It's Introduce Yourself Weekend at Stage 32! Head over to the Introduce Yourself section of the Stage 32 Lounge and let everyone know who you are, what you're working on, your dreams and aspirations. And be sure to peruse other member's threads. You never know when you're going to make a connection that changes your life!
Christopher Lockhart is Hollywood’s foremost story professional. As Story Editor at WME, the world's largest diversified talent agency, Chris curates projects for A-list actors such as Denzel Washington, reading and exploring through piles of screenplays, magazines, books, old movies, TV shows, and pitches in search of potential film projects. Chris began his career at International Creative Management (ICM), where he worked as script consultant to legendary talent agent Ed Limato, who represented industry giants such as Mel Gibson, Richard Gere, Michelle Pfeiffer, Liam Neeson, and Robert Downey, Jr. Chris later moved to the venerable William Morris Agency, which eventually merged with Endeavor to form WME. As an educator and consultant, Chris has lectured around the world on the craft and business of screenwriting, and he has advised on countless feature films. Chris graduated from New York University's Tisch School of the Arts with an MFA in dramatic writing and was awarded the school's Public Service Prize for his dedication to public education. He is an adjunct professor at National University's Professional Screenwriting Program. He has also taught at LA Valley College and UCLA. His writing workshop The Inside Pitch was filmed for Los Angeles television, earning him an Emmy Award nomination. Chris's creative counsel has been used on many hit films such as the 2016 Sundance Film Festival sensation The Birth of a Nation. Chris crossed over into film producing with the cult horror hit The Collector (2009) and its sequel The Collection (2012), which opened in the top ten box-office. He also wrote and produced the award winning documentary Most Valuable Players (2010) which was acquired by OWN (Oprah Winfrey Network), and that Matt Roush of TV Guide reviewed as the “Sleeper of the week...Charming and disarming…A genuine treat.” Chris has set up several other projects, including A Rhinestone Alibi at Paramount, and Crooked Creek, a modern noir thriller. Chris is a member of the Writers Guild, the Producers Guild, and the Television Academy. He lives in Beverly Hills, CA and has a ten-year-old son. Full Bio »
"Amazing seminar loved it. It was the best I have ever watched or ordered!" - Robert M.
"Excellent! Very practical and useful." - Kathi W.
"Chris was clear, concise, helpful, and focused. Loved his enthusiasm and humor." - Lori H.
A logline is the way your screenplay is introduced to the world. It’s rare that anyone will read your script without knowing something about it first. Agents, managers, producers, executives, actors, and anyone associated with making movies, rely on the logline for the most basic information about your screenplay.
Often, if a logline doesn’t work, neither does the screenplay. A logline can be used to identify problematic elements of a screenplay, enabling solutions to fix them.
In This Stage 32 Next Level Webinar:
Your host, Christopher Lockhart, Story Editor at WME, breaks the mechanics of a logline to determine what makes one work and open-up a broader discussion on the elements of successful screenwriting.
He interacted live with the class listening to logline pitches and provided feedback on what works and what doesn’t. You will walk away learning how to make your logline stand out to grab the attention of an actor, producer, manager, agent or executive.
Through his career at ICM and WME he’s read over 60,000 scripts for consideration for A-list talent, such as Denzel Washington. Yes, 60,000. That’s not a typo. Every one of those scripts started with a logline.
Whether you’re in the early stages of plotting your screenplay or have already written fade out, this webinar will help you create an effective logline and give you greater insight into your own work.
Chris speaking at the Seattle Film Summit with Sean from Broken Road Pictures, Josh Adler from Circle of Confusion and Kevin Parker from Artists First Management.
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32.
Q: Do I have to be located in a specific location?
A: No, you can participate from the comfort of your own home using your personal computer! If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar.
Q: What are the system requirements?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.8 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer
Q: What if I cannot attend the live webinar?
A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. If you cannot attend a live webinar and purchase an On-Demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to rewatch?
A: Yes! After the purchase of a live or On-Demand webinar, you will have on-demand access to the audio recording, which you can view as many times as you'd like for a whole year!
Chris was so bang on with his advice for crafting a logline. I redid my two most cumbersome ones within ten minutes after this webinar. In turn, that process has prompted a whole cascade of new scenes to fix everything within those screenplays! - Sarah G.
Chris was clear, concise, helpful, and focused. Loved his enthusiasm and humor. - Lori H.
Excellent webinar. Really helped with my logline. - Martin R.
Very informative. Clarified a lot of questions I've always had regarding loglines. Well worth the money. - Emmit R.
It was very informative and insightful. - Mays S.
