Understanding a TV Executive's Role (and Why It's Important For You)

Hosted by Stuart Arbury, TV Executive

$49
Webinar Sessions:
Tuesday, Mar 6TH 1 - 2:30PM PST
Starts in:

Take this webinar

Please make sure you use the same email address as the one you use to sign in to Stage 32
apply Your coupon will be applied after you agree to terms below.

- or -

$49.00
TOTAL PRICE:
Overlay Icon

Stage 32 Next Level Education has a 97% user satisfaction rate.

Stuart Arbury, TV Executive

Webinar hosted by: Stuart Arbury, TV Executive

Ramo Law

Stuart is a television executive at Ramo Law. Ramo Law represents a number of producers, financiers, and writers, and are looking to find more clients to work with as well as connect their clients with applicable projects. Their offices work to develop, package and submit material for clients represented by the firm. Ramo Law is currently packaging a Stage 32 writer's script with A-List talent and a top tier producer, as well as multiple other Stage 32 writers not yet announced. Ramo Law has been involved in more than 400 feature and television projects, with over 50 in 2017 alone, and 13 projects at this year's Sundance including WHITE RABBIT, co-executive produced by Ramo Law's Tiffany Boyle and Elsa Ramo. They are looking to expand in the television space, where they have already provided Production and Legal Services on a number of series including Netflix's "Altered Carbon" and "Chef's Table", tru TV's "Those Who Can't", ABC's "This Isn't Working", DirecTV's "Billy & Billie", the Vimeo Original Series "Lonely and Horny", MTV's "Happyland", Hulu's "Battleground", and "Woke Up Dead", which premiered on the Sony Pictures Entertainment owned Crackle. Stu previously served executive positions at Captivate Entertainment (THE BOURNE series), Dimension Films ("Scream", THE MIST, 47 METERS DOWN), and Canvas Media Studios. Stuart was also one of the co-founders of Wolf Knife TV, an award winning online comedy channel. His TV producing and writing credits include "Couchers" and "Bonnie Blake: Parole Officer".   Company credits include: Full Bio »

It is clear that this is the golden age of television with one incredible series after another coming out on cable, streaming and network. If you're interested in breaking into the world of television, there is one key position that you must know the ins and outs of in order to understand the set - a TV Executive. 

An TV Executive plays a huge role in a television production, serving as more than a key developer of story, but also a liaison between various departments on set. We've brought in veteran executive Stuart Arbury from Ramo Law (Ramo Law has worked on Netflix's Altered Carbon & Chef's Table, ABC's This Isn't Working, Hulu's Battleground and more). Stuart himself began his career at Captivate Entertainment, Dimension Films and Canvas Media Studios.

Arbury was the on-set TV executive for MTV's Scream TV series for two seasons, which was based on the classic horror film franchise. In this webinar, Stuart will walk you through an explanation of the television eco-system and share war stories of his time during Scream. Having worked with various department heads, Stuart will also share tips on getting started in Hollywood on a television production. You will walk away with a clear understanding of a TV executive's role and how it relates to your part of the business, whether you're a writer, producer, director, actor or crew.


What You'll Learn:

  • What is a TV executive & how does it relate to various roles on set - writers, producers, actors, directors and more.
  • Understanding a show's inception & how it comes together (Case Study: Scream)
  • The process of finding a showrunner
  • The process of building a writer’s room
  • How different departments work together during pre-production
  • On-set production and what an executive is responsible for
  • How different departments work together during post-production
  • Understanding roles during the release of your show
  • We will also include a discussion on tips for getting started in Hollywood, finding a representative, and getting into writers rooms.
  • Q&A with Stuart

 


About Your Instructor:

Stuart is a television executive at Ramo Law. Ramo Law represents a number of producers, financiers, and writers, and are looking to find more clients to work with as well as connect their clients with applicable projects. Their offices work to develop, package and submit material for clients represented by the firm.

Ramo Law is currently packaging a Stage 32 writer's script with A-List talent and a top tier producer, as well as multiple other Stage 32 writers not yet announced.

