Christopher Lockhart is Hollywood’s foremost story professional. As Story Editor at WME, the world's largest diversified talent agency, Chris curates projects for A-list actors such as Denzel Washington, reading and exploring through piles of screenplays, magazines, books, old movies, TV shows, and pitches in search of potential film projects. Chris began his career at International Creative Management (ICM), where he worked as script consultant to legendary talent agent Ed Limato, who represented industry giants such as Mel Gibson, Richard Gere, Michelle Pfeiffer, Liam Neeson, and Robert Downey, Jr. Chris later moved to the venerable William Morris Agency, which eventually merged with Endeavor to form WME. As an educator and consultant, Chris has lectured around the world on the craft and business of screenwriting, and he has advised on countless feature films. Chris graduated from New York University's Tisch School of the Arts with an MFA in dramatic writing and was awarded the school's Public Service Prize for his dedication to public education. He is an adjunct professor at National University's Professional Screenwriting Program. He has also taught at LA Valley College and UCLA. His writing workshop The Inside Pitch was filmed for Los Angeles television, earning him an Emmy Award nomination. Chris's creative counsel has been used on many hit films such as the 2016 Sundance Film Festival sensation The Birth of a Nation. Chris crossed over into film producing with the cult horror hit The Collector (2009) and its sequel The Collection (2012), which opened in the top ten box-office. He also wrote and produced the award winning documentary Most Valuable Players (2010) which was acquired by OWN (Oprah Winfrey Network), and that Matt Roush of TV Guide reviewed as the “Sleeper of the week...Charming and disarming…A genuine treat.” Chris has set up several other projects, including A Rhinestone Alibi at Paramount, and Crooked Creek, a modern noir thriller. Chris is a member of the Writers Guild, the Producers Guild, and the Television Academy. He lives in Beverly Hills, CA and has a ten-year-old son. Full Bio »
A logline is the way your screenplay is introduced to the world. It’s rare that anyone will read your script without knowing something about it first. Agents, managers, producers, executives, actors, and anyone associated with making movies, rely on the logline for the most basic information about your screenplay.
Often, if a logline doesn’t work, neither does the screenplay. A logline can be used to identify problematic elements of a screenplay, enabling solutions to fix them.
In a Interactive Stage 32 Next Level Webinar:
Your host, Christopher Lockhart, Story Editor at WME, will breakdown the mechanics of a logline to determine what makes one work and open-up a broader discussion on the elements of successful screenwriting.
He will also be interacting live with the class listening to logline pitches to provide feedback on what works and what doesn’t. You will walk away learning how to make your logline stand out to grab the attention of an actor, producer, manager, agent or executive.
Through his career at ICM and WME he’s read over 60,000 scripts for consideration for A-list talent, such as Denzel Washington. Yes, 60,000. That’s not a typo. Every one of those scripts started with a logline.
Whether you’re in the early stages of plotting your screenplay or have already written fade out, this webinar will help you create an effective logline and give you greater insight into your own work.
Chris speaking at the Seattle Film Summit with Sean from Broken Road Pictures, Josh Adler from Circle of Confusion and Kevin Parker from Artists First Management.
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
One of the most respected agents in the business, Adam Van Dusen of Gersh will discuss the agent/screenwriter relationship, how to break in, industry trends and more! Live Q&A to follow!
Branding yourself as a writer is integral to your success in the entertainment industry. Your brand is equal parts preferred medium, chosen genre(s), and personal voice/style. Once this is developed, it becomes easier to for you, your representation team, and/or your production company to sell and produce your material. The entertainment industry is filled with writers, but with so much talent vying for limited opportunities, it’s important to find a way to stand out from the crowd. And because there are very few new stories, only fresh takes on proven formulas, a writer’s unique voice and style are paramount when creating and selling content. This voice/style combined with preferred genres and mediums make up a writer’s brand, and cultivating that brand is instrumental in selling yourself and your material in Hollywood. And you don’t need representation or a production company behind you to do it! Developing your brand as a writer starts and ends with you, but once you have command of this brand, you’ll find that many more representatives, producers, and other buyers are willing to jump on your bandwagon. In this Stage 32 webinar, development executive Tiegen Kosiak will teach you the importance of branding yourself as a screenwriter and how that brand is helpful in procuring representation, building relationships in the entertainment industry, and ultimately selling and producing your projects in the ever-changing Hollywood marketplace. Beginning her career in literary management and working with, among others, the Academy Award-winning writers of BIRDMAN and the creator of STEP UP and SAVE THE LAST DANCE, Tiegen recognized how integral a writer’s brand was in submitting material, setting meetings, and pitching clients for open writing assignments. Formerly, Tiegen worked for Cinestar Pictures, movie star Zoe Saldana’s production company. In this role Tiegen used branding every day to option material, sell screenplays, and attach writers to projects. This webinar will provide you with the tools needed to craft your brand as a writer and how to use that brand to sell yourself and your material to representatives, producers, and other content buyers in the entertainment marketplace. You will walk away with a better understanding of the Hollywood hierarchy and how to cultivate relationships within each tier. Remember, it all begins with you, the writer!
