Nick Waters is a Producer of the Paramount Pictures feature film MARGAUX starring Vanessa Morgan and Madison Pettis. Nick produced the horror feature SHELTER IN PLACE with The Komack Company - the producers of DEADPOOL and VAN WILDER. He continues to develop other projects to bring to Komack and looks for scripts that are ready for production. Even though he's produced a lot in the horror genre, Nick is looking to expand his slate to include new genres from indie dramas to slasher horror and everything in between. Some recent projects he has picked up include a top ballroom dancer docuseries and a comedy with Chloe Grace Moretz. Prior to transitioning into Producing, Nick was in front of the camera as an actor - bringing with him valuable relationships with talent and filmmakers. Full Bio »
A New Exclusive Webinar
Learn How To Write A Successful Horror Script From The Writer/Producer Of Paramount's MARGAUX
With the recent success of horror films such as SMILE, BARBARIAN and NOPE, it is evident that horror remains one of the most consistently profitable and exciting genres in the industry.
This is because horror films can be made for a cost and still yield spectacular returns at the box office. Horror doesn’t rely on big IP, superheroes, or movie stars – what a horror movie needs to deliver is a compelling story, told well, packed with plenty of chills and thrills.
However, delivering on this is far easier said than done, and many writers miss important story elements that keep their horror scripts dead in the water.
In this exclusive Stage 32 Next Level Webinar, Nick Waters, the writer/producer of Paramount's horror movie MARGAUX and a producer on the horror film SHELTER IN PLACE, will teach you what makes a horror film successful, from developing a marketable and commercial plot, to unique and scary set pieces, to properly structuring and formatting your script to tell the best story possible.
You will learn high-level story concepts, tips and tricks to help make your horror script scary and effective, and get an insider perspective on what concepts and types of horror films are currently selling in the marketplace.
You will leave this webinar with an understanding of not only how to make your existing scripts stronger, but how to develop and come up with the next big horror hit film!
Success in Horror: What Makes A Horror Film/Script Successful.
Q&A with Nick
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A New Exclusive Writing Lab Sold Out! Payment plans are available - please contact Sam at firstname.lastname@example.org for more information Work one-on-one and workshop your horror feature script with a professional screenwriter who wrote and produced the upcoming film MARGAUX with Paramount Pictures. Are you ready to write your horror feature screenplay? Horror films have a track record of doing well with audiences across all demographics, as these films tap into our greatest fears, wants, needs, psychosis, and primal instincts while hitting us with a dose of adrenaline. Horror is viewed as a great bet by many producers and studios when greenlighting a project… and for good reason! NOPE, SCREAM, PARANORMAL ACTIVITY, and so many more have generated massive returns… With multiple subgenres under the horror umbrella, it is important to understand YOUR voice in the genre and how you can use your voice to subvert expectations and tropes to create something new and exciting. Throughout this exclusive Stage 32 eight-week intensive lab, you will write your own horror film, chosen from three pitches submitted to your host, Nick Waters, and you will learn how to market your finished screenplay. Nick is a director, writer, and producer with the horror feature he wrote and produced, MARGAUX, is being released this year from Paramount Pictures starring Madison Pettis and Vanessa Morgan. He also directed and produced the documentary WHEN WE DANCE. You’ll cover everything in this lab from crafting a horror feature script with outlines, structure, and dialogue to best positioning your script in the marketplace with loglines, pitch decks, one-pagers, and commercial viability. You’ll also have two one-on-one sessions with your instructor and weekly assignments to guarantee that you’re always progressing with your screenplay vetted by a professional screenwriter. You'll also workshop your progress and your fellow classmates' work in class as you build relationships with other passionate writers. A lifelong horror fanatic, Nick can’t wait to help you develop and write your horror script. You will walk away from the lab with a completed screenplay for a horror feature film and know how to best market your story to the producers and production companies clamoring for new material.