Ramo Law has been involved in more than 400 feature and television projects, with over 50 in 2017 alone, and 13 projects at this year's Sundance including WHITE RABBIT, co-executive produced by Ramo Law's Tiffany Boyle and Elsa Ramo. They are looking to expand in the television space, where they have already provided Production and Legal Services on a number of series including Netflix's "Altered Carbon" and "Chef's Table", tru TV's "Those Who Can't", ABC's "This Isn't Working", DirecTV's "Billy & Billie", the Vimeo Original Series "Lonely and Horny", MTV's "Happyland", Hulu's "Battleground", and "Woke Up Dead", which premiered on the Sony Pictures Entertainment owned Crackle.

Stu previously served executive positions at Captivate Entertainment (THE BOURNE series), Dimension Films ("Scream", THE MIST, 47 METERS DOWN), and Canvas Media Studios. Stuart was also one of the co-founders of Wolf Knife TV, an award winning online comedy channel. His TV producing and writing credits include "Couchers" and "Bonnie Blake: Parole Officer".

 

Company credits include:

Stuart ArburyStuart ArburyStuart ArburyStuart Arbury


Frequently Asked Questions:

Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.

Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.

Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer

Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.

Questions?

If you have a generic question about Stage 32 education you can take a look at our frequently asked questions section on our help page, or feel free to contact support with any other inquiries you might have.

Other education that may be of interest to you:

How to Develop a Treatment That Will Sell Your Project

Somewhere between your logline and your full script lies your treatment. Treatments are extremely important sales tools for you as a writer. Access to executives and decision makers is easier than ever these days through The Stage 32 Happy Writers, so what happens when you've peaked the interest of an executive off your logline, but they're not quite ready to read your whole script? You need a comprehensive, well thought out treatment. Whether you’re a writer, producer or a manager/agent, it’s vital to know how to properly put the right elements in a treatment in order to sell your project. In this Stage 32 Next Level Webinar, Conrad Sun will share with you some of the effective ways to structure your treatment so that your reader will say “I Want To Read More” and will hopefully lead to the sale of your script. Whether you’re new to the writing game or a long time veteran, your project deserves to make the right first impression, and Stage 32 Next Level Webinars is here to show you how. Conrad Sun is currently working as a TV Lit Manager and Development Executive at Meridian Artists in Los Angeles and represents TV writers in both the comedy and drama space. Conrad has also worked in content development with companies like Epix, Hasbro Studios, Gran Via Productions (Breaking Bad), New Wave Entertainment and Motion Theory Films.

10 Years Of Tricks Of The Trade In 90 Minutes: What They Don’t Teach You In Film School

Just going to film school doesn’t prepare you for the endless obstacles you’ll face trying to make it as a filmmaker. You learn that pieces that come together to make a movie in school but this is the film industry and it's totally different.  From studios to independents, your host Aaron Wolf has learned some secrets of the trade....come on the journey! You can’t find this stuff in school or in a book. You have to live it. And Aaron has. From being a student at NYU to being a part of The Groundlings, to working with FOX, Warner Bros. and Disney and dealing with film festivals and independent distributors, Aaron has seen it all in a short time. He wants to share the secrets with you. Just going to film school doesn’t prepare you for the endless obstacles you’ll face trying to make it as a filmmaker. Just getting a job in LA doesn’t prepare you. Creativity comes in many forms. One form is creatively navigating the business so that YOU can live your dreams. With his recent film, Restoring Tomorrow, being acquired by Seventh Art and featured in Variety, Aaron has learned through trial and error on how to make a living as a filmmaker. Join him in this exclusive Stage 32 webinar as he discusses what he's learned, and what you need to know for your own journey!      Twitter: @TheAaronWolf Instagram: @TheAaronWolf Facebook: Aaron Wolf

Crafting Scene Descriptions: Make Your Prose Leap Off the Page!

Writing is rewriting but that doesn’t just mean dialogue. Scene description is a crucial part of screenwriting, but far too often, it’s not given the attention that it deserves. The reality is, many screenplays are marred by static, wooden scene description. But powerful scene description can help your story to leap off the page and give your screenplay the “pop” it needs. Your scene description is where your writer’s “voice” comes in… And the way you write this prose can make or break your script.  In this Stage 32 Next Level Webinar, professional screenwriter Steve Desmond will help you to elevate your descriptive writing to a professional level. He’ll help you to develop the tone of your story right on the page, long before it hits the screen. And he’ll dispel myths and go over how not to write scene description. Whether you’re working on an existing script or getting ready to start a new one, this webinar will help you to unleash your potential in prose writing and make the most out of every word in your screenplay. Your host Steve's latest script, Orb, was recently voted by industry executives as the #1 entry on the annual 2016 BloodList, honoring the top horror/thriller/sci-fi scripts of the year.

