Taught by producer/director Lisa Vangellow (currently working on a documentary film centered on actor James Franco) will share step by step instruction on how to produce a commercially viable documentary film from idea to post-production. Even if you have little to no experience or if you have narrative film experience and are looking to try documentaries, Lisa will guide you towards the goal of completing a documentary film. Lisa will offer her experience from the trenches to help filmmakers over the course of her 3-week class. First, she’ll focus on the selection of subject matter and how to gauge its commercial viability. Lisa will take you through pre-production for a documentary film hitting on areas such as how to create a budget, hire your crew, get financing and explaining why you may want a lawyer to handle the nitty gritty. From there you’ll get an overview of different documentary styles and insight on how to create your story through the use of specific examples. Finally, Lisa will explain how to survive the post-production of your film to bring the entire project together and discuss your options for distribution. Filmmakers will leave with an overall understanding of the documentary filmmaking process, an idea of what makes a good documentary, and how to execute these lessons in the real world. Lisa even shows you equipment you should consider and provides you with templates, Notice of Filming documents and a Film Funds resource sheet!