CCO Bradley Gallo and Story Editor Nat Topping from Amasia Entertainment join our Panel as we listen and read your pitches live to help educate the Writers' Room screenwriters on what is and isn't working in their pitch.
State of the industry Why the majority of TV/Film comes from pre-existing IP "The Executive Bias" Pre-existing Fan Base/Fleshed Out World Adapting Books/Articles Where to Go! How To Choose Material Who To Contact For Film/TV Rights How To Close The Deal Case Study: Game of Thrones, Sex and The City Case Study: The Wedding Sting in the Atlantic, now going to be a film at Paramount Adapting Comic Books / Video Games Where to Go! How To Choose Material Who To Contact For Film/TV Rights How To Close The Deal Case Study (Comics): Guardians of the Galaxy (Marvel/Disney, lesser known/less successful comic became a blockbuster) Case Study: Jessica Jones (Marvel / Netflix) Case Study (Video Games): Assassin's Creed (FOX, to be released this December) Making it your own Most say DO NOT adapt your own material (leads to being too protective of your work/not as open to change) Fun thing about IP, when you build a world, it can keep being adapted into other mediums (Example: Orphan Black the comic book was one of the best-selling comics last year, adapted from TV show. Goes in both directions) The heart of this, however, is making sure the new versions are different enough from the old, AND have your voice in them. LIVE Q&A with Maggie!
To see a video sample of the class, see below! 3 part class taught by Lee Stobby, Manager and Founder of Lee Stobby Management! One of the most challenging parts as a writer is getting your story, ideas and dialogue into a script that is a respectable length. When you're looking at a completed draft that is facing a rewrite, how do you know what to cut? Many times you may think nothing can go without killing the story, but keeping the length is not always a good thing. A development executive's job role varies day to day and with a constant barrage of responsibility, longer scripts usually end up drowning to the bottom of the "to-read" pile. The truth is that executives sometimes even ask how long a script is before committing to read it. As a writer you will lose the battle if turning a page ends up being a struggle for any industry professional. Which brings up the very important question: what can be cut without sacrificing the heart of the script? Stage 32 Happy Writers is excited to bring you the previously-recorded 3 part class: The Rewrite Process – What Do I Cut? taught by Lee Stobby, literary manager and founder of Lee Stobby Entertainment. Purchasing gives you access to the previously-recorded live class.Although Lee is no longer reviewing the assignments, we still encourage all listeners to participate!
Science Fiction (Sci-fi) is a multi-billion dollar a year film & TV industry with film classics such as Alien, Star Wars, 2001: A Space Odyessy paving the way, as well at TV classics such as Star Trek, Babylon 5, Battlestar Galactica also blazing a trail. When done correctly, sci-fi can be a storyteller’s dream - taking an audience on a fictional journey through space and time with no boundaries. Writing science fiction is an art that is perfected by a few key leaders in the industry, including our Stage 32 Next Level educator Marc Zicree. Marc has written for such classics as Star Trek: The Next Generation, Deep Space 9 and Babylon 5. Plus, he is also currently writing, directing and producing the multi-part Space Command - an epic science fiction drama film starring Doug Jones (Pan’s Labyrinth, Falling Skies, The Strain), Armin Shimerman (Deep Space 9, Buffy), Mira Furlan (Babylon 5, LOST), Bill Mumy (Lost In Space, Babylon 5), Robert Picardo (Star Trek Voyager), Faran Tahir (J.J. Abram’s Star Trek, Iron Man), James Hong (Blade Runner, Big Trouble In Little China) and Mike Harney (Orange is the New Black). We are honored that Marc has brought his extensive knowledge to the Stage 32 community. In this exclusive Stage 32 Next Level Webinar, Marc will be teaching you the keys to delivering exceptional sci-fi writing. You will learn the tools necessary to apply to your writing that will help improve the essence and marketability of your script. You will walk away with a clear path to identifying your story and incorporating writing elements to strengthen your characters, story and dialogue.