There is a myth in the television industry right now: more channels mean it’s easier to sell a show, right? WRONG! The diversification of television and the dominance of streaming services over linear cable have made it HARDER to sell unscripted programming. Why? Because there are too many places for the audience to go. In order to get a hit, networks have to become specialized and truly define their brand in order to stand out. You can no longer just pitch IDEAS to networks. IDEAS are not STORIES and they’re not SERIES. There is a lot more work (research, interviews, and writing) that has to go into a pitch before you can take it to a network. Bomb a pitch and a network might not let you in the door again. Angela Molloy is one of the original unscripted executives having been in the game since 2001, when it was just getting started. She’s also one of the only executives who has been a network buyer, a production company development executive (seller), and an Executive Producer in the field. In this webinar you’ll learn get an overall sense of the reality landscape and concrete essential tips for how to develop and pitch into it. Sign up today to make sure you don’t get caught with your pants down during a pitch!
You have goals, but how much of your life is getting in your way of achieving them? For writers, directors, producers, and other artists, motivation often must come from a very vulnerable place, and that doesn't happen easily. Let someone with over 100 scripts and productions under their belt show you how to get out of your way make your goals happen. Are procrastination and blocks halting your creative work? Do you believe that you have to suffer to produce great art? How many days do you go to be disappointed that you didn't write a single page? Is a fear of failure holding you back? Your art requires an act of courage, and it starts with one step. Justin Rossbacher is a writer-director-producer who's worked on over 100 on-screen projects and won over 140 awards across 20 years. He has worked with countless artists in the entertainment field to support their passions by providing structure, community, and accountability. Justin has continuously generated great, award-winning work by keeping distractions, procrastination, and fear out of his path of producing fantastic results. So many self-help or motivational books and podcasts are from entrepreneurs or sales experts. How is that going to help you prep for your film or finish your screenplay? You need advice from a creative, just like you. Justin believes the world is a genuinely better place when you commit to doing the work you often don't make time for. Whether writing a screenplay, directing that film, or just getting organized, you have a unique contribution to this world, and Justin will help you make it a reality. During this exclusive Stage 32 webinar, you will be able to ask Justin questions about your unique situation and dilemmas to create actionable steps you can implement immediately. You will also have the tools to: Reconnect with your goals Prioritize time for yourself and essential steps Justin's "time boxing" technique to get more done and save time Find a schedule that works for YOU Hold yourself accountable Know where to get support and create community After viewing, you'll have access to this information on-demand to revisit and inspire yourself if procrastination or other blocks get in your way again. So what's holding you back today? Why not let Justin know...
Filmmakers, producers, and financiers can really be held back by distribution contracts. If they don’t understand the language or terms, are passive or held hostage by a feeling that they may be getting ripped off, or simply do not have the support system to advise them or the knowledge to know what to fight for, they can find themselves at an extreme disadvantage. In many cases, the excitement of the "someone likes my movie/let's get it out there" mentality supersedes common sense. And that alone can lead you into giving away your rights, accepting horrendous percentages or agreeing to terms that lock you and your project up. Don't fall into these traps! You worked hard on your film. You sacrificed time and likely money to get to this point. While most might think this is time to hit the gas pedal, it's actually time to tap the brakes. You want to be sure you're doing everything humanly possible to not only protect yourself, your investors and your team, but maximizing your film's potential in the marketplace. Anna Darrah is an experienced film buyer, negotiating with and licensing over 800 films in her 12 years working for Gaiam and Spiritual Cinema Circle. She has been an active player on the festival circuit and currently advises filmmakers on custom distribution strategies. Anna is also a filmmaker who produced two documentaries that aired on The Sundance Channel, and directed a music video and the short film THE MATTER OF MAGIC. She also produced a feature-length documentary about Helen Schreider (www.THEHELENMOVIE.com) while also making short films for the ZILLOW.COM series, HOMEMAKERS. Anna has enjoyed jurying and participating in film festival panels and workshops here and abroad and is currently offering a Film Distribution Workshop co-taught with Jilann Spitzmiller. Now Anna brings her knowledge and teaching prowess to Stage 32. Anna will begin by breaking down theatrical and broadcast rights as well as exclusive and non-exclusive deals. She'll dive into breaking down deal points including term, territory, rights and compensation. She'll discuss standard terms and point out red flags within and speak to what you should negotiate to assure you get the best, and most fair, deal. She will even look at the negotiation process from the other side of the table so you can understand what a distributor truly wants out of a deal. Thinking outside the box, Anna will even discuss going the DIY distribution route or a hybrid DIY/traditional distribution path. All this and much more. It’s incredible how each contract is like a snowflake -- totally unique and yet similar in some very important ways. I will help you understand the entire distribution arena so you can sleep well knowing you've made the best deal for you, your partners and, most importantly, your film. - Anna Darrah Praise for Anna "Excellent overview of terms to be aware of when negotiating or reviewing a distribution agreement." - Valerie N. "Anna was great, the information she shared was so very useful!" - Christian C. "For a complex subject, Anna made it all so simple and easy to follow. Excellent webinar!" - Drea P. "A knockout." - Mana W.
