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We're back in the Writers' Room for the Write Now Challenge Webcast: The Gang's All Here! In this challenge - using the Breakdown Webcast: Writing Ensembles members were asked to assemble their own ensemble for a story. They simply had to consider which type of ensemble group they would like to have (The "Fan Club" Ensemble (Harry Potter), The "Gang" Ensemble (Avengers, Ocean's 11), The "Vast" Ensemble ("Game of Thrones")) and then decide which narrative they would like to put them in (Tandem Narrative (Parenthood, Love, Actually), Multiple Protagonist Narrative aka "The Gang's All Here", or the Double Journey Narrative (The Departed)). Members came up with some fantastic ideas for ensemble stories! Full Bio »
We're back in the Writers' Room for the Write Now Challenge Webcast: The Gang's All Here!
In this challenge - using the Breakdown Webcast: Writing Ensembles members were asked to assemble their own ensemble for a story. They simply had to consider which type of ensemble group they would like to have (The "Fan Club" Ensemble (Harry Potter), The "Gang" Ensemble (Avengers, Ocean's 11), The "Vast" Ensemble ("Game of Thrones")) and then decide which narrative they would like to put them in (Tandem Narrative (Parenthood, Love, Actually), Multiple Protagonist Narrative aka "The Gang's All Here", or the Double Journey Narrative (The Departed)).
Members came up with some fantastic ideas for ensemble stories!
The Write Now Challenge
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We're back in the Writers' Room for the Write Now Challenge Webcast with Antonio D'Intino, a Literary Manager at the production and management company Circle of Confusion, whose clients include writer/directors Keith Thomas (FIRESTARTER), Anthony Scott Burns (COME TRUE), and Iris Shim (UMMA). His clients' films have played at Cannes, Sundance, and SXSW, among others.
The Stage 32 Feature Screenwriting Fellowship is accepting applications and part of it requires you to submit you bio. So why not use this month's challenge to hone your bio with the help of your Writers' Room community! Submit your one page (or less) bio.
Using the investigation scene from The Wire or the AI & Wu scene from Deadwood as inspiration, craft a scene where characters communicate using as few words as possible. As a second option, use the initial meeting between Sean and Will in Good Will Hunting or Annie's wedding shower meltdown from The Bridesmaids, and write a scene where your character snaps!
In this challenge, members were asked to tell an entire story, in one page of script, using precisely four scenes. Far too many screenwriters waste pages. Good screenwriting is about making every single sentence count. There shouldn’t be any moment of a movie or television series which isn’t important on some level. The scenes can have dialogue - or no dialogue - depending on what you choose. What is important is that it has a beginning, middle, and an end. When you are done watching the webcast, head on over to the Private Lounge and discuss your favorite submissions!
In this challenge, members were asked to write one side of a phone conversation. The challenge is to give us the full idea of the story, the conflict, the relationship between the characters, and the ultimate resolution. The key to this exercise is to make the stakes high! Can the writer phrase their character’s dialogue so that the phone call still makes sense - and give us the exposition we need? During this webcast we received a number of fantastic entries that spanned genres, including Rom Com, Thriller, Drama, and Comedy, and more!
Using the Breakdown Webcast: The First 5 Pages of your Script as your guide, be prepared to submit and read the first 5 pages of either a Feature or Series.