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We're back in the Writers' Room this afternoon for the Write Now Challenge Webcast: First Impressions. For this challenge, using the Breakdown Webcast: Character Introductions as your guide, rewrite at least 3 character introductions using the principles learned during the webcast. Full Bio »
We're back in the Writers' Room this afternoon for the Write Now Challenge Webcast: First Impressions.
For this challenge, using the Breakdown Webcast: Character Introductions as your guide, rewrite at least 3 character introductions using the principles learned during the webcast.
The Write Now Challenge
While the scene will be heavy with exposition, disguise the exposition in dialogue and conflict as much as possible. How does the character make the complex simple? What props does the person use? How does the character who receives the info react?
In this challenge, members were asked to tell an entire story, in one page of script, using precisely four scenes. Far too many screenwriters waste pages. Good screenwriting is about making every single sentence count. There shouldn’t be any moment of a movie or television series which isn’t important on some level. The scenes can have dialogue - or no dialogue - depending on what you choose. What is important is that it has a beginning, middle, and an end. When you are done watching the webcast, head on over to the Private Lounge and discuss your favorite submissions!
We're back in the Writers' Room for the Write Now Challenge Webcast: The Gang's All Here! In this challenge - using the Breakdown Webcast: Writing Ensembles members were asked to assemble their own ensemble for a story. They simply had to consider which type of ensemble group they would like to have (The "Fan Club" Ensemble (Harry Potter), The "Gang" Ensemble (Avengers, Ocean's 11), The "Vast" Ensemble ("Game of Thrones")) and then decide which narrative they would like to put them in (Tandem Narrative (Parenthood, Love, Actually), Multiple Protagonist Narrative aka "The Gang's All Here", or the Double Journey Narrative (The Departed)). Members came up with some fantastic ideas for ensemble stories!
They say not to speak ill of the dead. What about when the dead speak ill of you? We challenged you to deftly write a 3 page scene conveying the nuances of character reactions to getting called out for being exactly who they are, but wish they weren't.
During this webcast, writers from around the world including Australia, Scotland, Canada, and more, shared their "writer biographies" and talking points. It was an excellent way to get to know one another and find out how to present their backgrounds and career aspirations during a general meeting. In addition to developing the craft, we endeavor to prepare Writers' Room members for the business of film and television. And that means, knowing how to present yourself, as well as your ideas, in a meeting with producers, executives, and filmmakers. Using the "Breakdown Webcast: Breaking down a General Meetings" as a guide, your challenge was to write a short biography on yourself which focuses on the major "talking points" that you would benefit you in a general meeting with a producer, executive, manager or other industry pro. Include a bit on your personal and professional background, the genres you write, your screenwriting accomplishments (such as awards, accommodations, accolades), your goals for your writing career (features? TV? Both?), and what makes your point of view so unique in an crowded market!
When your characters each have their own voice, you should be able to tell them apart by their dialogue alone. We challenged you to write a scene removing all character names and descriptions so that each character is distinguishable by their dialogue alone.