8 Week Working Writer's Master Lab

One of the most useful things a writer can do is to team up with a mentor to help them on their journey. Too many writers try to navigate through the script writing process without guidance. Wouldn't you want a mentor that develops and sells material for a living to help you take the mystery work out of your journey? The most successful writers in the industry have their own mentors to make sure they are going in the right direction - do the same for yourself. Stage 32 Happy Writers is thrilled to bring back our 8 Week Working Writer's Lab. This is one of our most hands on, prestigious and talked about labs and we only offer it a few times a year. To find the perfect teacher we go through our rolodex of 400 executives and hand pick an executive that is one of the most raved about from our writers. Your teacher for this lab will be Patrick Raymond, creative executive at Mandalay Pictures! Patrick has assisted a number of our writers on strengthening their scripts and he is excited to help you bring your concept to life. With interactive lectures and weekly homework assignments directly geared towards bringing your concept to life, PLUS ongoing contact with Patrick in between classes, your experience writing has never been easier. Under The Guidance of Patrick Raymond you will: Pick a unique and commercially viable concept. Craft engaging, unique characters that pop off the page. A solid structural skeleton that successfully carries your concept. Cinematic set pieces that will give your story that much-wanted theatrical feel. A fully realized outline highlighting every major plot point in your script. The Objective of the Lab is: To take the mystery work out of picking a concept that can sell. To match you with an executive that will assist you with making sure all your script's elements is as strong as possible. Give you an experience on how development executives develop projects that are now on their company's slate. Class ScheduleWEEK #1 – The Story of Me; Your Questions; Your Stories General class overview. Patrick's history and experiences. What Patrick loves writing about and why. What he looks for in a good story/screenplay. Any initial queries raised in the pre-class questionnaire. NOTE: Given the online format, Patrick will use this week’s “office hours” to more personally respond to/discuss the ideas you are contemplating working on during the Lab. WEEK #2 – Character Creating strong, unique memorable characters. How to have them best serve your story, the genre, themes, etc. Dialogue and voice. Patrick will cover some examples, including personal experience. WEEK #3 – Act I; Premise into Story How to make the leap from basic premise/concept and characters into a full-blooded story. Where to start. What to include in Act 1. Where does Act 1 end and Act 2 begin? Creating a world and setting a tone. Patrick will discuss examples of strong (attention-grabbing and/or smartly-chosen) and weak (meandering, overstuffed, unfocused, etc.) beginnings. WEEK #4 – The Story So Far (Consultation) No on-line class this week. Instead, you will submit premise, Character Bio(s), and Act I outline for review; Patrick will discuss the materials individually in 30 minute phone calls and advise any changes/concerns. WEEK #5 – Act II; Structure and Plotting Plotting and development of your story across Act 2. Examples of structure (midpoints, end of Act 2, Internal/external conflict, etc. WEEK #6 – Theme; What’s it All About? How to ensure that your script isn’t just an escalation of events, but is a rich narrative experience that is hopefully actually about something. Topics to include Theme, Topicality, Relatability, Universality. WEEK #7 – Act III; Sticking the Landing Why 'when and how' to achieve a strong finish is arguably one of the most difficult parts of writing a screenplay. Examples of scripts/films that have accomplished this, as well as those that have not (and why). WEEK #8 – The Completed Outline (Consultation) No on-line class this week. Instead, you will turn in your completed outline for review; Patrick will then discuss with you over a 30-minute consultation. About Your Instructor, Patrick RaymondPatrick Raymond is a Creative Executive at Mandalay Pictures, Peter Gruber’s decades-old production company responsible for films such Sleepy Hollow, The Score, The Jacket, Into the Blue, When the Game Stands Tall and Horns. At Mandalay, Patrick gets to work on his passion every day: cultivating amazing stories and working with great writers.Prior to joining Mandalay, Patrick studied business and film production at the University of Southern California. He worked in the financial services industry for four years before transitioning to entertainment, where he worked as a production assistant in television for four years.After that he transitioned to working at Gersh in the production department but he also gained exposure to the literary world, working with writers and story. He then moved over to LD Entertainment for three years, where he was a Creative Executive, working with writers and helping build scripts and acquire ideas for new projects. Here he had the opportunity to work for Tate Taylor on a James Brown biopic entitled, Get On Up, and learned about assembling large studio films. He has since transitioned to the Creative Executive position at Mandalay Pictures. Patrick was born in Alaska and raised in Seattle prior to moving to LA.

