Bradley Gallo is the Chief Creative Officer for Amasia Entertainment. Helmed by the former president and COO of Marvel Studios, Michael Helfant, Amasia has emerged as one of the top production companies in the industry today. Bradley and Gerard Butler are the producers behind the 2019 Official Sundance Selection Them That Follow, as well as films like The Call (Halle Berry, Abigail Breslin), and Mr. Right (Anna Kendrick, Sam Rockwell). Amasia Entertainment is a production, finance and management company based in Los Angeles. They're behind films like Careful What You Wish For, Fear, Inc., The Road Within, The Call, and Mr. Right. Amasia is currently in pre-production on FATE, written by Gary Whitta (Rogue One: A Star Wars Story, The Book of Eli). Recently, Amasia opened up a bidding war for My Favorite Things is Monsters, with SONY picking up the project, which is now in development (see it on Deadline) and announced a new Television division led by industry veteran Tracy Mercer, formerly with Morgan Freeman's Revelations Entertainment (See it on Deadline here). Amasia is in post-production on Them That Follow (see it on Deadline here), and just acquired the rights to the sci-fi feature World Breaker and the pilot Doppel (see more here). Full Bio »
We've brought in producer Bradley Gallo, who's the CCO of Amasia Entertainment. Helmed by the former president of Marvel Studios, Michael Helfant, Amasia has emerged as one of the top production companies in the industry today.
Bradley's recent film, Them That Follow, which he produced with Gerard Butler, is an official selection at the 2019 Sundance Film Festival. In addition, he's worked on successful films such as Mr. Right (starring Anna Kendrick & Sam Rockwell) and The Call (starring Halle Berry). Over the last decade in the industry Bradley has mastered best practices to get a key director and cast attached to your film and he's going to be sharing his tips exclusively with the Stage 32 community!
Hiring Your Director
Casting Your Film
Q&A with Bradley
Bradley Gallo (Judge)
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
At times, the complications that can arise in the pre-production and production processes seem to come out of nowhere. This is especially true when the best laid, most regimented plans concerning budget, cast, and the creative process are upended. Filmmakers are often left wondering about the root of these issues, and whether or not they could have been prevented. This webinar will address how to tackle common hurdles in pre-production and production when identified early on…and how to roll with the punches when you’re blindsided. Some of the most common issues that can plague productions result from a lack of planning. To this end, the importance of having a top-notch line producer for your project, thoroughly researching the professional reputations of your cast and financiers, and maintaining open lines of communication with your director and writer cannot be overstated. Entering into a project blindly, being unrealistic about shooting schedules and financial constraints, or a disconnect between you and a filmmaker will only bog down (or shut down) production. Bottom line: preparation and research will save you money and aggravation. And on the occasion that you’re faced with an issue out of your control (be it inclement weather on set or an MIA actor), an ability to adapt, problem-solve, and then move on is key. Bradley Gallo is the Chief Creative Officer for Amasia Entertainment, and a guest blogger in the Stage 32 community. Helmed by the former president and COO of Marvel Studios, Michael Helfant, Amasia has emerged as one of the top production companies in the industry today. Bradley and Gerard Butler are the producers behind the 2019 Official Sundance Selection THEM THAT FOLLOW, which was acquired by SONY, as well as films like THE CALL (Halle Berry, Abigail Breslin), and MR. RIGHT (Anna Kendrick, Sam Rockwell). Amasia Entertainment is a production, finance and management company based in Los Angeles. Amasia is currently in pre-production on FATE, written by Gary Whitta (ROGUE ONE: A STAR WARS STORY, BOOK OF ELI). Through Bradley's career, he has seen it all and knows how to navigate all hurdles on set. Bradley will take you through the common pre-production hurdles you will go through when making a film including when you lose key elements like money, talent, your director or a location. He'll talk about how to communicate with representation for talent. In addition, he will go over on-set production hurdles you'll face, as well, including when a director loses control of a set, when an actor goes missing or dealing with difficult talent. He'll go over what happens when you run out of money while filmmaking, what happens when you get hit with unexpected fines and how to work with multiple producers and financiers on set. And, he'll even help you understand how to deal with issues out of your control like weather, injuries, and more. This is an immersive deep dive into how to prevent problems not before they arise, but so they never arise so that your production stays on track, on time, on budget and with the entire cast and crew focused on the job at hand. Praise for Bradley's Previous Stage 32 Webinars: "Bradley is no bullsh*t. He is real, down to earth and tells it like it is. He is proof that anything is possible if you put the work into it" - Stan S. "Bradley is creative in his approach and that's refreshing!" - Samantha R. "Keep bringing Bradley back, please. He's one of the most honest voices I've come across in my 10+ years in the business." - Martin C. "I could listen to Bradley teach all day. He's straight to the point, fun, and inspiring. He makes me believe anything is possible." Melanie L.