One of the weakest elements in screenwriting is story momentum. Without story momentum, pacing drags, plots lose focus, second acts die, and story climaxes are – anticlimactic. Achieving story momentum is not addressed often enough in screenwriting classes. Nor is the direct correlation between dramatic tension and the cause and effect elements needed to link scenes and scene sequences. This relationship is the cornerstone of achieving dramatic tension and mastering story momentum. In this Stage 32 Next Level Webinar, Max Adams, a 20-year working screenwriter and acclaimed author who has worked with Columbia Pictures, Touchstone Pictures, Universal Pictures, Walt Disney Studios, and Tri-Star Pictures, will explain why linear plotting fails and will give you practical tools and techniques you can immediately apply to you writing. You will leave this webinar knowing how to fix story holes, correct pacing, create driving story engines and achieve rising story momentum to maintain a feature film script straight through to a riveting story climax!
It's an undeniable fact, we are living in a gold rush of comedy content featuring lead female characters. Just think about the major box office and streaming successes we've seen over the last few years. On the feature film side, you have movies such as Late Night, Girls Trip, What Men Want, Rough Night, Bad Moms, and Trainwreck to name a few. On the networks, premium cable channels, and streamers Fleabag, 2 Broke Girls, Mom, Glow, Russian Doll, Insecure, The Marvelous Mrs. Maisel, and Unbreakable Kimmy Schmidt have drawn huge audiences and many have won major awards. Is it any wonder why development executives, managers, agents, producers and financiers are looking for writers who have the ability to write screenplays and teleplays featuring memorable and iconic female characters? There are many inroads to breaking and staying in the industry as a writer, but one of the most important factors is understanding what's hot in the marketplace. And right now, thanks to the massive buying power of the streaming platforms along with other major feature film and television production companies looking for comedies, it's never been a better time to understand how to write female driven comedies that pop. David Shecter has has been working in the industry in production, development, and as a writer for over a decade. David has written on many shows, including season 5 of It's Always Sunny in Philadelphia. His experience and success on that show landed David on the pilot of the CBS show. 2 Broke Girls where he worked his way up as a staff writer on the 6th and final season of the show. David is currently developing a female driven action comedy cop show, Lady Copped, with New Form and STX Entertainment. Most recently David was named one of the WGA TV Writer access honorees for his script For Worse. David will teach you everything he's learned about writing female driven comedies throughout his career. He will show you how to avoid the all to common cliches that seemingly find their way into every female driven script. He will show you why sex sells, but how to properly write sex and sexuality into your screenplay to make it unique. He will teach you the practice of gender flipping and role reversals. He will show you how you can bring a personal connection to your female characters no matter whether you're a male or female. He will show you how to examine your plot and your characters before you begin writing to make the process flow more smoothly. He will show you the difference between one dimensional vs multi-dimensional characters and how easy it is to fall into the former, but how important it is that you learn the latter. Finally, David will present a case study of his latest screenplay Lady Copped which is now in development with New Form and STX. Whether you're a feature or TV writer, you will learn all the important factors in writing a female driven comedy that will get you reads and attention. "Another incredible and insightful webinar presented by Stage 32. I have received notes on my screenplays in the past that my female characters fell into cliche. As a female, that pissed me off! But now I understand why and I'm already on the path to changing things for the better. Thank you, David, and bravo, Stage 32! -Melissa J. "Can men write female driven comedies? I often asked myself that question. I'm not any longer. Loved this presentation. - Kyle P.