How The Pros Rewrite: Essential Rewriting Tools and Techniques

Learn directly from award winning playwright, screenwriter and writing coach Corey Mandell, (Sony Pictures, Warner Brothers, Disney, Showtime, AMC and HBO)! Writing is rewriting. All writers know this, but unfortunately too many writers waste valuable time and energy rewriting their scripts over and over without really making them better. Or they make some parts of their script better while weakening other parts -it's almost like an endless whack-a-mole game. The reason this happens is that often writers don't know the most effective ways to evaluate and rewrite their material. They rewrite without a clear focus or understanding of the fundamentals. Knowing how to effectively rewrite your script will lead to a dramatic improvement in your final product for both feature and TV scripts, and will be a game changer in your writing career! In this Stage 32 Next Level Webinar, host Corey Mandell will walk you through the entire rewrite process – from first understanding how your story reads in other people’s heads (and why that is important!) all the way to correcting structural weaknesses in your script. He will break down rewrite memos, notes, and narrative cohesion, leaving you with a comprehensive overview of how to do an effective rewrite and how to immediately apply it to your own work. Having had the opportunity to work closely with some of the smartest and most successful writers, directors and producers in the business, Corey has seen firsthand how they go about revising their scripts and is here to pass on that information to you! Your host Corey Mandell is a screenwriter and screenwriting coach who has written projects for Ridley Scott, Harrison Ford, Julia Roberts, Warner Brothers, Universal, 20th Century Fox, Paramount and Walt Disney Pictures – just to name a few. Corey’s students have gone on to sell or option scripts to large studios such as Warner Brothers, Paramount, Sony Pictures, Disney, MGM, and networks such as Showtime, FX, USA Network, AMC, MTV and HBO. Other students of his have been staffed on such shows as Community, Justified, Bones, The Mentalist, The Fosters, and Young and Hungry. As you can see, Corey knows what it takes to write and rewrite a great script, and he has proven it time and time again.

How To Find Distribution For Your Indie Film

When making an independent film, finishing the film is only half the battle. You need people to actually see the film you’ve worked so hard on. When it comes to distribution, it’s important to know how to get your film into the worldwide marketplace. Once it’s there, you need to know how to generate interest toward it so the film can make its money back for the investors and back-end participants. Distribution comes in all shapes and sizes, but what kind of distribution is right for your indie film? Sometimes it means getting your film distributed by a studio; sometimes it’s creating a self-distribution path. Sometimes —- most typically — the distribution lands somewhere in between. Every film is different and therefore requires a different marketing plan, release strategy, and team behind it that have the passion and drive to get the most out of its release amongst the myriad other movies available. In this on-demand Stage 32 Next Level Webinar, host Tiffany Boyle will get into the details of what the independent distribution process looks like. She will go over how to get the right representative, foreign sales agent, and domestic distribution, and the different options for each based upon the size, genre and execution of a film. She will also discuss what the key points are to look at when reviewing a foreign sales agent and/or domestic distribution deal. Filmmakers should be making an informed decision when choosing who will be handling the licensing of their film for the next 3-25 years, and Tiffany is here exclusively for Stage 32 to help you navigate the ever-evolving world of indie distribution. Tiffany Boyle is the President at Ramo Law and works with producers, financiers and writer clients to bring their new material to life. Having been a Director of Sales at Crystal Sky Pictures, Tiffany has an extensive background in foreign sales. She now works with the attorneys to review, collaborate, develop, submit and supervise creative materials on behalf of clients within the firm. Tiffany has worked on over 100 features including, Stuck In Love, Pawn, Gimme Shelter, Maladies, and I-Lived. She has been to AFM, Berlin, Tribeca, TIFF, Sundance, and Cannes and is constantly expanding her knowledge of how to match films with production and distribution companies.

register for stage 32 Register / Log In