You’ve heard that the opening pages of your pilot script are the most important – hook your audience early and they’ll be invested in your show, fall short and producers, managers and executives might not even finish reading your script. At many companies, your script will be handed off to a member of the development team whose job is to just read the first act, then decide whether to pass or flag your script for further consideration. Having a great first act isn’t just a good way to get your pilot noticed; it might be the only way. When you watch a pilot, though, whether on Netflix, HBO or ABC, it can feel like every show is so different, it’s hard to see a pathway to success. Or even if you master one aspect of your opening act, somehow it can still feel like you’ve not done enough. In a TV pilot, that crucial first act is the most challenging because there is so much you have to do really well, really quickly: you have to introduce your characters, set up your world, and launch your story. What’s more, the first act sets your pilot on solid footing – nail this section and the rest of the pilot seems to develop and flow easily. Get stuck on how to start, and you might never finish writing the pilot that could launch your career. You’ve probably watched outstanding pilots where 10-15 minutes in you’re already making plans to binge the season. What do all those pilots have in common? What techniques do experienced show creators use to give them that early edge? And what exactly do producers, managers development execs and other professionals expect to see in a first act? We have the answers to those questions and much more. Anna Henry is a Producer and Development Executive who has worked at CBS, ABC, Nickelodeon, and multiple production companies, as well as a manager at Andrea Simon Entertainment. Her clients have worked on shows such as THE DEUCE, POWER, IN CONTEMPT, TOMMY, VIDA, SEVEN SECONDS, HUNG, CHICAGO FIRE, FEAR THE WALKING DEAD, THIS IS US, and THE FLASH, and have set up projects at AMC, Amazon, Starz, HBO, Sony, Fox, EOne, ITV America, OddLot Entertainment, Corus, and others. Anna has projects currently in development around the world and is incredibly familiar with what goes into a great television pilot. Anna will analyze pilots more deeply so you can see the tools successful writers use to set their show on the right path from the start. She’ll discuss the ingredients of a pilot in general, including the basic structure, identifying the type or genre of your show, meta-themes, and crafting characters to serve as the audience's entry point. Anna will then delve into the key elements of a first act, as well as a great teaser or cold open, including using framing devices, and a strong out. She will go over tips to writing memorable character descriptions, using physical descriptions, elements of identity, and putting thought into how you name each character. She'll next focus on introduction scenes and using them to generate interest in your characters, using dialogue to establish their voices, and introducing relationships. A vital aspect of a pilot's first act is creating character moments, and Anna will go over effective examples of many different types of these moments, including meeting heroes, meeting villains, meeting supporting characters, establishing the right amount of backstory, and the benefits of having your characters argue. She will then discuss how to create exposition and communicate your world effectively, crafting a mystery and building the rules of your universe, as well as how to avoid overused crutches. Anna will then offer her take on implementing and incorporating tone and themes into the script and how to sneak them in subtly through details and character moments. She will finally lay out how to best use your first act to bring the audience into your story and world, where exactly your story should start, and how to launch your 'A' story and introduce your 'B' and 'C' stories. Examples will be used from one-hour and half-hour shows on network, cable and streaming platforms, PLUS! you will receive pilots for each after the class: THIS IS US - NBC ONE DAY AT A TIME - Netflix / Pop MARVELOUS MRS. MAISEL - Amazon ATLANTA - FX KILLING EVE - AMC THE EXPANSE - Syfy / Amazon Praise for Anna's Stage 32 webinar: "The webinar was fantastic. I am writing my first one hour drama pilot so this webinar was packed with the exact information that I will be immediately putting to use in my rewrite. The slides were clear, concise and informative. The speaker was excellent at conveying the information I needed." -Bobby C. "It was really great information. Anna was a terrific host, very knowledgeable and shared a lot of information and tips." -Marla H. "Comprehensive, insightful. Combined a lot of material I had heard snippets of on character, world dev, etc. but artfully stitched together in one presentation." -James F. "It was amazing, enlightening - completely. I learned soooo much - especially as a feature writer who's been asked to turn a feature script into a pilot!! Thank you soooooo much." -Kristin G.