To see a video sample of the class, see below! 3 part class taught by Jordan Barel, who works TV Coordinator for Verve Talent and Literary Agency! In the past four years, we have seen The Avengers, Batman Vs Superman, Deadpool, Captain America, Man of Steel, The Amazing Spider-Man, Guardians of the Galaxy, Iron Man, The X-Men, The Dark Knight and many other comics turned into major studio films that smash the box office. There is no doubt that there is a demand for super hero and comic-based stories. Have you found a comic that you think would make a great film? Have you ever read a Marvel or DC comic and thought “how did they screw up the movie so bad?” Do you have your own comic series that you think would make a hit movie? Do you dream of being a writer but don’t yet have your angle? Or do you want to write a Major Summer Tentpole based off an original idea? Stage 32 is excited to bring you the previously-recorded 3 part class: How to Write a Film Based Off an Original Idea or Comic Book Adaptation taught by Jordan Barel, who works in Development at Paul Scheer's company, Abominable Studios. Jordan gives you a how-to on translating comic books into film writing, and how to write a summer Tentpole based off an original idea. He covers everything from story structure and dialogue, from legal issues to pitch packets. Here's a sample of what to expect in this exciting Stage 32 Next Level Class: Purchasing gives you access to the previously-recorded live class. Although Jordan is no longer reviewing the assignments, we still encourage all listeners to participate.
One of the weakest elements in screenwriting is story momentum. Without story momentum, pacing drags, plots lose focus, second acts die, and story climaxes are – anticlimactic. Achieving story momentum is not addressed often enough in screenwriting classes. Nor is the direct correlation between dramatic tension and the cause and effect elements needed to link scenes and scene sequences. This relationship is the cornerstone of achieving dramatic tension and mastering story momentum. In this Stage 32 Next Level Webinar, Max Adams, a 20-year working screenwriter and acclaimed author who has worked with Columbia Pictures, Touchstone Pictures, Universal Pictures, Walt Disney Studios, and Tri-Star Pictures, will explain why linear plotting fails and will give you practical tools and techniques you can immediately apply to you writing. You will leave this webinar knowing how to fix story holes, correct pacing, create driving story engines and achieve rising story momentum to maintain a feature film script straight through to a riveting story climax!
Learn directly from award winning non-fiction producer of 8 films, Jim Young, President of Animus Films: Lovelace (Amanda Seyfried), The Words (Bradley Cooper), Life of a King (Cuba Gooding Jr.) - Exclusive for Stage 32 members! With all the recent success for true story dramas including 12 Years a Slave, The Butler, and Dallas Buyer's Club (among many others), it’s an exciting time in the marketplace for non-fiction. If you have found a story that truly inspires you and know it will make a great film, sometimes it’s hard to know where to start to make that happen. The easy part is finding the right story, the hard part is knowing what to do with it. Whether it’s a book, a newspaper or magazine article, a documentary, or even if it’s a story of someone you’ve met or are related to - If you want to learn how to take the kernel of an idea or acquire existing material and develop it into a feature length film, this is the webinar you need taught by one of the most experienced independent producers on the subject. Stage 32 Next Level Webinars is thrilled to bring you Developing a True Story Into a Film (Acquiring / Developing / Writing / Producing / Distributing), hosted by award-winning Producer Jim Young of Animus Films (Lovelace, The Words, Life of a King). Jim is a leading independent non-fiction producer, with 8 films under his belt. We are honored he is bringing his knowledge exclusively to the Stage 32 community. In Developing a True Story Into a Film, Jim will take you through the steps of acquiring the rights to a particular article, book or other printed material about, or the life rights of, a given person (or persons). From there he will cover writing and developing the script, getting buttoned up legally to avoiding pitfalls in the pre-production and production phases, and navigating the process of releasing and distributing the film. He will provide real life case studies using some of his own films as examples to help you gain real world experience and make the process painless.
ONE DAY ONLY! Live Online Webinar - September 12, 2017 In a rare online appearance and for the 2nd time Stage 32 is proud to bring back the award winning author and teacher Quincy Jones calls "Aristotle of our time" Robert McKee. Now, for the first time online with Stage 32 he'll be going over concepts from his latest book, STORYNOMICS! "You just don't get Robert McKee like this for this kind of price. Kudos to Stage 32 and thank you Mr. McKee" - Burton B.
Part 2 you're not going to want to miss! Ever wondered what daily life is like for a TV Writer? Looking for ways to manage and maximize your schedule to output great, useful material without losing your mind? Wondering how the hell you’re supposed to write when you’ve got a full-time job? Tune in for this exclusive 2-Part Stage 32 Next Level Webinar taught by TV Writer/Producer Charlie Charbonneau (CW shows: The Secret Circle, The Vampire Diaries, and its spin-off The Originals) to hear about life and work of TV writers, on AND off the clock. You'll gain insight that will help you succeed in finding your next assignment and how to excel in the position. In Part 2 the followup to So You Want To Be A TV Writer? An Inside Look - Part 1, Charlie will unpack all the ups, downs, problems, and pleasures that come in the daily life of a working TV writer. Hear insider advice and information about writers room etiquette, climbing the title ladder, taking notes, rolling with the punches when your material doesn’t impress the powers that be, and making sure you get paid. He’ll even discuss the best way to interact with those hot-shot actors in your show. As usual, get ready for some horror stories from the trenches!