The entertainment industry is constantly evolving and changing, and given the state of the business and external factors that have impacted the ecosystem, that statement is more true than ever. So how do we continue to package and sell projects in the time of quarantine (and beyond)? Despite what some may thing, studio and development executives are reading material and distributors are watching films to possibly acquire during this time as they are not inundated with meetings in their office. Now is the time to take advantage of these open and willing eyes to push your projects and connect with industry executives to package and sell your projects from the development stage to distribution. When packaging, producers, filmmakers and financiers often desire to immediately approach A-list names and talent to better sell their projects. But it's difficult to get the attention of most A-list talent when there are no other significant attachments and/or financing. But that doesn't mean all is lost. Quite the contrary. There are other paths to explore including who else you can approach for attachments and/or financing to bring value to assure you have the most sellable and attractive package possible. Since joining Ramo Law in 2009, Tiffany Boyle has leveraged her business-oriented sales and packaging skills to bring hundreds of films and documentaries to fruition. Tiffany connects filmmakers with producers, co-producers, executive producers, co-finance partners, distributors, agencies and other industry representatives. Since 2018 alone, Tiffany has optimized clients’ financial and business positions in more than 35 films and documentaries. Through her critical review of content and strategic use of Ramo Law resources, Tiffany creates successful content packaging that bridges the needs of both client and industry demands. In addition to all these skills, recently, Tiffany served as a Co-Executive Producer and brought in financing for films SOMETHING ELSE (Tribeca 2019) and ARKANSAS starring Liam Hemsworth and Vince Vaughn. She led the sales and packaging for TRAGEDY GIRLS (SXSW 2017) and FREAKS (Toronto IFF 2018), she brought foreign financing to ASHES IN THE SNOW (Los Angeles FF 2018) starring Bel Powley, and she sold an autobiography to Hulu for development into a limited television series. Tiffany will provide you with the pertinent and actionable information you need to package a project in the current environment. She will begin by discussing the packaging and sales world before COVID-19, what is happening right now and what can be expected once we're in the clear. She will discuss packaging and selling of all budget levels and dive deep into the world of attachments including landing valuable producers, directors, actors, and even financiers. From there, Tiffany will tell you how to build your relationships to help enhance and accelerate your path to getting your project packaged and sold. She will discuss sales and the current state of the marketplace. And finally, Tiffany will even include some outside the box methods and resources toward packaging and selling your project outside the traditional model. "Let's do a deep dive into everything happening right now and what to expect down the road so you can take action. We will focus on who to approach first for attachments and how to build the project from there in order to make it the most sellable and attractive package it can be." - Tiffany Boyle
This is the 3rd installment of the Stage 32 + Bondit Media Capital Masterclass featuring Matthew Helderman (CEO of Bondit Media Capital) and Elsa Ramo (Managing Partner of Ramo Law).
Every year tens of thousands of filmmakers go out to market or submit to festivals with the hope of getting their films distributed, only to learn that by not taking the proper steps to deliver a cleared film, they're dead in the water. In a recent survey in a popular filmmaking magazine, over 40% of filmmakers had never heard of clearances and 75% didn't know how to go about clearing their film. Managing clearances ahead of time can save you huge headaches down the road. Not only will you allow yourself the best chance to secure a sales agent and/or distribution for your film or project, but you will protect yourself legally! The last thing anyone wants after all the time and effort it takes to make a film is to find out it's being held up by expensive legal issues. The truth of the matter is, understanding and working through the issues associated with clearances is not as difficult as it sounds. It does however require knowledge, focus and discipline. It requires someone keeping an eye on the entire shoot and that begins with a script breakdown report and continues throughout production. To teach this all important webinar, we're bringing you two times the knowledge! First, Stephanie Weier is the CEO/Founder of The Domain Group. Holding a passion for filmmaking, branding and legal compliance, Stephanie has worked on building The Domain Group to be a leader in the industry with 20 years of service working for studios, indie producers, game companies, web content and commercials. Founding the company in 2001, Stephanie has lead The Domain Group to having completed over 1000 films in 15 years. She holds a EJD in Contract and IP Law from Concord Law University. Lori Dalton is the President of The Domain Group and is one of the most comprehensive and detailed clearance analysts in the industry. Her project management ability has helped position The Domain Group as both a clearance house and branding company. Combined, Stephanie and Lori have over 40 years of experience. Their company has over 1,000 credits including Happy Death Day, Breaking Bad, Crazy, Stupid, Love (Emma Stone, Ryan Gosling, Steve Carell), Blue Valentine (Ryan gosling, Michelle Williams) Edge of Darkness (Mel Gibson) Gimmie Shelter (Vanessa hudgens) and Ray (Jamie Foxx, Kerry Washington) to name a few! Together, Stephanie and Lori will lead you through the land of clearances, so you can concentrate on making the film you want to make without worry! Stephanie and Lori will teach you how to make sure your delivered project is a rockstar with distributors, and why a little more work in this area during pre-production and production can save you lots of time and money down the road. They'll start by showing you the details of a script breakdown report and explain why you need to have one. Then, they'll dive into the world of clearances, big and small so you know exactly how to handle each situation. On the fence about what to clear? They'll explain what you need to clear and what to leave alone. They'll explain what to do if your clearance request is denied. They'll also explain the all important difference between featured use and background use and why the distinction matters more than you think. They will break down title reports and copyright reports and discuss trademark law. And, most importantly, they will show you exactly what you need to do to protect yourself in case you are challenged legally in any way. Don't overlook this all important aspect of the filmmaking and producing process! Lori and Stephanie will have you navigating the world of clearances like a pro and assuring you're protected from the start of pre-production. Praise for Stephanie and Laurie "These women rock!" - Laurie T. "A masterclass. So, so, good!" - Monica H. "This is one of those subjects that prevented me from moving from screenwriting to making my own films. I always worried that I would do something wrong and get sued. No longer. Fantastic information delivered in a fun way." - Michael E. "I had no idea. I should have, but I didn't. Now I do. This was a fantastic webinar on a subject every filmmaker and producer - and probably writer - should understand." - Gary G.
Learn directly from Franco Sama, 15-year expert of film financing and distribution with 25+ successful independent feature films to his name, including Guns, Girls and Gambling (Gary Oldman, Christian Slater and Dane Cook) and Petunia (Thora Birch, Brittany Snow and Academy Award winner Christine Lahti)! As a filmmaker you may find yourself at the mercy of distributors and the existing archaic, chaotic convoluted distribution system(s) that ultimately ends up costing the you profits and, more importantly, creative and financial control of your project. With many new options becoming available for your project to be seen, self-distribution is becoming an increasingly beneficial option. In this webinar we go over the self-distribution model of limited theatrical and limited platform release. We've brought in 15-year financing and producing expert Franco Sama to draw on his experience with over 25 successful indie films in which he has secured distribution. Franco will teach you step-by-step how to release your film in multiple theaters across multiple cities throughout the Unites States. Plus, he will take it a step further and show you exactly how to incorporate the release into your business plan as part of your development process so you can benefit your investors and increase your film’s international value. You will leave this webinar armed with knowledge and ready to self-distribute your film via limited theatrical or platform release.